JUDITH FORST, O.C., O.B.C., Guest Artist and Voice Teacher

Total Page:16

File Type:pdf, Size:1020Kb

JUDITH FORST, O.C., O.B.C., Guest Artist and Voice Teacher JUDITH FORST, O.C., O.B.C., Guest Artist and Voice teacher Canadian mezzo-soprano Judith Forst has sung with most major opera companies throughout North America and Europe, including over 250 performances with the New York Metropolitan Opera, where she returned in 2013 for her 20th season. She has performed frequently with the San Francisco Opera Company, the Chicago Lyric Opera, the Canadian Opera Company, Dallas Opera, Houston Lyric Opera, New York City Opera and the Vancouver Opera Association. She has sung for over 10 seasons with the Santa Fe Opera. Recent European engagements have included performances in Italy, Czech Republic and the Netherlands. She made her debut at La Scala in 2006 singing Kabanichka in Janacek’s Katia Kabanova. Ms Forst’s most recent North American successes have included highly-acclaimed performance as Kabanichka at the Met, Kostelnicka in Janacek’s Jenufa with the Dallas Opera, and Dead Man Walking with the Pittsburgh Opera. Ms Forst scored a personal and critical triumph in 2010 with her world premiere performance as Lilian Alling with the Vancouver Opera Association. She performed another world premiere with the Calgary Opera in January 2011, singing in Bramwell Tovey’s The Inventor. Her 2013 performances of the Old Prioress in Poulenc’s Dialogues des Carmelites with the Canadian Opera Company were hailed as “emotionally shattering” and “magnificent.” Her busy 2015 schedule included a return to the Chicago Lyric Opera and the Vancouver Symphony Orchestra. Her 2017 performances of Dead Man Walking with the Vancouver Opera Festival were hailed as “devastating” and “unforgettable.” In 1991, Ms Forst received an honorary Doctorate of Letters from the University of British Columbia, the first performing artist alumna to be so honored, and in 1995, the University of Victoria conferred upon Ms Forst an Honorary Doctorate of Music. In 1992, Forst was inducted into the Order of Canada and in 2001 she was inducted into the Order of British Columbia. In 2004, she received Opera Canada’s prestigious Ruby Award marking her distinguished worldwide career in opera. Ms Forst now works continually at the Banff School, and with the young singers in the University of British Columbia’s Opera Programme. .
Recommended publications
  • UBC High Notes
    UBC High Notes 2009-2010 Season UBC High Notes The newsletter of the School of Music at the University of British Columbia I am delighted to welcome you to the eleventh edition of High Notes, in which we celebrate the recent activities and major achievements of faculty, staff and students in the UBC School of Music. I hope you enjoy this snapshot, which captures the diversity, quality, and impact of our activities and contributions — we are a vibrant community of creators, performers, and scholars! I warmly invite you to read about the School of Music in these pages, and to attend many of our performances in the coming months and years. The 2009-10 year is a significant anniversary for the School. UBC established its Department of Music in 1947 under the leadership of Harry Adaskin, and initially offered B.A. degrees with a major in Music. The Bachelor of Music degree was then developed with the first students entering in September 1959 (by which time the faculty also included other Canadian musical trailblazers like Jean Coulthard and Bar- bara Pentland). These 50 years have witnessed an impressive expansion in our degree programs, so that we now offer Bachelor’s, Master’s, and Doctoral programs in performance, music education, composition, music theory, musicology, and ethnomusicology. What started with a few dozen students has grown into a dynamic and diverse community of over 300 undergraduates and 130 graduate students. Music is thriving at UBC, and we continue to witness exciting increases in the size, quality, and scope of our programs. Our 50th Anniversary year is an opportunity to reflect with gratitude on the generous support the School has received from many donors, and with admiration on the countless contributions to musical performance and education that scores of faculty and thousands of alumni have made over the past five decades — throughout BC, across Canada, and around the world.
