Sharjah Biennial 15: Thinking Historically in the Present Opens in February 2023 with 30 Major Commissions
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Al-Mureijah Art Spaces Sharjah, United Arab Emirates
2019 On Site Review Report by Raza Ali Dada 5050.UAE Al-Mureijah Art Spaces Sharjah, United Arab Emirates Architect Mona El Mousfy, Sharmeen Azam Inayat Client Sharjah Art Foundation Design 2010-2011 Completed 2013 Al-Mureijah Art Spaces Sharjah, United Arab Emirates I. Introduction The Al-Mureijah Art Spaces are a series of exhibition spaces set up by the Sharjah Art Foundation (SAF). Following the global success of the Sharjah Biennial the need for flexible spaces to house contemporary art was inevitable. A part of the historic district was acquired by the foundation, and re-appropriated to house spaces for contemporary art, installations and performances. New buildings were designed and inserted into the historical fabric, adding a new typology of buildings to the current mix. The five new gallery spaces are surrounded by courtyards and older structures that also function as spaces for art, installations and performances. The placement and scale of these spaces is mindful of the historical fabric where one navigates through narrow and shaded passageways punctuated by the courtyards. A significant urban response eliminates any boundary or formal element to mark the limit of the project, thus enabling pedestrians to walk through or approach the project from a number of sides. This creates an informal relationship and a natural access for the public in this unique urban setting. II. Contextual information A. Brief historical background The Emirate of Sharjah covers approximately 2,600 square kilometres. In addition to Sharjah city, which lies on the shores of the Arabian Gulf, the emirate has three regions on the scenic east coast at the Gulf of Oman: Dibba Al Hisn, Khor Fakkan and Kalba. -
P3 2.E$S Layout 1
WEDNESDAY, MAY 20, 2015 LOCAL Fugitives, one sentenced to life, arrested in Jahra KUWAIT: Jahra detectives arrested three persons wanted on multiple charges. They include Bader K, Syrian and sen- tenced to five years in jail, Mutlaq A, Kuwaiti and sentenced to five years, and Hussein K, Bedoon (stateless) and sen- tenced to 90 years in jail, or life in prison. The third suspect was arrested inside his house during a police raid. The three were sent to concerned authorities. Gas station burglar caught Meanwhile, Mubarak Al-Kabeer detectives arrested a Kuwaiti man accused of committing a robbery at a gas sta- tion in Adan earlier. The suspect reportedly drove a car that did not carry any license plates. The suspect works for the same company that owns the station he robbed, the Interior Ministry said in a statement. He was sent to con- cerned authorities. Traffic campaign Separately, Hawally police carried out a traffic campaign that resulted in issuing 580 tickets, impounding 55 cars and arresting three persons on different charges. The Adan gas station robbery suspect. The suspects Bader K, Mutlaq A and Hussein K pictured in these handout photos. Crime Report KDF demands releasing detained activists By A Saleh being investigated by the interior ministry. In a statement KMA issued after a doctor KUWAIT: Kuwait Democratic Forum’s (KDF) was accused of causing the death of a Secretary General Bandar Al-Khairan called female citizen he operated on, KMA for issuing a pardon to all those who had Secretary General Dr Mohammed Al-Qenae been prosecuted during a period when stressed that reports about the woman’s “political situations were not favorable”. -
Gulf Affairs
Autumn 2016 A Publication based at St Antony’s College Identity & Culture in the 21st Century Gulf Featuring H.E. Salah bin Ghanem Al Ali Minister of Culture and Sports State of Qatar H.E. Shaikha Mai Al-Khalifa President Bahrain Authority for Culture & Antiquities Ali Al-Youha Secretary General Kuwait National Council for Culture, Arts and Letters Nada Al Hassan Chief of Arab States Unit UNESCO Foreword by Abdulaziz Saud Al-Babtain OxGAPS | Oxford Gulf & Arabian Peninsula Studies Forum OxGAPS is a University of Oxford platform based at St Antony’s College promoting interdisciplinary research and dialogue on the pressing issues facing the region. Senior Member: Dr. Eugene Rogan Committee: Chairman & Managing Editor: Suliman Al-Atiqi Vice Chairman & Partnerships: Adel Hamaizia Editor: Jamie Etheridge Chief Copy Editor: Jack Hoover Arabic Content Lead: Lolwah Al-Khater Head of Outreach: Mohammed Al-Dubayan Communications Manager: Aisha Fakhroo Broadcasting & Archiving Officer: Oliver Ramsay Gray Research Assistant: Matthew Greene Copyright © 2016 OxGAPS Forum All rights reserved Autumn 2016 Gulf Affairs is an independent, non-partisan journal organized by OxGAPS, with the aim of bridging the voices of scholars, practitioners, and policy-makers to further knowledge and dialogue on pressing issues, challenges and opportunities facing the six member states of the Gulf Cooperation Council. The views expressed in this publication are those of the author(s) and do not necessar- ily represent those of OxGAPS, St Antony’s College, or the University of Oxford. Contact Details: OxGAPS Forum 62 Woodstock Road Oxford, OX2 6JF, UK Fax: +44 (0)1865 595770 Email: [email protected] Web: www.oxgaps.org Design and Layout by B’s Graphic Communication. -
