DOCSLIB.ORG

Tietoctsbington Post

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Tietoctsbington Post tie tOctsbington post WASHINGTON. D. C. 20071 p02) 334-6000 '1/(1Q 7/" At the risk of agitating the grave of Stephen /- ("S pun is the lowest form of humor") Leacock, I'd ti elY 44ist "ilked for all it was worth. Apparently you did not notice that Stone aaid on p. 49 about thoseag/Wanted Warhol in The Doors in a homophobic manner, "These writers should be stopped.? Sound like hjs Outlook argument? If you ever got a transcript of what he said at the press club I'd appreciate a copy for archival purposes. $150 $430 UN. £150 ILK. f 11.50NETH. APRIL ],1992 • THE NATIONAL GAY AND LESBIAN NEWSMAGAZINE • ISSUE 60D OLIVER STONE der Firms The Controversial Director on Gay Conspiracies, The Mayor of Castro Street, Sex, Censorship, and More Daft ilfat rem rciP as Wu HOMOPHOBIA IN HOLLYWOOD II: THE QUEER EMPIRE STRIKES BACK Sy EP aEsle I cl Ws wars tapirs D v 71896 48220 ADVOCATE Academy Award Winner 6922 Hollywood Blvd., Tenth Flow. 1989 Best Feature Documentary Los Angeles. CA 9E028 Telephone: (213)871-1225 FAX (213)467-6805 Editor in Chief Richard Roullard C•O •M•M• 0 •N Editor Gerry Kroll TIMEXIIS Managing Editor S Bryn Austin Senior Editors John Purnell (Washington. De ) Stories from the wilt G. Wrier Whitington Jett Yarbrough Associate Editor— News Features Masha Gessen London Editor Chris Woods (71) 587-1917: FAX (71)379-9887 Midwestern Editor Achy Obe(aa (312) 784-7874 National News Editor Jim Schroeder Regional News Correspondents New York: Chris Bull P.O. Box 1209, FDR Station, New York, NY 10150, 1212)995-9531; FAX (212) 529-5997 Washington, 11C.: Flick Harding PO Box 42576. Washington. DC 20015, (202)364-1355. FAX (202) 364-1356 San Francisco: John Gallagher 3315 Sacramento Si., Box 502. San Francisco, CA 94118. (415)749-1164, FAX (415)563.6764 Senior Editor—Arts and Entertainment Mark Thompson Arts and Entertainment Editor—East Coast Michael Lassa Associate Editor—Features Doug Brantley Copy Editor Arthur M Gordon Assistant to the Editor Ben Ferguson Editorial Intern David McGowan Art Director Narrated by Original Music by Ronald L Goins Associate Art Director Dustin Bobby Michael Bohnet Hoffman Design Consultant VHS Home Video McFerrin J.-C. Suares llipesettIng Now Available! Steven Gertson. Trudihope Schlomowitz To order by credit card call Columnists Adam Block, Pal Galina, Martin Delaney, David Ehrenslein, R. Coun Hay, Richard Labonte. 1-800-USA-NAME Michael Lane, Lance Loud. J V McAuley (California Supplement). Donna Minkowitz, Or mail check to: The NAMES Project Michelangelo SignorIle, Bill Van Parys (New ltrk Supplement). Larry Wailes. MD, MPH 2362 Market Street • San Francisco • CA • 94114 Contributing Writers For other information call 415-863-1966 Victoria A. Browrrworth, Tricia Crane, Alice Echols. David B. Feinberg, Liz Gals!. Kim Garfield, Jewelle Gomez, Steve Greenberg. Essex Hemphill, $25.00 per copy plus $4.00 shipping Christopher Knight, Richard Laerrner, Audre Loie. Jim Merrell. Christopher Michaud, Paul MonetIe, CA. deliveries add 7.25% sales tax Michael Nava. Robrt L Pala, David Perry, All Profits Benefit the NAMES Project Steven Petrow, Sue Rachman, Doug Sadownick, James M Saslow, Sarah Schulman, Catherine Seipp. Michael Szymanskl Directed by Robert Epstein & Jeffrey Friedman Contributing Photographers Produced by Bill CouturieiRobert Epstein/Jeffrey Friedman Gene Bagnaio, Rick Castro. Debra DiPoalo, Executive Producer: Sendollan/Howard Rosen man/Sandy OaIlin/Carol Baum Marc Geller, Beth Kukucka, T. L. Litt Patsy Lynch, A Telling PletureshCou torte Company Cu-production Jim Marks, Ellen B Nelpris. Stephen Savage, 1989 Telling Pictures. Inc. & The NAMES Project Foundation. All Right Reserved. Ellen Shub, Michael Wakefield Presented by Home Box Office INTERVIEW Heart of Stone Writer-Director Oliver Stone Opens Up on Sex, JFK, and Harvey