Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 07/14/2011 07:23 Am

Total Page:16

File Type:pdf, Size:1020Kb

Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 07/14/2011 07:23 Am Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 07/14/2011 07:23 am WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 07/07/2011 to 07/13/2011 Last Period (TP) = 06/30/2011 to 07/06/2011 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 9 Jessica Williams Freedom Trane Origin 2011 13 9 4 2 1 Wayne Goins Chronicles Of Carmela Little Apple 2011 11 13 -2 2 10 Branford Marsalis & Joey Songs Of Mirth And Marsalis 2011 11 8 3 Calderazzo Melancholy 2 23 Kurt Elling The Gate Concord Jazz 2011 11 5 6 5 1 Tom Harrell The Time Of The Sun HighNote 2011 10 13 -3 5 3 The Sheryl Bailey 4 For All Those Living Pure / Withanese 2011 10 12 -2 5 7 Anthony Wilson Campo Belo Goat Hill 2011 10 10 0 5 15 Stefon Harris, David Ninety Miles Concord Picante 2011 10 7 3 Sanchez, Christian Scott 5 20 Lynne Arriale Convergence Motema 2011 10 6 4 5 23 Gerald Wilson Orchestra Legacy Mack Avenue 2011 10 5 5 11 3 Dr. Michael White Adventures In New Basin Street 2011 9 12 -3 Orleans Jazz Pt. 1 11 15 Freddie Hubbard Pinnacle Live & Resonance 2011 9 7 2 Unreleased: From Keystone Korner 11 45 Mongorama Mongorama Saungu 2011 9 2 7 14 3 Gretchen Parlato The Lost And Found Obliqsound 2011 8 12 -4 14 7 Eric Reed The Dancing Monk Savant 2011 8 10 -2 16 23 Monty Alexander Uplift JLP 2011 7 5 2 16 33 'Papa' John DeFrancesco A Philadelphia Story Savant 2011 7 3 4 18 10 Benny Green Source JLP 2011 6 8 -2 18 23 The New Gary Burton Common Ground Mack Avenue 2011 6 5 1 Quartet 18 29 Sean Jones No Need For Words Mack Avenue 2011 6 4 2 18 33 Steven Kroon Without A Doubt Kroonatune 2011 6 3 3 18 81 Linda Ciofalo Dancing With Johnny Lucky Jazz 2010 6 1 5 23 10 Ella Fitzgerald & Louis The Complete Ella Verve 1997 5 8 -3 Armstrong Fitzgerald & Louis Armstrong On Verve 23 20 Bryan Carter Enchantment Imaginate 2011 5 6 -1 23 23 Irvin Mayfield Love Letter To New Basin Street 2011 5 5 0 Orleans 23 33 Rufus Reid Hues Of A Different Blue Motema 2011 5 3 2 23 33 Eric Alexander Don't Follow The Crowd HighNote 2011 5 3 2 23 246 Pat Martino Remember: A Tribute To Blue Note / Capitol 2006 5 0 5 Wes Montgomery 29 15 Karrin Allyson Round Midnight Concord Jazz 2011 4 7 -3 29 15 Etta Jones & Houston The Way We Were HighNote 2011 4 7 -3 Person 29 20 Ambrose Akinmusire When The Heart Emerges Blue Note 2011 4 6 -2 Glistening 29 29 Captain Black Big Band Captain Black Big Band Posi-Tone 2011 4 4 0 ©2011 Mediaguide, Inc. http://www.mediaguide.com page 