    [Show full text]
  • UBC High Notes Newsletter of the School of Music at the University of British Columbia
    UBC High Notes Newsletter of the School of Music at the University of British Columbia Fall 2012 Director’s Welcome Welcome to the fourteenth edition of High Notes, celebrating the recent activities and major achievements of the faculty and students in the UBC School of Music! I think you will find the diversity and quality of accomplishments impressive and inspiring. A major highlight for me this year is the opportunity to welcome three exciting new full-time faculty members. Pianist Mark Anderson, with an outstanding international reputation gave a brilliant first recital at the School in October.Jonathan Girard, our new Director of the UBC Symphony Orchestra, and Assistant Professor of Conducting, led the UBC Symphony Orchestra in a full house of delighted audience members at the Chan Centre on November 9th. Musicologist Hedy Law, a specialist in 18th-century French opera and ballet is, has already established herself well with students and faculty in the less public sphere of our academic activities. See page 4 to meet these new faculty members who are bringing wonderful new artistic and scholarly energies to the School. It is exciting to see the School evolve through its faculty members! Our many accomplished part-time instructors are also vital to the success and profile of the School. This year we welcome to our team several UBC music alumni who have won acclaim as artists and praise as educators: cellist John Friesen, composer Jocelyn Morlock, film and television composer Hal Beckett, and composer-critic-educator David Duke. They embody the success of our programs, and the impact of the UBC School of Music on the artistic life of our province and nation.
    [Show full text]
  • A Performer's Guide to Oskar Morawetz' from the Diary of Anne Frank Jami Rhodes Louisiana State University and Agricultural and Mechanical College
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2009 A performer's guide to Oskar Morawetz' From the Diary of Anne Frank Jami Rhodes Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Rhodes, Jami, "A performer's guide to Oskar Morawetz' From the Diary of Anne Frank" (2009). LSU Doctoral Dissertations. 3516. https://digitalcommons.lsu.edu/gradschool_dissertations/3516 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A PERFORMER‟S GUIDE TO OSKAR MORAWETZ‟ FROM THE DIARY OF ANNE FRANK A Written Document Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in The School of Music and Dramatic Arts by Jami Rhodes B.M., East Carolina University, 2001 M.M., University of South Carolina, 2003 August 2009 ACKNOWLEDGEMENTS I must first acknowledge the aid of Claudia Morawetz, whose own extensive research into her father‟s life and work, coupled with her constant willingness to assist me throughout this process has been invaluable. I owe a special debt of gratitude to my major professor, Dr. Lori Bade who has not only served as the chair of my doctoral committee throughout this process but has guided me vocally throughout my time at Louisiana State University.
    [Show full text]
  • Kimberly Barber--Mezzo-Soprano
    KIMBERLY BARBER, MEZZO-SOPRANO COMPLETE PERFORMANCE ARCHIVE Operatic and concert performances: 2019 “I never saw another butterfly: Music of the Holocaust”; Recital with Pianist Anna Ronai and Flutist Ulrike Anton; Richmond Hill Centre for the Performing Arts, Richmond Hill, ON, November 7, 2019 Gala Concert: Opening of CASP Conference; Edmonton, AB; mezzo-soprano Elizabeth Turnbull and others; October 16, 2019 Faculty Showcase: Music at Noon; Pianist Anna Ronai, Penderecki String Quartet, Pianists Anya Alexeyev and Glen Carruthers, vocalist Glenn Buhr; Maureen Forrester Recital Hall, Wilfrid Laurier University, Waterloo, ON; September 12, 2019 Mysterious Barricades: The Stories We Tell; Kitchener Public Library Theatre, Kitchener, ON; Pianist Anna Ronai, Penderecki String Quartet, Trumpeter Guy Few and others; Sept 10, 2019 (coast-to-coast livestream Sept. 14-21, 2019) Closing concert Festival de Fourvière; Chateau LaCroix-Laval, Lyon, France; Pianists Franck Avitabile and Catherine Garonne, cellist Yannick Callier; Aug 4, 2019 Opening concert Festival de Fourvière; Hôtel de Ville, Lyon, France; Three Songs of James Joyce, op. 10, Samuel Barber; Pianist Laetitia Bougnol; Aug 1, 2019 Concert Lyrique, NSVI, Église Ste-Claire, Riviere-Beaudette, QC; Pianist Michael Shannon, Mezzo-soprano Maria Soulis and others; July 3, 2019 Église Ste-Madeleine, Rigaud, QC, July 6, 2019 Mme. de la Haltière, Cendrillon, Jules Massenet; Conductor Leslie De’Ath, Soprano Emily Vondrejs, Mezzo-soprano Dominie Boutin and others; Theatre Auditorium WLU, Waterloo,