Milk The key to the media's fatal attraction to information" about the assassination. BY JEFF YARBROUGH Stone is his ability to weave a complex, Without Stone's JFK, those files may con- polemical web in and around almost every tinue to gather dust until 2019. ctor-producer George film he makes. Forget lame comparisons of Like the halls of government, the halls of M. Cohan once told a Brian De Palma (Dressed to Kill) and Ken- virtually every media outlet in the United member of the press, neth Branaugh (Dead Again) to master au- States have also buzzed regarding Stone's "I don't care what you dience and media manipulator Alfred film version of the assassination. The New say about me as long Hitchcock. Stone is the director whose York Times said Stone "is not engaged in as you say something name—much like the Master's—instantly a fair-minded inquiry; The Chicago Trib- about me and as long identifies the contents of his films. Hitch- une wrote, "This is not artistry, it is flim- asA you spell my name right:' Mr. Cohan, cock's name signaled suspense. Stone's flam. This is not mythmaking, it is exploita- meet Mr. Stone. signals controversy. tion. This is not high drama, it is low pro- Writer-director Oliver Stone has, over "L.A. is stressville for me," says Stone paganda." New York magazine printed that the last decade, been catapulted to a level from behind a mahogany desk at his corn- "there are more than 100 major lies and of stardom rivaled only by the lead players palsy's offices in Santa Monica, Calif. "lbo omissions" in the film. Most of the film's in his films. Even with actors like Kevin much going on Indeed, Stone's com- criticisms concern the fact that Stone has Costner (JFK), Val Kilmer (The Doors), pany, Ixtlan Productions, is at present produced a document in JFK that will Ibm Cruise (Born on the Fourth of July), involved —in some capacity— in over a dozen stand as a historical representation for all Michael Douglas ( Wail Street), and Charlie films. Stone's current film in release, JFK, of those who know little or nothing about Sheen (Wall Street and Platoon), his in- nominated for eight Academy Awards, in- the assassination. "Kids are swallowing it volvement in a film sometimes renders the cluding Best Picture and Best Director, has whole," says critic Sragow. actors and their performances unmemo- just opened internationally and is doing At those kids' fingertips are volumes of rable. Frankly, the star of an Oliver Stone "spectacular business," according to the information on the conspiracy to kill the film is Stone himself. Hollywood Reporter's international editor, president. Earlier this month, the New Much of Stands star status is owed to the James Ulmer. "JFKis a huge hit overseas," York Times Book Review contained two press coverage generated by him and his he says "It had one the strongest openings titles in its top-selling 15 that were related films (some of this status is, of course, owed in Paris even" Stone, who recently returned to the assassination. On the paperback list, to his talent). 'nerds something inside from a promotional trip to Europe and three out of ten best-sellers—including On Oliver that forces him to oversell every- South America to boost JFK's interna- the Trail of the Assassins, written by thing; says Rolling Stoners senior editor, tional profile, says, "We hit tan countries in former New Orleans district attorney Jim Peter Travers. "He's like [showman] Mike 21 days. It's doing well everywhere. It's a Garrison (played in JFK by Kevin Costner), 'Ibdd. He'd go up in a hot-air balloon with universal ffint." which was listed at number one—were signs all over it if he could!' Film critic It is also a wildly controversial film. In assassination-related. 