1 / 12 Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 07/14/2011 07:23 am TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 29 81 Carrie Wicks I'll Get Around To It OA2 2010 4 1 3 34 6 John Brown Dancing With Duke: A Brown Boulevard 2011 3 11 -8 Homage To Duke Ellington 34 10 Ernestine Anderson Nightlife: Live At Dizzy's HighNote 2011 3 8 -5 Club Coca-Cola 34 45 Bootsy Collins Tha Funk Capitol Of The Mascot 2011 3 2 1 World 34 45 Robert Hurst Unrehurst, Vol. 2 Bebob 2011 3 2 1 34 81 Miles Davis 1958 Miles Columbia 1958 3 1 2 34 81 Milt Jackson & Wes Bags Meets Wes! Riverside 1962 3 1 2 Montgomery 34 246 Alexis Gideon Flight Of The Liophant Sick Room 2007 3 0 3 34 246 Mavis Staples You Are Not Alone ANTI- 2010 3 0 3 34 246 Diana Krall All For You (A Dedication GRP 1996 3 0 3 To The Nat King Cole Trio) 34 246 Kelly Eisenhour Seek And Find BluJazz 2007 3 0 3 34 246 Calvin Keys Calvinesque' Silverado 2005 3 0 3 34 246 Booker T. Jones The Road From Memphis ANTI- 2011 3 0 3 46 15 Alphonse Mouzon Angel Face Tenacious 2011 2 7 -5 46 23 The DeFrancesco Brothers The DeFrancesco Brothers Vectordisc 2010 2 5 -3 46 33 Karrin Allyson Footprints Concord 2006 2 3 -1 46 81 Johnny Hartman The Voice That Is Impulse! / GRP 1964 2 1 1 46 81 Yotam Resonance JLP 2010 2 1 1 46 81 Hiroe Sekine A-Me Sekai 2010 2 1 1 46 246 Westchester Jazz All In Self-Released 2007 2 0 2 Orchestra 46 246 Chembo Corniel & Andrea Beyond Standards Consolidated Artists 2006 2 0 2 Brachfeld 46 246 Romain Virgo Romain Virgo VP 2010 2 0 2 46 246 Tom Harrell The Time Of The Sun HighNote 2010 2 0 2 46 246 Michael O'Neill Still Dancin' Jazzmo 2007 2 0 2 46 246 Sphere Sphere Verve 2 0 2 46 246 Nancy King Live At Jazz Standard MAXJAZZ 2006 2 0 2 46 246 Tito Puente 50 Years Of Swing: 50 RMM 1997 2 0 2 Great Years & Tracks 46 246 Ray Vega & Thomas East-West Trumpet Origin 2010 2 0 2 Marriott Summit 46 246 Bobby Matos Beautiful As The Moon Lifeforce Jazz 2011 2 0 2 46 246 Gyptian Hold You VP 2010 2 0 2 46 246 Roy Hargrove Earfood Groovin' High / EmArcy 2008 2 0 2 46 246 Billie Holiday Lady Day: The Master Columbia / Legacy 2007 2 0 2 Takes And Singles 46 246 Dizzy Gillespie Night In Tunisia: The Very Bluebird 2006 2 0 2 Best Of Dizzy Gillespie 46 246 John Fedchock Live At The Red Sea Jazz Capri 2010 2 0 2 Festival 46 246 Pat Bianchi Back Home Doodlin' 2010 2 0 2 46 246 Bob Marley & The Wailers Survival Tuff Gong 1979 2 0 2 46 246 Dave Holland Pathways Dare2 2010 2 0 2 70 29 Louis Armstrong & Oscar The Complete Ella Verve / PolyGram 1997 1 4 -3 Peterson Fitzgerald & Louis Armstrong On Verve ©2011 Mediaguide, Inc. http://www.mediaguide.com