    [Show full text]
  • Il Trovatore Verdi LYRIC OPERA of CHICAGO Table of Contents
    Il Trovatore Verdi LYRIC OPERA OF CHICAGO Table of Contents DAN REST IN THIS ISSUE Prime Time: The Ryan Opera Center p 16 6 From the General Director 44 Patron Salute 8 From the President 46 Aria Society A Wondrous 10 Board of Directors 55 Breaking New Ground 12 Women’s Board/Guild Board/ 56 60th Anniversary Gala Contributors Sound: Chapters’ Executive Board/ 57 Major Contributors – Special Events The Lyric Opera Chorus Ryan Opera Center Board and Project Support Celebrates a New Season 14 Administration/Administrative Staff/ Saturday, November 22, 2014, 3 pm 58 Lyric Unlimited Contributors/ Production and Technical Staff Alice Millar Chapel Northwestern University, Evanston Look To The Future Tickets just $20 at lyricopera.org 16 Prime Time: The Ryan Opera Center 59 Ryan Opera Center Contributors MIKE RUEGG PHOTO: 24 Tonight's Opera 60 Annual Corporate Support/ 25 Story of the Opera Matching Gifts 27 Cast 62 Planned Giving: 28 Cast Profiles The Overture Society 35 Opera Notes 64 Annual Individual and Foundation 39 Director’s and Designer’s Notes Support 40 Musical Staff/Orchestra/Chorus 70 Commemorative Gifts 42 Artistic Roster 71 Special Thanks/Acknowledgements 43 Ryan Opera Center/Lyric Unlimited/ 72 Facilities and Services/ Education Corps/Supernumeraries Theatre and Facilities On the cover: Francisco de Goya, “Pilgrimage to the Hermitage of St. Isidore, 1819-23, oil mural transferred to canvas. Museo Nacional del Prado, Madrid. 2 | OCTOBER 27 - NOVEMBER 29, 2014 LYRIC OPERA OF CHICAGO Since 1991 www.performancemedia.us 3453 Commercial Avenue, Northbrook, IL 60062 Gail McGrath Publisher & President Sheldon Levin Publisher & Director of Finance A.
    [Show full text]
  • UBC High Notes
    UBC High Notes Fall 2011 Newsletter of the School Music at the University of British Columbia Director’s Welcome Welcome to the thirteenth edition of High Notes, our annual chronicle of the recent activities and major achievements of faculty, students, and alumni of the UBC School of Music. The variety, quality, and international impact of these contributions to scholarship and public life are inspiring and impressive, and each year brings a stream of new work and echoing accolades. After our exciting “year of renewal” in 2010/2011, we are now taking full advantage of our revitalized facilities. The handsomely renovated Roy Barnett Recital Hall is acoustically brilliant and well equipped, and is the heart of our teaching and performing activities every day. The beautiful and historic Old Auditorium has been thoroughly modernized as a teaching, rehearsal, and performance space perfect for classical opera, and also for concerts, recitals, and other events. The splendid Chan Centre, with its contemporary design and acoustic radiance, is home for our Symphony Orchestra, Symphonic Wind Ensemble, Concert Winds, University Singers, and Choral Union, plus one fully staged opera each season by the UBC Opera Ensemble. The Chan Centre also features its own programming and numerous community partnerships. These three wonderful venues add depth and richness to the musical life of UBC. Thanks to significant investments by the Province, University, Faculty of Arts, the School of Music itself, and the support of many generous private donors, our faculty and students enjoy facilities that few institutions Photo credit: Martin Dee can match. We are always delighted to welcome the community to our many performances in these three superb venues.