'D-avers summed up his views on Stone in fact, it is difficult to imagines film more con- Despite all this interest in the film and his review of the 1991 film The Doors, troversial than JFK. Stone has single- renewed interest in the assassination, one writing that Stone is "part poet, part pro- handedly brought interest in the assassina- issue that has gotten little play since the vocateur, part snake oil salesman; tion of President John F. Kennedy, a movies opening is the subject of homo- "Hers a master of self-promotion; says murder that took place almost 30 years ago, phobia and JFK. Despite criticisms— Michael Sragow, a film critic for the San to a state of national—and now interna- mostly in the gay press —of the filirts alleged Francisco Examiner and a frequent film tional—frenzy. Even Congress, a body of homophobia (Rolling Stone's 'Prayers has reviewer for The New Yorker. "But he's not politicians who move on most issues with also referred to certain scenes in JFK as alone. He and Spike Lee both tackle incen- the grace and pace of a brontosaurus, have 'scarily homophobic"), little has been said diary subjects [in their films], then go out been tweaked by Stone's film. In January, on the matter by Stone. and fan the flames on all of the media's an article in the Washington Post quoted Until now. available levels—and all the while offer no House speaker Thomas Foley as saying Last January, Stone was 'nu traged" by an solutions to the problems that their films that JFK"has renewed demands to unseal article written by The ADVOCATE"s film raise." [government] flies that could add relevant critic, David Ehrenstein. In "JFK—A New Low for Hollywood',' Ehrenstein attemped purer-than-driven-snow straights and demonstrations" at this year Academy to n2futeJFK's theory that there was "a gay slimy, sweaty, whimpering rays." Awards because of Stone's alleged homo- cabal out to kill Kennedy." The article Following the appearance of E hrenstein's phobia in JFK and his involvement in The spouts evidence that Ehrenstein feels dis- views in The ADVOCATE, Stone started Mayor of Castro Street.
Load more

Recommended publications
  • The Life and Times of Penny Arcade. Matthew Hes Ridan Ames Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1996 "I Am Contemporary!": The Life and Times of Penny Arcade. Matthew heS ridan Ames Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Ames, Matthew Sheridan, ""I Am Contemporary!": The Life and Times of Penny Arcade." (1996). LSU Historical Dissertations and Theses. 6150. https://digitalcommons.lsu.edu/gradschool_disstheses/6150 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • Hooked on Reality Television: the Uses and Gratifications
    SURVIVOR AND OTHER REALITY T.V. GAMESHOWS: THE USES AND GRATIFICATIONS PERSPECTIVE ON A REALITY SUB-GENRE by James A. Mead A Thesis submitted in Partial Fulfillment of the requirement for The Master of Mass Communication Degree Thesis Chair: Dr. William Cassidy THE UNIVERSITY OF WISCONSIN-WHITEWATER May 3, 2006 The University of Wisconsin-Whitewater Thesis Approved James A. Mead Date: Committee Members: Table of Contents Abstract of Thesis vi Chapter One: Introduction 1 Chapter Two: Literature Review 6 Introduction 6 Uses and Gratifications Perspective 6 Early History of Media Gratification 7 Development of Uses and Gratifications Theory 9 Extensions into Uses and Gratifications 10 Summary of Uses and Gratifications Theory 12 Television Popularity and the Audience 12 A Historical Review of the Television Genre 13 Reality TV: The Genre of Today 15 Reality TV: A Brief History 16 Understanding Reality Television Popularity 17 The Sub-Genres of Reality Television 20 Summary of the Television-Viewer Relationship 22 Chapter Three: Identifying Survivor as a Reality Icon 23 Introduction 23 The Survivor Gameplan 24 Motive One: Serial Format 25 Motive Two: Quality 27 Motive Three: Entertainment 28 Motive Four: Arousal 31 Motive Five: Sexual Interaction 31 Summary of Survivor’s Popularity 34 Restatement of Research Questions 34 iii Table of Contents (continued) Chapter Four: Methodology 36 Sample 36 Procedures 36 Survey Structure 36 Data Collection 38 Measures 39 Respondent Profiles 40 Summary of Methodology 42 Chapter Five: Results 44 Summary of