page 2 / 12 Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 07/14/2011 07:23 am TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 70 33 Gary Burton For Hamp, Red, Bags, And Concord 2001 1 3 -2 Cal 70 33 Danilo Perez Panamonk GRP 1996 1 3 -2 70 45 Jim Snidero Interface Savant 2011 1 2 -1 70 45 Milt Jackson & Wes Keepnews Collection Riverside 2008 1 2 -1 Montgomery [Sampler] 70 45 Pat Martino Consciousness Muse 1975 1 2 -1 70 45 Miles Davis Miles Smiles Columbia 1967 1 2 -1 70 45 Judy Wexler Under A Painted Sky Jazzed Media 2011 1 2 -1 70 81 Diana Krall Live In Paris Verve 2002 1 1 0 70 81 Wes Montgomery Full House Riverside 1962 1 1 0 70 81 N. Glenn Davis What Could Be Speak Jazz 2011 1 1 0 70 81 Buddy Guy Living Proof Jive 2010 1 1 0 70 81 Hank Crawford & Jimmy Soul Survivors Milestone 1986 1 1 0 McGriff 70 81 Dianne Reeves When You Know Blue Note 2008 1 1 0 70 81 Royce Campbell Trio Make Me Rainbows Moon Cycle 2011 1 1 0 70 81 Machel Montano Any Minute Now Self-Released 1999 1 1 0 70 81 Jeff 'Tain' Watts Family Dark Key 2011 1 1 0 70 81 Dee Dee Bridgewater Keeping Tradition Verve 1993 1 1 0 70 81 John Coltrane My Favorite Things Atlantic 1961 1 1 0 70 81 Oscar Brown, Jr. Sin & Soul Columbia 1961 1 1 0 70 81 Andy Bey American Song Savoy Jazz 2004 1 1 0 70 81 Jimmy Smith Fourmost Return Milestone 2001 1 1 0 70 81 Charles Mingus Tonight At Noon Atlantic 1964 1 1 0 70 81 Ann Hampton Callaway Blues In The Night Telarc Jazz 2006 1 1 0 70 81 Venissa Santi Bienvenida Sunnyside 2009 1 1 0 70 246 Curtis Fuller Blues-Ette Savoy 1959 1 0 1 70 246 Slim Harpo Baby, Scratch My Back Excello 1966 1 0 1 70 246 Ray Charles Live In Concert Concord 2011 1 0 1 70 246 Little Anthony & The Tears On My Pillow/Two End 1958 1 0 1 Imperials People In The World [Single] 70 246 Smokey Robinson & The The Love I Saw In You Tamla / Motown 1967 1 0 1 Miracles Was Just A Mirage/Come Spy With Me [Single] 70 246 Bill Doggett Honky Tonk, Pts. 1 & 2 King 1956 1 0 1 [Single] 70 246 I-Octane Strictly The Best Volume VP 2011 1 0 1 43 70 246 Miles Davis Cool & Collected Columbia 2006 1 0 1 70 246 Jamie Davis Vibe Over Perfection Unity 2008 1 0 1 70 246 Darrell Mcfadden & The Confirmation WorldWide Gospel 2002 1 0 1 Disciples 70 246 Art Blakey & The Jazz A Night In Tunisia Blue Note 1960 1 0 1 Messengers 70 246 Jah Cure Unconditional Love [Single] SoBe 2010 1 0 1 70 246 Steel Pulse True Democracy [Reissue] Wiseman / Elektra / 2005 1 0 1 Asylum 70 246 Rene Marie Voice Of My Beautiful Motema 2011 1 0 1 Country 70 246 Miles Davis Miles Davis: Miles In The Columbia 1968 1 0 1 ©2011 Mediaguide, Inc.