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YOUR O.A.T. ADVENTURE TRAVEL PLANNING GUIDE® New! Tunisia: From the Mediterranean to the Sahara 2022 Small Groups: 8-16 travelers—guaranteed! (average of 13) Overseas Adventure Travel ® The Leader in Personalized Small Group Adventures on the Road Less Traveled 1 Dear Traveler, At last, the world is opening up again for curious travel lovers like you and me. And the O.A.T. New! Tunisia: From the Mediterranean to the Sahara itinerary you’ve expressed interest in will be a wonderful way to resume the discoveries that bring us so much joy. You might soon be enjoying standout moments like these: Venture out to the Tataouine villages of Chenini and Ksar Hedada. In Chenini, your small group will interact with locals and explore the series of rock and mud-brick houses that are seemingly etched into the honey-hued hills. After sitting down for lunch in a local restaurant, you’ll experience Ksar Hedada, where you’ll continue your people-to-people discoveries as you visit a local market and meet local residents. You’ll also meet with a local activist at a coffee shop in Tunis’ main medina to discuss social issues facing their community. You’ll get a personal perspective on these issues that only a local can offer. The way we see it, you’ve come a long way to experience the true culture—not some fairytale version of it. So we keep our groups small, with only 8-16 travelers (average 13) to ensure that your encounters with local people are as intimate and authentic as possible. -
Second Lahore Biennale: Between the Sun and the Moon Curated by Hoor Al Qasimi Features 20+ New Commissions and Work by More Than 70 International Artists
For Immediate Release 6 January 2020 Second Lahore Biennale: between the sun and the moon Curated by Hoor Al Qasimi Features 20+ New Commissions and Work by More Than 70 International Artists Installed Across Cultural and Heritage Sites Throughout Lahore, Pakistan, from 26 January to 29 February 2020 Lahore, Pakistan—6 January 2020—The Lahore Biennale Foundation today revealed a list of over 70 participating artists for the second edition of the Lahore Biennale (LB02), running from 26 January through 29 February 2020. Curated by Hoor Al Qasimi, Director of the Sharjah Art Foundation in Sharjah, United Arab Emirates, LB02: between the sun and the moon brings a plethora of artistic projects to cultural and heritage sites throughout the city of Lahore including more than 20 new commissions by artists from across the region and around the world, including Alia Farid, Diana Al-Hadid, Hassan Hajjaj, Haroon Mirza, Hajra Waheed and Simone Fattal, among many others. Other participating artists include Anwar Saeed, Rasheed Araeen and the late Madiha Aijaz. With a focus on the Global South, where ongoing social disaffection is being aggravated by climate change, LB02 responds to the cultural and ecological history of Lahore and aims to awaken awareness of humanity’s daunting contemporary predicament. Works presented in LB02 will explore human entanglement with the environment while revisiting traditional understandings of the self and their cosmological underpinnings. Inspiration for this thematic focus is drawn from intellectual and cultural exchange between South and West Asia. “For centuries, inhabitants of these regions oriented themselves with reference to the sun, the moon, and the constellations. -
MOHAMMED KAZEM Mohammed Kazem (Born 1969, Dubai) Lives and Works in Dubai
MOHAMMED KAZEM Mohammed Kazem (born 1969, Dubai) lives and works in Dubai. He has developed an artistic practice that encompasses video, photography and performance to find new ways of apprehending his environment and experiences. The foundations of his work are informed by his training as a musician, and Kazem is deeply engaged with developing processes that can render transient phenomena, such as sound and light, in tangible terms. Often positioning himself within his work, Kazem responds to geographical location, materiality and the elements as a means to assert his subjectivity, particularly in relation to the rapid pace of modernisation in the Emirates since the country’s founding. Kazem was a member of the Emirates Fine Arts Society early in his career and is acknowledged as one of the ‘Five’, an informal group of Emirati artists – including Hassan Sharif and Abdullah Al Saadi – at the vanguard of conceptual and interdisciplinary art practice. In 2012, Kazem completed his Masters in Fine Art at the University of the Arts, Philadelphia. He has been participating in the Annual Exhibitions of the Emirates Fine Arts Society in Sharjah since 1986, as well as numerous editions of Sharjah Biennial, receiving first prize for installations in 1999 and 2003, and in 2007, co-curated the Sharjah Biennial. In recent years, Kazem has participated in several group shows at the Mori Art Museum (2012), Boghossian Foundation (2013), Gwangju Museum of Art (2014), the 2014 edition of the Fotofest Biennial in Houston and Here and Elsewhere at the New Museum (2014). He has exhibited at the Venice Biennale three times: in 2009 as part of a group exhibition curated by Catherine David, in 2013, he represented the UAE with an immersive video installation entitled Walking on Water, which was curated by Reem Fadda, and in 2015, he showcased works from the Tongue series at 1980 – Today: Exhibitions in the UAE, curated by Sheikha Hoor Al Qasimi. -
