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RONÍKRONÍK XLV XLIV 5 2013 2,16 € / 65 Sk Spravodajstvo: 58. Košická hudobná jar, VOICEssion alebo štyri farby jedného hlasu / História: Wagnerov tie – 200. výroie narodenia / Skladba mesiaca: Bohuslav Martin: III. symfónia 23. roník SFKU: Žilina týžde metropolou hudby JORDI SAVALL: „Hudba robí môj život zmysluplným každý jeden de.” THE HILLIARD ENSEMBLE 01 | 06 | 2013 dóm sv. alžbety festival komornej hudby chamber music festival 30 máj – 2 jún 2013 | košice 30 | 05 18:00 | bábkové divadlo | tajovského 4 JURAJ FÁNDLY & SILVESTER LAVRÍK DÚVERNÁ ZMLÚVA ČIŽE HĽADANIE POLITICKEJ VÔLE … silvester LAVRÍK rozprávač | jozef LUPTÁK violončelo | boris LENKO akordeón 31 | 05 18:00 | múzeum vojtecha lÖffl era | alžbetina 20 JANÁČEK | DOHNÁNYI | ŠOSTAKOVIČ | BRAHMS igor KARŠKO husle | jozef LUPTÁK violončelo | nora SKUTA klavír 20:00 | bábkové divadlo | tajovského 4 horomona HORO performer | joshua ROGERS gitara WAIORA (NOVÝ ZÉLAND) TAONGA PŪORO – tradičné maorské hudobné nástroje 01 | 06 20:00 | dóm sv. alžbety THE HILLIARD ENSEMBLE (UK) david JAMES kontratenor | rogers COVEY-CRUMP tenor steven HARROLD tenor | gordon JONES barytón igor KARŠKO viola | peter VRBINČÍK viola | jozef LUPTÁK violončelo program | ANGLICKÁ RENESANCIA | vladimír GODÁR (SVETOVÁ PREMIÉRA) gavin BRYARS – CADMAN REQUIEM (SLOVENSKÁ PREMIÉRA) 02 | 06 20:00 | evanjelický kostol košice | mlynská ul. FINE ARTS QUARTET (USA) ralph EVANS husle | efi m BOICO husle | juan-miguel HERNANDEZ viola vstupenky robert COHEN violončelo | a. h. igor KARŠKO viola | a. h. jozef LUPTÁK violončelo www.konvergencie.sk program | RACHMANINOV | ZIMBALIST | BRAHMS zmena programu vyhradená foto THE HILLIARD ENSEMBLE © marco borggreve www.ticketportal.sk KON2013-KE_inz-HZ_A4_tlac.indd 1 3. 5. 2013 14:04:55 Editorial Obsah Milí itatelia a priaznivci hudby, Spravodajstvo, koncerty, festivaly 2 Slovenská lharmónia, Verdiho Rekviem v Dóme sv. Martina, Organový recitál Moniky na symbolickom kmeni Stredoeurópskeho Melcovej, XXIII. Stredoeurópsky festival koncertného umenia v Žiline, 58. Košická festivalu koncertného umenia (SFKU), G. Verdi: Messa da Requiem hudobná jar, Oratórium Konštantín a Metod Pavla Kršku, Sedem posledných slov ktorý sa pod gesciou svojho zriaovatea nášho Spasitea na kríži v Košiciach, Nedené matiné v Mirbachu, Symfonický a organizátora – Hudobného centra – a záštitou Ministerstva kultúry SR koná orchester Slovenského rozhlasu, Quasars Ensemble v Redute a v Klariskách každorone na pôde ŠKO Žilina, pribudol už 23. letokruh. Od svojho založenia Stará hudba v roku 1991 sa pro loval ako prehliadka 12 Solamente naturali: vekononý program Passio A. Šuba najvýraznejších mladých talentov interpretaného umenia. Ich výkony Mimo hlavného prúdu v polorecitáloch alebo so sprievodom Leif Ove Andsnes 13 Nordic Shake: Public Enema/Staer R. Kolá orchestrov hodnotí medzinárodná 13 LIVE EVIL 2013: festival extrémnej hudby R. Kolá porota zložená z hudobných kritikov a muzikológov spravidla zo strednej Európy. K tohtoroRnému SFKU Rozhovor 14 a k jednotlivým výkonom, ktoré v žilinskom Jordi Savall, dirigent: „Hudba robí môj život zmysluplným.” A. Šuba Dome umenia Fatra v apríli odzneli, sa vraciame v trojstranovom hodnotiacom História bloku. 16 Wagnerov tie – 200. výroie narodenia skladatea R. Bayer Medzi osobnostné skvosty májového vydania Hudobného života sa akiste Narek Hakhnazaryan Skladba mesiaca zaradí španielsky dirigent Jordi Savall, 18 Bohuslav Martin: Tretia symfónia A. Platzner odborník na historicky pouenú interpretanú prax, ktorý po svojom marcovom vystúpení vo východoslovenskej metropole poskytol nášmu asopisu exkluzívny rozhovor. Haydnovo oratórium Hudobné divadlo 21 Wagner na Slovensku V. Blaho Sedem posledných slov nášho Spasitea na kríži, ktoré tam uviedol, re- ektujeme formou recenzie. 