Recommended publications
  • Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 Pm
    Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 11/09/2011 04:57 pm WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 11/02/2011 to 11/08/2011 Last Period (TP) = 10/25/2011 to 11/01/2011 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 2 Jeff McLaughlin Quartet Blocks Owl Studios 2011 11 12 -1 2 27 Christian McBride Big The Good Feeling Mack Avenue 2011 9 3 6 Band 3 308 Pat Martino Undeniable: Live At Blues HighNote 2011 8 0 8 Alley 4 4 Dr. Michael White Adventures In New Basin Street 2011 7 9 -2 Orleans Jazz Pt. 1 4 8 Stefon Harris, David Ninety Miles Concord Picante 2011 7 8 -1 Sanchez, Christian Scott 4 14 Warren Wolf Warren Wolf Mack Avenue 2011 7 6 1 4 308 Houston Person So Nice HighNote 2011 7 0 7 8 4 Jay Ashby & Steve Davis Mistaken Identity MCG Jazz 2011 6 9 -3 8 10 Orrin Evans Freedom Posi-Tone 2011 6 7 -1 10 1 Roy Haynes Roy-Alty Dreyfus 2011 5 13 -8 10 3 Cedar Walton The Bouncer High Note 2011 5 10 -5 10 8 Afro Bop Alliance Una Mas OA2 2011 5 8 -3 10 20 Alan Leatherman Detour Ahead AJL 2011 5 4 1 10 20 Dave Valentin Pure Imagination HighNote 2011 5 4 1 10 43 Sir Roland Hanna Colors From A Giant's Kit IPO 2011 5 2 3 10 43 Denise Donatelli What Lies Within Savant 2008 5 2 3 17 4 Bill O'Connell Triple Play Plus Three Zoho 2011 4 9 -5 17 10 John Stein Hi Fly Whaling City Sound 2011 4 7 -3 17 18 Gerald Beckett Standard Flute Summit 2011 4 5 -1 17 20 Denise Donatelli When Lights Are Low Savant 2010 4 4 0 17 27 Sammy Figueroa Urban Nature
    [Show full text]
  • Where to Study Jazz 2019
    STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life.
    [Show full text]
  • Johnny O'neal
    OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society.
    [Show full text]
  • An Interview with Sherman Ferguson
    AN INTERVIEW WITH SHERMAN FERGUSON LOS ANGELES, CALIFORNIA KCRW-FM September 7, 1981 Bob Rosenbaum 1981, All Rights Reserved (music — "On the Stairs," Pat Martino) DO YOU HAVE LIKE A — SOME MUSICIANS USE A REFERENCE POINT, OTHER DRUMMERS OR OTHER "ON THE STAIRS," WHICH FEATURES GUITARIST PAT HORN PLAYERS. DO YOU LISTEN TO OTHER DRUMMERS MARTINO, EDDIE GREEN ON THE PIANO, TYRONE SPECIFICALLY? BROWN ON BASS AND DRUMMER SHERMAN FERGUSON, You mean, for inspiration? I listen to all the WHO IS WITH US HERE THIS EVENING. YOU WERE JUST other drummers for inspiration! Yeah. ABOUT TO TELL ME THAT "ON THE STAIRS" WAS WRITTEN ON THE STAIRS... ANY PARTICULAR DRUMMER? BILLY HART IS ONE Literally on the stairs, yeah. WHO IS— Oh, Billy Hart, he's like a brother to me. I love IN WHAT WAY? DID YOU WRITE IT? him. He's been a major influence on me. No, that's Pat's tune. But we were working in Grendal's Land, Philadelphia, and we were on YOU WROTE A SONG FOR HIM. our way down to do the second set, and he Yeah I did. A couple of years ago. Boy, it's been started, you know, fooling around with more than a couple of years. About 10 years ago. something. And (laughs) he literally, he wrote it Boy, how time flies! going down the stairs! And it's a real nice tune. And it's alot of fun to play. THAT WAS IN PHILADELPHIA. Yeah, with the Catalyst band. On our very first album. That was my very first composition to be I listen to a little bit of recorded.
    [Show full text]
  • The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
    4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18
    [Show full text]
  • Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work.
    [Show full text]
  • Biography a Five-Time Grammy-Winning Musician, Actor
    Biography A five-time Grammy-winning musician, actor, artist, activist and humanitarian, Ziggy Marley has established his presence on the public stage for over a quarter-century. His newest release, Ziggy Marley In Concert, is a collection of live recordings from his 2012 Wild and Free World Tour. The album, which will release digitally on iTunes December 18th before its worldwide physical release on January 15th of 2013, continues to convey Marley’s overall message of love, freedom, hope and challenge. The album features live tracks from his Grammy-nominated and critically acclaimed 2011 release Wild and Free, including the funky and fun-loving “Forward To Love,” the upbeat groove-driven “Reggae in My Head,” and the rock-fueled reggae anthem “Wild and Free.” Live versions of the Bob Marley classics “War” and “Is This Love” also appear on the album as well as Ziggy’s hits “Tomorrow People” and “True To Myself.” In recent years, Marley has been involved in a slew of projects including an extensive world tour that spanned most of 2011 and 2012. Among those dates was a group of themed tribute shows, “Tuff Gong Worldwide and Ziggy Marley Salute the Legends of Reggae,” which played at various Southern California venues in 2012, including a sell-out show at the Hollywood Bowl. Additional projects include serving as executive producer of the celebrated documentary MARLEY(Shangri-La Entertainment), hosting his own monthly radio show, Legends of Reggae, on SiriusXM’s The Joint, and launching a GMO-free food line called Ziggy Marley Organics. In April of 2011, Marley released his first ever comic book, Marijuanaman (Image Comics), which was published on the symbolically potent date of 4/20.
