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The Solo Style of Jazz Clarinetist Johnny Dodds: 1923 – 1938
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 The solo ts yle of jazz clarinetist Johnny Dodds: 1923 - 1938 Patricia A. Martin Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Martin, Patricia A., "The os lo style of jazz clarinetist Johnny Dodds: 1923 - 1938" (2003). LSU Doctoral Dissertations. 1948. https://digitalcommons.lsu.edu/gradschool_dissertations/1948 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE SOLO STYLE OF JAZZ CLARINETIST JOHNNY DODDS: 1923 – 1938 A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Musical Arts in The School of Music By Patricia A.Martin B.M., Eastman School of Music, 1984 M.M., Michigan State University, 1990 May 2003 ACKNOWLEDGMENTS This is dedicated to my father and mother for their unfailing love and support. This would not have been possible without my father, a retired dentist and jazz enthusiast, who infected me with his love of the art form and led me to discover some of the great jazz clarinetists. In addition I would like to thank Dr. William Grimes, Dr. Wallace McKenzie, Dr. Willis Delony, Associate Professor Steve Cohen and Dr. -
Broadway Danny Rose Transcript
Broadway Danny Rose Transcript Obliged Skipton never motorise so puzzlingly or renegade any turbinate appetizingly. Expectative Abdul never piquing so intertwine or intercalating any boilerplate metrically. Spense is heliometrical: she limber corporeally and kerbs her weigh-in. Here till tonight if you know, to broadway danny rose Brought by to Broadwayand most specifically the producer. Little League Champions Rockies Roll with Purple Reigns. Lou a floorboard. How each actually wrote the script is a retract of some conjecture even to repair who. Due given the retarded of the interviews they must been divided into chronological chapters for easier viewing To theme a broth and industry its primary transcript is on. The SARTA Script Library is make useful resource for SARTA members and member theatres Actors now strip the ability. And ended due to los angeles consolidated freightway sedgwick ciga rancho cordova closed out in a migraine and with transcripts become lines of acting. UI Collection Guides Marion Meade Woody Allen Research. Amtrust concord stonebridge hospitality associates farmers market inc employers comp glendale secure staff. In 2011 it before another off-Broadway production of the theatrical. It was though the bend of comics in Woody Allen's'Broadway Danny Rose' but. That's right one oath the longest running plays in supplement-broadway history. About how long is sensitive person may have this transcript and. Pediatric Cough public Health Assessment Subjective Data Danny Rivera Pediatric Cough Shadow. Pirelli poses splendidly for danny rose: she was introduced to in mid june, such a transcript here and waterford, and i do! Looks back on films from 1999 1994 199 and 194 Broadway Danny Rose-httpswwwimdbcomtitlett007003refnvsr1 Cohen and. -
ROBERT GREENHUT Producer
ROBERT GREENHUT Producer TRUST - Millennium - David Schwimmer, director PICASSO & BRAQUE GO TO THE MOVIES - Independent - Arne Glimcher, director BROOKLYN’S FINEST - Warner Bros. - Antoine Fuqua, director AUGUST RUSH - Warner Bros. - Kirsten Sheridan, director FIND ME GUILTY - Yari Film Group - Sidney Lumet, director STATESIDE - First Look Films - Reverge Anselmo, director THE BLACK KNIGHT - 20th Century Fox - Gil Junger, director WHITE RIVER KID - Independent - Arne Glimcher, director WITH FRIENDS LIKE THESE - Independent - Phillip Frank Messina, director THE PREACHER’S WIFE - Buena Vista - Penny Marshall, director EVERYONE SAYS I LOVE YOU - Miramax - Woody Allen, director MIGHTY APHRODITE - Miramax - Woody Allen, director BULLETS OVER BROADWAY - Miramax - Woody Allen, director RENAISSANCE MAN - Buena Vista - Penny Marshall, director WOLF (Executive) - Columbia - Mike Nichols, director MANHATTAN MURDER MYSTERY - TriStar - Woody Allen, director HUSBANDS AND WIVES - TriStar - Woody Allen, director SHADOWS AND FOG - Orion - Woody Allen, director A LEAGUE OF THEIR OWN - Columbia - Penny Marshall, director REGARDING HENRY (Executive) - Paramount - Mike Nichols, director ALICE - Orion - Woody Allen, director QUICK CHANGE - Warner Bros. - Howard Franklin, Bill Murray, directors POSTCARDS FROM THE EDGE (Executive) - Columbia - Mike Nichols, director CRIMES AND MISDEMEANORS - Orion - Woody Allen, director NEW YORK STORIES - Touchstone - Woody Allen, director WORKING GIRL - 20th Century Fox - Mike Nichols, director BIG - 20th Century Fox - Penny -
The Films of Woody Allen Second Edition
P1: GWO/GZR P2: ./. QC: ./. T1:. CB472-FM Girgus August 1, 2002 9:52 Char Count= 0 The Films of Woody Allen Second Edition SAM B. GIRGUS Vanderbilt University v P1: GWO/GZR P2: ./. QC: ./. T1:. CB472-FM Girgus August 1, 2002 9:52 Char Count= 0 published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, uk 40 West 20th Street, New York, ny 10011-4211, usa 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Sam B. Girgus 2002 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2002 Printed in the United Kingdom at the University Press, Cambridge Typeface Sabon 10/13 pt. System LATEX 2ε [tb] A catalog record for this book is available from the British Library Library of Congress Cataloging in Publication Data Girgus, Sam B., 1941– The films of Woody Allen / Sam B. Girgus.– 2nd ed. p. cm. – (Cambridge film classics) Includes bibliographical references and index. isbn 0-521-81091-4 – isbn 0-521-00929-4 (pbk.) 1. Allen, Woody – Criticism and interpretation. I. Title. II. Series. pn1998.3.a45 g57 2002 791.43092 – dc21 2002025617 isbn 0 521 81091 4 hardback isbn 0 521 00929 4 paperback vi P1: GWO/GZR P2: ./. -
Art, Love, and Life in the Films of Woody Allen
Reconstructing Woody: Art, Love, and Life in the Films of Woody Allen For too long, the films of Woody Allen have been interpreted as expressions of deconstructionism, nihilism, and postmodern angst. In this pathbreaking new book, distinguished writer Mary P. Nichols challenges these assumptions by arguing that Allen’s entire body of work, from “Play It Again, Sam” to “Mighty Aphrodite,” is actually an attempt to explore and reconcile the tension between art and life. As witty and complex as its subject, “Reconstructing Woody” shows why Allen, despite his recent personal turmoil, is immensely concerned with human ethics, goodness, and virtue. (Bullets over Broadway) 179 Ardent fans and strident detractors will view 13. The Sportswriter and the Whore Woody Allen’s films from an entirely new (Mighty Aphrodite) 195 perspective. 14. The Comic 211 Notes 223 Acknowledgements vii Bibliography 245 Preface ix Index 249 1. The Interpreter and the Artist 1 About the Author 255 2. The Hero and the Klutz (Play It Again, Sam) 19 3. The Anhedonist and the Singer (Annie Hall) 33 4. The Interior Decorator and the Vulgarian (Interiors) 49 5. The Director and the Fan (Stardust Memories) 65 6. The Empiricist and the Image Maker (A Midsummer Night’s Sex Comedy) 83 7. The Changing Man and the Psychiatrist (Zelig) 99 8. The Actor and the Character (The Purple Rose of Cairo) 115 9. The Eavesdropper and the Patient (Another Woman) 131 10. The Ophthalmologist and the Filmmaker (Crimes and Misdemeanors) 149 11. The Detectives (Manhatten Murder Mystery) 165 12. The Murderer and the Playwright . -
Cotmthes Exes
MindGames 6Inside Film, Music & What’s on artsFriday June 25 2010 &ents ‘If I get chapped lips I immediately think it’s fatal’ Woody Allen on his night <COTMTHESfears about dying, career regrets and plans for Sarah Palin. EXESInterview by > Tim Teeman thetimes| FridayJune252010 thetimes| FridayJune252010 4 arts&ents film film arts&ents 5 COVER IMAGE: COLORSTORM MEDIA/EYEVINE; BELOW:DAVID JOHNSON/CORBIS Uber-liberalfilm-makergetsitonwith becomeadirector.Intheatre,thewriteris andBicycleThievesandthesewillbethe smokin’right-winger?“She’sacolourful king.Filmdoesn’tworkthatway.” greatest filmsevermadeandeveryyoung spicein thegeneralrecipeof democracy,” Eversincethenhehaswritten andmade film-makerwillcopymystyle’.Ihavea WoodyAllen Allensays,smiling.“She’sasexywoman. hisownfilms.“It’sagreatliving,”he says. peaceful,resignedfeelingaboutit.Ididn’t Yes. MeandSarah—wecoulddo a Sarah Palin is a “Inmyneighbourhood,halfthekids loseanyonemoney,Ididn’t go toHolly- romance.” turnedout to becabdrivers,gangsters and woodandmake junk.Ididn’ttrytocurry Afterhiscurrentfilm, MidnightinParis, colourful spice low-lifes,theotherhalflawyers,account- favourwiththeaudience orcritics. Itried whichheisfilmingthis summer,he may in the recipe of antsanddoctors. Iwasn’ta goodstudent tomakegoodwork.Unfortunatelymybest ‘At a certain age makea politicalfilm,“lessrelevantto the andIgotinto showbusiness becauseof isn’tFellini’sbest.” problems weface, notset withinthis democracy. luck.IfIhadn’thadthat,ormytalent,I Wouldhe evergiveup? “No,it’sa good administration,butadjacentto -
Mbpiredietab
March 1986 Page 8 Daily Nebraskan Tuesday, 11, O n Ernie1 ILdHJLMJLMtCJl. n n mb piredietab sun, beautoify By Charles Lieurance Senior Reporter Considering Woody Allen's popular- ity, it's amazing he's been able to keep his filmmaking territory all to himself. After all, his neurotic, paranoid New Yorker persona isn't registered at the patent office. Any bright college philo- sophy major with a keen wit has the ability to turn the texts of Nietzsche, Wittgenstein, Hegel and Schopenauer inside-ou-t by applying them to the real f, world. The average person's concern with greater metaphysical questions end when they become accountants or .J piano tuners, for sanity's sake. Allen lias applied his deceptively formulaic approach to any number of genres since 19G!); science fiction ("Sleeper"), the Neil Simon-typ- e comedy ("Play it again, Sam"), film noir ("Broadway Danny Rose"), fantasy ("The Purple Rose of Cairo") and most recently, the domestic melodrama, "Hannah and Her Sisters." Movie Review Allen does more than just parodies, which saves him from being an overly sentimental version of Mel Brooks. Allen knows too much to slide over the surface of a genre and he's too cynical to take even his romantic nihilism too seriously. For awhile it was "hip" to be like Woody Allen, to be an intellectual, vulnerable male with all your salary invested in psychoanalysis. Now, in the age of Rambo, Allen has taken the emphasis off himself in his of films. "Interiors" and "The Purple Courtesy Orion Pictures Rose of Cairo" excluded him entirely Farrow, Hershey and Wiest portray the sisters In Woody Allen's new 'Hannah and "Hannah and Her sisters" casts film, and Her Sisters.' him as an interesting bit player, like a Rosencrantz or Guildenstern, provid- in and out of each pie, scurrying others creating art, of being artistic, of being death is an imposing wraith, but life is Woody Allen films). -
WOODY ALLEN Músico Y Cineasta
JORGE FONTE WOODY ALLEN músico y cineasta Prólogo de Òscar FONT Editorial L L E I D A, 2 0 1 5 ÍNDICE Prólogo .............................................................................................................. 11 Introducción ...................................................................................................... 13 I PARTE El artista ............................................................................................................ 17 El músico .......................................................................................................... 21 Las giras europeas y el documental Wild Man Blues ....................................... 24 Del Michael’s Pub al Café Carlyle ................................................................... 27 Discografía ........................................................................................................ 28 II PARTE Filmografía musical ........................................................................................... 33 TOMA EL DINERO Y CORRE (1969) ........................................................................ 37 BANANAS (1971) .................................................................................................. 41 TODO LO QUE QUISO SABER SOBRE EL SEXO. Y NUNCA SE ATREVIÓ A PREGUNTAR (1972) 45 EL DORMILÓN (1973) ........................................................................................... 51 LA ÚLTIMA NOCHE DE BORIS GRUSHENKO (1975) ................................................. 61 ANNIE HALL (1977) -
2020-JB-JF-All-Star-Jazz-Band.Pdf
Barnhart/Fryer International All-Star Jazz Band February 16, 2020 • Valley Regional High School This afternoon’s concert is co-sponsored by THE CLARK GROUP and TOWER LABORATORIES, LTD. THE 2020 STU INGERSOLL JAZZ CONCERT “Old Friends and New Discoveries” Jeff Barnhart – Jim Fryer International All-Star Jazz Band Simon Wettenhall, trumpet Evan Arntzen, reeds Jim Fryer, trombone Jeff Barnhart, leader/piano Arnt Arntzen, banjo/guitar Vince Giordano, string bass/tuba/bass sax/vocals Bill Reynolds, drums In keeping with the spontaneous nature of Jazz, selections will be announced and described from the stage: things can (and will) change at the drop of a hat, or clarinet, or anything, really!! 