    [Show full text]
  • Central Opera Service Bulletin Volume 29, Number A
    CENTRAL OPERA SERVICE BULLETIN VOLUME 29, NUMBER A CONTENTS NEW OPERAS AND PREMIERES 1 NEWS FMNQKRA COMPANIES 18 GOVERNMENT AND NATIONAL ORGANIZATIONS 24 27 ODNFERENOS H MEM AND REMWftTED THEATERS 29 FORECAST 31 ANNIVERSARIES 37 ARCHIVES AND EXHIBITIONS 39 ATTENTION C0MP0SH8. LIBRE11ISTS, FIAYWRHMTS 40 NUSIC PUBLISHERS 41 EDITIONS AND ADAPTATIONS 4t EOUCATION 44 AFPOINTMEMIS AND RESIGNATIONS 44 COS OPERA SURVEY USA 1988-89 OS INSIDE INFORMATION 57 COS SALUTES. O WINNERS (4 BOOK CORNER 66 OPERA HAS LOST. 73 PERFORMANCE LIST INC. 1969 90 SEASON (CONT.) 83 Sponsored by the Metropolitan Opera National Council CENTRAL OPERA SERVICE BULLETIN Volume 29, Number 4 Fall/Winter 1989-90 CONTENTS New Operas and Premieres 1 News from Opera Companies 18 Government and National Organizations 24 Copyright 27 Conferences 28 New and Renovated Theaters 29 Forecast 31 Anniversaries 37 Archives and Exhibitions 39 Attention Composers, Librettists, Playwrights 40 Music Publishers 41 Editions and Adaptations 42 Education 44 Appointments and Resignations 46 COS Opera Survey USA 1988-89 56 COS Inside Information 57 COS Salutes. 63 Winners 64 Book Corner 66 Opera Has Lost. 73 Performance Listing, 1989-90 Season (cont.) 83 CENTRAL OPERA SERVICE COMMITTEE Founder MRS. AUGUST BELMONT (1879-1979) Honorary National Chairman ROBERT L.B. TOBIN National Chairman MRS. MARGO H. BINDHARDT Please note page 56: COS Opera Survey USA 1988-89 Next issue: New Directions for the '90s The transcript of the COS National Conference In preparation: Directory of Contemporary Opera and Music Theater, 1980-89 (Including American Premieres) Central Opera Service Bulletin • Volume 29, Number 4 • Fall/Winter 1989-90 Editor: MARIA F.
    [Show full text]
  • Missing Artistic & Production Technical Information Package
    Missing Artistic & Production Technical Information Package For touring or rental productions Libretto by Marie Clements | Music by Brian Current World Première Production, November 2017 Co-commissioned and co-produced by Pacific Opera Victoria and City Opera Vancouver In English and Gitxsan A new chamber opera by Métis playwright Marie Clements and Juno-winning composer Brian Current, Missing gives voice, in English and Gitxsan, to the story of Canada's missing and murdered Indigenous women. Set in Vancouver's Downtown Eastside and along the Highway of Tears, Missing is a poetic expression of loss and hope, its creation led by aboriginal theatre and opera artists. Pacific Opera Victoria and City Opera Vancouver collaborated on the co-commission and co-production of this important new opera. World Première Performances York Theatre, Vancouver, November 3 to 11, 2017 Baumann Centre, Victoria, November 17 to 26, 2017 Private previews for families (invited audience) November 1, 7 pm. Russian Hall, Vancouver November 16, 7 pm. Baumann Centre, Victoria Missing Music by Brian Current | Libretto by Marie Clements Sung in English and Gitxsan, with English surtitles Approximate running time: 1 hour, 20 minutes, with no intermission Conductor Timothy Long Director Peter Hinton Scenic and Projection Designer Andy Moro Costume Designer Carmen Thompson Lighting Designer John Webber Sound Designer Sandy Scofield Dramaturg Paula Danckert CAST in order of vocal appearance Ava Caitlin Wood Native Girl Melody Courage Jess Heather Molloy Devon Kaden Forsberg
    [Show full text]
  • News{Etter • Cbu{{Etin