Sharjah Art Foundation Announces the Late Okwui Enwezor As Curator of Sharjah Biennial 15
For Immediate Release 4 November 2019 Hoor Al Qasimi (left). Photo: Sebastian Böttcher; Okwui Enwezor (right). Photo: Chika Okeke-Agulu Sharjah Art Foundation Announces the Late Okwui Enwezor as Curator of Sharjah Biennial 15 Foundation Director Hoor Al Qasimi to Co-Curate Alongside Working Group Members Tarek Abou El Fetouh, Ute Meta Bauer, Salah M. Hassan and Chika Okeke-Agulu, with the Support of an Advisory Committee Including David Adjaye, John Akomfrah and Christine Tohme SB15 Opens March 2021 in Sharjah, United Arab Emirates Sharjah Art Foundation (SAF) in Sharjah, UAE, today announced the renowned critic and curator Okwui Enwezor (1963–2019) as curator of the next Sharjah Biennial, opening in March 2021. Enwezor conceived the 15th edition of the Sharjah Biennial (SB15), entitled Thinking Historically in the Present, as a platform to reflect on the past fourteen editions of the Biennial and to consider the future of the biennial model. In accordance with Enwezor’s wishes, SB15 will be realized with the support of Sharjah Art Foundation Director Hoor Al Qasimi as co-curator alongside a working group of Enwezor’s longtime collaborators: curator Tarek Abou El Fetouh; professor and Founding Director of NTU CCA Singapore Ute Meta Bauer; art historian and Cornell University professor Salah M. Hassan; and art historian and Princeton University professor Chika Okeke-Agulu. Al Qasimi and the SB15 Working Group will oversee the development and implementation of Enwezor’s curatorial concept in collaboration with an advisory committee composed of architect Sir David Adjaye, artist John Akomfrah and Ashkal Alwan Director Christine Tohme, who will provide additional consultation on the Biennial. -
Sharjah Art Foundation Announces Spring 2020 Exhibitions and March Meeting
For Immediate Release 19 December 2019 March Meeting 2019, Bait Obaid Al Shamsi, Sharjah, 2019. Photo: Sharjah Art Foundation Sharjah Art Foundation Announces Spring 2020 Exhibitions and March Meeting Including Major Surveys of Tarek Atoui and Zarina Bhimji And First Exhibition in the Region to Focus on Art in the Age of the Internet Sharjah Art Foundation (SAF) today announced its spring 2020 programme, which features major exhibitions exploring vital issues in contemporary art theory and history and examining the work and impact of significant artists from the MENASA region, as well as the annual March Meeting, a three-day convening of artists, curators and art practitioners to explore critical issues in contemporary art. The spring 2020 season includes a major survey of Tarek Atoui’s work, which features live performances by the artist and a series of guest creators, that celebrates the composer’s decade-long collaboration with the Foundation and the wider Sharjah community; a mid-career retrospective of Zarina Bhimji, which includes some of the artist’s seminal works in film, photography and installation; and Art in the Age of Anxiety, the most ambitious show of its kind to take place in the Middle East, which brings together a global group of artists to consider how our everyday devices and technologies have altered our collective consciousness; all opening 21 March 2020. In addition, the foundation’s annual March Meeting (MM) returns from 21 to 23 March 2020, gathering leading artists, curators, and art practitioners from across the region and around the world for a series of talks, workshops and performances. -
An Inside Look Into Hygiene Education Facilities Completed
