Settlement Patterns and the Origins of African Jamaican Society: Seville , St. Ann's Bay, Jamaica

Douglas V. Armstrong, Syracuse University Kenneth G. Kelly, University of South Carolina

Abstract. Archaeological and historical research at Seville Plantation, Jamaica, are used to explain changes in settlement patterns within the estate's African Jamai- can community between 1670 and the late nineteenth century. Sugar , such as Seville, are marked by well-defined spatial order hased upon economic and power relations that was imposed upon enslaved communities by planters and man- agers. Archaeological evidence is used to explore how enslaved Africans modified this imposed order and redefined boundaries in ways that correspond with the de- velopment of a distinct African Jamaican society. The rigidly defined linear housing arrangements initially established hy the planter, and their relations to the Great House, sugar works, and fields, were reinterpreted by the enslaved residents of the village to create a degree of autonomy and freedom from constant surveillance that was at odds with the motives of the planter class. These changes occurred within the spatial parameters established by the planter, yet they reflect dynamic and creative social processes that resulted in the emergence of an African lamaican community.

This article employs an analytical model of cultural transformation to ex- plore the origin and development of creóle societies in the that are the unique product of specific African, Native American, and Euro- pean influences (see Armstrong 1998: 378-83). The transformation model was developed to explain the complex context within which the origin of new forms of social organization occurs more clearly than the tradition- ally employed models of acculturation and assimilation. The application of the transformation model to archaeological data from Seville Plantation in St. Ann's Bay, Jamaica, shows that the African community, although enslaved, actively transformed their living spaces and created for them- selves a degree of autonomy that was not intended for them in the planter's

Ethnohistory 47:2 (spring zooo) Copyright © by the American Society for Ethnohistory. 37O Douglas V. Armstrong and Kenneth C. Kelly design. Using tbe transformation model to explain culture change dem- onstrates tbat archaeology is a useful tool in understanding tbe dynamic origin of new forms of social organization in the Caribbean. Neither writ- ten accounts nor standard artifact typologies can provide direct and un- ambiguous meanings without tbe support of contextual interpretation and explanation (Orseri989; Howsoni99o; Armstrong 1990: 4-16). Since ma- terial residue at African Jamaican settlements results from the activities, events, and behavioral processes of the people wbo deposited them, it fol- lows that examination of the spatial context of material use, as well as of the changes in material use and deposition patterns over time, can yield fruitful anthropological interpretation of these past actions and activities. This article demonstrates the importance of the emerging internal social organization of tbe community as an active agent of change. Archaeological inquiry is well suited to interpreting and explaining meaningful patterns of material use and spatial organization within planta- tion societies. Our goal here is to try to understand the actions of enslaved people through their use of space and notions of proxemics, using a meth- odological framework that explores the establishment of, and resistance to, the power relations inherent within the plantation system. At the same time we draw on the strengths of archaeological inquiry to develop a diachronic perspective in whicb to examine the causes of cultural transformation. Seville Plantation, a large sugar estate on the north coast of Jamaica, is located approximately two kilometers west of the town center of St. Ann's Bay (Figure i). It was founded circa 1670 by Richard Heming, on approxi- mately 2,500 acres of land that had been the location of Sevilla la Nueva, Jamaica's first Spanish capital. Between its founding in the 1670s and slave emancipation in 1838, tbe Seville Plantation was home to an average of 275 enslaved Africans in any given year wbo were engaged primarily in sugar production from 300-400 acres of . After emancipation many former plantation residents moved to a new settlement just to tbe west and ofl^ of estate lands called the Priory, yet the African Jamaican village con- tinued to be inhabited by a reduced population. By the end of tbe nine- teenth century, however, the last residents of the former slave village had died, and tbe village area reverted entirely to bushlands.

African Jamaican Culture Change and Transformation

The transformation model provides interpretations of culture change that break from traditional acculturation and assimilation models based on the "whole-culture" concept and assutnptions of cultural replacement (Arm- strong 1998; 378-81). Kathleen Deagan (1998: 26) notes that arcbaeologi- Settlement Pattems and the Origins of African Jamaican Society 371

JAMACA

Figure T. Map of Jamaica showing major towns and plantations discussed in this article. cal studies have tended to assume that acculturation resulted in unidirec- tional change imposed on a "subordinate" culture by a "dominant" culture. Furthermore, James Cusick's (1998: 1Z6-27) overview of the application of the term acculturation shows that it has tended to emphasize the impact of "Western on non-Western groups." In contrast to change linked to these limited and limiting perspectives, this article explores cultural transforma- tion as the basic model for the process of change. This approach represents a clearly defined departure from a normative, whole-culture assimilation model (Kroeber 1940: 316; Linton 1940; Redfieid et al. 1936; South 1977; and Orser 1989). Studies of transformative change examine the relationship between emic and etic responses to culture interaction, whether due to direct or in- direct contact or to confrontation between different cultures. When apphed to the study of enslaved peoples, the transformation model allows us to explore oppressive conditions and to examine how people trapped in the conditions of slavery provided their own creative solutions to the problems of daily life, and thus developed their own cultural identities. The emergent social systems were transformed by the incorporation of elements of cul- tural continuity within systems of culture change (Armstrong 1990: 6-7; 1998). In contrast to a static whole-culture concept, cultural transforma- tion looks for active and internally defined participation, rather than exter- nally defined restrictive parameters for culture and society. The transformation model recognizes a complex set of interactions, engaging both cultural continuity and change (Armstrong 1998). It also 372 Douglas V. Armstrong and Kenneth G. Kelly accounts for the creation of new societies, social organizations, and cul- tural identities without assuming cultural loss or replacement. Processes of transformation are continual and nondirectional; however, tbe expression of cultural transformation is most apparent in situations involving sharp contrasts in living situations and cultural condition. Situations of culture contact between two or more groups of people are subject to discernable transformation process as the engaging parties respond to the interaction with variable but often rapid shifts in cultural expression. The people who lived and worked at Seville Plantation, including those of African, Euro- pean, and East Indian heritages, were subject to social and historical con- ditions that resulted in clearly definable cultural transformations. Tbe process of cultural transformation embraces transculturation and ethnogenesis concepts that have been a part of anthropological studies of the circum-Caribbean since the 1940s (Deagan 1998: 30). Deagan's studies of Spanish colonial sites have been profoundly influenced hy Cuban cul- tural anthropologist Fernando Ortiz (1940; 1995). Ortiz was concerned with the confluence of cultural contact in tobacco- and sugar-producing settings. He used the term transculturation to explain "the highly varied phenomena that have come about in Cuba as a result of the extremely com- plex transmutations of culture that have taken place here ... of disadjust- ment and readjustment, of deculturation and acculturation—in a word transculturation" (Ortiz 1995: 98; Deagan T998: 27). The term ethnogenesis has been used to describe the emergence of new ethnic or cultural identities through transformative processes (Dea- gan 1998: 29-30; Hill 1998:146-71). It has been applied to specific creóle groups, as in the genesis of postcontact Seminóles of Florida (Sturdevant 1971: 92). Models of interpretation that use transformation, transcultura- tion, and ethnogenesis share a common denominator in recognizing that people —whether free and enslaved, the "dominant" and the "dominated," or lahor and management —are active agents of change rather than merely receptacles for imposed conditions and restraints. While the terms cultural transformation, transculturation, and ethnogenesis may be viewed as syn- onyms, we use cultural transformation as it more clearly reflects the process of change and includes specific historical circumstances involving the defi- nition of distinct or separate cultural identities. From the 1960s to the present, Sidney W. Mintz's (1974) cultural and ethnohistorical studies, including his book Caribbean Transformations, have emphasized the complexity of cultural interactions and the importance of understanding the diversity of the historical contexts in which people re- made their world and "remade themselves" (ibid.; Alintz and Price 1976: Settlement Patterns and the Origins of African Jatnaican Society 373

45). The approach used by Mlntz was applied to archaeological studies of Drax Hall and Seville plantations {Armstrong 1990, 1998). These studies are grounded in the thesis that people, and the cultures of which they are a part, are active agents of change through transformation processes (Armstrong 1998,1990: 5-7; Mintz and Price 1976; for North America see Yentsch 1994). In the 1970s historical archaeology, led by the development and use of Stanley South's (1977) artifact-pattern concept, attempted to construct classification mechanisms aimed at explaining cultural change. The stan- dardized use of South's pattern concept by Americanist historical archae- ologists provided a uniform basis for comparative analysis; however, in- terpretation—and the classification system itself—remained locked in the traditional logic of a whole culture that could not address the dynamics of culture change. Gharles E. Orser Jr. (1989: 28) points out that for planta- tion studies, South's pattern concept is flawed in two significant ways. First, it is ill suited to the complexities of plantation organization, and second, its construction is essentially synchronie, prohibiting an understanding of his- torical change. Orser (ibid.: 37) further suggests that archaeologists should develop analytical procedures that consider the nature and complexity of plantation organization and attempt to understand the position of enslaved Africans in regard to the plantation mode of production. The interpreta- tion of complex relations both within and between the social groups en- countered through archaeological contexts is hindered by basic assump- tions that equate change with traditional definitions of acculturation and assimilation, and which imply replacement versus the dynamic shifts as- sociated with transformation (Armstrong 1998: 378-81). The cultural mo- saic of the Caribbean with its many islands, multiple ethnic and linguistic backgrounds, and microenvironments provides a setting that makes it im- possible to maintain a uniform view of culture change based in accultura- tion and assimilation. Through the process of cultural transformation, the people of Jamaica underwent a metamorphosis that incorporated many di- mensions of change, including the retention of culturally defined elements that served to perpetuate their African heritage. In a critique of plantation archaeology Jean Howson (1990) has pointed out that interpretive research is undergoing a shift from studies aimed at recognizing status and identifying economic differentiation among groups, to research emphasizing social action and a more dynamic interpretation of the past. This can also be seen in the increased recognition of the complex relationship between artifacts and the specific contexts ap- plied to them by their users (Hodder 1987). We share Howson's (1990: 90) 374 Douglas V. Armstrong and Kenneth G. Kelly view that "material things are susceptible to various or contested meanings through contexts of action." Anthropological understanding of the lives of enslaved people clearly lies not merely in identifying the presence or ab- sence of an inexpensive imported ceramic or a locally made earthenware (e.g., a Jamaican yabha or a southeastern colonoware), but rather in an in- terpretation that considers the perception and ordering of the world within the African Jamaican cultural setting (Armstrong 1990: 4; Ferguson 1991; for an African example, see Kelly 1997). Artifacts and the spatial pattern of activity areas held connotations for the African Jamaican community that reflect preferences, choices, and negotiated responses to social conditions that are only incidental to cost and status (Armstrong 1990: 4; cf. Otto 1977; Moore 1985; Delle 1998). Our goal is thus to examine archaeological remains and spatial data in a manner that allows us to consider issues of power relations, social action, and patterns that had meaning within the context of an African Jamaican village. This study of transformation lies within a framework of critical re- flection grounded in objective analysis. The difficulty in adapting the trans- formation model to archaeological contexts has been in devising systems of analysis. Archaeology can provide evidence that confirms the processes of change and patterns of meaning. This evidence may, with the assis- tance of documentary sources and contextual analysis, shed some light on the lives of enslaved people. Rather than discard pattern recognition, we should try to find patterns that can be demonstrated reliably to assess and explain such social issues as power relationships and questions of cultural transformations, gender, age gradation, diet and health, and eco- nomic contexts. These must be appropriate for comparative analysis yet flexible enough to detect variations in material culture that reflect the con- ditions and choices of the people being studied. An extensive literature exists on the development of African Carib- bean or Creole societies (summarized in Armstrong r99o: 4-16).' Building on these studies, the current project uses Jamaican data, working toward an understanding of the processes of change and cultural transformation in the creation of creóle societies (Mintz 1974; Mintz and Price 1976}. The Seville study provides several data sets that assist us in diachronic inter- pretation and explanation of culture change, transformation, and conti- nuity. These include analysis of patterns of artifact use by African Jamai- cans, spatial patterning, dietary patterns and subsistence, and specialized analyses such as the examination of burials and the treatment of the dead. This article focuses on the interpretations of spatial patterns expressed at Seville through architecture. Settlement Patterns and the Origins of African Jamaican Society 375

Spatial Organization on a Jamaican Plantation

The research at Seville Plantation focused on tbe site of tbe African Jamai- can villages, home to tbe enslaved (and later free) laborers who were crucial to the operation of tbe sugar estate from 1670 to the late 1800s (Figure z)} We use arcbaeologicaily recovered data, supported by historical informa- tion, to document shifts through time in the spatial arrangement of the African Jamaican villages to identify tbe emergence of an internal social organization witbin the African Jamaican village, and tbe processes of transformation involved in tbe creation of a distinctive African Jamaican community. Analysis of plantation spatial arrangement at Seville can be divided into two interdependent parts. The first involves the overall lay- out of the principal working components of the plantation. This configu- ration was determined by tbe externally defined economic motives of tbe planter (see Orser 1989; Vlach 1993; Delle 1998). The second explores in- ternal shifts in household and village arrangement that reflect tbe dynamic processes of social development and reveal insights into a variety of social and economic matters that affected the development of African Jamaican society. To understand tbe significance of changes internal to the village, we must first examine the plantation's broader spatial arrangement, as defined by the plantation management and subject to their economic motivation. The organization of plantation layout in Jamaica was indicative of tbe eco- nomic forces and power relationships operating between planter and en- slaved Africans (Higman 1987,1988; Delle 1998 and elsewhere; see Orser T988; Vlach 1993). The economic profit motive was clearly demonstrated by the planter's control over enslaved labor and the physical location of the plantation's various components, including fields, sugar works and mills, the planter's house, workers' housing, and provision grounds. Tbe role of the plantation was to maximize tbe production of a cash crop and to generate a profit for its owners.^ At Seville Plantation, as at most of tbe plantations on Jamaica's north coast, tbe cash crop was sugar. African villages were located in hilly, rocky, or other areas on tbe margins of fields unsuitable for cane cultivation, in close proximity botb to cane fields and processing works. Planter or managerial housing was positioned between the key economic variables: labor, fields, and works. Barry W. Higman (1987: 22) points out that by 1700, standard models for planta- tion layout had been generated, and planters interested in establishing a new estate could consult manuals or inspect existing models. Such manuals as The Jamaica Planter's Guide argue for the "great utility of central situa- 376 Douglas V. Armstrong and Kenneth G. Kelly

Seville Estate /

•Oversfeer 1 I (' Later African Jamaican Mid Level Manager

I Village I ! ca. 1780s- 1890s Great House / Paths Planter's Residence / Estate Roads

River Cane Fields Early African Jamaican Village ' St. Ann's Bay ca. I670-178ib I 300 melers

Figure 2. Map of Seville Estate, St. Ann's Bay, Jamaica, showing locations of early and later African Jamaican villages, managerial residences, sugar works, and cane fields.

tion to place the manufacturing houses" (Roughly 1813:182-83). The ideal of a centrally located production center is clearly indicated on a plan of Lucky Valley Fstate, owned by planter-historian Edward Long, and located in upper Clarendon Parish, near the center of the island. A map of the estate hy James Blair, dated 1769, depicts a series of concentric circles at Settlement Patterns and the Origins of African Jamaican Society 377

quarter-mile intervals radiating from the plantation's works (Higman T987: 23; 1988: 84-91, ñg. 4.3). Higman (1987: 23) argues convincingly that the circles indicate an ideal model of plantation efficiency, but he notes that the estate's actual layout is asymmetrical, with modifications conforming to geographic features such as narrow alluvial valleys and steep hillsides. He also notes that in 1769 the Lucky Valley works were moved to a loca- tion in the center of the cane fields from a location initially established in 1708 (Higman 1988: 85). This centralization relates to an increase in the estate's output and efficiency during the 1770s. Likewise, the central loca- tion of Seville Plantation's industrial production complex is defined by its proximity to the estate's cane fields, labor, and management—all of which are located within 400 acres adjacent to the coast. This area represents less than one-sixth of the estate. The remainder of the estate—while essential to the production of provisions consumed hy labor and management, pasture for livestock used for food and power, and tbe source of resources such as timber and stone—was of secondary economic importance to the produc- tion of the primary cash crop.'' The sugar works at Seville were located centrally to maximize efficient production. The position of owner and managerial residences between the African Jamaican village and the works allowed surveillance of the enslaved population as they passed to and from the works and village, controlling production of the profitable cash crop. The Seville Plantation thus provides a clear example of the spatial relationships between the primary economic variables of the sugar estate (see also the discussion of the spatial arrange- ment at Drax Hall, Jamaica, in Armstrong 1983,1990,1991).^ The earliest detailed map of Seville Plantation dates from 1721 and depicts the layout of the plantation as well as that of several neighboring plantations in the St. Ann's Bay region with considerable accuracy. At that time the estate property consisted of more than 2,500 acres, with ail the areas of primary economic importance, including fields, works, and planter and manager's residences, as well as the African village, covering ahout 400 acres of plantation land. The positions of the village and the planter's residence were dependent on the location of the fields and works. Cane fields were given priority for economic reasons and were located on the narrow, flat, coastal strip of fertile soil. The works were built at the base of the hill on which the Creat House and African village were situated, m a central location in respect to the fields and labor, so that sugar could he processed quickly before it spoiled. Unlike Lucky Valley Estate, noted earlier (Higman 1987,1988), in the interior of the island, or at Drax Hall Estate (located along the coast 2 kilometers to the east of St. Ann's Bay), where the sugar works were moved to a more efiicient central location' 378 Douglas V. Armstrong and Kenneth G. Kelly within the fields (Armstrong 1990), at Seville the industrial works remained in the same location throughout the estate's history, despite changes in pro- cessing technology from animal to water power. The reasons are three- fold. First, the sugar fields of Seville Plantation were located on either side of the Ghurch River, with the works located at a central crossing. Sec- ond, although Seville consisted of more than 2,500 acres, sugar production was only economically feasible on the coastal strip; to avoid compromising valuable cane land, the works were thus placed at the inland margin of the fields, directly below the overseer's and planter's houses. Third, through- out the seventeenth and eighteenth centuries there was persistent fear of Spanish invasion. In 1688 the naturalist Hans Sloane (1707-25) described the construction of a "rifling lawn . . . with a battery of eighteen small guns en barbette" in front of the Great House. The location of the works at Seville estate was a compromise that maximized efficiency of production, minimized impacts on productive land, and placed the works in a more defensible location on the inland side of the fields.*' In 1836 Attorney William Miller, in his report to Parliament evaluat- ing the apprenticeship period before emancipation, stated that in Jamaica, "the negroe's houses are generally built as near the centre of all plantations as possible, and at no great distance from the works" (British Parliamentary Papers 1836 560:339, cited in Higman 1987: 28 and 1988: 81). The location of the village at Seville conforms to this model of minimizing the time-cost to labor of movement between the works, fields, and housing. However, the position of the village close to the works and fields, yet close to the managerial presence of the overseer and planter, was not strictly guided by economic rationale. As WiUiam Beckford (1790: 2: 41), an eighteenth- century planter-historian, reported, houses for laborers were "in general some distance from the works, but not so far removed from the sight of the overseer." As Seville Plantation was established as a residential estate, where the owner personally oversaw all plantation operations, there is no doubt that the owner was fully aware of the active role that the spatial ar- rangement of houses had in expressing the subservient role of the enslaved in the plantation system. The planter's control over labor is indicated by the prominent position of the Great House (the planter's residence), visible from the sea and overlooking the fields and works. The African Jamaican village was initially located behind the Great House, placing the plantation owner between his greatest capital investments (other than land): labor and industrial equipment. In addition to providing economic benefit and main- taining control over labor, this spatial pattern avoided compromising valu- able agricultural land with habitation structures.^ Settlement Patterns and the Origins of African Jamaican Society 379

The power relationship between the planter and the enslaved Afri- cans at Seville Plantation is expressed in the estate's basic layout. These data, combined with data from other estates, such as Drax Hall (Arm- strong 1990) and Lucky Valley (Higman 1987,1988), provide a picture of rigid class structure and the planter's external control over the enslaved. The villages were deliberately arranged to maximize the plantation's effi- ciency and to maintain an economic mode of production. The planter as- signed specific areas for occupation by Africans, and the areas designated as laborer villages fulfilled the planter's economic- and power-driven criteria for plantation management.

Shifts in Household and Village Arrangement at Seville

Although the initial boundaries of the village were more or less fixed by the planter, over time enslaved Africans actively reorganized their assigned vil- lage space. Archaeological and historical data from the Seville village allow a deeper look into the internal organization ofthe African Jamaican com- munity, beyond the general relationship dictated by the mode of produc- tion and the institution of slavery. The enslaved came from many different African backgrounds, yet they created and maintained a spatial arena for their activities that in time developed into a unified African Jamaican iden- tity (Armstrong 1990,1991; Burton 1997; Kelly n.d.; Vlach 1987,1993). The creation and maintenance of internal social organization within pre-emancipation African Jamaican villages served both laborers and planters. The planter class encouraged Africans to maintain a degree of behavioral autonomy that highlighted perceived differences (white/black, planter/enslaved, and until the nineteenth century, Christian/"pagan") upon which the institution of slavery was based. Production of African Jamaican foods in house-yards and provision grounds, as well as the emer- gence of craft industries, provided enslaved Africans with food and com- modities that the planter would otherwise have had to purchase for them. At the community level the creation of internal social systems within emerging African Jamaican villages allowed residents to incorporate ele- ments of African expression within a new, locally defined, identity that could act independently of the planter class. On a hroader, regional level the emergence of African Jamaican communities, with internally defined production of foods and goods, led to the emergence of islandwide markets held by enslaved Africans, and an internal marketing system through which goods and ideas were sold and exchanged —which also provided much of the island with local produce (see Mintz 1974). By examining the internal 380 Douglas V. Armstrong and Kenneth G. Kelly organization of the African Jamaican community, we can see through the institution of slavery to the systems created by enslaved Africans, despite (even in response to) tbe conditions of slavery.

Boundaries and the Emergence of an African Jamaican Community

The archaeological study of Seville's African village began witb two maps of the estate, dated T72T and 1792.'' These documents suggest that while the location of most key components of the plantation system remained in the same location throughout the estate's life, the African village did not. Not only did tbe location of the village shift over time, but the arrangement and architecture of the houses witbin the village also changed dramati- cally. The early map depicts the village as two linear rows of tightly spaced houses along a road or lane (aligned to facilitate observation from the Great House) with three structures located behind each row of houses (Figure 3). Tbis earlier village is designated Locus i. The 1792 map (Figure 4) indi- cates a significant change, however. There is a clustered arrangement, des- ignated Locus 2, at the same elevation and no longer upslope from the Great House, with each bouse oriented independently (probably conform- ing to topography and prevailing winds), and with considerably more yard space surrounding and between houses (for a discussion of Jamaican house- yards, see Armstrong 1991). Furthermore, tbe new village location pro- vided greater autonomy for its residents, as many of the dwellings were shielded from tbe planter's view by dense bush and greater distance. Archaeological data from the village is complemented by evidence of significant changes in the planter's residence after T756, based on descrip- tive information in estate inventories (Jamaican Archives 1759:17). Some- time after 1756, probably in the early 1780s, tbe second floor of the Great House was destroyed, possibly due to a storm or hurricane. If the solidly built Great House suffered extensive damage, it is likely that considerable damage was done to the less substantial village at the same time, leading to the abandonment of the older village at Locus i and tbe construction of new houses in Locus 2.'^ Dating of artifacts and materials recovered from extensive excavations indicate that a change from Locus T to Locus 2 took place in the early 1780S. We suggest that tbe shift in house area configuration, as expressed in the arrangement sbown on the 1792 map, demonstrates internally defined social organization associated with tbe emergence of an African Jamaican community. Furthermore, it was expected that transformations leading to the dramatic shift in house-yard layout exhibited by tbe late eighteenth cen- Settlement Patterns and the Origins of African Jamaican Society 381

»•-

lia i ,/.>--'^ ' •

Figure 3. Detail of 1721 map of St. Ann's Bay showing Seville Plantation, identi- fied hy the name of its owner, Richard Heming, Esq. (Jamaica National Library). The sugar works. Great House, and the early African Jamaican village are all in- dicated on this map. Note that the orientation of die map is from the Caribbean toward the interior, and therefore the direction of north is toward the bottom of the page. All subsequent maps are oriented in this fashion to correspond to the practice of eighteenth-century cartography. tury at Locus 2 would be evident within house structures from the older village at Locus i. While documentary evidence from the 1721 map of Locus I strongly suggests that the initial construction of the early village was closely prescribed by the planter, given the closely packed arrangement of the houses—which severely limited the expression of African notions of architectural and spatial proxemics'° (Agorsah 1985; Prussin 1969) — it is expected that through the process of "Jamaicanization" or creoliza- tion, enslaved Africans transformed this earlier housing to better suit their needs (Armstrong 1990,1991; Burton 1997; Kelly n.d.; Vlach r987,1993). Furthermore, in addition to reorganizing interior spaces, we expected the 382 Douglas V. Armstrong and Kenneth G. Kelly

V. •

Figure 4. Detail of 1792 map of Seville Plantation with the later African Jamaican village located adjacent to the letter "G." The Great House lies ahove the letter "F" (Jamaica National Library). surrounding yard to be redefined and incorporated into a combined African Jamaican house-yard with increased use of the yard for household activi- ties. The yard activities should include exterior kitchen and food prepara- tion areas, gathering areas, animal pens, and gardens. With the exception of specific activity areas, such as hearths and planted garden beds, the yard area should be relatively artifact-free because of repeated yard sweeping, with increased artifact frequencies at the edge of the house and along the perimeter of the cleared yard (see Armstrong 1990,1991; Mintz 1974). Whereas the actual movement from Locus i to Locus 2 could not have been effected without the planter's tacit approval, the design and construc- tion of houses in this latter village area exhibit distinctive spatial patterns reflecting the internal social organization within living areas as it emerged during the village's first century at Locus i. The early village was built ac- cording to the planter's model of efficient order with similar, if not identical houses, tightly spaced and built to a uniform, linear plan. As a distinctive internal social organization emerged within the village, we expected to see that residents modified living and activity spaces within the basic layout established by the planter, while creating an environment more suited to African Jamaican social values and notions of proxemics. When the vil- Settlement Pattems and the Origins of African Jamaican Society 383 läge was rebuilt at Locus 2, the developing internal social organization of the African community thus continued uninterrupted and the village was rebuilt expressing an African Jamaican pattern, rather than merely modi- fying an externally imposed housing arrangement, as had been the case one hundred years earlier (ArmstrongT991,1998; Mintz 1974). The African Jamaican spatial layout incorporated elements of African tradition, includ- ing proxemics, use of local resources, and efficient use of the local envi- ronment. This late-eighteenth-century housing was expected to exhibit the distinctive African Jamaican house-yard configuration described by Mintz (1974: 232) and demonstrated at the laborer village at Drax Hall (Arm- strong 1983,1990,1991). The ideas and internal organization on which this shift in layout were based evolved in the early village but could not be fully expressed until the village was moved and the enslaved Africans were per- mitted a more significant creative role in the construction of their built en- vironment.

Archaeology: Recovering Patterns of Meaning in Spatial Boundaries The Farly Village Archaeological research at Seville confirmed at Locus 1 the location and configuration of the African village indicated by the 1721 map of the estate. Moreover, archaeological data, including ceramic and pipe-stem dating, indicate that the houses identified date from the inception of the British occupation of Jamaica and the establishment of the sugar estate by Richard Heming circa 1670." The early laborer houses at Seville were constructed to a uniform pattern, in tight linear rows, located immediately behind and upslope from the planter's Great House. Built in the 1670s, these houses were occupied at least until the early 1780s, when they were apparently de- stroyed by a major hurricane. Rather than rebuilding on this site, the entire African community moved to a new site (see Figure 4), which was occu- pied through the period of slavery and until nearly the turn of the twentieth century. Over time the early village site was lost from the common mem- ory of descendants, who referred to the relocated village site as the old vil- lage. When the Jamaican National Heritage Trust purchased the estate as a national historic park, the ruins of houses in the more recent village were included, but the early village with seventeenth- and eighteenth-century houses was not included in the National Trust land purchase; rather, it lies within an adjacent tract of land owned by the municipal water company. Eight complete houses (structures and surrounding compounds) in the early village were completely excavated and an additional four houses were 384 Douglas V. Armstrong and Kenneth C. Kelly

Figure 5. Hypothetical reconstruction of a house from the early African Jamai- can village based on archaeological findings at Locus r. House Area r6 (HA1.16) (Armstrong 1998: 386). sampled. These 3 x 4 to 4 x 6 meter houses were generally two-room struc- tures oriented with their long axes parallel to a road or path (still in exis- tence), which ran on a northeasterly axis, leading past the west side of the planter's residence (visible in Figure 3). The foundations of these houses in- corporated materials including yellow brick fragments of a type associated with earlier Spanish-period occupation in Jamaica. The yellow bricks were presumably salvaged from the ruins of the early sixteenth-century Span- ish settlement at Sevilla la Nueva by enslaved Africans clearing plantation fields for sugar production and who used them to build their own homes. The location and orientation of these early houses conforms to the pat- tern indicated on the i72r map of St. Ann's Bay. The houses are closely spaced with only 2 to 2.5 meters separating them. Al! of the house founda- tions are primarily constructed of locally available marl stone, with pow- dered marl providing a smooth floor surface. Marl stones were employed in the external foundation and in down-slope rooms, where their use was primarily to modify the slope and to provide a flat surface on which to con- struct a house. Post holes indicate post/frame structures supporting wattle and daub siding, and the relatively small quantities of nails recovered sug- gest thatched roofs rather than wooden shingles (Figure 5). Small post holes bisecting two of the houses, and changes in the flooring pattern in all of the dwellings, suggest the presence of internal partitions and differentiated Settlement Patterns and the Origins of African Jamaican Society 385

rooms. Only one doorway is indicated for each house. In all excavated cases the door faced east and would have opened onto tbe road tbat ran between the two rows of houses.'- No breaks or wear patterns indicative of passage- ways were observed in the west or back wall of the houses. The construc- tion of houses with their only doors opening on to the central street, and not on to the back and side "yard" areas, is indicative of the strong de- gree of planter control exercised over the initial construction of the housing and over the Africans. Furthermore, the lane or street on which the houses face is oriented such that the planter needed only to look upslope from the rear doors of the Great House to observe tbe comings and goings of tbe inhabitants from their bouses. The uniform openings toward the road may have also reflected the planter's desire to create the image of an orderly European village. As initially designed, these houses fail to take advantage of prevailing sea breezes; however, use patterns and analyses of associated yard areas suggest that residents began to redefine and reorganize the use of these living areas, if not modifying the structures themselves. Artifact analysis shows that exterior areas were used for various tasks and activities and that most of tbese activities took place out of tbe planter's view, behind the houses on the opposite side from the Great House. The doorways were in view, but tbe activity areas were actually buffered by the tight row of houses. It can be argued that this offered a view that projected a sense of order and control desired by the planter. In addition, and almost certainly as an unintended consequence of the planter's motives, this ar- rangement of activity areas may have been an intentional response to tbe explicit surveillance opportunities presented to the planter by the linear ar- rangement of houses. Even within tbis early village, residents were able to modify the imposed order. Tbe recovery of a relatively high quantity of ani- mal bone, along with cooking-related items such as ceramics, suggests that cooking areas were located immediately south of the houses. The area im- mediately behind or west of the houses was virtually free of artifacts, sug- gesting repeated sweepings of the yard area. In one case a yard area had a thin horizontal layer of marl similar to the flooring found in the south room in the house. These data suggest the importance of this area as an exterior gathering area behind the house, and its internally defined recognition as a part of tbe house compound. Within tbe yards enslaved Africans prepared food, tended their gardens and domestic stock, engaged in social activities, and had an unencumbered vantage point from which to monitor their own provision grounds in the adjacent bills to the south. All of these activities were performed out of the direct view of the planter atid the management. The state of preservation of these perishable house foundations is re- markable: floors are intact, and post holes are clearly demarcated as soil :^86 Douglas V. Armstrong and Kenneth G. Kelly discolorations. The only significant modification in house construction is the addition of a room to the structure at House Area 20 (Locus i). This addition is marked by a jog in the linear alignment of the foundations. The room that was constructed protruded into the porch and road area, not into the yard area behind the house. This suggests that the residents assigned particular importance to the yard area and built in this way to retain the in- tegrity of the area. A linear break in the limestone flooring provides the only clue to specific activity areas within the house. This feature, which runs parallel to the back wall of a room without an exterior door, may have been used to set boards upon in the construction of a bed or sleeping platform. The estate planters and managers maintained a pattern of rigidity, order, and control in the layout of the tightly spaced houses of the early village. The archaeological data illustrate that this control was modified by internal changes reflected in the patterning of activities within house compounds. Still, throughout the plantation's first hundred or more years of operation, the enslaved laborers were faced with limited space and the planter's direct watchful eye (Figure 6). Not only was the early village (Locus i) in direct line of sight from the planter's residence (recall that the resident planter in part obviated the need for a resident overseer), but the enslaved Africans had to pass directly by both the planter's and the man- ager's residences on their way to and from the factory works and sugarcane fields. The linear arrangement of the works, the planter's residence, and the village facilitated managerial control. But provision grounds, in which the laborers grew their own produce for consumption and sale at local mar- kets, were located out of the line of managerial oversight and control. From their earliest days these fields could be reached directly from the "back" yards of the laborers' house compounds. Therefore, the interpretation of the village is necessarily complex: from the planter's viewpoint order was established, while laborers eventually attained a degree of autonomy.

The Later Village Nearly a century after the founding of the Seville Plantation, the African Jamaican settlement was moved to a new location (as indicated on Fig- ure 3). The context of this movement is significant in a number of ways. First, the move appears to have occurred as an event rather than as a grad- ual shift. The old village was probably damaged and a new settlement built to replace it. The new village represented a clean start, perhaps literally, given the quantities of refuse and artifacts recovered from the fringes of the earlier house-yard areas where sweepings were deposited. Second, after a century of hving in provided housing, the community had an opportu- nity to define spatial boundaries within the village on their own terms. This Settlement Patterns and the Origins of African Jamaican Society 387

4 i

,'to provision,' ,' grounds • 'Â. I * Early Atrican Jamaican /Planter's Residence/ Village 300 meters / Great House ^ ,' (Locus 1)

North

Cane Fields ' (coastal plain)' /

Wharf

Figure 6. Seville Plantation 1670-ca. 1780. Patterns of movement between the Afri- can Jamaican village, the industrial works and fields, and the planter's residence clearly indicate the planter's control and supervision of African Jamaican life, ex- cept for access between village and provision grounds. was a period of apparent turmoil for the planters on this estate: not only did buildings on the estate require considerable renovation (see note 9), but two generations of planters died in rapid succession and control of the estate was contested and fought over in the courts, requiring for the first time a resident overseer, housed adjacent to the works. The new village is 388 Douglas V. Armstrong and Kenneth G. Kelly seen as an expression of the community that had evolved within the Afri- can Jamaican settlement. While the planters controlled decisions concern- ing the area occupied, there is no indication that they imposed a planned community such as that established in the previous century. Finally, these houses not only exhibit well-defined and expanded house-yard compounds, but they also show considerable variation in the specifics of house design, construction, and alignment. This variability may reflect the internal so- cial organization operative within the community. For instance, differential access to building supplies and clustered groupings of houses may reflect social relations or social rank. Houses in the later village are loosely clustered in an area northwest of the early village and due west of the planter's Great House (Figures 3 and 7). Laborers could travel to and from the fields without directly passing the planter's residence, but the manager's and overseer's houses still retained a pivotal position of surveillance over the passing labor and particularly over the works and fields. The steeply rising slope on which the African village, planter's house, and overseer's house are located further emphasizes the re- moval of Africans from direct view. Even today the paths indicated on the eighteenth-century maps are in use and still pass out of sight of the Great House. This new village location was also closer to the fields and works than that occupied by the earlier village. First occupied in the 1780s, houses in Locus 2 were inhabited until the late 1880s and early 1890s. In contrast to the long-term occupation of houses in the earlier settlement, houses in Locus 2 were frequently abandoned and new ones built on new sites, which enabled us to date specific houses to relatively narrow periods of occupa- tion based on surface and excavated ceramics. A preliminary survey of Locus 2 identified thirty possible house areas. Extensive excavation was conducted at four of these houses, and another six were sampled. In contrast to the similarity in architecture found in Locus I, each of the houses in Locus 2 is oriented on a different axis and represents a different set of building practices. In terms of boundaries, Locus z occupies an area at least eight times the size of the earlier village, a result of a longer period of occupation, increased residential mobility, and perhaps different ideas of proxemics. In addition, the distance between house sites averages 25 meters, or ten times the distance between houses found in the earlier village, and would have been greater if the houses were not contemporaneous. Actual house size is similar to those in the early vil- lage, though houses are a little larger on average, ranging from 4x6 meters to 5 X 7 meters. Building construction ranges from forms that are virtually identical to the houses at Locus i, with limestone and marl floors, wattle and daub Settlement Patterns and the Origins of African Jamaican Society 389

Paths Estate Roads '. to provision ; '• grounds • River Cane Fields

Si. Ann's Bay

,' Planter's Residence Later African Jamaican / 300 meters / Great l-Jouse Village (Locus 2)

Seville Estate 1

Figure 7. Seville Plantation ca. T780-1838 and beyond. The shift from the linear arrangement of the earlier village to fhe dispersed cluster of the later village cir- cumvents planter control through unsupervised access between fields,village , and provision grounds. walls, and thatching (e.g., the house at House Area 49 [Locus 2], which has a mean date of circa i8ro), to framed wattle and daub houses with wood floors and perhaps even shingled roofs (e.g., the house at House Area 35 [Locus 2I, mean date of circa 182.0, with the presence of transfer-printed commemorative "emancipation" pottery dated 1838). Other building forms 390 Douglas V. Armstrong and Kenneth G. Kelly include combinations of stone foundations or footings and framing. Door- ways tend to be oriented toward the prevailing wind and the ocean. Tbe one exception to this pattern, however, was found among houses border- ing an area that is still referred to by people in the area as "the commons," where instead of facing tbe prevailing breeze, they open onto this grassy area. Yard areas exhibit all of the elements found in the earlier village, in- cluding hearths and cooking areas immediately outside of each house. In the early village, hearths were located on the opposite side of the house from tbe doorway, facing the main roadway tlirough the village. Within the more recent settlement hearths and cooking areas were located at various places within the yard. With larger yards and less regularity in the location of the house within the yard, the hearth location could be more flexible and apparently depended on relationships and interactions with neighboring bouseholds. A significant distinction between the two villages is the size of the house yard areas. Tbe yards themselves are identifiable as areas, which with the exception of beartbs were relatively artifact-free. Tbese zones of low artifact density were probably the result of yard sweeping and extend over an area of 7 to iz meters from the bouse ratber than tbe average of 5 to 6 meters in the earlier village. Furthermore, most of the house yards do not run directly from one to another. Instead, tbere are marginal areas between houses, witb refuse and presumably vegetation. The only bouses witb abutting yards are those found on tbe boundary of tbe commons, but even tbese have indications of marginal, debris-filled zones between them. Larger yards with space between them are both factors of the lower density occupation. Tbe bouses at Locus 2 are at a greater distance from the planter's and manager's residences and appear to be loosely organized around a large, open common area, further demonstrating the active role played by the African Jamaican population in the choice of village location, as it was now closer to the nearest provision grounds located south of the village. It is perhaps significant that both commons and village cluster about a road or path, whicb leads to tbe provision grounds. Tbis path is indicated on tbe 1792 map and remains the primary route traversed by Jamaicans traveling to and from current houses and farms located southwest of the arcbaeo- logical ruins and the markets of St. Ann's Bay.

Conclusion

Spatial data on overall plantation layout demonstrate the primary economic motive of tbe plantation system. The African Jamaican village was located Settlement Patterns and the Origins of African Jamaican Society 391 to maximize production of the cash crop and at the same time to maintain control over the estate's labor force. The planter's and manager's houses were located between the village and the fields and the works. Although the technology used in sugar production changed from animal-powered mills to water wheels, the location of all the plantation's primary economic parts other than the village remained fixed at Seville. When the village moved in the second half of the eighteenth century, dramatic changes were ap- parent in the community's internal organization, while externally defined economic and power structures were maintained. These changes brought the village closer to the works and fields and facilitated a shorter route to provisioning grounds while at the same time maintaining the intermediate control position of both the planter and manager houses. This pattern was maintained through the end of slavery. This shift in village location illuminates a significant change in the estate's management-la bor relations. Enslaved laborers in the early village (Locus 1} had to pass directly by the planter's residence on their way to and from the works and fields (see Figure 6). The shift in village location after 1780 shows a more loosely organized clustering of houses and greater house-yard space. During that time of trauma and disruption for the estate, houses and works required reconstruction, and overseers hired by trustees for the Heming family estate governed the estate's management. Members of the planter's family continued to occupy the main house, but direct man- agement of the estate shifted to the more centrally located overseer's house immediately adjacent to, and upslope from, the sugar mill. In the result- ing reorganization of the estate, the overseer and the manager attained new importance. While the proximity of the works to the manager's and over- seer's houses facilitated the retention of control over the factory, enslaved laborers could pass between field, village, and provision grounds without direct and immediate supervision (see Figure 7). Archaeological and historical research suggest that these changes re- flect an emerging and internally driven social organization within the en- slaved African community, where house placement and architecture were governed by the choices and actions of African Jamaican residents rather than by those of the plantation owner. Flouses dating from the 1670s to the 1750s have been excavated in Locus i, confirming the tightly spaced linear pattern indicated on the 1721 map. Analysis of artifacts and spa- tial patterns indicates considerable outside or yard activity including cook- ing areas and a cleared "gathering area" located out of the planter's di- rect view. The data from Locus z indicates the emergence of the distinctive form of house-yard living areas as postulated by Mintz (1974) and demon- strated at Drax Hall estate by Douglas V. Armstrong (1990). The houses 39^ Douglas V. Armstrong and Kenneth G. Kelly in this Locus are clearly further apart than their predecessors at Locus i. The changes in the late eighteenth century brought the village closer to the works and fields. The positioning of the later village (Locus 2) shows not only a more loosely organized placement, featuring clustering of houses and greater house-yard space, but laborers in this later period could pass directly between key nodes of their activities without passing the planter's house, thereby reducing the degree of direct supervision to which they were subjected. This pattern is observed to have begun prior to emancipation and continued through the first few decades of freedom.

Notes

This project was carried out hy Syracuse University in partnership with the Jamaica National Heritage Trust. Financial support was provided through grants from the Wenner-Gren Foundation, the National Geographic Society, the National Endow- ment for the Humanities, the Applehy Mosher Foundation, the Jamaica National Heritage Trust, and Syracuse Universit)'. Kenneth G. Kelly's participation in the project was facilitated hy financial support from the UCLA Department of Anthro- pology and the UCLA Friends of Archaeology. Appreciation is extended to the more than 150 students from ten nations who participated in excavations at Seville. Ja- maica National Heritage Trust archaeologists Dorrick Gray, Roderick Fbanks, and Ywone Edwards provided continual and invaluable assistance throughout several research seasons. Special thanks are due to F. Kofi Agorsah, Barry W. Higman, Matthew Reeves, Larry Jepson, and Zesha Skop. Gécile Kelly was a source of much constructive criticism and helpful editing. We also extend our thanks to the Ethno- history reviewers, who provided many useful suggestions that improved this article. Finally, thanks are due to the people of St. Ann's Bay, Jamaica, who treated us with kindness and were always willing to lend a hand.

1 Armstrong T990 and Howson 1990 discuss the importance of an integrated anthropological-historical perspective. Current archaeological research draws on the historiographie scholarship of those who have examined the develop- ment of African Caribbean and African American societies (e.g., in the Carib- bean, Brathwaite 1971; Bush 1990; Craton 1978; Dunn T972.; Handler and Lange 1978; Higman 1976; 1987; Mintz 1974; Mintz and Price 1976, Morrissey 1989; and for the Americas, Fox-Genovese 1988; Genovese 1974; and Joyner 1984; among others). 2 Enslaved Jamaicans were freed in 1838, after a four-year period of apprentice- ship. The village at Seville continued to he occupied by tenants until the T890S (Kelly T989). Upon emancipation, however, many of the former laborers left plantations for free holdings off estates. At Seville, Protestant reformers pur- chased a section of the estate and established a free settlement called the Priory. The Priory was occupied by former laborers from Seville and other area estates. 3 For a discussion of plantations in North America, see Orser iy88,1989. 4 While playing only a minor role in terms of direct production of the cash crops, because of the hilly and mountainous terrain of much of Jamaica, estate lands were important in contributing resources necessary for the estate's maintenance. Settlement Patterns and the Origins of African Jamaican Society 393

Forested areas contained hardwoods used in the construction of wooden struc- tures and equipment. The estate's interior portion was also used as pasture for cattle and other stock that constituted a major source of fresh meat for the estate. Estates on such islands as exhibit a different pattern, with smaller estates and greater reliance on imported provisions, as most of the land there was suitahle for sugar production. 5 The spatial arrangement of Drax Hall Plantation has been analyzed by Douglas V. Armstrong (1983, 1990,1991). Barry W. Higman (1987) has compiled car- tographic data for Jamaican estates for the period 1760-1950, and Jerome S. Handler (1989) discusses the layout of several Barbadian plantations (see also Handler and Lange 1978). 6 On occasion laborers were armed with weapons to defend the estate against outside attack. Hans Sloane (T707-Z5) visited the plantation in 1688 and re- ported the defensive works in front of Seville's Great House. The St. Ann's Parish Records describe the formation of an armed militia of slaves in 1795 to repel a Spanish invasion at Manuney Bay, 8 kilometers cast of Seville Plantation (Letter, R. Perkins to E. Cundall, 19 February 1916). 7 The location of fields, works, planter, and overseer housing remained fixed, and only the laborer's housing shifted during the later period of slavery. This is in contrast to Drax Hall, where during slavery only the fields remained fixed and the other structures shifted to increase the estate's productive efficiency while maintaining the planter-manager's control (Armstrong 1990). 8 The Seville Afro-Jamaican Archaeology Project was initiated in 1987. It was co- sponsored by the Maxwell School, Syracuse University, and the Jamaica Na- tional Heritage Trust. The site was observed by Merrick Posnansky (1983) of UCLA in 1977 and was one of six African Jamaican villages that were partially surveyed in 1980 hefore Armstrong's (1983, 1990) excavations at Drax Hall estate. 9 Evidence of timber framing reuse in the rafters of the Seville Great House indi- cates destruction of the second floor hy a cause other than fire. While no direct correlation can be made to a specific hurricane, the argument for destruction due to a storm is strengthened hy evidence from Drax Hall (Armstrong T990), which indicates destruction of the two-and-a-half story Great House at that estate during the same period (between 1763 and T790). Extensive damage by storm would explain the complete movement of the Seville settlement from its initial location (Locus i) to the area occupied beginning in the late eighteenth century (Locus 2). 10 Planters were very concerned with limiting the abilit)-- of Africans to express themselves in "African" ways (Goviea 1991: 351). Throughout the plantation regions, laws were on the books prohibiting the use of drums and the prac- tice of dancing and other "African" expressions. Furthermore, a number of planter guidebooks were explicit in advising that planters obtain Africans from a variety of regions to minimize their ability to communicate in African lan- guages (Geggus 1991: 403). 11 The estate was named after the ruins of the Spanish town of Sevilla la Nueva that occupied sections of the estate from 1509 to 1534. 12 The houses on the east side of the lane have been identified; however, they are poorly preserved. Indications ate that they were mirror images of the houses excavated on the west side of the lane. 394 Douglas V. Armstrong and Kenneth G. Kelly

References

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Vernacular Houses and Domestic Material Culture on Barbadian Sugar Plantations, 1640–1838

JEROME S. HANDLER and STEPHANIE BERGMAN

Abstract This paper describes the houses and household furnishings of the enslaved peo- ple on Barbadian sugar plantations, and traces the development and changes in architectural forms, including wattle-and-daub, stone, and wooden plank dwellings, over the several centuries of slavery on the island. We also treat the housing policies of plantation owners/managers, and explore possible African and European cultural influences on the Barbadian vernacular housing tradition that emerged during the period of slavery.

Introduction

In this paper we describe both the houses and household furnishings of the enslaved people on Barbadian sugar plantations, and also trace the development and changes in architectural forms over the several cen- turies of slavery on the island. We also treat the housing policies of plan- tation owners/managers and explore possible African and European cultural influences on the Barbadian vernacular housing tradition that emerged during the period of slavery. It must be emphasized at the out- set that, as with so many areas of the social, cultural and material life of the enslaved people in Barbados, information in documentary sources is often very superficial, highly limited, fragmented and ethnocentric. Because of the sparse historical and archaeological record, severe limi- tations are placed on the amount of detail that can be captured with respect to the topics treated in this paper.1

The Journal of Caribbean History 43, 1 (2009): 1–36

1 2 Jerome S. Handler and Stephanie Bergman

Village Settlements and Plantation Housing Policies

During the period of plantation slavery in Barbados, from around the 1640s to between 1834 and 1838, the great majority of enslaved Barbadians lived on sugar plantations, in small villages or hamlets for- merly referred to as “Negro Yards”. The villages were on an average of about five acres or less of land and were usually located not far from the house of the planter (the “dwelling house”) and plantation yard, which contained the sugar mill and factory, stables, and various out- buildings. During this period there may have been roughly 400 or more such villages, though their numbers fluctuated over the years. Villages on smaller plantations had fewer than 50 inhabitants, but settlements on medium and large plantations held between 100 to 200 people. A sig- nificant number had populations in the 200s while settlements exceeding 300 people were relatively rare. On smaller plantations, or farms with few enslaved labourers, there were only a handful of houses, while on many others the number of houses was closer to twenty-five. On a still larger number of plantations, with enslaved populations from 100 to 200, the settlements usually contained from 25 to 50 houses, while a significant number of settlements with populations numbering in the 200s contained up to around 75 houses. It is doubtful that many planta- tions had more than 80 houses. In 1833, for example, Vaucluse, in the parish of St Thomas, was among Barbados’s largest plantations, consist- ing of “nearly 600 acres” and “more than 300” enslaved persons. At this time, less than four percent of the island’s enslaved population lived on plantations of this size, and the Vaucluse settlement had “nearly” 80 houses. Finally, it can be noted that while planters determined the actual locale of the “Negro yard”, the enslaved were generally free to choose their specific house sites within this area.2 The slave code of Barbados, reflecting a general, British West Indian pattern, contained no provisions for housing, “but by voluntary custom”, a planter in the 1780s reported, “the masters generally allow them to build little cottages for that purpose”.3 Even if Barbadian law had pro- vided for shelter, it would probably not have been enforced, nor would it have had any significant impact on the policies of plantation manage- ments. In practice, Barbadian planters, in common with planters in other parts of the West Indies, pursued different policies in providing housing materials and incurring expenses in the construction and repair of houses. Moreover, these policies varied throughout the period of plan- tation slavery. Domestic Material Culture on Barbadian Sugar Plantations 3

The legal code aside, little evidence exists that planters paid much formal attention to shelter during the seventeenth century or for much of the eighteenth; later (usually pro-slavery) sources indicate that slave houses were sometimes constructed and maintained at the plantation’s expense. The most common policy in Barbados was probably similar to that described by the historian J. Harry Bennett for the two Codrington plantations owned (from the early eighteenth century until 1983) by the Church of England’s Society for the Propagation of the Gospel in Foreign Parts. On these plantations in the eighteenth century and until around 1820, “shelter was regarded as the slave’s own problem . . . [and he] was left to build, repair, and furnish his hut with such materials as he could find for himself”. By the late-eighteenth century, plantation account books show occasional small expenditures to aid favoured work- ers, usually drivers and tradesmen, in the construction and repair of shelter, and Codrington’s management sometimes assisted in emergen- cies, such as after damage by storms. However, as late as the 1820s, “most of the slaves continued to find housing for themselves, with only occasional help” from Codrington’s management because, as a group of resident planters observed in 1812, “to furnish proper houses to a whole set of slaves is certainly a very expensive & tedious work”.4 For most of the period of slavery, the enslaved peoples in Barbados were expected to construct their own shelters and provide their own building materials, although planters occasionally gave “some assistance with materials”.5 It is doubtful that this involved much, if any, financial expenditure. By the 1820s and early 1830s, however, this changed some- what as more stone and wooden houses (but still a definite minority), were being “built, and regularly repaired, at the expense and with the labour of the estate”.6 Regardless of how much plantations became involved in housing, most of the enslaved people were largely left to their own devices in both house construction and repair, and they gen- erally built their houses in Barbados, as in Jamaica, “according to their own fancy both in size and shape”.7

House Types

Although housing is often mentioned in documentary sources, these sources offer only superficial and sparse descriptions of building mate- rials and give virtually no architectural details on, for example, methods of construction and interior and exterior design. It is clear, however, that the most common dwelling throughout the period of slavery was a rec- 4 Jerome S. Handler and Stephanie Bergman tangular, single-storey, wattle-and-daub structure with a packed earth or dirt floor, and a pitched roof covered with thatch: a dwelling form undoubtedly deeply influenced by West African building architecture.8 Constructed of local materials available from plantation woodlands, this type of house was also the most widespread house-type throughout the Caribbean. In the wattle-and-daub house, at least four, but probably more, forked wooden posts or stakes were driven into the ground to form a framework for the twigs or slender tree branches interlaced around the posts to form the walls; branches or boards were laid on top to form roof rafters. Planters were sometimes advised to keep a portion of their land in “wood for Negro houses”, and some plantations advertised the sale of “rafters and other sticks for building Negro-Houses”. When wood was lacking, the wattle of the walls was constructed of “the strong reed or cane of the Guinea corn”. The wattle was plastered on the interior (and probably the exterior as well) with mud or clay daub; in later years, the exterior also may have been coated with a lime plaster. The sources do not suggest any exterior decoration, a common feature in West African indigenous architecture, and there is no evidence of verandas or porches, also common in West Africa.9 Because wattle-and-daub thatched houses were constructed of perishable materials, their remains decayed rapidly from contact with natural elements, and no traces were detected in archaeological investigations of Barbados plantations during the 1970s and 1980s.10 There is ample evidence that thatched roofs, a ubiquitous feature of indigenous West African houses, as well as early vernacular houses throughout the Caribbean, were pervasive on all types of Barbados houses, including those of stone and wood (see below). Roof thatching could consist of plantain leaves, palm leaves or branches, and the leaves or trash of the sugar cane. Plantain leaves may have been more wide- spread in the seventeenth and early eighteenth centuries, when plan- tains were a more common food staple, but parts of the sugar cane were probably the most common thatching throughout the slavery period. Cane leaves and tops as well as the “cane trash” (cane stalks after they have been crushed and the juice expelled), and “rotten canes” were used as thatching, but the leaves and tops were considered preferable.11 George Pinckard, a British naval doctor visiting Barbados in early 1796, observed that the roof extended “to some distance over the door- way [which was located on the leeward side], forming a defence against both the sun and the rain”; and William Lloyd, the emancipationist who Domestic Material Culture on Barbadian Sugar Plantations 5 visited Barbados during Apprenticeship, observed that the “Negro huts” were covered “with a loose overhanging thatch”. Reporting on Jamaican wattle-and-daub houses in the early nineteenth century, Alexander Barclay observed that “to throw off the rain the thatch is brought down a considerable distance over the walls, which in consequence look low, and the roof high”. C.G.A. Oldendorp, the late-eighteenth-century Moravian missionary, made a similar observation of roofs on wattle-and- daub houses in the Danish West Indies, also describing these houses as low and small; the entry way, in fact, was “so low that a man cannot pass through it without bending down”. Barbadian houses were probably similar in these features, and the overhanging roof, which could serve as shelter during rain or from the sun’s heat, was reminiscent of African architectural forms. An idealized, perhaps even romanticized, view of Barbadian houses is shown in an engraving in John Waller’s account of his travels in the West Indies (figure 1). House constructional materials are unclear from the illustration, but they may have been plastered wat- tle-and-daub or, perhaps, stone. The thatching probably closely resem- bled thatching on working class rural Barbadian houses during the late-nineteenth and early-twentieth centuries (figures 2, 3, 4).12 By the late-eighteenth and early-nineteenth centuries, enslaved Barbadians increasingly lived in stone and wooden dwellings as planta- tions began to use more substantial housing materials, a reflection of the growing interest among planters during this period of the material

Figure 1 “Slaves in Barbadoes”, in John A. Waller, A Voyage in the West Indies (London, 1820), facing p. 20. This engraving gives a rather idyllic view of plantation life, but it is unknown if it is based on Waller’s own sketch or is a construction of some other artist or the engraver. 6

Figure 2 Wattle-and-daub houses with thatched roofs, probably very similar to ones found during the slavery period. Judging by the topography, the photo was taken in the Scotland District, quite possibly Chalky Mount in St Andrew (as suggested by the packed “beehive” pottery kiln in the lower right hand corner). The photo was taken by the well-known American photographer Frank Carpenter, probably in the late nineteenth or early twenti- eth century (he died in 1924), judging by his various publications on his early travels to the West Indies and South America. (Courtesy, Library of Congress, Prints and Photographs Division, Frank and Frances Carpenter Collection, LC-USZ62-95078.)

Figure 3 Stone house with thatched roof. The poles on top held down the roof thatch. Although this photo was probably taken in the late nineteenth or early twentieth century, the house shown appears to be very similar to the type of stone house found in the later years of the slavery period. (Courtesy, Barbados Department of Archives, Laborde Collection, # 8.) Domestic Material Culture on Barbadian Sugar Plantations 7 welfare of the enslaved people. As is well known, this interest was pre- cipitated by the debates in Britain surrounding the abolition of the slave trade and the possible implications of abolition for the recruitment and reproduction of the enslaved population. In subsequent decades, ame- lioration responded to increasing emancipationist pressures from Britain. A similar trend was also evident in other West Indian territories where plantations sometimes provided building materials, employed tradesmen to work on the houses of labourers, and expended funds in house construction and repair. In general, these practices seem to have become more noticeable, as in Barbados, during the later years of the slavery period, as planters intervened increasingly in matters of shelter.13 Houses constructed and repaired by the enslaved carpenters and masons, who were assigned these tasks by plantation managements, were made from locally obtained and easily worked coral limestone, or from imported wooden planks, sometimes with roofs of imported wooden shingles.14 Some stone dwellings (probably most were of rubble, rather than cut or dressed stone) were covered with exterior or interior limestone plaster.15 Roof-thatching materials were the same as on the wattle-and-daub houses, although stone houses occasionally had wooden shingles. A few sources also suggest that, in the late slavery period, some houses were constructed of rough boards or planks nailed to wooden posts. Since the indigenous forests of Barbados were virtually gone by the late-seventeenth century, planking was usually imported. Houses constructed from coral limestone, the geological base of most of the island, would have involved much less expense to the plantations. Photographs from the late nineteenth to the mid-twentieth centuries show various stone houses (some with exterior plaster) and wooden ones (figures 4, 5). These houses, we assume, were probably not very differ- ent from those erected during the later years of the slavery period.16 The above sequence of house types, with wattle-and-daub being the earliest, and stone and wood later, was derived from fragmentary infor- mation in a number of documentary sources.17 The sequence is also specifically suggested by data from Newton plantation whose manage- rial policies generally reflected island-wide practices in the late- eighteenth century. In 1796, Sampson Wood, Newton’s manager, reported that “some of . . . our Negro huts or houses [are] built of stone (and they shall all be built of that material before long as most conven- ient for them), others of the strong reed or cane of the Guinea corn”. From this we infer that the transition from wattle-and-daub houses to 8

Figure 4 Wood plank house with thatched roof, June 1907. This house probably closely resembles the wood plank house found during the later years of the slavery period. (Courtesy, Barbados Department of Archives, Registered photos, 1905–1907, #81.)

Figure 5 House of rubble stone construction, with limestone exterior plaster and galva- nized iron hip roof. In earlier days, the roof would have been thatched. The photograph is undated, but was perhaps taken in the 1940s or 1950s. The location is unknown. The photo was given to Handler by Maggie Goodridge in December 1983. Domestic Material Culture on Barbadian Sugar Plantations 9 other types was occurring at Newton by the very end of the eighteenth century. Although Wood may have intended to have all slave houses constructed of stone in the near future, he died in 1803, and the Newton records after that date are almost silent on the issue. It can be surmised, however, that there was an increase in more substantial constructional materials because the plantation’s two masons worked on slave dwellings for seventy-seven days in 1796–1797, and in the mid-1820s Newton’s accounts show expenditures on materials such as “deal boards”, “planks”, and nails “for building Negro houses”.18 The changes in house types over the years and the specific chrono- logical sequence of house types are corroborated by Bennett’s study of the Codrington plantations. From the early-eighteenth century to the second decade of the nineteenth, the houses at Codrington were thatched roof, and wattle and daub. In 1819 or 1820, following “a great storm [which] destroyed almost all the Negro huts”, and during a period when ameliorative measures for treatment of the enslaved were being instituted in Barbados, the Society for the Propagation of the Gospel began erecting houses that “were walled with [lime] stone from the . . . plantation quarry”. By 1823, stone houses “predominated”, but some houses had wooden plank walls; both types had “plank” or thatched roofs. Around this time, the Society decided to build a new village for the enslaved people, and by 1829 a number of “stone with shingled roofs” houses had been completed.19 By the late 1820s and early 1830s, the Codrington plantations were not unique in their managerial policies and reflected trends elsewhere on the island. Stone houses with wooden shingle roofs were also found on other plantations. For example, in the 1830s at Lightfoots plantation (St John and St Philip parishes), “a Negro village newly built” contained twenty-seven “stone wall houses . . . beam filled and plastered inside and painted outside, deal roofs, lathed and shingled”.20 Today in Barbados one can occasionally still see such houses (with or without wooden shingles) or, more commonly, their ruins, especially in some areas of St Peter, St Lucy and St Andrew. Barbadians frequently refer to these as “slave houses”. For example, a recent book containing vignettes of Barbadian history refers to an old photograph of a stone house as “thatched slave house, c. 1920”.21 An undated photograph, probably from the 1930s or 1940s, shows stone construction with remnants of exterior plaster; the thatched roof had been replaced by the more modern cor- rugated or galvanized iron so widespread in the Caribbean today (figure 5). The elderly Barbadian, who gave Handler this photograph in the 10 Jerome S. Handler and Stephanie Bergman

1970s, identified the house as a “slave house”. In a sense, Barbadians today are correct when referring to these stone houses as “slave houses”, although it is not known if those buildings that have survived in present day Barbados were actually inhabited at one time by enslaved people, free people of colour (freedmen) or working class Whites. It is erroneous, however, to assume that such houses were typical slave dwellings. Although there is some evidence of stone houses in the seventeenth cen- tury (for example, a 1678 plantation owner’s will mentions “7 negro houses of stone and tyled”22), stone houses did not become numerically significant until the first decades of the nineteenth century, and were still much fewer than wattle-and-daub houses. Various sources, including small sketches and illustrations in planta- tion maps as well as printed accounts, indicate that the houses contained windows, but those on early wattle-and-daub houses were probably no more than openings in the walls or ventilation holes. Later, stone and wooden houses may have had wooden frames and shutters similar to those in working class houses in the twentieth century. Nothing is known of doors on the earliest houses. They probably existed on many wattle-and-daub structures and, judging by early illus- trations, were present on the stone and wooden ones. William Dickson, who had lived in Barbados from 1772 to about 1785, provided a unique reference to wooden locks while discussing the talents of Black carpen- ters: “On the doors of some of the Negro huts, I have observed wooden locks, at once simple and well contrived, and which it was impossible to open, without the wooden key, which had two or three square, pol- ished prominencies [sic], adapted to the internal parts of the lock, which I have also seen, but it cannot be explained without a model.” There is no other information on wooden door locks for Barbados.23 Contemporary observers in Barbados usually referred to slave dwellings as “huts”, occasionally as “cottages” or “cabins”, and described their size as “small” or “little”. Specific dimensions are available in only a few sources, dating from the late eighteenth and early nineteenth centuries. Moreover, these dimensions apparently refer only to stone or wooden houses, not to wattle-and-daub ones. In a 1777 will, a planter ordered his executors to build “shingled stone houses 12 feet by 25 feet” for several manumitted persons. In 1789, Governor Parry reported that slave houses “are in general 30 feet long by 12 broad”. Around the same time, Philip Gibbes, a prominent planter, instructed his manager that houses should not “be wider than twelve feet [and] the houses of the inferior Negroes need not be more than ten feet wide” – although he Domestic Material Culture on Barbadian Sugar Plantations 11 does not specify length. “Every Negro who builds a new house”, Gibbes added, should receive “four hardwood posts” as well as “two pair of strong deal rafters and a ridge pole”; rafters for twelve-foot-wide houses were to be “nine feet long”, while those for ten-foot houses “should be seven feet and a half”. J.W. Jordan, another Barbadian planter, writing in the 1820s, mentioned that of the seventy-six “negro-houses” on one of his plantations, “many” were “thirty feet long and twelve feet wide”, and during the same period Trelawney Wentworth, an Englishman who had resided in the West Indies including Barbados for “several years”, observed that, in general, West Indian slave houses were “twenty-five feet in length, by ten or fifteen in breadth”. Finally, at Lightfoots planta- tion in the mid-1830s, the “newly built” village for enslaved people, con- sisting of twenty-seven “stone wall houses”, included five houses that were twenty-three feet long by thirteen feet wide and twenty-two that were twenty-one feet by twelve feet.24 The preceding figures suggest an average of approximately 305 square feet, ranging from 250 to 375 square feet.25 These figures, however, appear mainly in pro-slavery sources, which stress that enslaved Barbadians were generally well treated and received adequate shelter. We thus assume that even during the late-eighteenth century and the first decades of the nineteenth the dimensions and square footage of slave houses in general, particularly those of wattle- and-daub, were not greater than those given above; in all likelihood many were less.26

Rooms and Furnishings

Regardless of size or house type, houses were generally partitioned into rooms. In the mid-seventeenth century, Richard Ligon, who had lived in Barbados for three years in the late 1640s, reported that the enslaved people have “several divisions . . . in their little houses, and none above sixe foot square”.27 Documentary sources record from one to three rooms although they suggest that the typical dwelling, as elsewhere in the Caribbean, consisted of two rooms, divided by a wooden partition. John Vlach postulates that the two-room division found in African American houses may have been influenced by West African architectural tradi- tions. In Barbados this division has persisted into modern times. One room was a sleeping chamber for the adult couple; the other was used for general purposes, including meal preparation and sometimes cook- ing, and it was also the place where the children slept.28 12 Jerome S. Handler and Stephanie Bergman

European-type beds were rare and seem to have been used only in the final decades of the slavery period, primarily by “privileged” persons such as tradesmen or head drivers.29 The most common bedding was a rough board or “hard plank” that rested directly on the earthen floor; sometimes this board was sold or split up if firewood was in short sup- ply. Ligon reported the frequent occurrence of colds because they had “nothing under them in the night but a board, upon which they lie, nor anything to cover them”; “and though the daies be hot”, he added, “the nights are cold”. They usually slept in their tattered work clothes. Blankets were probably distributed in later times, but without regularity or frequency – as suggested by a committee of planters who in 1812 recommended that “blankets ought to be furnished once in 8 or 10 years”.30 By the latter half of the eighteenth century, and perhaps earlier, the board to which Ligon and others referred was often elevated and gave the appearance of a raised platform (for example, figure 1).31 During the eighteenth century, and perhaps earlier, the enslaved population occasionally used a mat or crude mattress that, according to Pinckard, was made from “plantain leaves, or some other species of bedding, to defend them from the rough plank; but this is an indulgence self- attained, not a necessary provided by the master”.32 There is no infor- mation as to whether headrests were used. Aside from bed materials, houses contained little furniture and few tools or utensils. Furnishings were limited to an occasional wooden stool or bench, or sometimes a table and chair – items manufactured or acquired by the enslaved people themselves, not provided by plantation managements. By the early-nineteenth century, furnishings may have become relatively more elaborate and plentiful, especially among trades- men and head drivers.33 Utensils were largely confined to items used in food preparation or for cooking, eating, and the storage of food and liq- uids. They included earthenware made from local clays (as well as occa- sional imported pottery), and dishes and containers made from gourd or calabash. Enslaved potters were involved in pottery production from early in Barbadian history and made the conical pots used in the man- ufacture of muscavado sugar. Later, Black potters also made utilitarian household wares, including water jars (for example, the so-called mon- key jar), some of which were made in Barbados, until recent times, by a crank-shaft-driven wooden wheel and “beehive” kiln technology.34 Writers on Barbados who mention containers made from gourd (Lagenaria siceraria; a vine-grown plant of tropical African origin, also called the “bottle gourd”) and calabash (Crescentia cujete; a tree native Domestic Material Culture on Barbadian Sugar Plantations 13 to the Americas) give the impression that these materials were used more widely than pottery. Writing of Barbadians in general – without specifying racial group – Ligon reported the existence of “gourds so great as will make good great bottles, and cut in two pieces good dishes and platters”. He distinguished the “gourd” from the “calabash tree” whose fruit, “round as a ball, green . . . smooth and shining” and “of different sizes”, was also used to make a variety of household items: “some for dishes, some for cups, some for basons, and some of the largest to carry water in, as we do goards, with handles atop, as that of a kettle, for they are smoother and much stronger than” the gourd. About fifty years later, John Oldmixon, who had never visited Barbados but derived his infor- mation from former island residents, repeated Ligon’s information and added the fact that “many” calabash “pitchers and pails” contained “2 or 3 gallons”. Several decades after Oldmixon, Griffith Hughes, who had lived in Barbados for about eleven years in the mid-eighteenth century, observed that the “fruit” of the “Calabash-tree” not only “makes very convenient drinking-cups”, but also is “serviceable to many other uses”. As with earlier writers, Hughes did not suggest that these “uses” were confined to any one social class or racial group, but Philip Madin, who visited the island in the 1770s, observed that the calabash was “only used for the shell, out of which the Negroes eat their victuals”. F.W.N. Bayley, who was in Barbados for four months in the late 1820s, observed that “the Negroes scoop [the calabash] clean out of a small hole, which they cut in the top; it then serves as a bottle to contain rum, etc. Or, by sawing it in half they are provided with two vessels, which answer the purposes of basins or dishes. These calabashes are sometimes dyed by the slaves, who carve figures on them with a regularity and order that display much cleverness and ingenuity.” In addition to containers and “other utensils for slaves to eat out of”, spoons and perhaps ladle-like utensils were also made from the “useful calabash”.35 Amerindians commonly used the calabash for household utensils and containers, and the few who were present in Barbados in its early his- tory may have directly or indirectly influenced its use in Barbados. The calabash was also painted and carved in other West Indian colonies, and such embellishments may have been creole adaptations, perhaps also reflecting early Amerindian practices – although African influences are also likely since the calabash and gourd were also widely used for uten- sils in African cultures. In addition to these gourd or calabash utensils, enslaved Barbadians may have sometimes used coconut shells as drink- ing cups.36 14 Jerome S. Handler and Stephanie Bergman

Rev. Davies reported that corn, the food staple of enslaved Barbadians, was ground in their houses “by rubbing it between two stones, by the strength of their arms”. Despite being mentioned in several primary sources, these grinding stones are not described and archaeo- logical research on Barbadian plantations in the early 1970s and late 1980s yielded no trace of them.37 However, the English slave trader, Thomas Phillips, gives some clues on these stones. In early 1694, his ship stopped at the Gold Coast where he acquired “some cancy-stones, for our slaves to grind their corn upon” during the Atlantic crossing. A few months later he landed at Whydah (Ouidah), the port in Dahomey where he acquired captive Africans for transportation to Barbados. He described how the Africans made their “bread”: “Indian or Guiney corn [is] ground . . . between two stones call’d the Cancy stones, and Rubber . . . . they place the cancy stone, which is smooth and broad, shelving in a frame; then put on it thirty or forty grains of Indian corn . . . . then with the Rubber (which is a small stone big enough for one to grasp in his hand) they bruise the corn, and continue rubbing it till it is reduc’d to a meal.” Other early sources sometimes refer to corn-grinding stones in West Africa as “cankey” or “canky” stones, but the term actually applied to the dish made from the flour, described as a sort of “dumplings” or “a sort of bread made of maize or Indian corn, rub’d between two stones to powder”. By whatever name Europeans called corn-grinding stones, descriptive details on these stones are difficult to obtain.38 In 1758 a European-invented windmill was introduced into Barbados and was proclaimed as having a “vast advantage and a great ease . . . in the beating out and grinding of corn for the food of their slaves”. Within a decade or so, William Dickson reported, this windmill had been adopted by “a few” plantations, and by the late 1790s, John Brathwaite, the island’s agent, observed that “formerly the Negro used to grind the corn between two stones with hand. Now wind and hand mills are intro- duced in most plantations for that purpose”. Thus, by the late-eighteenth and early-nineteenth centuries many plantations had apparently intro- duced centrally located windmills or several manually driven ones to grind corn, thereby relieving the enslaved people, wrote a prominent planter, “from a great deal of bodily labour and exertion”. In 1812, a committee of a resident planter group recommended that plantations lacking a “wind corn mill” should always have “a sufficient number of hand mills for the convenience of the slaves”, thereby suggesting that the practice was not very widespread. The two “corn stones” of earlier Domestic Material Culture on Barbadian Sugar Plantations 15 periods persisted into later periods as major household utensils, and may have been distributed by plantations. For example, in 1786 Philip Gibbes instructed his manager that “upon the marriage of a young couple”, they were to be given “a cabin to lodge in, a water-jar, an iron-pot, [and] a corn-stone”.39 Iron pots for cooking (earthenware may have been used as well) were imported and sometimes distributed by the plantation. They were also recommended as one of the “gratuities” that could serve as “encourage- ments to the slaves which should be given as bounties for good behav- ior”. Other recommended “gratuities” included knives and spoons (presumably imported metal), but they appear to have been uncommon, and “some” of the enslaved, reported a plantation medical doctor in 1812, even lacked “utensils for cooking”. However, the general availabil- ity of iron pots may have increased during the later years of slavery.40 Some houses also contained other items which the enslaved people are known to have used or manufactured, probably informed by African- influenced skills: for example, various types of baskets, fish nets, ropes, wooden trays, and wooden mortars and pestles; and musical devices like drums, rattles and string instruments.41 Documentary sources give the impression that household furnishings and utensils were largely manufactured from organic materials, but there are no details on the construction or design of such items, except for some musical instruments, calabash containers and wooden door locks. Moreover, archaeological research on a number of plantations yielded no evidence of organic household objects that are, of course, particularly susceptible to the destructive influences of a tropical envi- ronment. The archaeological research yielded a great number of pottery fragments and other material objects, such as imported white clay tobacco pipes, but failed to find evidence of non-organic utilitarian items. Aside from the depredations of the tropical environment on organic materials, and the disturbance of archaeological remains through a long history of agricultural activity and cultural modifications of the Barbadian landscape, it may be that enslaved plantation workers were far more materially impoverished than the documentary sources sug- gest. In trying to account for their failure to discover archaeological evi- dence for utensils and tools on plantation sites in the early 1970s, Handler and Lange concluded as follows: “from a materialistic perspec- tive plantation slaves were poor in every sense of the word, and they had relatively limited resources for acquiring material goods. Within this context then, it might be assumed that such goods were considered 16 Jerome S. Handler and Stephanie Bergman too valuable and difficult to replace, and thus they were not readily dis- carded or simply left lying around; when broken and beyond use, evi- dence of these artifacts can have easily been obliterated by cultural practices and natural forces.”42 Enslaved Barbadians acquired most of their food from plantation rations, usually distributed weekly. In addition, many plantations allot- ted adults or households small plots of land on which they cultivated food and (later in the slavery period) cash crops as well as raised small animals. The produce was used to augment plantation food rations, or it could be exchanged in the island’s markets for foods or material goods. By the late 1700s, during the workweek, larger plantations provided a “dressed dinner” at midday times. This practice became more wide- spread and, by the 1820s and 1830s, a “meal, ready dressed and pre- pared for their dinner” had become a standard feature on many plantations. Regardless of this practice, those who received a cooked midday meal were still required to prepare their own “breakfast” which they carried into the fields and ate around mid morning. In general, however, throughout the slavery period, plantation workers were usually responsible for preparing their own meals.43 Each household prepared its food outside the house, if weather permitted, or inside, if the weather was damp or raining. Provided they had the necessary firewood or char- coal, people preferred hot meals. In the only documentary reference dis- covered on how cooking fires were started, Thomas Walduck, an English army officer stationed in Barbados between 1710 and 1712, alluded to the rotary friction method: they “rub[bed] fire out of two sticks, one being soft and the other hard”. Since this is the only mention, it is not known how widely this method was practised or if it persisted through- out the period of slavery. Food was either roasted or boiled over open fires; fireplaces or hearths do not seem to have been permanent fixtures of houses, although the historical sources are ambiguous on this point. For exam- ple, in 1796, Pinckard observed that the fire “for cooking their supper . . . is commonly in the open air near to the door of the hut, but they sometimes place it upon the middle of the dirt floor withinside the build- ing”; a few decades later Bayley wrote that “the Negroes cook their little messes before their doors” (see also figure 1). In all probability, appar- ently following the common African practice, most cooking took place outdoors (as did so many other activities, ranging from relaxing and gos- siping to making handicrafts). Although stones were probably used to support utensils, such as iron pots, over the cooking fires, no documen- Domestic Material Culture on Barbadian Sugar Plantations 17 tary or archaeological evidence indicates whether these stones were con- structed into permanent hearths.44 By the 1820s, slave dwellings with detached kitchens were reported for some plantations. Although not described, these kitchens were prob- ably no more than wattle-and-daub sheds and may have been, as in Jamaica around the same time, confined to the “more wealthy”.45 In gen- eral, however, the sources convey the impression that detached kitchens were not especially common. The failure of seventeenth- and eighteenth- century writers to mention kitchens in their discussions of housing, cooking and household practices suggests that detached kitchens were not found in the houses of plantation workers until the final decades of the slavery period.

The Quality of Housing

Within each plantation, members of the field gangs inhabited the poorest and most sparsely furnished houses. There are indications that enslaved people with higher rank (it must be emphasized that this ranking was determined by slaveholders, not by the enslaved community itself) some- times had relatively larger houses and more furnishings – a pattern also evident in other areas of the West Indies – but housing distinctions asso- ciated with rank may have emerged only in the later years of the slavery period. For example, as noted above, in the late-eighteenth century, Philip Gibbes instructed his manager that dwellings “of the inferior Negroes” should not be as wide as those of the driver or various trades- men; in the 1820s, Trelawney Wentworth observed that among enslaved West Indians in general, including Barbadians, “larger proportions, and an extra room . . . occasionally mark the residence of one of the ‘head people’ . . . . We have found some of them possessed of sideboards, drawers, and other articles of furniture . . . . In such habitations may be seen mosquito [sic] netting to their bedsteads, a quantity of earthenware, the walls nicely whitewashed, and decorated with some gaily coloured pictures.” Henry Nelson Coleridge, a visitor to Barbados in 1825, described the average dwelling as “a cottage thatched with palm branches and divided into two rooms”. However, he observed, “some huts are larger and smarter than this . . . . the driver on the Society’s estate [Codrington] has two large four post beds, looking glasses and framed pictures”. On a visit to a plantation during the 1820s, Bayley observed that “some . . . huts . . . were furnished much better than oth- ers”; he attributed this to “their owners’ . . . superiority of privileges 18 Jerome S. Handler and Stephanie Bergman over the other slaves. The mechanics of the estate, however, such as masons, coopers, carpenters, etc., have certainly an opportunity, from the knowledge of their trade, of making their abodes more comfortable and convenient than the rest.”46 Bayley described how one of these houses contained a neat four-post bedstead, of polished hard wood [from Barbados], . . . on which was a good mattress stuffed with dried plantain leaves, with bolster and pillows. . . . also a little shelf, on which stood a basin and a jug, a wooden chair, and a box, painted green, for containing the wearing apparel. The hall was furnished with half a dozen chairs and two tables. On one of these stood a pair of decanters, with some tumblers and wine glasses, and about eight cups and saucers of different patterns; while on a shelf above were ranged some dozen of plates and dishes. There were two framed pictures hanging in the room, and many more without frames, pasted against the walls.47

In very general terms, Bayley’s description has a familiar ring to those who have entered the homes of plantation workers in the modern era, and a pattern of furnishing and interior decoration that is observable today clearly has its roots in the period of slavery. By his reckoning, Bayley (an apologist for the slave system) was describing an exception- ally well-furnished house. However, he and other defenders of slavery often exaggerated the quality of housing, and described it in relatively idyllic terms, sometimes comparing it favourably, in the words of the Barbadian Assembly, with the “houses of the poor cottagers in England”. One can easily gain such an idyllic impression from the illustration in Waller’s book (figure 1). However, Pinckard’s observation that the “small huts” were “commonly of very coarse construction, and are dark, close, and smoky”, and the report from Joseph Sturge and Thomas Harvey, the British emancipationists, describing how apprentices lived in “huts [that] are wretched little thatched hovels” both more accurately depict what probably actually existed among the mass of enslaved plantation work- ers. A similar observation was made by a liberal-minded member of a Barbadian plantation-owning family when he wrote that rural peoples in the 1850s usually inhabited a “savage and untutored hut” that was “a scandal and an eyesore to our estates”. In 1812, a plantation doctor, reporting on the material condition of the enslaved population in general (and indirectly commenting on their paltry food rations), believed that one reason why their houses “are bad is that the Negroes use the trash, corn stalks, etc. of which they are made to dress their victuals”. Around the same time, a plantation doctor asserted that houses “for the most part are much too confined, and too frequently not so well constructed Domestic Material Culture on Barbadian Sugar Plantations 19 as to secure them from the inclemency of the weather”.48 The tropical climate of Barbados did not pose excessive demands for shelter, but evenings could be chilly, especially during the winter season, and rains could be heavy. The materials out of which most houses were constructed made them relatively fragile. They required frequent repair and were particularly vulnerable to leakage during heavy rains, and to destruction by hurricanes, storms or fire. Moreover, the proximity of dwellings within the plantation villages and the strong sea breezes that fanned the island facilitated the spread of fire from one house to another. Communicable diseases were also readily diffused because of the nature of housing conditions and the relative density of the population in the small villages.49 In the mid-eighteenth century, William Belgrove, a “long experienced” Barbadian planter, stressed that “Negro houses” should “be kept in good order, as more Negroes dye for want of proper houses than by other means”. A plantation doctor, around 1810, found that the houses of the enslaved people were “much too confined, and too fre- quently not so well constructed”. In 1812, a group of relatively progres- sive resident planters summarized the housing conditions of plantation workers in this way: “Some improvement is requisite in the construction of houses. They should be a little loftier than they are at present, they should be built so as to admit a great degree of light, ventilation, & clean- liness, & to exclude air except through the doors & windows.”50 Considering the whole of the plantation-slavery period from the mid- dle of the seventeenth century to around 1834–1838, it is impossible to say how the enslaved people evaluated their own housing. The evalua- tions given in European sources, as noted above, are mixed, and they applied European standards to judge what were essentially African-type houses inhabited by Africans and their descendants. There is no direct testimony from enslaved persons, but they valued their houses beyond the need for basic shelter as evidenced, for example, in how persons who were better off embellished their houses and furnishings. Shelter was a means of expression, and housing was closely linked to other dimensions of life, such as family and household, notions of self-esteem, and customary property rights in a society which emphasized the enslaved person as property, and religious and mortuary practices. For example, although most plantations had separate burial grounds, people sometimes buried their dead under their houses, following an African practice, which induced, as Governor David Parry noted, a great attach- ment to their houses as “the burial places of their ancestors and friends”. During the Apprenticeship period, “many” of the newly emancipated 20 Jerome S. Handler and Stephanie Bergman plantation workers were reluctant to leave their houses and provision grounds which they had come “to regard as their own property; others revered their burial grounds . . . where their relations had been interred, so that they too would be buried there”.51 Legally, of course, all houses belonged to the slaveholder, but over the years there seems to have evolved some customary rights to these houses (similar, perhaps, to what existed with certain types of moveable property, such as poultry, small livestock, clothing, jewellery and household furnishings), although the social patterns surrounding these rights are largely unknown.52 Also, the evidence suggests that elaboration in and acquisition of utensils and other house furnishings were ways in which enslaved people expressed their status within their village communities as well as satisfying certain esthetic needs. Finally, since the enslaved people were largely responsi- ble for the construction and maintenance of their own houses, houses were items of material culture over which they exercised some control and could express some autonomy, relatively free of slaveholder dic- tates.53 Whatever the reasons and specific meanings that shelter had in their lives, when a group of planters claimed, “We know nothing that so strongly attaches a slave to the plantation to which he belongs as being in the possession of a comfortable house”, the group was probably reflecting a very positive value within the enslaved community.54

Trends and African/European Influences on Housing

Since, as George Pinckard observed, the enslaved people were “allowed to build themselves small huts to live in”,55 they constructed these “small huts” largely, or entirely, without planter intervention and according to their own inclinations. The most common Barbadian dwelling (referred to as a “hut” in the primary sources) was the rectangular wattle-and- daub thatched-roofed structure that was probably very similar to what Kwamina Dickson has called the “Guinea forest house type”, a type widely distributed on the southern Gold Coast (modern Ghana) and other tropical forest areas of West and West Central Africa. This remained the most typical architectural type until the emancipation period. Similar structures were also widespread in the Caribbean during the period of slavery.56 However, by the end of the eighteenth century and the pre-emanci- pation decades of the nineteenth planters increasingly intervened in housing, and they changed structural materials and designs. They also Domestic Material Culture on Barbadian Sugar Plantations 21 began to assign enslaved plantation carpenters and masons to construct houses or aid in their construction. The increased use of enslaved trades- men, employing basically European-derived/taught techniques and tools to construct houses, was part of a wider trend in the West Indies. The “tendency toward master-controlled building”, Barry Higman observed for the West Indies in general, often followed “standardized [architec- tural] plans chosen by the masters”.57 Thus Barbadian carpenters and masons were involved in the construction of stone and wooden houses. These types increased in frequency toward the end of the slavery period, and formed the beginnings of the long post-emancipation vernacular tra- dition of working class housing in Barbados. By the end of slavery, wooden and stone houses had not entirely replaced wattle-and-daub ones; the last type still predominated. By the late 1840s, John Davy, who had lived in Barbados for over three years, observed how the “low huts” in which the enslaved people had lived were “commonly still preserved . . . and are occupied by labourers employed on the estate”; yet, the houses of the working class were “commonly of wood, consisting of two rooms”.58 The “small wooden houses resting on clumps of wood or blocks of stone”, reported an English visitor in 1850, were more common among the working class and were easily moveable if people did not own their house sites. These landless people were reluctant to build stone houses but such houses may have become more common as land ownership increased among the working class.59 While wooden houses existed in both rural and urban areas of Barbados, the number of wattle-and-daub houses declined over the years and became confined to the rural/plantation areas; as time progressed, they became increas- ingly rare, although they persisted well into the twentieth century.60 During the period of slavery, planter intervention in housing was ini- tially linked to what slaveholders perceived as the diminution of their labour supplies if the slave trade was to be abolished and if enslaved people were to be emancipated. Stone and wooden houses, viewed by Europeans (including Barbadian Whites) as more durable and of better quality than wattle-and-daub structures, probably resulted in more uni- form housing and were modelled after vernacular British rural working class cottages. These English/British (perhaps even rural Irish) influences on housing became more evident during the later years of the slavery period, and it resulted in the basic rectangular designs of stone and wooden houses, construction techniques, door and window placement, and the hipped roof.61 Although stone and wooden houses occasionally had wooden shin- 22 Jerome S. Handler and Stephanie Bergman gled roofs, thatching continued to be the major roofing material on all types of houses long after emancipation. Thatching of some kind was also found on Barbadian planters’ houses in the mid-seventeenth cen- tury as well as on the houses of working-class or poor Whites for much of the slavery period. Thatching was also common in certain parts of Britain (and Ireland), but was far more common in West Africa.62 Without specific details on Barbadian thatching techniques, it is difficult to determine the nature of African or European influences.63 In all like- lihood, however, Barbadian wattle-and-daub houses, including the tech- niques of their thatching, owed far more to African architectural influences than to any English/British ones. The West African forest areas probably yielded the greatest number of captive Africans transported to Barbados in the earliest periods of the island’s slavery, roughly from the 1640s to around 1690.64 This very large area contained a wide variety of house types and styles. Even within relatively small areas, considerable diversity was found in basic archi- tectural forms and structural features. As Susan Denyer, a student of African architecture, writes, “many tribes have more than one house style”.65 Although some scholars have reduced the many architectural forms in the West African forest areas to a simple typology that stresses the rectangular wattle-and-daub form with a pitched thatched roof, the actual diversity in architectural forms and construction techniques makes generalizations difficult. Since many specific details on Barbados wattle-and-daub housing are lacking, it is impossible to link architectural forms and constructional techniques at different chronological periods with specific African peoples or ethnic groups. Nonetheless, several lines of reasoning suggest the importance of African influences on Barbadian houses. First, during most of the slavery period, enslaved people were pri- marily responsible for constructing their own houses and they used locally obtainable vegetal resources. It thus seems reasonable to assume that early captive Africans (and their descendants in succeeding gener- ations) applied what they knew of African building techniques and designs to their new tropical environment – which was not fundamen- tally alien to the West African homelands of many of them. Second, documentary sources neither explicitly nor implicitly indicate that Barbadian wattle-and-daub thatched houses resembled British or European vernacular housing. A final reason stems from the way that contemporary observers viewed the plantation settlements, referring to them as “little villages”, “small towns”, or “little towns”. No source Domestic Material Culture on Barbadian Sugar Plantations 23 suggests or indicates a resemblance to British villages or hamlets, while a few explicitly compare them to African villages.66 Although architectural forms, building techniques, and labour prac- tices (inter-household cooperation, for example) in house construction varied among Africans, they commonly adapted their traditional con- struction techniques to changes in the availability of materials. A similar process of improvisation – wherein, as Vlach has noted, “black builders constantly responded to changes in climate, both natural and social, as well as to changes in technology and design” – was found elsewhere in the New World. The same general adaptive behaviour surely occurred in Barbados among the African-born and their descendants; over time the wattle-and-daub houses may have become more standardized in form, appearance and construction techniques.67 Such adaptations also may have occurred in house size. Although there are no data on dimensions of Barbadian wattle-and-daub houses, commentators often referred to them as relatively small and implied that stone and wooden dwellings were larger. Perhaps the smaller house sizes resulted not only from limitations on available building materials, but also from the social preferences of the enslaved people and how they perceived architectural space. Vlach points out that the small rooms of traditional West African houses reflected a “constant proximic dimen- sion” that provided for “intimate spatial encounters”, and among the “shared cultural perceptions” of enslaved West Africans in the New World “was a preference for a specific kind of spatial arrangement both in form and dimension. African slaves . . . shared these attitudes about architecture and were able to unite their ideas when they were brought together in the West Indies”. In the earlier periods in Barbados it is not unlikely that the African-born and their descendants followed these African notions of space, something they apparently also followed in the ways in which they placed and arranged houses in their plantation villages.68 There is no information on the social patterns surrounding house construction: for example, if members of different households or fami- lies were expected to help one another in gathering materials or in con- struction itself; if patterns of reciprocity existed between individuals or households; or if there were special community-defined leadership roles in house building, aside from the enslaved tradesmen assigned to con- struct wooden and stone houses. However, Barbadian practices, espe- cially in the earlier periods when wattle-and-daub was the major house type and many of the enslaved people were African-born, or first or 24 Jerome S. Handler and Stephanie Bergman second generation Creoles, were probably not very dissimilar from what traditionally existed in West Africa. Denyer has observed that African indigenous architecture was largely “created without the aid of architects or even specialized builders”. Most men and women were acquainted with the basics of their culture’s architectural traditions and social pat- terns of construction. She notes that traditional construction in “at least the rural areas of tropical Africa was almost always a highly cooperative venture. . . . Building would be a major social occasion in which both the men and women of a village cooperated.” Among enslaved Barbadians, households or individuals may have helped one another in construction and perhaps even engaged in one form or another of exchange labour (or “swapping change”), a pattern that existed in West Africa and is evident in the West Indies, including Barbados, in modern times.69 Enslaved Barbadians, as those in other Caribbean areas, created an architectural tradition which, in its earliest phases, probably displayed a diversity of basic West African forms and construction techniques, reflecting the variety of cultural backgrounds from which the earliest migrants came.70 Over time, as the culture of the enslaved people became more creolized, these features were probably increasingly mod- ified, and wattle-and-daub houses may have become more standardized in form and appearance. Lacking detailed historical data and without archaeological evidence, the details of this architectural tradition and its changes over time cannot be charted. However, West African influ- ences on this tradition during the period of slavery seem to have been especially prominent. Moreover, African architectural and social values may have influenced later developments in the island’s vernacular archi- tecture, particularly in the stone and wooden houses, of fundamentally European style, that became increasingly widespread among the Barbadian working class in the post-emancipation period. With respect to wooden houses, in particular, each Caribbean territory developed its own vernacular architecture and today there is considerable variation in styles and types. The distinctive contribution of Barbados to Caribbean vernacular architecture is the post-emancipation development of the “chattel house”, but its roots were found within the wooden houses that emerged during the period of slavery.71 Domestic Material Culture on Barbadian Sugar Plantations 25

Acknowledgements

Thanks to Ronald Hughes and Woodville Marshall for their help with various issues. Thanks also to Douglas Armstrong, Barry Higman and Susan Maycock for their close reading of earlier drafts and for their many useful suggestions.

Notes

1. Archaeological research in the early 1970s and late 1980s yielded little per- tinent information: see Jerome S. Handler and Frederick W. Lange, Plantation Slavery in Barbados: An Archaeological and Historical Investigation (Cambridge: Harvard University Press, 1978); Handler, with M.D. Conner and K.P. Jacobi, Searching for a Slave Cemetery in Barbados, West Indies: A Bioarchaeological and Ethnohistorical Investigation (Research Paper No. 59, Carbondale: Center for Archaeological Investigations, Southern Illinois University, 1989). Except on rare occasions, such as searching houses for weapons or runaways, Barbadian Whites did not generally enter the houses of enslaved people; this was certainly the case with the vast majority of foreign visitors who wrote about the island. 2. This paragraph is derived from Handler and Lange, Plantation Slavery, 34–40, and Handler, “Plantation Slave Settlements in Barbados, 1650s– 1834”, in Alvin O. Thompson, ed., In the Shadow of the Plantation: Caribbean History and Legacy (Kingston: Ian Randle, 2002), 123–61. 3. Joshua Steele, quoted in William Dickson, Mitigation of Slavery in Two Parts (London: Longman, 1814), 149. Not even the major Barbadian ameliorative law of 1826, the “Slave Consolidation Act”, mentioned housing (“An Act to Repeal Several Acts and Clauses of Acts Respecting Slaves”, 23 October 1826, in House of Commons Sessional Papers [Parliamentary Papers] 25 (1826–1827), 205–30. 4. J. Harry Bennett, Bondsmen and Bishops: Slavery and Apprenticeship on the Codrington Plantations of Barbados, 1710–1838, University of California Publications in History, 62 (Berkeley and Los Angeles: University of California Press, 1958), 32–33, 43, 101, 138; Raymond Richards Collection of Miscellaneous Historical Documents, University of Keele Library (Staffordshire, England), “Minute Book of the Society for the Improvement of West India Plantership, 1811–1812 and of the Agricultural Society, 1812– 1816” [Barbados], 144. See also Phillip Gibbes, Instructions for the Treatment of Negroes, etc., etc., etc. (London, 1786), 20–21; Barbados Assembly, Report of a Committee of the General Assembly upon the Several Heads of Enquiry &c. Relative to the Slave Trade (London, 1790), 4; Barbados Council, A Report of a Committee of the Council of Barbadoes, Appointed to Inquire into the Actual Condition of the Slaves in this Island (London: W. Sior, 1824), 15, 103, 107, 114; John Brathwaite, Governor David Parry and Barbados Council, Replies to Query 6 [on housing of enslaved in Barbados], in British House of Commons, Report of the Lords of the Committee of Council Appointed for the 26 Jerome S. Handler and Stephanie Bergman

Consideration of all Matters Relating to Trade and Foreign Plantations . . . Concerning the Present State of the Trade to Africa, and Particularly the Trade in Slaves 26 [Parliamentary Papers] (London, 1789), Part 3; Foster Clarke, “Plan of Treatment of the Negroes on the Estates in Barbados” [1823], Journal of the Barbados Museum and Historical Society (hereafter JBMHS), 2 (1934–1935): 29–31; J.W. Jordan, An Account of the Management of Certain Estates in the Island of Barbados (London, 1824), 3; Thomas Rolph, A Brief Account, Together with Observations, Made During a Visit in the West Indies (Dundas, Upper Canada, 1836), 53. 5. Joshua Steele in Dickson, Mitigation of Slavery, 149. 6. Jordan, 3; also, Barbados Council, Report of a Committee, 103, 107; Clarke, 30; Rolph, 53. For plantation woodlands, see Handler, “Slave Settlements”, 36–37. 7. Bryan Edwards, The History, Civil and Commercial, of the British Colonies in the West Indies (London, 1793–1801), 2: 126. 8. No Barbados source mentions round or circular houses, which are wide- spread forms in certain areas of West Africa. A few early Barbadian plan- tation maps contain very small drawings of houses in the villages, but these illustrations are too small to yield specific architectural details. However, they show the houses as rectangular with pitched roofs (Barbados Museum Library, plan of Staple Grove plantation, 1818; Barbados Department of Archives [hereafter, BDA], plan of Hope and Drax Hall plantations, 1719). Cf. Labelle Prussin, “An Introduction to Indigenous African Architecture”, Journal of the Society of Architectural Historians 33 (1974): 182–205. The paucity of early plantation maps and plans for Barbados starkly contrasts with the abundance of such items for Jamaica (Barry W. Higman, Jamaica Surveyed: Plantation Maps and Plans of the Eighteenth and Nineteenth Centuries [Kingston: Institute of Jamaica Publications, 1988]). 9. William Belgrove, A Treatise Upon Husbandry or Planting (Boston, 1755), 31; “Rafters and other sticks for building Negro- Houses”, Barbados Mercury, March 4, 1788; University of London Library, Ms. 523/593 (Newton Estate Papers; hereafter NEP 523), Farrell to Lane, 29 November 1804; “Minute Book of the Society for the Improvement of West India Plantership”, 111. In addition to sources quoted in the text of this paper, information in this and the following paragraphs is derived from: Barbados Assembly, Report of a Committee, 4; Brathwaite, Parry, Barbados Council, Replies to Query 6, in Report of the Lords; Barbados Council, Report of a Committee, 15, 114; Barbados Mercury, February 20, 1819; F.W.N. Bayley, Four Years Residence in the West Indies, During the Years 1826, 27, 28, and 29 (London: William Kidd, 1832), 90; Bennett, 32, 116; “Treatment of Slaves in Barbadoes” [Codrington Plantations], The Christian Remembrancer, 5 (London, 1823), 408; Henry Nelson Coleridge, Six Months in the West Indies in 1825 (London: John Murray, 1832), 126; William Douglass, A Summary, Historical and Political of the . . . British Settlements in North America (2 vols. Boston and London: 1755), 1: 123; Gibbes, Instructions, 1786, 20–22; Domestic Material Culture on Barbadian Sugar Plantations 27

Alexander Gunkel and Jerome S. Handler, eds., “A German Indentured Servant in Barbados in 1652: The Account of Heinrich von Uchteritz”, JBMHS 33 (1970): 92; Henry Evans Holder, A Short Essay on the Subject of the Negro Slavery, with Particular Reference to the Island of Barbados (London: Coucham and Fry, for C. Dilly, 1788), 23; Griffith Hughes, The Natural History of Barbados (London, 1750), 242; Ronald Hughes, “Sweet Bottom, St. George, Barbados: An Early (1777) Non-White Freehold Village”, JBMHS 36 (1981): 270; Richard Ligon, A True and Exact History of the Iland of Barbados (London, 1657), 75; BDA, Lightfoots plantation, 1839; NEP 523/110, 111, Work Logs, Newton and Seawell Plantations, 5 May 1796 to 26 April 1797; William Naish, “Notes on Slavery, Made During a Recent Visit to Barbadoes”, The Negro’s Friend, 18 (London: Harvey and Darton, 1830), 7; John Oldmixon, The British Empire in America, 2 vols. (London, 1741), 2: 131, 134; David Parry, “Extract of a Letter from Governor Parry to the Right Honourable Lord Sydney”, House of Commons, Accounts and Papers, Slave Trade, 26 (London, 1789), 14; George Pinckard, Notes on the West Indies, 3 vols. (London: Longman, Hurst, Rees, and Orme, 1806), 1: 287–89; 2: 114–15; Robert Poole, The Beneficent Bee (London: Printed by E. Duncomb, 1753), 257–58; Thomas Gwynn Rees, Testimony, in Minutes of the Evidence Taken Before a Committee of the House of Commons . . . For the Abolition of the Slave Trade [Parliamentary Papers], 30 (London, 1790), 247– 48; Society for the Propagation of the Gospel in Foreign Parts, Annual Report (London, 1836), 48; Robert T. Schomburgk, The History of Barbados (London: Brown, Green and Longmans, 1848), 70; Trelawney Wentworth, The West India Sketch Book (London: Whittaker, 1834), 2: 216–18; “Odd Pages in Old Barbados” [Letters between Seale Yearwood and A. Frere, March 1796 and 26 April 1797], JBMHS 16 (1949): 114–15. 10. Handler and Lange, Plantation Slavery, 52–53; Handler et al., Searching for a Slave Cemetery. 11. For example, NEP 523/ 290, Sampson Wood, “Report on the Buildings at Newton”, 24 June 1796; Gibbes, Instructions, 1786, 22. 12. Pinckard, 1: 114; William Lloyd, Letters from the West Indies During a Visit in the Autumn of 1836 and the Spring of 1837 (London: Darton and Harvey, 1839), 9; Alexander Barclay, A Practical View of the Present State of Slavery in the West Indies (3rd ed. London: Smith, Elder and Company, 1828), 303; C.G.A. Oldendorp, History of the Mission of the Evangelical Brethren on the Caribbean Islands of St. Thomas, St. Croix and St. John, (Johan J. Bossard, ed. Ann Arbor: Karona Publishers, 1987), 221; John A. Waller, A Voyage in the West Indies (London: Richard Phillips, 1820), “Slaves in Barbadoes”, fac- ing p. 20. Waller, a British naval surgeon, had lived in Barbados for a year during the period of 1807 to 1808, but it is unknown whether the engraving showing thatched slave dwellings was based on his own eyewitness sketch or was the idea of some artist or the idea of the engraver himself, R. Stennett. 13. Barry W. Higman, Slave Populations of the British Caribbean, 1807–1834 28 Jerome S. Handler and Stephanie Bergman

(Baltimore: Johns Hopkins University Press, 1984), 218–23; Elsa V. Goveia, Slave Society in the British Leeward Islands at the End of the Eighteenth Century, (New Haven: Yale University Press, 1965), 139; Bernard Marshall, “Society and Economy in the British Windward Islands, 1763–1823” (PhD diss., History, University of the West Indies, 1972), 26; Edwards, 2: 126–27; Frank W. Pitman, “Slavery on British West India Plantations in the Eighteenth Century”, Journal of Negro History 11 (1926): 606. 14. For example, NEP 523/110, 111, 122, 123, Work Logs, Newton and Seawell Plantations, 1 August 1797to 4 October 1798; Jordan, 3; Gibbes, Instructions, 1786, 22. 15. In Barbados, the expression “rubble stone” refers to the wall of a house largely built of uncut stone, held together by a mortar “that may have been mainly molasses” (Ronald Hughes, personal communication, 4 March 2009). Molasses has been used historically as an ingredient in mortar, espe- cially in “hot countries”, and often as a retardant (Arthur Henry Heath, A Manual on Lime and Cement: Their Treatment and Use in Construction [London: E. and F.N. Spon, 1893], 41, 132). 16. For other photos of stone and wooden thatched-roofed houses in the late- nineteenth and early-twentieth centuries, see Edward A. Stoute, Glimpses of Old Barbados (Bridgetown: Barbados National Trust, 1986), 156; Robert T. Hill, Cuba and Porto Rico (New York: Century, 1898), facing p. 394; Frederick Treves, The Cradle of the Deep (London: John Murray, 1908), fac- ing pp. 12, 20. 17. A similar progression of house types for the working class, with wattle- and-daub being the earliest, occurred in other Caribbean areas (see, for example, Barry Higman, Montpelier, Jamaica: A Plantation Community in Slavery and Freedom, 1739–1912 [Kingston, Jamaica: University of the West Indies Press, 1998], 160–61; William Chapman, “Slave Villages in the Danish West Indies”, in Thomas Carter and Bernard L. Herman, eds., Perspectives in Vernacular Architecture IV [Columbia: University of Missouri Press, 1991], 112; Kenneth Kelly, “Creole Cultures of the Caribbean: Historical Archaeology in the French West Indies”, International Journal of Historical Archaeology 12 [2008]: 393–99). 18. NEP 523/290, Sampson Wood, “Report on the Buildings at Newton”, 24 June 1796; NEP 523/110, Work Log, Newton Plantation, 5 May 1796 to 26 April 1797; Barbados Museum Library, Newton Plantation Journal, vol. 1, 1805–1841. “Deal boards” were usually seven or nine inches wide, “not more than 3 thick, and at least 6 feet long” (Oxford English Dictionary Online, 2nd ed. 1989). 19. Bennett, 32–33, 101, 115–16. 20. BDA, Lightfoots plantation, 1839. 21. Stoute, 156. 22. “Quaker Records: Settle-Taylor”, JBMHS 21 (1953): 27. 23. Dickson seems to have been unfamiliar with these locks, perhaps suggest- ing either an African influence or creole innovation (William Dickson, Domestic Material Culture on Barbadian Sugar Plantations 29

Letters on Slavery [London, 1789], 74). Wooden doors and locks were com- mon in traditional West African houses, and are also reported from else- where in the West Indies, in, for example, St Vincent, Jamaica, and also among Maroon groups of Suriname and coastal Afro-Surinamers (Mrs Carmichael, Domestic Manners and Social Condition of the White, Coloured, and Negro Population of the West Indies (2nd ed. London: Whittaker, 1834), 1: 129; Edward Kamau Braithwaite, The Development of Creole Society in Jamaica, 1770–1820 (Oxford: Clarendon Press, 1971), 236; Richard Price and Sally Price, eds., John Gabriel Stedman’s Narrative of Five Years’ Expedition Against the Revolted Negroes of Surinam [1790] (Baltimore: Johns Hopkins University Press, 1988), 259, 645n259. 24. Hughes, “Sweet Bottom”, 270; Parry, 14; Barbados Council, Reply to Query 6; Gibbes, Instructions, 1786, 20–21; Jordan, 3; Wentworth, 2: 216–18; BDA, Lightfoots plantation, 1839. A stone house in the former Nicholas Abbey tenantry (St Peter) may date to the very late slavery period. It was investi- gated archaeologically in the summer of 2008. The building is 23 feet by 13 feet, or 299 square feet – dimensions consistent with those given above (Stephanie Bergman, Barbados field notes, Summer 2008). In 1857, a reform-minded member of a planter family, generally appalled at the “wretched hovels” of the island’s rural poor, wrote that the “wooden hut” in which many lived was often “not twenty feet by ten, with the bare, unleveled earth for a flooring” (Meliora, Letters on the Labouring Population of Barbadoes [London: Bell and Daldy, 1858], 12). Meliora, a pseudonym, has been identified as the Rev. Edward Pinder (see John Gilmore, ed., Letters on the Labouring Population of Barbadoes [Barbados: National Cultural Foundation, 1990]). 25. The dimensions of Barbadian houses were similar to those elsewhere in the West Indies (see, for example, Barry W. Higman, “A Report on Excavations at Montpelier and Roehampton”, Jamaica Journal, 8 [1974]: 44–45; Douglas V. Armstrong, The Old Village and the Great House: An Archaeological and Historical Examination of Drax Hall Plantation, St. Ann’s Bay, Jamaica [Champaign: University of Illinois Press, 1990], 93–98; J. Stewart, A View of the Past and Present State of the Island of Jamaica [London: G. and W.B. Whitaker, 1823], 266; Marshall, 26; Carmichael, 1: 128; Chapman, “Slave Villages”, 112; Kelly, 395. 26. Philip Gibbes’s later edition of his “Instructions” to his manager includes a reference to housing “newly purchased African slaves” and seems to sug- gest the existence of sexually segregated barracks (Instructions for the Treatment of Negroes, etc., etc., etc. [London: Printed for Shepperson and Reynolds, 1797], 2–3). No other source on Barbados, however, states or implies barracks or a dormitory-style arrangement. Despite a few reported cases of dormitories or barracks in other West Indian areas, these seem to have been exceptional arrangements, and none is known for the older sugar colonies (Higman, Slave Populations, 220–21). 27. Ligon, 47–48. No other Barbados source reports room size. 30 Jerome S. Handler and Stephanie Bergman

28. John Michael Vlach, The Afro-American Tradition in Decorative Arts (Cleveland Museum of Art, 1978), 124–25. For rooms and their uses in Barbados, see figure 1; Authentic History of the English West Indies (London: Printed for the author and sold by Dean and Munday, 1810), 41; Barbados Assembly, Report of a Committee, 4; Bayley, 90; Coleridge, 126; Holder, 23; Hughes, 270; Ligon, 47–48; BDA, Lightfoots plantation, 1839; Naish, 7; Oldmixon, 2: 134; Pinckard, 2: 114–15; Wentworth, 2: 216–18; Joseph Borome, ed., “John Candler’s Visit to Barbados, 1849”, JBMHS 28 (1961): 135. 29. Coleridge, 126; Bayley, 90, 91. 30. Pinckard, 2: 113–14; J.W. Orderson, Directions to Young Planters for Their Care and Management of a Sugar Plantation in Barbadoes (London: T. Bensley, 1800), 5; Ligon, 93, 44, 47; “Minute Book of the Society for the Improve- ment of West India Plantership”, 145. 31. For example, the Rev. Thomas Gwynn Rees, a visiting British naval chap- lain, reported in 1782 that enslaved plantation workers “slept on a kind of board a little raised from the ground, and some on the ground” (Testimony, 247–48; also Gibbes, Instructions, 1786, 25; Orderson, 5). Perhaps the board was placed on a raised mud platform, as was commonly found in tradi- tional West African houses (see, for example, Roy Sieber, African Furniture and Household Objects [Bloomington: Indiana University Press, 1980], 27, 31). 32. Pinckard, 2: 113–14; also, Authentic History, 41; Bayley, 91; Douglass, 1: 123. 33. Aside from sources quoted in the text, information on house furnishings and utensils has been derived from the following: figure 1; Authentic History, 41; Bayley, 90–92; Bennett, 33; Coleridge, 126; Gibbes, Instructions, 1786, 21; Ligon, 114; Philip Madin, Account of His Journey to the West Indies with Thomas Colley, 1779 (Manuscript, Society of Friends Library, London); Naish, 7; Hughes, Natural History, 8; Rees, Testimony, 247–48; Wentworth, 2: 216–18; Borome, 135. 34. For many years the island’s cottage pottery industry was localized in Chalky Mount, St Andrew, where Handler lived in the early 1960s. The technology involved a unique (for the Caribbean) wooden wheel that was driven by a crank shaft to which was lashed a stick or branch that was pushed by an assistant. The kiln was a simple, wood-burning beehive type (see figure 2, lower right corner). In a 1963 publication, Handler speculated that the Chalky Mount crank-shaft wheel was a local invention. Several decades later, he found historical evidence clearly showing that the wheel came from England and had probably been introduced in the late-seventeenth century, along with the beehive kiln, when earthenware was produced for the sugar industry (see Handler, “Pottery Making in Rural Barbados”, Southwestern Journal of Anthropology, 19 [1963]: 314–34; ibid., “A Historical Sketch of Pottery Manufacture in Barbados”, JBMHS, 30 [1963]: 129–53; ibid., Land Exploitative Activities and Economic Patterns in a Barbados Village Domestic Material Culture on Barbadian Sugar Plantations 31

[Ph.D. dissertation, Anthropology, Brandeis University, 1965], 246–62; William Pyne, Pyne’s British Costumes [1805; Ware, England: Wordsworth Editions, 1989], plate 1; John Thomas Smith, The Cries of London [London: J. B. Nichols 1839], 58–60). 35. Ligon, 72–73; Oldmixon, 2: 111; Hughes, Natural History, 116; Madin, 18; Bayley, 90; cf. Matthew James Chapman, Barbadoes, and Other Poems (London: J. Fraser, 1833), 11; Linnean Society of London, Burlington House Ms. 610, Arthur Anderson, “Barbados” (ca. 1784–1785); Native of the West Indies, Poems on Subjects Arising in England, and the West Indies (London, 1783), 7; Richard Watson, A Defence of the Wesleyan Methodist Missions in the West Indies (London: Sold by Blanshard, 1817), 17; Captain John Smith, The True Travels, Adventures, and Observations of Captain John Smith (London, 1630), 56. 36. Jerome S. Handler, “The Amerindian Slave Population of Barbados in the Seventeenth and Early Eighteenth Centuries”, Caribbean Studies 8 (1969): 38–64; ibid., “Aspects of Amerindian Ethnography in 17th Century Barbados”, Caribbean Studies 9 (1970): 50–72; Ligon, 73; Oldmixon, 2: 110– 11. The “calabash” and “gourd” are quite different plants, but the two terms have been, and are still, used interchangeably, with misleading implications for interpreting their cultural usages by Africans and their descendants in, for example, carving or as containers (see Sally Price, “When Is a Calabash Not a Calabash?” New West Indian Guide 56 [1982], 69–82; Barclay, 304–5; Sieber, 178, 195). 37. Davies lived in Barbados from 1756 to 1770, and during three of the years he lived on a sugar plantation. Rev. Davies, Testimony, in Minutes of the Evidence Taken Before a Committee of the House of Commons . . . For the Abolition of the Slave Trade, [Parliamentary Papers], 34 (London, 1791), 186; Robert B. Nicholls, Testimony, in ibid., 30 (London, 1790), 349–50; Dickson, Letters on Slavery, 14; Brathwaite, Reply to Query 6; Poole, 245; “Minute Book of the Society for the Improvement of West India Plantership”, 134. 38. Thomas Phillips, “A Journal of a Voyage Made in the Hannibal of London, ann. 1693, 1694, from England, to . . . Barbados”, in A. Churchill, ed., A Collection of Voyages and Travels (London, 1746), 6: 218, 237–38; William Smith, Thirty Different Drafts of Guinea (London, 1727?), plate 14 (See www.slaveryimages.org for plate 14). Cf. John Atkins, A Voyage to Guinea, Brazil, and the West Indies (London, 1735), 73, 75, 79; W.B. Baikie, Narrative of an Exploring Voyage up the Rivers of Kwóra and Bínue . . . in 1854 (London: J. Murray, 1856), 115; William Allen and T.R.H. Thomson, A Narrative of the Expedition Sent by Her Majesty’s Government to the River Niger, in 1841 (2 vols. London: R. Bentley, 1848), 2: 388; M.P. Miracle, Maize in Tropical Africa (Madison: University of Wisconsin Press, 1966), 53; R.S. Rattray, The Tribes of the Ashanti Hinterland (London: Clarendon Press, 1932), 2: 253; R.F. Burton, Wanderings in West Africa from Liverpool to Fernando Po (2 vols. London: Tinsley Brothers, 1863), 2: 142, 144. The word Canky/ Cankie/Kankie derives from Akan, a language group mainly concentrated 32 Jerome S. Handler and Stephanie Bergman

in southern Ghana and neighbouring areas, and it also refers to a type of bread made from corn flour (Richard Allsopp, Dictionary of Caribbean English Usage [Oxford: Oxford University Press, 1996], 134; Oxford English Dictionary Online, 2nd ed. 1989). The Barbadian delicacy “Conkie”, made from Indian corn, sweet potato and other vegetable ingredients, seems to owe its origins to this West African antecedent. 39. Richard Hall, Acts, Passed in the Island of Barbados (London, 1764), 400; Dickson, Letters on Slavery, 14; Brathwaite, Reply to Query 41[on food sup- plies of enslaved persons], in Report of the Lords; West India Committee, Alleyne Letters, John Foster Alleyne to Richard Smith, 20 September 1801, 12; “Minute Book of the Society for the Improvement of West India Plantership”, 134; Gibbes, Instructions, 1786, 21. 40. “Minute Book of the Society for the Improvement of West India Plantership”, 105, 146, 151; Bayley, 90; Bennett, 33; Ligon, 110; Gibbes, Instructions, 1786, 21; British Library, Additional Mss.43507, “Abstract of the Accounts of Lowther’s Plantation in Barbados”, 1825–1835; BDA, Mount Gay Plantation and Refinery Journal, 1809–1836. For the plantation “reward-incentive” system and “gratuities” occasionally given to labourers, see Handler and Lange, Plantation Slavery, 78–80, 93–94. 41. For example, Hughes, Natural History, 155, 167–68, 242; Benjamin Browne, The Yarn of a Yankee Privateer (Nathaniel Hawthorne, ed., New York: Funk and Wagnalls, 1926), 83, 107; Samuel Moore, The Public Acts in Force (London, 1801), 357–58; “Sketch of a Voyage to and Description of the Island of Barbados”, European Magazine and London Review 26 (1794): 283; Dickson, Letters on Slavery, 183; Ligon, 48, 97–98; Oldmixon, 2: 133; Handler and Lange, Plantation Slavery, 76; Bennett, 16, 18; Jerome S. Handler and Charlotte J. Frisbie, “Aspects of Slave Life in Barbados: Music and its Cultural Context”, Caribbean Studies 11 (1972): 5–46; cf. Sieber, passim. 42. Handler and Lange, Plantation Slavery, 56. 43. This paragraph is based on the following: Barbados Assembly, Report from a Select Committee of the House of Assembly, Appointed to Inquire into the Origin, Causes, and Progress of the Late Insurrection (Barbados, 1818), 42, 47; Barbados Council, Report of a Committee, 102, 106, 113; Jordan, Account of Management, 7; Clarke, “Treatment of Negroes”, 30; Joseph Borome, ed., “William Bell and His Second Visit to Barbados, 1829–1830”, JBMHS 30 (1962), 34; Gibbes, Instructions, 1797, 7–15; Rolph, 54. 44. British Museum, Sloane Mss. 2302, J. Walduck, “Letters to J. Petiver, November 1710 to September 1712”; Pinckard, 2: 114–15; Bayley, 92; Handler and Lange, Plantation Slavery, 54. John Candler, a British Quaker visiting Barbados in 1849, also reported that cooking took place outside (Borome, 135). 45. Jordan, 3; Rolph, 53; Barclay, 303. 46. Gibbes, Instructions, 1797, 120; Wentworth, 2: 216–18; Coleridge, 126; Bayley, 91; Bennett, 18. We have little direct information on housing for domestic servants. Some occasionally lived in houses located behind the Domestic Material Culture on Barbadian Sugar Plantations 33

manor or dwelling house, and personal servants occasionally slept in the manor house itself. However, inferential evidence indicates that most domestic servants lived in the villages, and their housing probably differed little from that of others. 47. Bayley, 91. 48. Barbados Assembly, Report of a Committee, 4; Pinckard, 2: 287–88; Joseph Sturge and Thomas Harvey, The West Indies in 1837 (London: Hamilton Adams, 1838), 2; Meliora, 13; “Minute Book of the Society for the Improvement of West India Plantership”, 111; Minutes of the Society for the Improvement of Plantership in the Island of Barbados, Instituted December 8th, 1804 (Liverpool, 1811), 128. 49. See, for example, Samuel Hyde, Account of the Fatal Hurricane by which Barbados Suffered in August, 1831 (Bridgetown, 1831), 8–10; Barbados Council, Reply to Query 15, in Report of the Lords; Bennett, 33, 101, 115– 16; “Account of the Hurricane in Barbados”, Gentleman’s Magazine 50 (1780): 621–22; “Extract from a letter” [Barbados, 26 November 1795], Gentleman’s Magazine 66 (1796): 70–71; Oldmixon, 2: 134; Parry, 17; Periodical Accounts Relating to the Church of the United Brethren 7 (1818): 175–77; James C. Brandow, ed., “Diary of Joseph Senhouse” [1776–1778], JBMHS 37 (1986), 405; Society for the Propagation, Annual Report, 48. For the plantation villages, see Handler, “Slave Settlements”; ibid., “Diseases and Medical Disabilities of Enslaved Barbadians from the Seventeenth Century to around 1838: Part 1”, Journal of Caribbean History 40 (2006): 1– 38. Pinckard (2: 114–15) observed that “the Negroes feel the evenings chilly, and we frequently see them crowding round the bit of fire which they make for cooking their supper”. At Codrington, people left their fires burning “overnight for warmth in their huts” (Bennett, 33). This was probably widely practised in plantation villages and obviously contributed to the danger of house fires. 50. Belgrove, 31; “Minute Book of the Society for the Improvement of West India Plantership”, 118–19, 138, 144; Minutes of the Society for the Improvement of Plantership in the Island of Barbados, Instituted December 8th, 1804 (Liverpool, 1811), 128–34; Frank J. Klingberg, Codrington Chronicle: An Experiment in Anglican Altruism on a Barbados Plantation, 1710–1834 (University of California Publications in History, 37. Berkeley and Los Angeles: University of California Press, 1949), 49. 51. Parry, 17; Governor McGregor to Lord Glenelg, 31 July 1838, quoted in W. Emanuel Riviere, “Labour Shortage in the British West Indies After Emancipation”, Journal of Caribbean History, 4 (1972): 4. The Barbados Council also reported on the occasional “injudicious situation of their houses, which it would be dangerous to alter on account of their supersti- tious attachment to the burying places of their ancestors” (Reply to Query 15 [on mortality and illness among the enslaved], in Report of the Lords; see also Handler, “Slave Settlements”, 137–39). An English visitor to Barbados, shortly after emancipation, briefly reported that “the cottages [of emanci- 34 Jerome S. Handler and Stephanie Bergman

pated people] are devoted each to a single family [and] are surrounded with a little garden . . . a pretty flower bower decorates the door of the Negro dwelling” (Edward Cust, Reflections on West India Affairs [London: J. Hatchard and Son, 1839], 18). 52. On the Codrington plantations in 1822, Bennett (p. 105) writes, “the slave’s customary right had become so far defined as to permit him to bequeath his cottage, garden, and personal belongings to any other Codrington slave”. By this period, Codrington was probably somewhat more liberal in its poli- cies than most other Barbadian plantations, but it was not unique. 53. While planters determined the actual location of the “Negro yard” or village area, plantation workers were generally free to choose their specific house sites within this area. 54. “Minute Book of the Society for the Improvement of West India Plantership”, 143–44. 55. Pinckard, 1: 287–88. 56. Kwamina Dickson, A Historical Geography of Ghana (London: Cambridge University Press, 1969), 51, 52, 61, 284, figure 45; cf. Prussin, “Indigenous African Architecture”. In general terms, Barbadian wattle-and-daub houses, including the general tendency for two-room division, seem to have been very similar to the most common forms of slave housing in other Caribbean areas (see, for example, Barclay, 303; Carmichael, 1: 128–29; Edwards, History, 2: 126–27; Goveia, 139, 140–141; Higman, “Report on Excavations”, 43–45; ibid., Slave Populations, 218–23; ibid., Jamaica Surveyed, 243–48; ibid., Montpelier, 153–59, 182–90; Marshall, 26–27; Hans Sloane, A Voyage to the Islands Madera, Barbados, Nievis, S. Christophers and Jamaica (London, 1707), 1: xlvii; Stewart, 266–67; Kelly, 398; Gabriel Debien, “Les Cases des Esclaves de Plantation”, Notes d’Histoire Colonial no. 98 (Dakar, 1966); Jay Edwards, “The Evolution of a Vernacular Tradition”, Perspectives in Vernacular Architecture 4 (1991): 77; Chapman, “Slave Villages”, 108–9; Jay Haviser, “Social Repercussions of Slavery as Evident in African-Curacaoan ‘Kunuku’ Houses” (Paper presented at the symposium “West Africa and the Americas: Repercussions of the Slave Trade”, University of the West Indies, Mona, Jamaica, 21–23 February 1997). 57. Higman, Slave Populations, 220. 58. John Davy, The West Indies Before and Since Slave Emancipation (London: W. and F.G. Cash, 1854), 101, 111. 59. The visitor was also “told that a street of stone huts, constructed for their use, is almost abandoned by reason of the immobility of such residences” (Thomas Cochrane, Notes on the Minerology, Government and Condition of the British West India Islands [London: Ridgway, 1851], 50). John Candler’s account in 1849 also suggests that shingled-roof wooden houses were the most common type among plantation labourers (Borome, 135). 60. During Handler’s anthropological fieldwork in the early 1960s and 1970s, one could readily encounter Barbadians who remembered the “trash house” or “trash hut” with its roof of thatched “cane tops tied together”. He Domestic Material Culture on Barbadian Sugar Plantations 35

also recalls having seen one in 1961–1962, in the St Andrew village of Lakes, at the base of Chalky Mount. Today, Barbadians might refer to a “trash house” as any house with wooden or stone walls that had a thatched roof, but it could also refer to a wattle-and-daub house. During the period of slavery, “trash house” could also have referred to a plantation building that stored cane trash to be used as fuel in the boiling house; it was termed that way by the late-seventeenth century (Bodleian Library, University of Oxford, Rawlinson Mss. A. 348, Henry Drax, “Instructions which I would have observed by Mr. Richard Harwood”, n.d. [ca. 1670–1679]). Wattle- and-daub houses continued to be common among the rural poor in various areas of the Caribbean well into the twentieth century, and they continue to be so in Haiti today (see for example, Pamela Gosner, Caribbean Georgian: The Great and Small Houses of the West Indies [Washington, D.C.: Three Continents Press, 1982], 73; Suzanne Slesin, Stafford Cliff, Jack Berthelot, Martine Gaumé, Daniel Rozensztroch, Caribbean Style [New York: Carkson N. Potter, 1985], 54–55). 61. Edwin Doran, “The West Indian Hipped-Roof Cottage”, California Geographer, 3 (1962): 97–104; Higman, Jamaica Surveyed, 244– 245. We have not been able to establish when hipped (or hip) roofs were incorporated into Barbadian vernacular architecture. Such roofs were common in south and southeast England during the seventeenth and eighteenth centuries, as well as among Southern Irish peasants (Doran, “Hipped-Roof Cottage”, 103; Eric Mercer, English Vernacular Houses [London: HMSO, 1975], passim; E. Estyn Evans, Irish Heritage: The Landscape, The People, and Their Work [Dundalk, Ireland: Dundalgan Press, 1942], 57–66). These roofs might have been found on some of the stone and wooden houses that came into use in Barbados during the later slavery period or post-emancipation decades of the nineteenth century. Hipped roofs seem to be depicted on a sketch/draw- ing, done between 1837 and 1845, of houses in the Ashford (St John) plan- tation yard (Handler and Lange, Plantation Slavery, 48, 297–98), but the earliest photos of Barbadian vernacular houses that appear to show hipped roofs date from the late-nineteenth and early-twentieth centuries (see fig- ures 3, 4; also Hill, Cuba and Porto Rico, facing p. 394, and Treves, Cradle of the Deep, facing pp. 12, 20). 62. Mercer, 8–9 and passim; P.H. Ditchfield, The Cottages and the Village Life of Rural England (London: Dent, 1912), 8–9; J.H. Bettey, “Seventeenth Century Squatters’ Dwellings: Some Documentary Evidence”, Vernacular Architecture 13 (1983): 28–30. 63. See, for example, Gunkel and Handler, “German Indentured Servant”, 92; Ligon, 74–75. Only Ligon provides any details on thatching techniques, but we are uncertain if he is talking about the houses of Blacks, Whites or both. 64. It is estimated that from 1640 to 1690 approximately 80 percent of the Africans shipped to Barbados embarked from ports in the Gold Coast, the Bight of Benin and the Bight of Biafra; from 1691 to 1740, about 79 percent of the people embarked from these ports. These coastal port areas roughly 36 Jerome S. Handler and Stephanie Bergman

correspond to the present geographical area from the Ivory Coast-Ghana to Nigeria-Cameroons. We are aware that the issue of African origins of enslaved peoples is a very complex one and that figures for coastal embarkation points can only serve as a rough guide. However, there is suf- ficient qualitative evidence along with these figures to suggest the rough geographical areas from where enslaved Africans to Barbados originated. For purposes of this paper, we intentionally avoid the highly contentious and problematical issue of ethnic origins. For persons interested in this issue see the following source: “The Trans- Database” at http://www.slavevoyages.com. 65. Susan Denyer, African Traditional Architecture: An Historical and Geographical Perspective (New York: Africana Publishing, 1978), 99. 66. Handler, “Slave Settlements”, 124–25. 67. Denyer, 138; Vlach, Afro-American Tradition, 138. 68. Handler, “Slave Settlements”, 129–30. 69. Denyer, 4, 82. “The building process in sub-Saharan rural Africa”, Prussin (p. 191) writes, “is a communal process . . . [and] involves the community at large”. For exchange labour in rural Barbados, see Handler, “Small-Scale Sugar Cane Farming in Barbados”, Ethnology 5 (1966): 277–78, 281, 282. 70. Studies of indigenous African architecture offer clues to the range of wat- tle-and-daub houses, including the rectangular house form that Prussin informs us was the “architectural prototype of the rain forest”, and which was probably found in Barbados during the earlier periods of slavery (Architecture in Northern Ghana: A Study of Forms and Functions [Berkeley: University of California Press, 1969], 4); ibid., “Indigenous African Architecture”. Cf. Denyer, 96, 133–42; Paul Oliver, ed., Shelter in Africa (London: Barrie and Jenkins, 1971), 7–25; S.D. Dodge, “House Types in Africa”, Papers of the Michigan Academy of Science Arts and Letters 19 (Ann Arbor: University of Michigan, 1928), 59, 61, 62. 71. The Barbadian “chattel house” was a post-emancipation development (see Henry Fraser et al., A–Z of Barbadian Heritage [Kingston: Heinemann Publishers, 1990]; Mark R. Watson and Robert B. Potter, Low Cost Housing in Barbados: Evolution or Social Revolution? [Mona: University of the West Indies Press, 2001]), 50–55). Although the basic “chattel house” is similar to wood-frame houses found elsewhere in the Caribbean, “it is distin- guished”, writes an art-oriented architectural historian, “by the steep pitch of the roof and the fretted bargboards and ginger-bread on the porch”; it may, indeed, as Edwards has claimed, “represent an amalgam of many dis- tinct architectural currents which have swept over the island” historically (Gosner, 113; Jay Edwards, “The First Comparative Studies of Caribbean Architecture”, New West Indian Guide 56 [1983], 176–77). Clear architectural drawings of different styles and types of Caribbean wood-frame houses are shown in Slesin et al., 280–84. Notes on Contributors

Dalea Bean is Assistant Lecturer at the Institute for Gender and Development Studies at the University of the West Indies, Mona, Jamaica.

Stephanie Bergman is an MA student in Archaeology and Anthropology at the College of William and Mary, Williamsburg, Virginia, USA.

Patrick Bryan is Professor of History at the University of the West Indies, Mona, Jamaica.

Mavis C. Campbell is Professor Emerita of History at Amherst College, Massachusetts, USA.

Christienna Fryar is a doctoral student in History at Princeton University, New Jersey, USA.

Jerome S. Handler is Senior Research Fellow at the Virginia Foundation for the Humanities, USA.

Maaike Lesparre-de-Waal is Lecturer in Archaeology at the University of the West Indies, Cave Hill, Barbados.

Nona Martin is a doctoral student in History at the George Mason University, Virginia, USA.

Victor Simpson is Lecturer in Spanish at the University of the West Indies, Cave Hill, Barbados.

Virgil Storr is Senior Research Fellow and Director of the Graduate Student Programmes at Mercatus Center, George Mason University, USA.

Linda Sturtz is Corlis Professor of History at Beloit College, Wisconsin, USA.

Robert Waters is an Assistant Professor of History at Ohio Northern University, Ada, Ohio, USA.

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