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The Evolution of Musical Theatre Dance
Gordon 1 Jessica Gordon 29 March 2010 Honors Thesis Everything was Beautiful at the Ballet: The Evolution of Musical Theatre Dance During the mid-1860s, a ballet troupe from Paris was brought to the Academy of Music in lower Manhattan. Before the company’s first performance, however, the theatre in which they were to dance was destroyed in a fire. Nearby, producer William Wheatley was preparing to begin performances of The Black Crook, a melodrama with music by Charles M. Barras. Seeing an opportunity, Wheatley conceived the idea to combine his play and the displaced dance company, mixing drama and spectacle on one stage. On September 12, 1866, The Black Crook opened at Niblo’s Gardens and was an immediate sensation. Wheatley had unknowingly created a new American art form that would become a tradition for years to come. Since the first performance of The Black Crook, dance has played an important role in musical theatre. From the dream ballet in Oklahoma to the “Dance at the Gym” in West Side Story to modern shows such as Movin’ Out, dance has helped tell stories and engage audiences throughout musical theatre history. Dance has not always been as integrated in musicals as it tends to be today. I plan to examine the moments in history during which the role of dance on the Broadway stage changed and how those changes affected the manner in which dance is used on stage today. Additionally, I will discuss the important choreographers who have helped develop the musical theatre dance styles and traditions. As previously mentioned, theatrical dance in America began with the integration of European classical ballet and American melodrama. -
PLAYHOUSE SQUARE January 12-17, 2016
For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut. -
Chivalry in Western Literature Richard N
Rollins College Rollins Scholarship Online Master of Liberal Studies Theses 2012 The nbU ought Grace of Life: Chivalry in Western Literature Richard N. Boggs Rollins College, [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Part of the English Language and Literature Commons, European History Commons, Medieval History Commons, and the Medieval Studies Commons Recommended Citation Boggs, Richard N., "The nbouU ght Grace of Life: Chivalry in Western Literature" (2012). Master of Liberal Studies Theses. 21. http://scholarship.rollins.edu/mls/21 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. The Unbought Grace of Life: Chivalry in Western Literature A Project Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Liberal Studies by Richard N. Boggs May, 2012 Mentor: Dr. Thomas Cook Reader: Dr. Gail Sinclair Rollins College Hamilton Holt School Master of Liberal Studies Program Winter Park, Florida The Unbought Grace of Life: Chivalry in Western Literature By Richard N. Boggs May, 2012 Project Approved: ________________________________________ Mentor ________________________________________ Reader ________________________________________ Director, Master of Liberal Studies Program ________________________________________ Dean, Hamilton Holt School Rollins College Dedicated to my wife Elizabeth for her love, her patience and her unceasing support. CONTENTS I. Introduction 1 II. Greek Pre-Chivalry 5 III. Roman Pre-Chivalry 11 IV. The Rise of Christian Chivalry 18 V. The Age of Chivalry 26 VI. -
A-Level Dance Resource List Resource List
Resource list A-level Dance (2230) Teaching and learning resources Resource list AQA Education (AQA) is a registered charity (number 1073334) and a company limited by guarantee registered in England and Wales (number 3644723). Our registered address is AQA, Devas Street, Manchester M15 6EX. Contents Performance – books Performance - DVDs, CD ROMs Choreography – books Choreography - DVDs, CD ROMs General contextual and historical books General DVDs, videos and CD ROMs linked with areas of study, the three set works and the three dance genres General DVDs Jazz and Musicals – DVDs and videos Jazz dance - books American Musicals (30s and 40s mainly) Alvin Ailey and Revelations (1960): a set work for 2010 Modern dance – general: books Modern dance – general: resource packs Modern dance in Britain 1965-1985: books and resource packs Modern dance in Britain 1965-1985: DVDs or videos Beach Birds for Camera, Merce Cunningham (1991): a set work for 2010 Ballet – general: books and resource packs Cinderella, Ashton (1948): a set work for 2010 Diaghilev and the Ballets Russes: an area of study for 2010 Useful websites and organisations AQA Education (AQA) is a registered charity (number 1073334) and a company limited by guarantee registered in 2 of 26 England and Wales (number 3644723). Our registered address is AQA, Devas Street, Manchester M15 6EX. Books, DVDs, videos and resource packs for specific areas of the new GCE Dance specification for examination in 2009 (AS) and 2010 (A Level) Performance – books [OP] = Out of Print Blakey, W.P. (1992) The Muscle Book Stafford: Bibliotek Blakey, W.P. (1994) Stretching Without Pain Stafford: Bibliotek Cohan, R. -