COUNTRY: IRAQ Report: March-June 2013 Category: Water and Sanitation Hygiene (WASH)/Sustainability/Hygiene Education/Culture http://www.jen-npo.org/en/contribute Hygiene Education training sessions, and have expressed their admiration and satisfaction of JEN’s work and materials. We would like to thank all our supporters who have made our education programs possible in schools throughout Iraq. WASH Facilities Completed: School Gives Thanks Diala Province’s Om Salma Intermediate School for Girls restroom facilities have been refurbished. Previously the school’s facilities were in unusable and unsanitary conditions. Without proper functioning restrooms, the school could not operate functionally. The headmaster of the girl’s school had previously gone to the Iraqi Department of Education numerous times Above: Girls at the Om Sama Intermediate School listen intently to the requesting repairs, but to no avail, they denied their lectures on proper hygiene and care. requests. JEN received permission from both the Department and Ministry of Education to fund and An Inside Look into Hygiene Education perform the renovations themselves. With dedication and hard work, the new bathrooms have been completed Our hygiene programs, teaching proper practices to and the school is now completely operational. JEN students, have started this March. Security has proven conducted student and teacher trainings about hygiene to be difficult, with many road blockages, especially in education, as well as how to keep their newly the Anbar and Diala provinces, JEN hygiene promoters refurbished restroom clean to ensure its longevity. and engineers cannot always reach our partner schools. School administrators gave their thanks in addition to a The ten-year anniversary of the US-led invasion took surprise song and dance for JEN staff performed by the place on March 19th, where over 60 people were killed in schoolgirls. -
Mohammed Kazem Education Solo Exhibitions
MOHAMMED KAZEM Mohammed Kazem (born 1969, Dubai) lives and works in Dubai. He has developed an artistic practice that encompasses video, photography and performance to find new ways of apprehending his environment and experiences. The foundations of his work are informed by his training as a musician, and Kazem is deeply engaged with developing processes that can render transient phenomena, such as sound and light, in tangible terms. Often positioning himself within his work, Kazem responds to geographical location, materiality and the elements as a means to assert his subjectivity, particularly in relation to the rapid pace of modernisation in the Emirates since the country’s founding. Kazem was a member of the Emirates Fine Arts Society early in his career and is acknowledged as one of the 'Five', an informal group of Emirati artists – including Hassan Sharif, Abdullah Al Saadi, Mohammed Ahmed Ibrahim and Hussain Sharif – at the vanguard of conceptual and interdisciplinary art practice. In 2012, he completed his Masters in Fine Art at the University of the Arts, Philadelphia. In recent years, he has participated in several group shows such as 21,39 Jeddah Arts (2020), Guggenheim Abu Dhabi (2017), Guggenheim New York (2016), the Yinchuan Biennale (2016), Sharjah Biennial (2015), Gwangju Museum of Art (2014), Fotofest Biennial in Houston (2014), Boghossian Foundation (2013), and Mori Art Museum (2012), amongst others. In 2013 he represented the UAE’s National Pavilion at the Venice Biennale with an immersive video installation entitled Walking on Water, curated by Reem Fadda, and in 2015 he showcased works from the Tongue series at 1980 – Today: Exhibitions in the UAE, curated by Hoor Al Qasimi. -
Landmark Hassan Sharif Retrospective to Be Presented By
Landmark Hassan Sharif Retrospective to be Presented by Sharjah Art Foundation in November 2017 Featuring a Complete Installation of the Artist’s Studio and Never-Before-Seen Late Works, Comprehensive Survey Traces His Experimental Practice and Enduring Influence on Contemporary Art in the United Arab Emirates Sharjah, UAE – 28 September 2017 – This November, Sharjah Art Foundation presents a landmark retrospective of pioneering conceptual artist Hassan Sharif, marking the largest and most comprehensive survey of the artist’s work to date. Hassan Sharif: I Am The Single Work Artist traces nearly five decades of the artist’s multimedia practice, including painting, sculpture, assemblage, drawing, installation, and photography, as well as never-before-seen late works by the artist. The entirety of Sharif’s studio— recently donated to Sharjah Art Foundation by the artist’s estate—will also be on view for the first time, providing new perspective on the artist’s practice. Curated by Sharjah Art Foundation President and Director Hoor Al Qasimi, I Am The Single Work Artist is the culmination of the artist’s lifelong role as an advocate and pioneer for the development of contemporary art and thought in the United Arab Emirates and in Sharjah, where he first began staging interventions and exhibitions of contemporary art, and exhibited at the first Sharjah Biennial in 1993. On view from 4 November 2017 to 3 February 2018, the exhibition will span all of Sharjah Art Foundation’s spaces in the Al Mureijah Square area and Bait Al Serkal in Arts Square. Admission is free and open to the public. -
King's Research Portal
King’s Research Portal DOI: 10.29311/mas.v13i3.333 Document Version Publisher's PDF, also known as Version of record Link to publication record in King's Research Portal Citation for published version (APA): Ajana, B. (2015). Branding, legitimation and the power of museums: The case of the Louvre Abu Dhabi. Museum and Society, 13(3), 322-341. https://doi.org/10.29311/mas.v13i3.333 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim.