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Žilina Týžde Metropolou Hudby RONÍKRONÍK XLV XLIV 5 2013 2,16 € / 65 Sk Spravodajstvo: 58. Košická hudobná jar, VOICEssion alebo štyri farby jedného hlasu / História: Wagnerov tie – 200. výroie narodenia / Skladba mesiaca: Bohuslav Martin: III. symfónia 23. roník SFKU: Žilina týžde metropolou hudby JORDI SAVALL: „Hudba robí môj život zmysluplným každý jeden de.” THE HILLIARD ENSEMBLE 01 | 06 | 2013 dóm sv. alžbety festival komornej hudby chamber music festival 30 máj – 2 jún 2013 | košice 30 | 05 18:00 | bábkové divadlo | tajovského 4 JURAJ FÁNDLY & SILVESTER LAVRÍK DÚVERNÁ ZMLÚVA ČIŽE HĽADANIE POLITICKEJ VÔLE … silvester LAVRÍK rozprávač | jozef LUPTÁK violončelo | boris LENKO akordeón 31 | 05 18:00 | múzeum vojtecha lÖffl era | alžbetina 20 JANÁČEK | DOHNÁNYI | ŠOSTAKOVIČ | BRAHMS igor KARŠKO husle | jozef LUPTÁK violončelo | nora SKUTA klavír 20:00 | bábkové divadlo | tajovského 4 horomona HORO performer | joshua ROGERS gitara WAIORA (NOVÝ ZÉLAND) TAONGA PŪORO – tradičné maorské hudobné nástroje 01 | 06 20:00 | dóm sv. alžbety THE HILLIARD ENSEMBLE (UK) david JAMES kontratenor | rogers COVEY-CRUMP tenor steven HARROLD tenor | gordon JONES barytón igor KARŠKO viola | peter VRBINČÍK viola | jozef LUPTÁK violončelo program | ANGLICKÁ RENESANCIA | vladimír GODÁR (SVETOVÁ PREMIÉRA) gavin BRYARS – CADMAN REQUIEM (SLOVENSKÁ PREMIÉRA) 02 | 06 20:00 | evanjelický kostol košice | mlynská ul. FINE ARTS QUARTET (USA) ralph EVANS husle | efi m BOICO husle | juan-miguel HERNANDEZ viola vstupenky robert COHEN violončelo | a. h. igor KARŠKO viola | a. h. jozef LUPTÁK violončelo www.konvergencie.sk program | RACHMANINOV | ZIMBALIST | BRAHMS zmena programu vyhradená foto THE HILLIARD ENSEMBLE © marco borggreve www.ticketportal.sk KON2013-KE_inz-HZ_A4_tlac.indd 1 3. 5. 2013 14:04:55 Editorial Obsah Milí itatelia a priaznivci hudby, Spravodajstvo, koncerty, festivaly 2 Slovenská lharmónia, Verdiho Rekviem v Dóme sv. Martina, Organový recitál Moniky na symbolickom kmeni Stredoeurópskeho Melcovej, XXIII. Stredoeurópsky festival koncertného umenia v Žiline, 58. Košická festivalu koncertného umenia (SFKU), G. Verdi: Messa da Requiem hudobná jar, Oratórium Konštantín a Metod Pavla Kršku, Sedem posledných slov ktorý sa pod gesciou svojho zriaovatea nášho Spasitea na kríži v Košiciach, Nedené matiné v Mirbachu, Symfonický a organizátora – Hudobného centra – a záštitou Ministerstva kultúry SR koná orchester Slovenského rozhlasu, Quasars Ensemble v Redute a v Klariskách každorone na pôde ŠKO Žilina, pribudol už 23. letokruh. Od svojho založenia Stará hudba v roku 1991 sa pro loval ako prehliadka 12 Solamente naturali: vekononý program Passio A. Šuba najvýraznejších mladých talentov interpretaného umenia. Ich výkony Mimo hlavného prúdu v polorecitáloch alebo so sprievodom Leif Ove Andsnes 13 Nordic Shake: Public Enema/Staer R. Kolá orchestrov hodnotí medzinárodná 13 LIVE EVIL 2013: festival extrémnej hudby R. Kolá porota zložená z hudobných kritikov a muzikológov spravidla zo strednej Európy. K tohtoroRnému SFKU Rozhovor 14 a k jednotlivým výkonom, ktoré v žilinskom Jordi Savall, dirigent: „Hudba robí môj život zmysluplným.” A. Šuba Dome umenia Fatra v apríli odzneli, sa vraciame v trojstranovom hodnotiacom História bloku. 