The California Numismatist
Numismatic Fall 2008 California State Association of V. 5, No. 3 Numismatic Southern California $5.00 Association The California Numismatist The California Numismatist Offi cial Publication of the California State Numismatic Association and the Numismatic Association of Southern California Fall 2008, Volume 5, Number 3 About the Cover The California Numismatist Staff Images from our three main Editor Greg Burns articles grace our cover against a P.O. Box 1181 backdrop relating to a surprising de- Claremont, CA 91711 velopment in the printing of our little [email protected] journal: color! This is the fi rst issue Club Reports Virginia Bourke with the interior pages printed in color, South 10601 Vista Camino though the cover has been in color Lakeside, CA 92040 since the inception of TCN in 2004 [email protected] (starting in 2002 The NASC Quarterly, one of our predecessor publications, Club Reports Michael S. Turrini also started having color covers). North P.O. Box 4104 Please do write and let us know Vallejo, CA 94590 what you think about the new look. [email protected] While the expense is a bit more, Advertising Lila Anderson there’s such an improvement in aes- P.O. Box 365 thetics we’re inclined to keep it up. Grover Beach, CA 93483 [email protected] Visit Us on the Web The California Numismatist has a Web site at www.CalNumismatist.com. You can fi nd the offi cial scoop there in between issues. Also, both CSNA and NASC main- tain their own Web sites at: www.Calcoin.org www.NASC.net 2 The California Numismatist • Fall 2008 Contents Articles Wells Fargo & Company Jim Hunt ............................................................................................................10 Through the Numismatic Glass: This 19th Century Cent Design Lasted for Only One Year Dr. -
Mary Poppins Kids Casting Brief
CHILDRENS CASTING BRIEF Based on the beloved books by Australia’s P.L. Travers and the classic 1964 Walt Disney film, MARY POPPINS will open at Her Majesty’s Theatre Melbourne in July 2010. Produced by Cameron Mackintosh and Thomas Schumacher, for Disney Theatrical Productions, MARY POPPINS the stage musical features the Academy Award®‐winning music and lyrics of Richard M. Sherman and Robert B. Sherman. The stage production has been created, in collaboration with Cameron Mackintosh, by screenwriter Julian Fellowes, who wrote the book, and the team of George Stiles and Anthony Drewe, who composed new songs and additional music and lyrics. The production is directed by Richard Eyre, with co‐direction and choreography by Matthew Bourne. Set and costume designs are by Bob Crowley, co‐choreography by Stephen Mear, lighting design by Howard Harrison, orchestrations by William David Brohn. Associate Director is James Powell, Associate Choreographer is Geoffrey Garratt, and Musical Director is Paul Christ. ROLES TO BE CAST JANE BANKS Pretty and attractive girl. Exuberant but wilful. Occasionally inclined to snobbishness. Must be able to sing. Good coordination required with some dance skills. Must be between 125cm – 148cm. Must be born between May 15, 1997 and May 15, 2000 (10 – 13 yrs old as of May 15, 2010). MICHAEL BANKS Cute and cheeky. Excitable. Naughty. Adores his Father and tries to be like him. Must be able to sing (voice can’t have broken). Good coordination required with some dance skills. Must not be taller than 138cm. Must be born between May 15, 1998 and May 15, 2000 (10 – 12 years old as of May, 2010). -
Donaldson-Selby Susan 2012.Pdf (10.22Mb)
UNIVERSITY OF KWAZULU-NATAL THE CRAFT OF SCENIC ILLUSION: AN INVESTIGATION INTO HOW THEATRE SPACE AND DRAMATIC GENRE INFLUENCE THE SCENOGRAPHIC PROCESS, WITH SPECIFIC REFERENCE TO GREG KING'S SET DESIGNS FOR ALADDIN (2007), OLEANNA (2008) AND THE WIZARD OF OZ (2008). 