    NATIONAL CAPITAL OPERA SOCIETY • SOCIETE D'OPERA DE LA CAPITALE NATIONALE !News{etter CBu{{etin I • I Parr 2001 £ Jlutomne P.O. Box 8347, Main Terminal, Ottawa, Ontario KIG 3H8· c.P. 8347, Succursale principale, Ottawa (Ontario) KIG 3H8 Join the Celebration for BRIAN LAW by Murray Kitts he evening ofDecember 18,2001, will be an ex­ Ttraordinary one for music lovers in the National Capital Area. For many, attendance at a perfor­ mance ofHandel's Messiah at the NAC is an annual event. But this year something really special has been included. Conductor Brian Law is coming from New Zealand to conduct an oratorio which is one ofhis specialties. What a thrill for the Ottawa Choral Society to be again con­ ducted by the man who led them for so many years ­ Brian Law. This would be reason enough for celebration. But there is much more. From England where he now makes his home comes Gerald Finley, former resi­ dent ofOttawa and former student ofBrian Law, to sing The National Capital Opera Society has reserved the extraordinarily difficult bass-baritone part in the ora­ the Salon at the NAC so that you and your friends can torio. Gerald has an enviable international reputation sing­ come and meet Brian Law and Friends after the performance. ing not only in Britain and the continent but in New York Food and beverages appropriate to the hour will as well. He has starred in many fme opera and oratorio be served and a cash bar will be available for those who recordings. As one ofour members says, "Gerald Finley desire something more festive.
    [Show full text]
  • Cvjosepha Gayer
    CURRICULUM VITAE Josepha Gayer 1512 Spruce Street-#2308 BarrettVantage Management Philadelphia, PA 19102 505 Eighth Avenue-Suite 601 267-687-8275 New York, NY 10018 610-585-1509(cell) (212) 245-3530 [email protected] www.barrettvantage.com Higher Education Bachelor of Fine Arts (Vocal Performance), Carnegie-Mellon University; 1964 Teaching Specialization Private Voice Instruction Professional Vocal and Dramatic Coaching Language Diction for Singing Master Classes Academic Experience Philadelphia High School for the Creative and Performing Arts, Vocal Consultant; 1979-1984 Non-Academic Experience Professional Operatic and Concert Performing Career; 1976-Present (See Addendum 1) Private Voice Studio; 1978-Present Master Classes-1988-present Demonstration of Students’ Success Singers in my studio who have achieved professional careers include: Kathleen Hegierski, New York City Opera, Dallas Opera, L’Opera de Montreal, Milwaukee Florentine Opera Jane Gilbert, Pavarotti Competition Winner, Washington Opera, Opera Company of Philadelphia, many regional companies and awards Jami Rogers, New York City Opera, Santa Fe Opera, Opera Theater of St. Louis, Hawaii Opera Theater, Cleveland Opera, Sarasota Opera Kevin Anderson, Lyric Opera of Chicago, Canadian Opera Center, Nancy, France, Opera Theater of St. Louis, Hawaii Opera Theater, numerous symphony orchestras Josepha Gayer: Curriculum Vitae, Page Pamela Dillard, Opera Theater of St. Louis, Boston Lyric Opera, San Francisco Opera, soloist on Armistad soundtrack ( John Williams, composer) Cheri Rose Katz, Gerda Lissner Foundation Encouragement Award Winner 2000, NYC regional winner Macallister Awards, Finalist Palm Beach Opera National Vocal Competition, Finalist Young Patronesses of the Opera Florida Grand Opera Bi-Annual Voice Competition, 2nd Place Winner National Society of Arts and Letters, NJ,.