16 Wagnerov tie – 200. výroie narodenia skladatea R. Bayer Medzi osobnostné skvosty májového vydania Hudobného života sa akiste Narek Hakhnazaryan Skladba mesiaca zaradí španielsky dirigent Jordi Savall, 18 Bohuslav Martin: Tretia symfónia A. Platzner odborník na historicky pouenú interpretanú prax, ktorý po svojom marcovom vystúpení vo východoslovenskej metropole poskytol nášmu asopisu exkluzívny rozhovor. Haydnovo oratórium Hudobné divadlo 21 Wagner na Slovensku V. Blaho Sedem posledných slov nášho Spasitea na kríži, ktoré tam uviedol, re- ektujeme formou recenzie. 22 Sergej Proko ev: Romeo a Júlia P. Mao A keže tento rok je v znamení 200. výroRia narodenia Richarda 23 Operný zápisník M. Mojžišová, M. Glocková Wagnera, nad niektorými aspektmi života tohto originálneho zjavu v dejinách európskej hudby sa zamýšame v dvoch lánkoch. Prvý sa V zrkadle asu venuje mimohudobnej stránke jeho osobnosti, druhý wagnerovskej 24 Milada Synková, korepetítorka SND: „Teší ma rôznorodos môjho povolania.” interpretanej tradícii, ktorá sa u nás doma vyvinula. Skladbou E. Planková mesiaca je tentoraz Symfónia . 3, ktorú ako svoju „prvú skutonú“ symfóniu skomponoval v ase vrcholiacej Druhej svetovej vojny na Zahraniie východnom pobreží USA niekdajší outsider eskej hudby Bohuslav 26 Berlín: Dva dezerty – Barbier zo Sevilly, R. Villazón & Staatskapelle Berlin & Martin. D. Barenboim . Habart asto nám robí problém akceptova skutonos, že súasou života je 27 R: Švajiarska jar E. Aguirre aj smr. Uplynulý mesiac postihli slovenskú hudobnú obec hne dve straty: zo zoznamu žijúcich korepetítorov a zbormajstrov vypadlo 28 Viede: Fidelio v Theater an der Wien . Habart meno Dariny Turovej a rady operných režisérov opustila výnimoná osobnos Miroslava Fischera. Napriek tomu prežívame v redakcii Minipro l pocit zadosuinenia, že to bol aj Hudobný život, kto priniesol 29 Sopranistka Ivana Rusko J. Kubandová nedávno Fischerov umelecký i udský pro l a takto si naho pri príležitosti jeho osemdesiatky dôstojným spôsobom spomenul. Jazz V bohatom spektre hudobných profesií je to už raz tak, že kým 30 Gitarový vizionár Bill Frissel P. Záhradník jedny sa tešia hviezdnej popularite a nepretržitej pozornosti zo 33 Frank a jeho babiky D. Hevier ml. strany odbornej i laickej verejnosti, údelom druhých je fungova 33 5P Martina urdinu P. Motyka a presadzova sa v ich tieni. Táto bezvýznamnos i neatraktívnos 34 Jeden veer – dva krsty: Pavol Bodnár, Andrej Šeban P. Motyka je však iba zdanlivá, pretože malé koliesko môže by pre súkolesie 34 ubomír Tamaškovi – nekrológ J. Kalász neraz kúové a dokonca zaujímavejšie ako to veké. A práve také vám chceme prostredníctvom rubriky V zrkadle asu predstavi: je ním Milada Synková, dlhoroRná korepetítorka SND a neobyajne 35 Recenzie CD, DVD, knihy inšpirujúci lovek. 