2012 SUSAN JEANNETTE DONALDSON-SELBY UNIVERSITY OF KWAZULU-NATAL The Craft of Scenic Illusion: An Investigation into how Theatre Space and Dramatic Genre Influence the Scenographic Process, With Specific Reference to Greg King's Set Designs for Aladdin (2007), Oleanna (2008) and The Wizard Of Oz (2008). By Susan Jeannette Donaldson-Selby 207528918 Submitted in partial fulfilment of the academic requirements for the degree of Masters of Arts (coursework) in Drama and Performance Studies, School of Arts, University of KwaZulu-Natal, Howard College, Durban. Supervisor: Professor Mervyn McMurtry 2012 - i - Declaration I declare that this dissertation is my own work unless specifically referenced within the text. It is being submitted for the Degree of Master of Arts (Coursework) in the School of Arts, University of KwaZulu-Natal, Howard College, Durban 2012. Signed Date 11 February 2013 (Susan Jeannette Donaldson-Selby) - ii - Acknowledgements This dissertation would not have been possible without the support and contribution of many people and I would like to thank: • My family in particular my partner Gillian and my daughter Emily for all their love, support and encouragement. • Professor Mervyn McMurtry (my supervisor) for his support, guidance, advice, assistance and patience. • The staff of the Drama and Performance Studies Department. • Mr. Greg King and Mr. Steven Stead for their co-operation and time. • Ms Val Adamson for the use of her photography. -
Religious Roots Tangle with the Groovy ’60S - the New York Times
'Kinky Boots' Sets April 4 Broadway Opening - NYTimes.com AUGUST 15, 2012, 3:13 PM ‘Kinky Boots’ Sets April 4 Broadway Opening By PATRICK HEALY "Kinky Boots," one of the most anticipated musicals of the new Broadway season, with Cyndi Laupermaking her debut as a songwriter for the stage, will begin performances on March 5, 2013, at the Al Hirschfeld Theater and open on April 4, the producers announced on Wednesday. Based on a 2005 British filmabout a shoe factory heir who enlists a drag queen to help save the family business, "Kinky Boots" will star the Tony Award nominee Stark Sands ("Journey's End," "American Idiot") as the scion Charlie and Billy Porter (Belize in the Off Broadway revival of "Angels in America") as the resourceful Lola. The show's book writer is Harvey Fierstein, who won a Tony for his book for "La Cage aux Folles" and was nominated in the category last season for the Broadway musical "Newsies." Ms. Lauper, a Grammy-winning pop icon of the 1980s, has written the music and lyrics for the production, which will have an out-of-town run in Chicago this fall. Jerry Mitchell will direct, and the lead producers are Daryl Roth and Hal Luftig. Like "Kinky Boots," most of the new Broadway musicals expected this season are inspired by movies or books; the others include "Bring It On," "Rebecca," "A Christmas Story," "Matilda," "Diner," and "Hands on a Hardbody." http://artsbeat.blogs.nytimes.com/2012/08/15/kinky-boots-sets-april-4-broadway-opening/?pagewanted=print[8/16/2012 9:52:02 AM] Religious Roots Tangle With the Groovy ’60s - The New York Times August 15, 2012 THEATER REVIEW Religious Roots Tangle With the Groovy ’60s By JASON ZINOMAN Wearing a bushy beard and the absent-minded expression of a father preoccupied with work at the dinner table, Eric Anderson, who plays the Jewish singer Shlomo Carlebach in the bio-musical “Soul Doctor,” appears smaller than life. -
SNP Play Guide R2
PLAY GUIDE 2015 2016 About ATC .................................................................................................................................................... 1 Introduction to the Play ............................................................................................................................... 2 Meet the Creators ........................................................................................................................................ 2 Meet the Characters .................................................................................................................................... 3 Songs and Sources ...................................................................................................................................... 4 A New Musical Genre ................................................................................................................................... 7 The History of Photography .......................................................................................................................... 8 The Science of Memory ............................................................................................................................... 10 Glossary ..................................................................................................................................................... 13 Discussion Questions and Activities ...........................................................................................................17 -
Maxine Glorsky Papers Relating to Martha Graham [Finding Aid]. Music Division, Library of Congress