    [Show full text]
  • Charles Mcpherson Leader Entry by Michael Fitzgerald
    Charles McPherson Leader Entry by Michael Fitzgerald Generated on Sun, Oct 02, 2011 Date: November 20, 1964 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Carmell Jones (t), Barry Harris (p), Nelson Boyd (b), Albert 'Tootie' Heath (d) a. a-01 Hot House - 7:43 (Tadd Dameron) Prestige LP 12": PR 7359 — Bebop Revisited! b. a-02 Nostalgia - 5:24 (Theodore 'Fats' Navarro) Prestige LP 12": PR 7359 — Bebop Revisited! c. a-03 Passport [tune Y] - 6:55 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! d. b-01 Wail - 6:04 (Bud Powell) Prestige LP 12": PR 7359 — Bebop Revisited! e. b-02 Embraceable You - 7:39 (George Gershwin, Ira Gershwin) Prestige LP 12": PR 7359 — Bebop Revisited! f. b-03 Si Si - 5:50 (Charlie Parker) Prestige LP 12": PR 7359 — Bebop Revisited! g. If I Loved You - 6:17 (Richard Rodgers, Oscar Hammerstein II) All titles on: Original Jazz Classics CD: OJCCD 710-2 — Bebop Revisited! (1992) Carmell Jones (t) on a-d, f-g. Passport listed as "Variations On A Blues By Bird". This is the rarer of the two Parker compositions titled "Passport". Date: August 6, 1965 Location: Van Gelder Studio, Englewood Cliffs, NJ Label: Prestige Charles McPherson (ldr), Charles McPherson (as), Clifford Jordan (ts), Barry Harris (p), George Tucker (b), Alan Dawson (d) a. a-01 Eronel - 7:03 (Thelonious Monk, Sadik Hakim, Sahib Shihab) b. a-02 In A Sentimental Mood - 7:57 (Duke Ellington, Manny Kurtz, Irving Mills) c. a-03 Chasin' The Bird - 7:08 (Charlie Parker) d.
    [Show full text]
  • MEIEA 2012 Color.Indd
    Journal of the Music & Entertainment Industry Educators Association Volume 12, Number 1 (2012) Bruce Ronkin, Editor Northeastern University Published with Support from Reviews Will Hermes. Love Goes to Buildings on Fire: Five Years in New York That Changed Music Forever. New York: Faber and Faber, Inc., 2011. www.fsgbooks.com. Music scenes have played a major part in the development of popu- lar music and the music industry for decades. Rolling Stone critic Will Hermesʼ book Love Goes to Buildings on Fire, whose title refers to an early Talking Heads song, documents the rich tapestry of music scenes happening in New York City from 1973 to 1978. The author was in high school in Queens during the time, and uses meticulously researched an- ecdotes and interviews along with personal experiences to give the reader an insider’s view of both the music and its relationship to the city. The description is presented in a precisely chronological sequence, constantly switching between multiple narratives in a way that is very contempo- rary yet still cohesive. This technique emphasizes the simultaneity of the different musical movements growing up at the time, and also helps to describe the interaction between them. Creative hybrids and mixing of musical scenes and styles, which were common, are prominent themes throughout the book. In addition to the artists, Hermes documents in de- tail the contributions of labels, studios, radio stations, venues, managers, promoters, and music journalists who helped fuel and fund the musical creativity of the time. New York was teetering on the edge of bankruptcy and riddled with crime and drugs during these years, and there is a strong focus on how music related to broader social and economic factors.