    [Show full text]
  • American Television, Reality Shows by Nathan G
    American Television, Reality Shows by Nathan G. Tipton Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2004, glbtq, inc. Reprinted from http://www.glbtq.com Richard Hatch, winner of In 2000, when self-described "fat naked fag" Richard Hatch emerged as the first- the Survivor reality show season winning contestant on the phenomenally popular network reality television in 2000. show Survivor, he credited his survival success in large part to his homosexuality. Courtesy Richard Hatch. According to Hatch, growing up gay, being part of a minority community--and thus subject to scrutiny by others--inspired him to be both introspective and egocentric. These dual poles of introspection and egocentrism are, in fact, key elements in understanding the important roles gay men and lesbians play within the confines of reality television shows, even as they present interpretive quandaries for hetero- and homosexual viewers alike. In a typical reality television show, particularly one with game-show trappings such as CBS's Survivor and Big Brother, or ABC's The Mole, cast members as well as viewers regard introspection as suspicious behavior. Surely, the viewers surmise, something is being hatched under that quiet façade, and usually this supposition is proved correct. For these shows' gay and lesbian participants, however, the conflation of introspection with cunning and plotting too easily becomes connected to the unfortunate stereotype that gay men and lesbians are inherently crafty, conniving, and untrustworthy. Even in ostensibly less competitive shows such as Bravo's Boy Meets Boy, Fox's Playing It Straight, and even MTV's "docusoap"--Sam Brenton and Reuben Cohen's neologism for a television show that seamlessly combines elements of documentary realism with soap opera-style plotting--The Real World, introspection is often seen as a negative attribute, indicating moodiness, insecurity, or simmering hostility.
    [Show full text]
  • MEDIA STUDY/BUFFALO Januarywmay, 1984
    MEDIA STUDY/BUFFALO JanuarywMay, 1984 Supported by the New York State Council on the Arts and the National Endowment for the Arts Schedule Staff BUSINESS MANAGER - Timothy J. McCann DATE TIME/PM PLACE Timothy McCann is a graduate of Niagara County Com- munity College and is continuing his education at the University of Buffalo School of Management. He is also JANVARY a member of the American Management Association. 27 (Friday) 8:30 MSIB YOSHIKO CHUMA - Independent Filmmakers FILM PROGRAMMER - Bruce Jenklns FEBRUARY Bruce Jenkins received a doctorate in Film from 2 (Thursday) 8:00 MS/B FESTIVAL PROGRAM 1 - Journey Across Three Continents Northwestern University where he served as an 3 (Friday) 8:00 MS/B FESTIVAL PROGRAM II -Journey Across Three Contents editor of Film Reader. He is project director of The 4 (Saturday) 8:00 HS PEARL BOWSER Presents Body and Soul - "Lost Films" American New Wave (1958-67) touring film series of the 1983 Robert Flaherty 8 (Wednesday) 8:00 MS/B BARBARA BUCKNER Video/Electronic Arts and was co-programmer 10 (Friday) 8:00 MSIB LIZZIE BORDEN - Independent Filmmakers Film Seminar. 11 (Saturday) 10:00 AM- VIDEO/ELECTRONIC ARTS CURATOR ~ AND MUSIC 5:00 PM THE ELECTRONIC NARRATIVE - A Daylong "Exploration" PROGRAMMER - John Minkowsky - VideolElectronic Arts - MS/B John Minkowsky did his graduate work at the Center for 11 (Saturday) 8:00 MS/B `BLUE' GENE TYRANNY - New Music Media Study at the State University of New York at Buf- 11 (Saturday) 8:00 HS UNKNOWN CHAPLIN - "Lost Films" falo and is currently editing a collection of essays, 15 (Wednesday) 8:00 MSIB SUSAN and ALAN RAYMOND - Video/Electronic Arts Design/Electronic Arts.
    [Show full text]
  • Philadelphia Punk Gigography 1977-1987
    Philadelphia Punk Gigography 1977-1987 1966 December 10 – Velvet Underground @ YMHA Auditorium December 11 – Velvet Underground @ YMHA Auditorium 1967 July 19 – Velvet Underground @ The Trauma July 20 – Velvet Underground @ The Trauma July 21 – Velvet Underground @ The Trauma July 22 – Velvet Underground @ The Trauma July 26 – Velvet Underground @ The Trauma July 27 – Velvet Underground @ The Trauma July 28 – Velvet Underground @ The Trauma July 29 – Velvet Underground @ The Trauma 1968 March 15 – Velvet Underground @ The Trauma March 16 – Velvet Underground @ The Trauma March 17 – Velvet Underground @ The Trauma May 1 – Blue Cheer @ Electric Factory May 2 – Blue Cheer @ Electric Factory May 3 – Blue Cheer @ Electric Factory September 20 – Velvet Underground @ Electric Factory September 21 – Velvet Underground @ Electric Factory 1969 May 9 – MC5 @ Mitten Hall, Temple University June 27 – Velvet Underground @ Electric Factory June 28 – Velvet Underground @ Electric Factory August 1 - Velvet Underground @ Electric Factory August 27 – Velvet Underground @ Second Fret August 28 – Velvet Underground @ Second Fret August 29 – Velvet Underground @ Second Fret August 30 – Velvet Underground @ Second Fret September 19 – Stooges @ Electric Factory September 20 – Stooges @ Electric Factory September 26 – MC5 @ Electric Factory September 27 – MC5 @ Electric Factory October 8 – Velvet Underground @ Second Fret October 9 – Velvet Underground @ Second Fret October 10 – Velvet Underground @ Second Fret October 11 – Velvet Underground @ Second Fret December
    [Show full text]
  • The Complete Ask Scott
    ASK SCOTT Downloaded from the Loud Family / Music: What Happened? website and re-ordered into July-Dec 1997 (Year 1: the start of Ask Scott) July 21, 1997 Scott, what's your favorite pizza? Jeffrey Norman Scott: My favorite pizza place ever was Symposium Greek pizza in Davis, CA, though I'm relatively happy at any Round Table. As for my favorite topping, just yesterday I was rereading "Ash Wednesday" by T.S. Eliot (who can guess the topping?): Lady, three white leopards sat under a juniper-tree In the cool of the day, having fed to satiety On my legs my heart my liver and that which had been contained In the hollow round of my skull. And God said Shall these bones live? shall these Bones live? And that which had been contained In the bones (which were already dry) said chirping: Because of the goodness of this Lady And because of her loveliness, and because She honours the Virgin in meditation, We shine with brightness. And I who am here dissembled Proffer my deeds to oblivion, and my love To the posterity of the desert and the fruit of the gourd. It is this which recovers My guts the strings of my eyes and the indigestible portions Which the leopards reject. A: pepperoni. honest pizza, --Scott August 14, 1997 Scott, what's your astrological sign? Erin Amar Scott: Erin, wow! How are you? Aries. Do you think you are much like the publicized characteristics of that sun sign? Some people, it's important to know their signs; not me.
    [Show full text]
  • 1 Ervin Jarek 2017 PHD.Pdf
    ii © Copyright by Jarek Paul Ervin All Rights Reserved May 2017 iii ABSTRACT My dissertation takes a speculative cue from the reception of 1970s New York punk, which is typically treated as both rule – the symbolic site of origin – and exception – a protean moment before the crystallization of punk proper. For this reason, artists such as Velvet Underground, Patti Smith, the Ramones, and Blondie are today afforded the simultaneous status of originators, interlopers, innovators, and successors. This has led both to the genre’s canonicity in the music world and its general neglect within scholarship. I argue that punk ought to be understood less as a set of stylistic precepts (ones that could be originated and then developed), than as a set of philosophical claims about the character of rock music in the 1970s. Punk artists such as Patti Smith, Jayne County, and the Ramones developed an aesthetic theory through sound. This was an act of accounting, which foregrounded the role of historical memory and recast a mode of reflexive imagination as musical practice. At times mournful, at times optimistic about the possibility of reconciliation, punk was a restorative aesthetics, an attempt to forge a new path on memories of rock’s past. My first chapter looks at the relationship between early punk and rock music, its ostensible music parent. Through close readings of writing by important punk critics including Greil Marcus, Lester Bangs, and Ellen Willis – as well as analyses of songs by the Velvet Underground and Suicide – I argue that a historical materialist approach offers a new in-road to old debates about punk’s progressive/regressive musical character.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Coming out of The
    UNIVERSITY OF CALIFORNIA Los Angeles Coming Out of the Television LGBT-themed Made-for-Television Movies as Critical Media Pedagogy Submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Education by David Randolph Craig 2014 © Copyright by David Craig 2014 ABSTRACT OF THE DISSERTATION Coming Out of the Television LGBT-themed Made-for Television Movies as Critical Media Pedagogy David Randolph Craig Doctor of Philosophy in Education University of California, Los Angeles, 2014 Professor Douglas M. Kellner, Chair Since the early 1970s, an important but under-examined subgenre of Made-for-Television Movies have foregrounded critical LGBT concerns, including coming out, parental custody, HIV/AIDS, gays in the military, and hate crimes or featured affirmative LGBT representations. These programs, often highly-rated and critically-acclaimed, were nonetheless sites of political contestation from social conservatives and LGBT activists. Through the lenses of critical media pedagogy, critical cultural studies, and critical media industries studies, this dissertation conducts a critical cultural history of LGBT TV movies. This history includes critical case studies of twenty seminal LGBT programs featuring original interviews with the producers, executives, and writers responsible for their pedagogical design. The evidence reflects how these programs helped frame these concerns, educate audiences, and advocate on behalf of the LGBT community. This research further suggests how progressive pedagogues and media
    [Show full text]
  • RARE the Downtown Decade NYC 1975–1985
    !1 of !20 The Downtown Decade RARE NYC 1975–1985 1) Makos, Christopher. Untitled. 1980. 2) Makos, Christopher. Debbie Harry. Silver gelatin print; 16 x 20; on verso: 1980. studio stamp with autograph date (80) Silver gelatin print; 16 x 20; on verso: in pencil; signed, editioned in pencil studio stamp with autograph date (80) (1/30). in pencil; signed, editioned in pencil SOLD (1/30). SOLD 3) Tannenbaum, Allan. John Lennon & 4) Tannenbaum, Allan. John & Yoko. 1981. Yoko Ono: 11/26/80. 1980. Silver gelatin print; 16 x 20; on verso: Silver gelatin print; 16 x 20; on verso: titled, signed, copyrighted (© 1981) in titled, signed, copyrighted in pencil pencil. (photograph © 1980 Allen Tannebaum). SOLD SOLD ! !2 of !20 5) Tannenbaum, Allan. Sid Vicious Under 6) Linn, Judith. Patti Smith. c. 1975. Arrest. 1978. Silver gelatin print; 20 x 16; on verso: Silver gelatin print; 16 x 20; on verso: signed, editioned (3/25) in pencil. titled, signed, copyrighted in pencil SOLD (“photograph © 1978 Allen Tannebaum”). SOLD 7) Resnick, Marcia. Victor with Scar from “Bad Boys.” 1980. Silver gelatin print; 16 x 20; on verso: titled, signed, dated (1980), editioned (1/30) in pencil. 8) Resnick, Marcia. Divine from SOLD “Bad Boys.” 1980. Silver gelatin print; 20 x 16; on verso: titled, signed, dated (1980), editioned (1/30) in pencil. SOLD ! !3 of !20 9) Williams, Larry. Nick Roeg. 1980. 10) Simon, Kate. John Lydon in Silver gelatin print; 20 x 16 on verso: Jamaica. 1981. studio stamp; titled, signed, dated Silver gelatin print; 20 x 16; on verso: (1980) in pencil.