22 Sergej Proko ev: Romeo a Júlia P. Mao A keže tento rok je v znamení 200. výroRia narodenia Richarda 23 Operný zápisník M. Mojžišová, M. Glocková Wagnera, nad niektorými aspektmi života tohto originálneho zjavu v dejinách európskej hudby sa zamýšame v dvoch lánkoch. Prvý sa V zrkadle asu venuje mimohudobnej stránke jeho osobnosti, druhý wagnerovskej 24 Milada Synková, korepetítorka SND: „Teší ma rôznorodos môjho povolania.” interpretanej tradícii, ktorá sa u nás doma vyvinula. Skladbou E. Planková mesiaca je tentoraz Symfónia . 3, ktorú ako svoju „prvú skutonú“ symfóniu skomponoval v ase vrcholiacej Druhej svetovej vojny na Zahraniie východnom pobreží USA niekdajší outsider eskej hudby Bohuslav 26 Berlín: Dva dezerty – Barbier zo Sevilly, R. Villazón & Staatskapelle Berlin & Martin. D. Barenboim . Habart asto nám robí problém akceptova skutonos, že súasou života je 27 R: Švajiarska jar E. Aguirre aj smr. Uplynulý mesiac postihli slovenskú hudobnú obec hne dve straty: zo zoznamu žijúcich korepetítorov a zbormajstrov vypadlo 28 Viede: Fidelio v Theater an der Wien . Habart meno Dariny Turovej a rady operných režisérov opustila výnimoná osobnos Miroslava Fischera. Napriek tomu prežívame v redakcii Minipro l pocit zadosuinenia, že to bol aj Hudobný život, kto priniesol 29 Sopranistka Ivana Rusko J. Kubandová nedávno Fischerov umelecký i udský pro l a takto si naho pri príležitosti jeho osemdesiatky dôstojným spôsobom spomenul. Jazz V bohatom spektre hudobných profesií je to už raz tak, že kým 30 Gitarový vizionár Bill Frissel P. Záhradník jedny sa tešia hviezdnej popularite a nepretržitej pozornosti zo 33 Frank a jeho babiky D. Hevier ml. strany odbornej i laickej verejnosti, údelom druhých je fungova 33 5P Martina urdinu P. Motyka a presadzova sa v ich tieni. Táto bezvýznamnos i neatraktívnos 34 Jeden veer – dva krsty: Pavol Bodnár, Andrej Šeban P. Motyka je však iba zdanlivá, pretože malé koliesko môže by pre súkolesie 34 ubomír Tamaškovi – nekrológ J. Kalász neraz kúové a dokonca zaujímavejšie ako to veké. A práve také vám chceme prostredníctvom rubriky V zrkadle asu predstavi: je ním Milada Synková, dlhoroRná korepetítorka SND a neobyajne 35 Recenzie CD, DVD, knihy inšpirujúci lovek. 40 Kam/Kedy, Informácie Prajem vám príjemné a podnetné ítanie. Juraj Pokorný Mesaník Hudobný život/apríl 2013 vychádza v Hudobnom centre, Distribúcia a marketing: Rút Veselová (tel: +421 2 20470460, fax: +421 2 20470421, [email protected]) • Adresa re- Michalská 10, 815 36 Bratislava, INO 00 164 836 dakcie: Michalská 10, 815 36 Bratislava 1, www.hudobnyzivot.sk • Gra cký návrh: Peter Beo, Róbert Szegény • Tla: Róbert Jurových – NIKARA • Rozširuje: Slovenská pošta, a.s., Mediaprint-Kapa a súkromní distributéri • Zapísané v zozname periodickej tlaRe MK SR pod ev. íslom EV 3605/09 Objednávky na predplatné prijíma každá pošta a doruovate! Slovenskej pošty, alebo e-mail: predplatne@sl- RedakRná rada: Alžbeta Rajterová, Igor Wasserberger, Vladimír Zvara posta.sk • Objednávky do zahraniRia vybavuje Slovenská pošta, a.s., Stredisko predplatného tlae, Uzbecká 4, Šéfredaktor: Juraj Pokorný (tel. +421 2 20470420, 0905 643 926, [email protected]) P.O.BOX 164, 820 14 Bratislava 214, e-mail: [email protected] Objednávky na predplatné prijíma aj re- Redakcia: Andrej Šuba ([email protected]), Robert Kolá ([email protected]), Michaela dakcia asopisu. Používanie novinových zásielok povolené RPPBA Pošta 12, da 23. 9. 1993, . 102/03. • Indexové Mojžišová – klasická hudba, Peter Motyka – jazz ([email protected]) Ríslo 49215. ISSN 13 35 41 40 • Obálka: Alena Baeva, foto: R. Kuavík • Výtvarná spolupráca: Róbert Szegény • Názory a postoje vyjadrené v uverejnených textoch nie sú stanoviskom redakcie. Redakcia si vyhradzuje prá- Jazykové redaktorky: Dorota Balcarová, Eva Planková vo redakRne upravova_ a kráti_ objednané i neobjednané rukopisy. Texty akceptujeme len v elektronickej podobe. • Vyh!adáva_ v dátach uverejnených v tomto ísle môžete na adrese www.siac.sk 1 SPRAVODAJSTVO / KONCERTY alšie hudobné spravodajstvo nájdete na stránke www.hudobnyzivot.sk. Uponáhaný Beethoven vs. strhujúci Korsakov V ase vyjdenia tejto recenzie zaneme pravde- tému Ronda. Majú teda melodickú prapod- by interpretane zvýraznená. Aby som podobne sumarizova 64. koncertnú sezónu, statu. alší problém: niektoré úseky boli sa však odpútal od môjho názoru, musím o je úctyhodné a zaväzujúce íslo. Dnes, ke uponáhané. Klaviristka „uletela“ orchestru, poveda, že poslucháom sa interpretaný vstupujeme do jej nále, môžeme skonštato- a to niekokokrát. Celej 1. asti (Allegro) prejav sólistky páil. Oakávali malý prída- va, že to, o predstavovalo jej vrcholné hod- chýbala aristokratická vznešenos, „cisársky“ vok – žia, nestalo sa. Možno nabudúce... noty, bolo v zásade prezentované v hlavnom lesk – i ke je nám známy Beethovenov vzah Dirigent a orchester SF boli spoahlivým meste. Výpove týchto šiestich desaroí je k aristokracii, on sám bol v skutonosti naj- partnpartnerom (ve toto dielo i jeho vyžarova- bohatým kultúrnym odkazom hudobného väším duchovnýmm aristokratom svojej doby. nie mmá v pravom slova zmysle symfonické diania. Dokazuje to hudba jeho „svätej“ 22. asti rozmery). Abonentný cyklus E8 (5. 4.) mal vo svojej Adagio un poco mosso, ktorá je po interpinterpre- V druhejj asti koncertu odzneladzn a uuž spomí- programovej skladbe diela, ktoré veakrát tanej stránke azda najzaujímavejšia. SSólist-st- nanáan ŠehŠeherezádarez da NN. RiRimského-Korsakovaské o-K zazneli v koncertnom auditóriu SF; Beethove- ka ju pochopila úplne popoeticky, zasnene, bezez (príbehprí h z TisíTisíc a jejednejej nocici)). NapNapriek tomu, nov Koncert pre klavír a orchester . 5 Es dur pátosu i vonkajších aafektov. Jednoducho žee jejej autoru r sa bránilrán pípísaniuniu tzv.v. pprogramo-
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    Image: Ebru Yildiz Laurie Anderson & Ensemble Creative team Violinist Violist Taonga pūoro Laurie Anderson (United States) Eyvind Kang (United States & Canada) Horomona Horo (Aotearoa/New Zealand) Bassist Cellist Gamelan Wellington Greg Cohen (United States) Rubin Kodheli (Albania) (Aotearoa/New Zealand) Lou Reed Drones Percussionist The Calling Here Comes the Ocean Stewart Hurwood (United States) Shahzad Ismaily (Pakistan) Megan Collins Megan Collins Jo Hilder Budi Putra Budi Putra Gregory Street Curated by Laurie Anderson The Calling Here Comes the Ocean Wed 4 Mar, 6.30pm Fri 6 Mar, 8pm Lower Hutt Events Centre Michael Fowler Centre Thanks to: Partnered by: Thanks to: A partnership between Wellington City Council, Hutt City Council, Upper Hutt City Council and Porirua City Council. Event programmes supported by: Please make sure your mobile phone is turned off. Latecomers will only be seated during an appropriate break. Taking photographs and using a recording device at any Festival performance are strictly forbidden. Ticket holders consent to be filmed as part of the audience. The information in this programme is correct at the time of publication. The Festival reserves the right to alter, without notice, events, programmes and artists. Tell us what you think of the show @NZFestivaloftheArts #NZFEST festival.nz Biographies Greg Cohen Besides his life as a bass player, Greg Cohen stays busy teaching Laurie Anderson music in Berlin. He is a Professor of Music at the Jazz-Institut- Berlin and also continues to tour and record on a regular basis. Laurie Anderson is one of America’s most renowned – and daring – creative pioneers. Known primarily for her multimedia Greg has worked as an arranger, producer, musical director presentations, she has cast herself in roles as varied as visual and composer for theatre, film, television and in recording artist, composer, poet, photographer, filmmaker, electronics studios.