    [Show full text]
  • 20980 Hon. Carolyn B. Maloney Hon. Brad Sherman
    20980 EXTENSIONS OF REMARKS September 21, 2005 Mr. Betts played in hands with Oscar years with the notorious Queen of the Blues options to monitor the medical impacts of Hur- Peterson, Tommy Flanagan, Woody Herman, and cut several classic records, including ricane Katrina, there is no Federal program in Nat Adderley, Joe Pass, Clifford Brown and ‘‘Dinah Jams’’ (1954) and ‘‘Dinah!’’ (1956). place to set up a medical monitoring program. Vince Guaraldi. Her gruff exterior was ‘‘for the people,’’ After he made the Washington area his Mr. Betts said. ‘‘She was a different person This is why we are introducing the Disaster home in the mid-1950s, Mr. Betts teamed inside.’’ She paid for Mr. Betts’s wedding re- Area Health and Environmental Monitoring with Byrd, the lyrical guitarist who made ception in 1953 at Birdland in New York; Tito Act—H.R. 5329 in the 108th Congress. This is his name with sensual, samba-inspired bossa Puente provided the music. the companion to legislation introduced in the nova music. They were regulars at the Show- Washington taught Mr. Betts a secret to Senate by Senators VOINOVICH and CLINTON— boat Lounge in the District and made several good musicianship: Learn the lyrics. She S. 1279—and has passed the Senate by State Department-sponsored trips abroad. said the best musicians know the entire unanimous consent last Congress. During one trip to Brazil, Mr. Betts be- song, not just the chord changes. The Disaster Area Health and Environ- ‘‘There’s an art to playing behind the sing- came enthralled with samba records and, he mental Monitoring Act would create a standard said, spent months persuading Byrd to play er,’’ he said later.
    [Show full text]
  • Downbeat.Com September 2010 U.K. £3.50
    downbeat.com downbeat.com september 2010 2010 september £3.50 U.K. DownBeat esperanza spalDing // Danilo pérez // al Di Meola // Billy ChilDs // artie shaw septeMBer 2010 SEPTEMBER 2010 � Volume 77 – Number 9 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser AdVertisiNg sAles Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] offices 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] customer serVice 877-904-5299 [email protected] coNtributors Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Atlanta: Jon Ross; Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, How- ard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Jennifer
    [Show full text]
  • Firing the Canon: Multiple Insularities in Jazz Criticism
    FIRING THE CANON: MULTIPLE INSULARITIES IN JAZZ CRITICISM By © 2014 Christopher Robinson Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson, Sherrie Tucker ________________________________ Randal Jelks ________________________________ Tony Bolden ________________________________ John Gennari ________________________________ William J Harris Date Defended: April 7, 2014 The Dissertation Committee for Christopher Robinson certifies that this is the approved version of the following dissertation: Firing the Canon: Multiple Insularities in Jazz Criticism ________________________________ Chairperson, Sherrie Tucker Date approved: April 7, 2014 ii ABSTRACT Whereas many jazz scholars focus on jazz criticism's construction and implications of a single, or insular, jazz canon, this dissertation argues that what many jazz critics do is precisely the opposite. These critics disrupt the sense of a singular and insular jazz canon by challenging it through the creation of what I call an insularity, which is a bounded collection of artists and music with a definable tradition, values and established criteria which regulates what is suitable for inclusion. This dissertation argues that jazz does not consist of a single canon and music that exists beyond the canon's boundaries; rather, jazz contains multiple insularities that challenge the canon and vie for the opportunity to overthrow the canon in order to reach canonical status. This dissertation conceptualizes jazz critics as cultural authorities who create or deconstruct insularities through a variety of race, gender and nation projects. It examines the criticism of Leonard Feather, Val Wilmer and Nathaniel Mackey to highlight the numerous ways in which critics engage with multiple insularities.
    [Show full text]