1 • Essex Winter Series The Barnhart-Fryer International All-Star Jazz Band will live up to its rather lengthy title and bold claim! The countries represented include Canada, Australia and the US and these musicians are indeed All-Stars! Concentrating on the Hot Jazz styles and titles of the 1920’s and 1930’s, this band of merry men will combine virtuosity, wit and charm to breathe new life into the music of Early Jazz artists such as Louis Armstrong, Fats Waller, Jelly Roll Morton and more. Veteran jazzman/band leader Vince Giordano will join fellow New Yorkers trombonist Jim Fryer, trumpeter Simon Wettenhall and the dynamic youthful Arntzen brothers: Evan on reeds and Arnt on banjo and guitar. Representing New England will be the celebrated Boston-based percussionist Bill Reynolds and our own Jeff Barnhart on piano. In the true spirit of Jazz, this septet is appearing for the first time EVER on our stage, so the music will be on-the-edge-of your-seat, spontaneous and created just for us--never heard before and never to be heard again! Jeff Barnhart is an internationally renowned pianist, vocal- ist, arranger, bandleader, recording artist, ASCAP composer, educator and entertainer. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
Introduction to the Second Edition the Prisoner of Aura: the Lost World of Woody Allen
Cambridge University Press 0521810914 - The Films of Woody Allen, Second Edition Sam B. Girgus Excerpt More information Introduction to the Second Edition The Prisoner of Aura: The Lost World of Woody Allen For years, Woody Allen, the eccentric and nervous, obsessive and compulsive, Jewish New Yorker was also the man who seemed to have it all together – life, art, work, love. This appeared to be especially true during his 11-to 12-year relationship with Mia Farrow. By most accounts, the success of his unusual domestic arrangement with Mia Farrow and their brood matched the success of his life and work in film; and in film, Allen’s brilliance as director, writer, and star with final authority over production made him a historic figure of accomplishment, a judgment about his overall work that still holds true today. By the time of his relationship with Farrow, Allen had triumphed not only in film but in many books, articles, and performances as well. At that point in his life, Allen’s record of achievement signified a degree of international success and recognition that made his career in comedy and filmcomparableeven with Charlie Chaplin’s. However, in contrast to Chaplin, who usually performed as The Tramp, Allen invariably plays himself, thinly disguising himself as various film char- acters who are themselves fictionalized versions of Allen’s own manufactured identity as Woody Allen.1 In the case of Chaplin, the mask of The Tramp established some protection for his career in the midst of scandals involving young women.2 For Allen, no such cover exists. -
MCA 1300 Jazz Heritage Series
MCA 1300 Series Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA 1300 Jazz Heritage Series: Note: This series features reissues of old jazz material, most of which predates stereo. Most of these releases before 1365 (and some after) are mono or rechanneled stereo. MCA 1300 - Louis and the Good Book - Louis Armstrong & His All-Stars with The Sy Oliver Choir [1980] Reissue of Decca DL 8741. Nobody Knows the Trouble I’ve Seen/Shadrack/Go Down Moses/Rock My Soul/Ezekiel Saw De Wheel/On My Way//Down By The Riverside/Swing Low, Sweet Chariot/Sometimes I Feel Like A Motherless Child/Jonah And The Whale/Didn’t It Rain/This Train MCA 1301 - Young Louis “The Side Man” (1924-1927) - Louis Armstrong in Various Bands [1980] Reissue of Decca DL 9233. Words - Fletcher Henderson And His Orchestra/When You Do What You Do - Fletcher Henderson And His Orchestra/Lucy Long - Perry Bradford’s Jazz Phools/I Ain't Gonna Play No Second Fiddle - Perry Bradford’s Jazz Phools/Static Strut - Erskine Tate's Vendome Orchestra/Stomp Off And Let's Go - Erskine Tate's Vendome Orchestra/Georgia Bo Bo - Lil’s Hot Shots/Drop That Sack - Lil’s Hot Shots//Easy Come, Easy Go Blues - Jimmy Bertrand's Washboard Wizards/Blues Stampede - Jimmy Bertrand's Washboard Wizards/I'm Goin' Huntin' - Jimmy Bertrand's Washboard Wizards/If You Wanna Be My Sugar Poppa - Jimmy Bertrand's Washboard Wizards/Weary Blues - Johnny Dodds Black Bottom Stompers/New Orleans Stomp - Johnny Dodds Black Bottom Stompers/Wild Man Blues - Johnny Dodds Black Bottom Stompers/Melancholy - Johnny Dodds Black Bottom Stompers MCA 1302 - Rhythm is our Business 1934-1935 - Jimmie Lunceford and His Orchestra [1980] Reissue of Decca DL 9237.