    [Show full text]
  • New York: No Wave Cinema
    A DEFINING PERIOD IN THE HISTORY OF THE NEW YORK: RELATIONSHIP BETWEEN NO WAVE CINEMAFILM, ART AND MUSIC Cover image: Debbie Harry from The Blank Generation, [1976, 16mm], photo: Fernando Natalici. Courtesy of Amos Poe. This page: Unmade Beds, [1977, 16mm], photo: Fernando Natalici. Courtesy of Amos Poe. The Cast: Blondie (Debbie Harry, Chris Stein), Talking Heads, The Ramones, Television, Jean-Michel Basquiat, Glenn O’Brien, David McDermott, Patty Astor, James Nares, Eric Mitchell, Amos Poe, Keith Haring, Kenny Sharf, Julian Schnabel, Fab Five Freddy, King Kreole and the Coconuts, Arto Lindsay and DNA, James White and the Blacks, The Plastics, Duncan Hannah, Lydia Lunch, Klaus Nomi, George Clinton, Maripol, Danny Rosen, Patti Smith, Vivienne Dick, Ivan Kral, John Lurie, Jim Jarmusch, Tom DiCillo, Diego Cortez, Lee Quinones, Vincent Gallo, Steve Buscemi and many, many more… Clockwise, from top left: The Blank Generation, [1976, 16mm]. Debbie Harry from The Foreigner, [1978, 16mm]. The Foreigner, [1978, 16mm]. Photos: Fernando Natalici. Courtesy of Amos Poe. BACKGROUND From the mid 1970s to the early 1980s, New However, it was in 1975 when Amos Poe, an York City’s East Village was the home, studio Israeli-born photographer, and Ivan Kral, the and playground to an eclectic group of young guitarist with Patti Smith Group, set out to arrivals, hailing from all parts of America as well direct and produce a 16mm film on the punk as Europe. Although from disparate backgrounds, scene. The result was the cult classic, THE these newcomers shared similar interests and BLANK GENERATION. The film depicts seminal passions about music, art, film and performance.
    [Show full text]
  • Youth Perceptions of Mtv Reality
    WHEN IS REALITY REAL?: YOUTH PERCEPTIONS OF MTV REALITY PROGRAMS A thesis presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Rachel M. Potratz November 2007 2 This thesis titled WHEN IS REALITY REAL?: YOUTH PERCEPTIONS OF MTV REALITY PROGRAMS by RACHEL M. POTRATZ has been approved for the School of Telecommunications and the Scripps College of Communication by Norma Pecora Professor, School of Telecommunications Gregory J. Shepherd Dean, Scripps College of Communication 3 Abstract POTRATZ, RACHEL M., M.A., November 2007, School of Telecommunications WHEN IS REALITY REAL?: YOUTH PERCEPTIONS OF MTV REALITY PROGRAMS (125 p). Director of Thesis: Norma Pecora This thesis examines how college freshmen relate to the personalities and content on MTV reality programs. Drawing from current theories about how viewers relate to television such as realism perceptions, identification, wishful identification, and parasocial interaction, this project looks takes a qualitative approach to understanding the particular relationships that exist between young viewers and the content and young casts of MTV reality programs. Eight college freshmen at a Midwestern university were interviewed about their perceptions of MTV reality programs, particularly Real World, Laguna Beach and The Hills. Additionally, a survey of 78 students was conducted in an introductory telecommunications course. It was found that judgments about the realism were based primarily on the students’ use of comparisons with their own lives and experiences. Additionally, knowledge of production processes played a role in realism perceptions. It was also found that students engaged in parasocial interaction and used reality television to learn about the world.
    [Show full text]
  • Michael Heath
    Mike Heath Michael Layne Heath January 6, 2019 San Francisco, CA. 0:00:00 to 1:00:54 ________________________________________________________________________ 0:00:00 Davis: Today is January 6th, 2019. My name is John Davis. I’m the Performing Arts Metadata Archivist at the University of Maryland. Today, I’m speaking with Michael Heath. Heath: Shall I introduce myself? Davis: Yes, please. Heath: All right. Hello. My name is Michael Layne Heath. I am a writer, poet, musician, citizen journalist, and in a previous lifetime, was a minor character in the ensuing drama of the Washington D.C. alternative music community of the ‘70s and ‘80s. Davis: All right. Well done. So just getting started, you can tell from the first issue of Vintage Violence you have already a pretty deep fascination with rock and roll, and the kind of rock and roll that wasn’t readily listenable, if you will. I don’t know how much you were hearing... Heath: Or available. Or accessible. Davis: Right. So it kind of makes sense to me that something like punk would also wind up on your radar. But can you tell me a bit about how you got into punk? Heath: Well, I was always an inquisitive kid as far as culture and especially music, and was very much into—thirsty for new experiences aesthetically. You couldn't hear a lot of the stuff that I was interested in, that I had read about in magazines, on the radio in the mid-‘70s, although there was an excellent show on WINX called Heavy Metal Thunder.
    [Show full text]