Maxine Glorsky Papers Relating to Martha Graham Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2020 Contact information: https://hdl.loc.gov/loc.music/perform.contact Catalog Record: https://lccn.loc.gov/2017563970 Additional search options available at: https://hdl.loc.gov/loc.music/eadmus.mu020001 Processed by the Music Division of the Library of Congress Finding aid encoded by Library of Congress Music Division, 2020 Revised 2021 July Collection Summary Title: Maxine Glorsky Papers Relating to Martha Graham Span Dates: 1940-2019 Bulk Dates: (bulk 1944-1981) Call No.: ML31.G46 Creator: Glorsky, Maxine Extent: 3,455 items Extent: 31 containers Extent: 18 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. LC Catalog record: https://lccn.loc.gov/2017563970 Summary: The collection of Maxine Glorsky focuses on her relationship with the Martha Graham Dance Company as its stage manager during the 1970s and early 1980s. It also incorporates substantial material from Jean Rosenthal, Graham’s lighting designer during the 1940s and 1950s. The collection includes many cue sheets for both stage management and lighting purposes, lighting plots, related technical materials, business papers for Glorsky’s Technical Assistance Group (TAG) Foundation and Rosenthal’s Theatre Production Service (TPS), correspondence, and a modest amount of publicity, news clippings, and programs. Selected Search Terms The following terms have been used to index the description of this collection in the LC Catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically. -
Bringing More Choice to Your Cinema About More2screen
PRESENTS THE GRADELINNIT COMPANY PRODUCTION OF ABOUT MORE2SCREEN More2Screen is a leading distributor of Event Cinema with an unparalleled reputation for the delivery of great cinema events to audiences around the world. Founded in 2006 by CEO Christine Costello, it has been a global pioneer in the harnessing of digital technology to bring the very best in live music, performance arts and cultural entertainment to local cinema audiences. More2Screen won the Screen Award ‘Event Cinema Campaign of the Year’ category in 2018 for the live broadcast of the musical Everybody’s Talking About Jamie, and recent releases include Kinky Boots The Musical, Gauguin from the National Gallery, London, Matthew Bourne’s Swan Lake and 42nd Street The Musical. FILMED LIVE AT THEATRE ROYAL, DRURY LANE, LONDON For more information visit More2Screen.com RUNNING TIME: 144 Minutes (PART 1 72 Minutes / INTERVAL 10 minutes / PART 2 62 minutes) BBFC: 12A BRINGING MORE CHOICE TO YOUR CINEMA Share your thoughts after the screening Live and recorded theatre, opera, #42ndStreetCinema @more2screen ballet, music & exhibitions @42ndStreetLDN / @More2Screen In Memory of Mark Bramble Director & Co-Author December 7th 1950 - February 20th 2019 PRODUCTION Book by Michael Stewart & Mark Bramble Music & Lyrics by Harry Warren & Al Dubin Based on the novel by Bradford Ropes CAST Director Mark Bramble Dorothy Brock Bonnie Langford Set Designer Douglas W. Schmidt Julian Marsh Tom Lister Costume Designer Roger Kirk Peggy Sawyer Clare Halse Lighting Designer Peter Mumford Sound Designer -
Programming and Award-Winning Work in the Community
We l c o m e t o Welcome – it’s so good to have you What an exciting time to be at The Old here! Globe! We’re wrapping up an enormously suc- It’s “one from column A, and one cessful 2004 Winter Season, during which we from column B” for this last round of hosted the great American playwright Arthur Season 2004, and they couldn’t be Miller for his incredible production of more polar opposites, nor more beauti- Resurrection Blues, and presented William Inge’s fully yoked together. classic Bus Stop, plus Pulitzer Prize-winner Nilo In the Globe, Stephen Wadsworth Cruz’s Two Sisters and a Piano. We’re now getting returns with his celebrated Don Juan, one of the great and into gear for summer, highlighted by the much-anticipated challenging classics of Moliere, no where as farcical as the Shakespeare Festival, alongside the delightful new musical Lucky Duck, more familiar productions we’ve hosted over the years, but a directed by 2002 Tony Award®-winner John Rando, and a contempo- great, probing, and fascinating take on the life of the famous rary comedy, The Intelligent Design of Jenny Chow. reprobate that stands with Mozart’s Don Giovanni in its repu- We’ve just announced our 2004/2005 Winter Season as well, tation. Wadsworth is one of the true originals directing these continuing the Globe’s tradition of artistic excellence with an ambi- days, whose intense mastery of the works of the 17th and tious line-up of some of the most significant work being produced in 18th Centuries – whether it be Handel’s opera, Xerxes or the the theatre today.