    [Show full text]
  • Voice​​Studies​​At​​The​​University​​Of​​Toronto
    Voice Studies at the University of Toronto presents ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Judith Forst OC OBC Master Class ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ John R. Stratton Visitor in Music ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ October 16, 2017 from 7:30-9:30 pm ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Walter Hall ​ ​ PROGRAMME Ruhe sanft (Zaide) Wolfgang Amadeus Mozart (1756-1791) ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Whitney Mather, soprano; Hyejin Kwon, piano ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Lieben, Hassen, Hoffen, Zagen (Ariadne auf Naxos) Richard Strauss (1864-1949) ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Korin Thomas-Smith, baritone; Hyejin Kwon, piano ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Everything is black (The Confession Stone) Robert Fleming (1921-1976) ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Yujene Oh, mezzo-soprano; Hyejin Kwon, piano ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Que fais-tu, blanche tourterelle (Roméo et Juliette) Charles Gounod (1818-1893) ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​​ ​ Jamie Groote, mezzo-soprano; Perri Lo, piano ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Smanie implacabili (Così fan tutte) Wolfgang Amadeus Mozart ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Emma Bergin, mezzo-soprano; Benjamin Zsoldos, piano ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Il padre adorato (Idomeneo) Wolfgang Amadeus Mozart ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Georgia Burashko, mezzo-soprano; Frances Armstrong, piano ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Alternate: O Isis und Osiris (Die Zauberflöte) Wolfgang Amadeus Mozart ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Matthew Li, bass; Hyejin Kwon, piano ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Judith Doris Forst is a Canadian dramatic mezzo-soprano, and one of our most important and influential artists, ranked among Lois Marshall,
    [Show full text]
  • BRITTANY FOUCHÉ, Soprano
    904.881.2491 [email protected] www.brittanyfouche.com BRITTANY FOUCHÉ, Soprano OPERA ROLES Frasquita (cover) Carmen St. Petersburg Opera 2015 Jano Jenůfa Des Moines Metro Opera 2015 Despina The Three Little Pigs (Davies) Opera Saratoga's Opera-to-Go 2015 Micaëla (cover) La tragédie de Carmen Des Moines Metro Opera 2014 Micaëla Carmen European Music Academy 2013 Blanche Dialogues des Carmélites University of British Columbia 2013 Fiordiligi Così fan tutte University of British Columbia 2012 Yum Yum The Mikado University of North Florida 2012 Pamina Die Zauberflöte European Music Academy 2010 Gretel Hansel and Gretel University of North Florida 2009 CONCERT WORK Soprano Soloist Messiah (Handel) Assumption Catholic Church 2014 Soprano Soloist Gloria (Vivaldi) Southside United Methodist Church 2012 Soprano Soloist Messiah (Handel) Christ Episcopal Church 2011 Soprano Soloist Vier letzte Lieder (Strauss) University of North Florida Wind Ensemble 2011 Soprano Soloist Messiah (Handel) University of North Florida Orchestra 2010 EDUCATION University of British Columbia Master of Music - Opera Performance 2014 University of North Florida Bachelor of Music - Voice Performance 2012 TRAINING/OUTREACH St. Petersburg Opera Emerging Artist 2015 Des Moines Metro Opera Apprentice Artist 2015 Opera Saratoga Opera-to-Go! Educational Tour 2015 Des Moines Metro Opera Apprentice Artist 2014 European Music Academy Seasonal Artist-in-Training 2010 - 2013 AWARDS Young Artist Encouragement Award MONCA, Florida District 2012 First Place, Upper College/Private Women NATS Student Auditions 2011, 2012 COACHES DIRECTORS CONDUCTORS Judith Forst Lillian Groag David Neely Richard Epp David Gately Leslie Dala David Boothroyd Kristine McIntyre David Agler Krzysztof Biernacki Nancy Hermiston Dwight Bennett Lisa Hasson SPECIAL SKILLS Dance (8 years - ballroom, latin, tap, and jazz styles) Piano (15 years) Bass Guitar (5 years).
    [Show full text]