40 Kam/Kedy, Informácie Prajem vám príjemné a podnetné ítanie. Juraj Pokorný Mesaník Hudobný život/apríl 2013 vychádza v Hudobnom centre, Distribúcia a marketing: Rút Veselová (tel: +421 2 20470460, fax: +421 2 20470421, [email protected]) • Adresa re- Michalská 10, 815 36 Bratislava, INO 00 164 836 dakcie: Michalská 10, 815 36 Bratislava 1, www.hudobnyzivot.sk • Gra cký návrh: Peter Beo, Róbert Szegény • Tla: Róbert Jurových – NIKARA • Rozširuje: Slovenská pošta, a.s., Mediaprint-Kapa a súkromní distributéri • Zapísané v zozname periodickej tlaRe MK SR pod ev. íslom EV 3605/09 Objednávky na predplatné prijíma každá pošta a doruovate! Slovenskej pošty, alebo e-mail: predplatne@sl- RedakRná rada: Alžbeta Rajterová, Igor Wasserberger, Vladimír Zvara posta.sk • Objednávky do zahraniRia vybavuje Slovenská pošta, a.s., Stredisko predplatného tlae, Uzbecká 4, Šéfredaktor: Juraj Pokorný (tel. +421 2 20470420, 0905 643 926, [email protected]) P.O.BOX 164, 820 14 Bratislava 214, e-mail: [email protected] Objednávky na predplatné prijíma aj re- Redakcia: Andrej Šuba ([email protected]), Robert Kolá ([email protected]), Michaela dakcia asopisu. Používanie novinových zásielok povolené RPPBA Pošta 12, da 23. 9. 1993, . 102/03. • Indexové Mojžišová – klasická hudba, Peter Motyka – jazz ([email protected]) Ríslo 49215. ISSN 13 35 41 40 • Obálka: Alena Baeva, foto: R. Kuavík • Výtvarná spolupráca: Róbert Szegény • Názory a postoje vyjadrené v uverejnených textoch nie sú stanoviskom redakcie. Redakcia si vyhradzuje prá- Jazykové redaktorky: Dorota Balcarová, Eva Planková vo redakRne upravova_ a kráti_ objednané i neobjednané rukopisy. Texty akceptujeme len v elektronickej podobe. • Vyh!adáva_ v dátach uverejnených v tomto ísle môžete na adrese www.siac.sk 1 SPRAVODAJSTVO / KONCERTY alšie hudobné spravodajstvo nájdete na stránke www.hudobnyzivot.sk. Uponáhaný Beethoven vs. strhujúci Korsakov V ase vyjdenia tejto recenzie zaneme pravde- tému Ronda. Majú teda melodickú prapod- by interpretane zvýraznená. Aby som podobne sumarizova 64. koncertnú sezónu, statu. alší problém: niektoré úseky boli sa však odpútal od môjho názoru, musím o je úctyhodné a zaväzujúce íslo. Dnes, ke uponáhané. Klaviristka „uletela“ orchestru, poveda, že poslucháom sa interpretaný vstupujeme do jej nále, môžeme skonštato- a to niekokokrát. Celej 1. asti (Allegro) prejav sólistky páil. Oakávali malý prída- va, že to, o predstavovalo jej vrcholné hod- chýbala aristokratická vznešenos, „cisársky“ vok – žia, nestalo sa. Možno nabudúce... noty, bolo v zásade prezentované v hlavnom lesk – i ke je nám známy Beethovenov vzah Dirigent a orchester SF boli spoahlivým meste. Výpove týchto šiestich desaroí je k aristokracii, on sám bol v skutonosti naj- partnpartnerom (ve toto dielo i jeho vyžarova- bohatým kultúrnym odkazom hudobného väším duchovnýmm aristokratom svojej doby. nie mmá v pravom slova zmysle symfonické diania. Dokazuje to hudba jeho „svätej“ 22. asti rozmery). Abonentný cyklus E8 (5. 4.) mal vo svojej Adagio un poco mosso, ktorá je po interpinterpre- V druhejj asti koncertu odzneladzn a uuž spomí- programovej skladbe diela, ktoré veakrát tanej stránke azda najzaujímavejšia. SSólist-st- nanáan ŠehŠeherezádarez da NN. RiRimského-Korsakovaské o-K zazneli v koncertnom auditóriu SF; Beethove- ka ju pochopila úplne popoeticky, zasnene, bezez (príbehprí h z TisíTisíc a jejednejej nocici)). NapNapriek tomu, nov Koncert pre klavír a orchester . 5 Es dur pátosu i vonkajších aafektov. Jednoducho žee jejej autoru r sa bránilrán pípísaniuniu tzv.v. pprogramo-
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