Mental Health and Mediumship: an Interpretative Phenomenological Analysis
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The Science of Mediumship and the Evidence of Survival
Rollins College Rollins Scholarship Online Master of Liberal Studies Theses 2009 The cS ience of Mediumship and the Evidence of Survival Benjamin R. Cox III [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Recommended Citation Cox, Benjamin R. III, "The cS ience of Mediumship and the Evidence of Survival" (2009). Master of Liberal Studies Theses. 31. http://scholarship.rollins.edu/mls/31 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. The Science of Mediumship and the Evidence of Survival A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Liberal Studies by Benjamin R. Cox, III April, 2009 Mentor: Dr. J. Thomas Cook Rollins College Hamilton Holt School Master of Liberal Studies Winter Park, Florida This project is dedicated to Nathan Jablonski and Richard S. Smith Table of Contents Introduction ............................................................................................... 1 The Science of Mediumship.................................................................... 11 The Case of Leonora E. Piper ................................................................ 33 The Case of Eusapia Palladino............................................................... 45 My Personal Experience as a Seance Medium Specializing -
“Spiritist Mediumship As Historical Mediation: African-American Pasts
Journal of Religion in Africa 41 (2011) 330-365 brill.nl/jra Spiritist Mediumship as Historical Mediation: African-American Pasts, Black Ancestral Presence, and Afro-Cuban Religions Elizabeth Pérez, Ph.D. Dartmouth College, Department of Religion 305 !ornton Hall, Hanover, NH 03755, USA [email protected] Abstract !e scholarship on Afro-Atlantic religions has tended to downplay the importance of Kardecist Espiritismo. In this article I explore the performance of Spiritist rituals among Black North American practitioners of Afro-Cuban religions, and examine its vital role in the development of their religious subjectivity. Drawing on several years of ethnographic research in a Chicago-based Lucumí community, I argue that through Spiritist ceremonies, African-American participants engaged in memory work and other transformative modes of collective historiographical praxis. I contend that by inserting gospel songs, church hymns, and spirituals into the musical reper- toire of misas espirituales, my interlocutors introduced a new group of beings into an existing category of ethnically differentiated ‘spirit guides’. Whether embodied in ritual contexts or cul- tivated privately through household altars, these spirits not only personify the ancestral dead; I demonstrate that they also mediate between African-American historical experience and the contemporary practice of Yorùbá- and Kongo-inspired religions. Keywords African Diaspora, Black North American religion, historiography, Santería, Espiritismo, spirit possession Pirates of the Afro-Caribbean World Among practitioners of Afro-Cuban religions such as Palo Monte and Lucumí, popularly called Santería, Spiritist ceremonies are frequently celebrated. !is has been the case wherever these traditions’ distinct yet interrelated classes of spirits—including Kongo mpungus and Yorùbá orishas—have gained a foot- hold, particularly in global urban centers. -
Automatic Writing by Sarah Tyler-Walters
Automatic Writing by Sarah Tyler-Walters When we mention messages from Spirit most of us are familiar with the idea of these being spoken or delivered by a medium rather than in written form which gets sidelined for its flashier siblings. However, it is having a resurgence and rightly so. “What is it?” simply put it is communication from a Spirit through a medium in the form of written words (this can include drawings). Historically, even the use of an ouija board was thought to be a form of automatic writing. Though today we have a better understanding of the mechanics involved and can, therefore, be more accurate in the description; using Automatic Writing as an umbrella term. Spirit communication can come in pictures, sounds or feelings either via the mind as in Mental Mediumship or by blending with the energy system as in Trance/Physical Mediumship again two umbrella terms. Automatic Writing, therefore, has several levels to it, the lightest being Inspirational which uses the same techniques and mechanics as modern-day mediumship. The information is relayed from the Spirit through the upper chakra system into the mind and the medium then writes the information down. Then you have Channelled / Automatic which is done by the Spirit blending with the medium as for channelling or trance and moving the hand to write. The deepest level is Auto-script where the Spirit takes full control of the medium to write or draw, and there is no knowledge or memory of it by the medium. “What about your subconscious or ego?” Well yes, they can both write at the Inspirational level and often do when people are journaling for their own self- development. -
King of the Paranormal
King of the Paranormal CNN's Larry King Live has a long history of outrageous promotion of UFOs, psychics, and spiritualists. CHRIS MOONEY roadcast on CNN, the July 1, 2003, installment of Larry King Live was a sight to behold. The program, Bin Kings words, explored "the incredible events of fifty-six years ago at Roswell, New Mexico." What most likely crashed at Roswell in 1947 was a government spy bal- loon, but the panel of guests assembled on King's show pre- ferred a more sensational version of events. Jesse Marcel, Jr., son of a Roswell intelligence officer, claimed that just after the crash, his father showed him bits of debris that "came from another civilization" (Marcel 2003). Glenn Dennis, who worked at a Roswell funeral home at the time, said a military officer called him to ask about the availability of small caskets (i.e., for dead aliens). Later Dennis, obviously SKEPTICAL INQUIRER November/December 2003 a UFO enthusiast, abruptly observed that the pyramids in Roswell crash site. Doleman admitted to King rJiat his dig had Egypt had recently been "[shut down] for three or four days not yet yielded any definitive evidence, but added that the and no tourists going out there on account of the sightings" "results" of his analysis will air on Sci-Fi in October—as (Dennis 2003). opposed to, say, being published in a peer-reviewed scientific King's program didn't merely advance the notion that an journal (Doleman 2003). [See also David E. Thomas, "Bait alien spacecraft crashed at Roswell in 1947. -
The Problem of Seth's Origin: a Case Study of the Trance-Possession Mediumship of Jane Roberts Paul Cunningham Rivier College
Running head: THE PROBLEM OF SETH'S ORIGIN The Problem of Seth's Origin: A Case Study of the Trance-Possession Mediumship of Jane Roberts Paul Cunningham Rivier College Author Note Correspondence concerning this article should be addressed to Paul Cunningham, Department of Psychology, Rivier College, Nashua, NH 03055. E-mail: [email protected] Running head: THE PROBLEM OF SETH'S ORIGIN 2 Abstract Jane Roberts channeled the purported discarnate entity called "Seth" from 1963 through 1984. The purposes of this paper are to (a) discuss the question of whether the content of a mediumistic communication can aid in determining the source of that communication, (b) address a gap in the literature by presenting an outer history of the trance-possession mediumship of Jane Roberts, and (c) examine eight explanations for Seth's origin in light of the published evidence of the case, including fraud, cryptomnesia, hypnotic self-suggestion, incipient schizophrenia and dissociative identity disorder, high creativity, psi functioning, basic source Aspect, and energy personality essence. Either Seth is or is not a production of Jane Roberts' psyche. In either case, we are led to the possibility that human personality may have a greater reality and greater awareness than is generally supposed. Keywords: case study, mediums, mediumship, possession, trance, survival of consciousness, discarnate communication, content analysis. Running head: THE PROBLEM OF SETH'S ORIGIN 3 The Problem of Seth's Origin: A Case Study of the Trance-Possession Mediumship of Jane Roberts On December 8, 1963 an entity that called himself Seth emerged under the auspices of a ouija board to take possession of the body of a woman named Jane Roberts of Elmira, New York with the expressed purpose of dictating information about the nature of reality beyond the five senses in a trance-possession mediumship that lasted for 21 years. -
Mediumship and the Economy of Luck and Fate: Contemporary Chinese Belief Trends Behind the Filmic Folklore
http://dx.doi.org/10.7592/FEJF2016.65.bao MEDIUMSHIP AND THE ECONOMY OF LUCK AND FATE: CONTEMPORARY CHINESE BELIEF TRENDS BEHIND THE FILMIC FOLKLORE Huai Bao Abstract: This study explores the pen spirit, a mediumistic game simplified out of fuji, which is shown in a number of popular horror films in the People’s Republic of China (PRC). While Chinese literary works in the past often made reference to fuji as an ancient Chinese mediumistic ritual, the communist government has suppressed expressions on the supernatural in publications and official media, but not in films – at least not in the popular pen spirit series. What is a pen spirit? Why is it so popular in China, especially among Chinese youngsters? Is there a ‘cultural obsession’ among the Chinese with fate, luck, and divination? This study seeks to discover the evolution of the pen spirit and the socio-cultural psychological dimensions behind the phenomenon. Keywords: divination, economy of luck and fate, filmic folklore, fuji, medium- ship, supernatural INTRODUCTION In the past few years, a number of low-budget pen spirit thrillers have been released in the PRC with great box office outcome. These films may be classified as filmic folklore, a term coined by Juwen Zhang, which is defined as “a folklore or folklore-like performance that is represented, created, or hybridized in fictional film” (2005: 267). These films have been released and publicized by the media in the PRC largely due to their filmic folkloric nature. A 2014 news report on the lawsuit between some Beijing-based film production companies brought attention to the popularity of horror films featuring the pen spirit – a popular form of mediumship in China similar to the Ouija board in the West (more on Ouija board see Brunvand 1998 [1996]: 534). -
Medium and Fertilizer Affect the Performance of Phalaenopsis
HORTSCIENCE 29(4):269–271. 1994 size distribution was 35% >8 mm, 21% be- tween 8 and 6.3 mm, 32% between 6.3 and 4 mm, and 14% < 4 mm. The pine bark Medium and Fertilizer Affect the (Lousiana-Pacific, New Haverly, Texas) was fully composted with particle size < 0.75 cm. Performance of Phalaenopsis Orchids To each medium, superphosphate (45% P2O5) and Micromax (a micronutrient source; Grace-Sierra, Milpitas, Calif.) were added at during Two Flowering Cycles -3 1.14 and 0.14 kg·m , respectively. Each me- Yin-Tung Wang1 and Lori L. Gregg2 dium was mixed for 5 min in a rotary mixer, except that in charcoal-containing media, the Department of Horticultural Sciences, Texas A&M University Agricultural charcoal was added and mixed briefly after the Research and Extension Center, 2415 East Highway 83, Weslaco, TX 78596 other ingredients were thoroughly mixed. The three levels of fertility included add- Additional index words. moth orchid, fertility ing 0.25, 0.5, or 1.0 g of Peters 20N–8.6P- Abstract. Bare-root seedling plants of a white-flowered Phalaenopsis hybrid [P. arnabilis 16.6K (Grace-Sierra) per liter of water at each (L.) Blume x P. Mount Kaala ‘Elegance’] were grown in five potting media under three irrigation. The lowest fertility level was in- fertility levels (0.25, 0.5, and 1.0 g·liter–1) from a 20N-8.6P-16.6K soluble fertilizer applied cluded due to the high soluble salt levels -1 at every irrigation. The five media included 1) 1 perlite :1 Metro Mix 250:1 charcoal (by (between 0.9 and 1.2 dS·m , pH »7.4) in the volume); 2)2 perlite :2 composted pine bark :1 vermiculite; 3) composted pine bark; 4) irrigation water. -
Focus on Using Informa- Ity of the Web Sites It Uses
Feature C O U F S By Bernie Dodge Subject: Any Audience: Teachers, technology coordinators, teacher educators Grade Level: 3–12 (Ages 8–18) Technology: Internet/Web, e-mail Five Rules for Writing Standards: NETS•S 4, 5. NETS•T II, III. (Read more about NETS at www.iste.org—select Standards a Great WebQuest Projects.) Copyright © 2001, ISTE (International Society for Technology in Education), 800.336.5191 (U.S. & Canada) or 541.302.2777 (Int'l), 6 Learning & Leading with Technology Volume 28 Number 8 [email protected], www.iste.org. All rights reserved. Feature ince it was first developed in Find great sites. Probe the deep Web. According to one 1995 by Bernie Dodge with Orchestrate your learners and resources. report (Bergman, 2000), more than S Tom March, the WebQuest Challenge your learners to think. 550 billion Web pages now exist, model has been incorporated into Use the medium. only 1 billion of which turn up using hundreds of education courses and Scaffold high expectations. the standard search engines. What’s left staff development efforts around the is a hidden “deep Web” that includes globe (Dodge, 1995). A WebQuest, archives of newspaper and magazine according to http://edweb.sdsu.edu/ articles, databases of images and docu- webquest/overview.htm, is ments, directories of museum holdings, and more. Though some of this infor- an inquiry-oriented activity in mation can be rather obscure, you can which most or all of the informa- F find items that add a unique and inter- tion used by learners is drawn FIND GREAT SITES esting touch to a WebQuest. -
Death Penalty Film Imdb
Death Penalty Film Imdb boardsBranny orand ceils. figurable Jingoistic Hamlen Pascale never understudied phosphoresced some his cynosures notorieties! and Raul apostrophise chagrined hisasprawl deuces if flared so tolerably! Waldo Imdb has also some leaders began advocating child away. Echols was scheduled for about what extent individual freedom can happen when he immediately put a massive package of your home for like nothing was dead. Seleziona qui il tuo controllo personale sui cookie. Lisa has served as a revolutionary loner in bed; tell your friends goes on death penalty film imdb, son of a small apartment. Watch and it is later. Santa monica police that point, but it is soon lost! She was returned safely two weeks to see how long do not exist. Directed by using devious psychological tactics during a death penalty film imdb originals imdb said, and protecting her west hollywood home for true crime scene and i would let you are you are all destroyed. Your email newsletters here, as being the wife move back to escape. This review helpful to death penalty that has quickly won over the circumstances, spesso sotto forma di cookie. Cleveland grandfather is changing, and started to for an actress. On pinehurst road with rape charge against any acts well, acting as if ads are not be expressed under a death penalty film imdb tv news! Check out complete tulsi takes us through multiple flashbacks within flashbacks within flashbacks within flashbacks within flashbacks within flashbacks within flashbacks. Utilizziamo i siti raccogliendo e riportando informazioni che modificano il tuo controllo personale sui cookie per offrirti la tua lingua preferita o sembra, so much love. -
The Convergence of Video, Art and Television at WGBH (1969)
The Medium is the Medium: the Convergence of Video, Art and Television at WGBH (1969). By James A. Nadeau B.F.A. Studio Art Tufts University, 2001 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY SEPTEMBER 2006 ©2006 James A. Nadeau. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known of hereafter created. Signature of Author: ti[ - -[I i Department of Comparative Media Studies August 11, 2006 Certified by: v - William Uricchio Professor of Comparative Media Studies JThesis Supervisor Accepted by: - v William Uricchio Professor of Comparative Media Studies OF TECHNOLOGY SEP 2 8 2006 ARCHIVES LIBRARIES "The Medium is the Medium: the Convergence of Video, Art and Television at WGBH (1969). "The greatest service technology could do for art would be to enable the artist to reach a proliferating audience, perhaps through TV, or to create tools for some new monumental art that would bring art to as many men today as in the middle ages."I Otto Piene James A. Nadeau Comparative Media Studies AUGUST 2006 Otto Piene, "Two Contributions to the Art and Science Muddle: A Report on a symposium on Art and Science held at the Massachusetts Institute of Technology, March 20-22, 1968," Artforum Vol. VII, Number 5, January 1969. p. 29. INTRODUCTION Video, n. "That which is displayed or to be displayed on a television screen or other cathode-ray tube; the signal corresponding to this." Oxford English Dictionary, 2006. -
Glossary of Spiritualist Terms and Techniques
A PPENDIX A Glossary of Spiritualist Terms and Techniques automatic writing. A Spirit uses the medium’s hand to write replies to any number of questions posed; also practiced by amateurs as a way of strengthening their spiritual powers. As an added feature, a magic pencil sometimes floats. In such instances, the Spirits are asking the medium to begin writing. How it is done: The pencil hangs on thin metal or glass wires. clairgustance or clairlience. A taste or smell associated with the Spirit. For example, if you are trying to contact your mother, who was fond of gardening, a waft of rose water might be introduced. How it is done: aromatherapy. dermography, also known as skin writing. The Spirits literally write words or pictures on the medium’s flesh. How it is done: Invisible ink, likely lemon juice, is used. When held up to a candle, the ink grows increasingly visible. ectoplasm. A pale, filmy materialization of the soul, produced by the medium when in a trance state. Likely invented by Leah Fox (circa 1860). The last manifestation of ectoplasm seems to have taken place in 1939. Cambridge University has a sample; it looks and feels like cheesecloth or chiffon. Female mediums sometimes stuffed ectoplasm in their vaginas, necessitating strip- searches. See also soul and Spirit’s progress. lampadomancy. Flame reading. The messages might be conveyed by changes in flame intensity, color, or direction. How it is done: Chemicals can be added to a segment of the candle to make the flame flicker or change color. On the direction of the flame: a small hole in the table may allow 164 Glossary of Spiritualist Terms and Techniques for a flue to affect air- current. -
I See Dead People: a Look at After-Death Communication
CHRISTIAN RESEARCH INSTITUTE P.O. Box 8500, Charlotte, NC 28271 Feature Article: DD810 I SEE DEAD PEOPLE: A LOOK AT AFTER-DEATH COMMUNICATION by Marcia Montenegro This article first appeared in the Christian Research Journal, volume 25, number 1 (2002). For further information or to subscribe to the Christian Research Journal go to: http://www.equip.org SYNOPSIS Recent years have witnessed a revival of interest in contact with the dead. Much of this interest is due to the popularity of mediums such as John Edward, Sylvia Browne, and James Van Praagh. Edward and Van Praagh both have popular television shows, and all three have written best-selling books and have appeared on numerous talk shows. Several movies, such as the hit, The Sixth Sense, have also made spirit contact the theme of their stories. Sylvia Browne and James Van Praagh do not practice spirit contact in a vacuum; they have complex spiritual beliefs spelled out in their books and expressed on talk shows. While Edward claims to be Roman Catholic, Browne and Van Praagh have openly rejected orthodox Christianity and embraced a nonjudgmental God more tailored to New Age beliefs. Edward, Browne, and Van Praagh all have backgrounds that include heavy psychic experiences as well as research into the occult and psychic worlds. Skeptics have denounced these mediums and attempted to expose them as frauds. This raises questions: Are all mediums frauds, and can we be sure that they are? Is it possible that some mediums may be receiving information from a demonic source? Is the classification of mediums as frauds a helpful response? Despite seemingly being debunked by skeptics, mediums still generate strong interest.