  • Sarà Il Chitarrista Bill Frisell, Ad Aprire Venerdì 9 Novembre, Ore 21, Alla Fiera Di Cagliari, Una Delle Notti Jazz Che Si P

    Sarà Il Chitarrista Bill Frisell, Ad Aprire Venerdì 9 Novembre, Ore 21, Alla Fiera Di Cagliari, Una Delle Notti Jazz Che Si P

    36° Festival Internazionale Jazz in Sardegna – European Jazz Expo BILL FRISELL (solo) ENRICO RAVA 5et feat. JOE LOVANO Centro Congressi della Fiera di Cagliari, venerdì 9 novembre (ore 21) Sarà il chitarrista Bill Frisell, ad aprire venerdì 9 novembre, ore 21, alla Fiera di Cagliari, una delle notti jazz che si preannuncia esplosiva per il valore e la fama degli artisti che si esibiranno sul palco. Un unico concerto che vedrà, dopo l’esibizione di Frisell in solo, anche il live di un quintetto d’eccezione, il supergruppo formato dal sassofonista Joe Lovano, il trombettista Enrico Rava il contrabbassista Dezron Douglas, il batterista Gerald Ceaver e il pianista Giovanni Guidi. Bill Frisell, stella indiscussa del panorama musicale mondiale, riconosciuto non solo come uno dei chitarristi più inventivi di sempre ma anche come uno dei più versatili e prolifici, si esibirà in solo sul palco della fiera nella prima parte della serata. Con una carriera trentennale e oltre cento dischi pubblicati alle spalle, Frisell è tra le figure più di spicco nell’ambito jazzistico, con un repertorio che sconfina spesso nei territori del folk, del country, del pop e della musica d’avanguardia. Ha collaborato tra gli altri con Paul Motian, John Zorn, Elvis Costello, Marianne Faithfull, John Scofield, Jan Garbarek, Paul Bley, Bono, Robin Sylvian. Alcuni critici lo hanno paragonato a Miles Davis per il suo stile caratterizzato dalla ricerca del puro suono e dall’antitecnica inconfondibile. I suoi dischi coprono un ampio raggio di generi e influenze musicali: dalle colonne sonore di film di Buster Keaton e dei cartoni animati di Gary Larson (Quartet) alle composizioni originali per grossi ensemble con archi e collaborazioni con il bassista Viktor Krauss e il batterista Jim Keltner.
  • Master Uten Bilder

    Master Uten Bilder

    A Transforming Voice in a Changing Genre - Alison Krauss Sigrun Sundet Sandstad Master Thesis in Musicology At the Faculty of Musicology University of Oslo Autumn 2016 i A Transforming Voice in a Changing Genre - Alison Krauss - Acknowledgements… First of all I would like to thank my husband, Torkild. Your patience, your eye for detail, and shared love for bluegrass has been priceless in this process. I am also forever thankful for how you and our children have cheered me on in this process. Thank you dad, for introducing me to bluegrass music. Thank you for daring to play and listen to music you loved, although it was not always mainstream. Thank you Holly and Bart, for providing me with language expertise. Thank you, staff at the Grey Fox Bluegrass Festival 2016 for being so helpful. A huge thanks to Barry Bales, Charles Clements, Mike Compton, Jerry Douglas, Leigh Gibson and Sierra Hull for letting me interview you and for providing me with unique and valuable material. Thank you Stan Hawkins, my supervisor, for challenging me, encouraging me, and believing in me. I could never have done this without your guiding. Thank you, Alison Krauss, for loving and respecting bluegrass. Without your love for bluegrass, I wouldn’t have had mine. Sigrun S. Sandstad Stavern, October 2016 ii A Transforming Voice in a Changing Genre - Alison Krauss - iii A Transforming Voice in a Changing Genre - Alison Krauss - PREFACE If you asked me to guess, I would have said that it happened last week. It was one of those defining moments, which feels like days and at the same time a lifetime ago.