REVISTA ABRIL 2020 REVISTA Marzo 2021
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ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations. -
Universidade De Brasília Faculdade De Comunicação Departamento De Audiovisuais E Publicidade Bárbara Ingrid De Oliveira
1 UNIVERSIDADE DE BRASÍLIA FACULDADE DE COMUNICAÇÃO DEPARTAMENTO DE AUDIOVISUAIS E PUBLICIDADE BÁRBARA INGRID DE OLIVEIRA ARAÚJO A CONSTRUÇÃO DE PERSONAGENS FEMININAS EM ANIMAÇÕES DO CARTOON NETWORK: ANÁLISE COMPARATIVA DOS DESENHOS APENAS UM SHOW E STEVEN UNIVERSO Brasília-DF Junho de 2019 2 UNIVERSIDADE DE BRASÍLIA FACULDADE DE COMUNICAÇÃO DEPARTAMENTO DE AUDIOVISUAIS E PUBLICIDADE BÁRBARA INGRID DE OLIVEIRA ARAÚJO A CONSTRUÇÃO DE PERSONAGENS FEMININAS EM ANIMAÇÕES DO CARTOON NETWORK: ANÁLISE COMPARATIVA DOS DESENHOS APENAS UM SHOW E STEVEN UNIVERSO Monografia submetida à Faculdade de Comunicação da Universidade de Brasília como requisito parcial para obtenção do grau de bacharel em Comunicação Social, habilitação em Audiovisual Orientadora: Prof. Dr. Denise Moraes Brasília-DF Junho de 2019 3 A CONSTRUÇÃO DE PERSONAGENS FEMININAS EM ANIMAÇÕES DO CARTOON NETWORK: ANÁLISE COMPARATIVA DOS DESENHOS APENAS UM SHOW E STEVEN UNIVERSO Monografia submetida à Faculdade de Comunicação da Universidade de Brasília como requisito parcial para obtenção do grau de bacharel em Comunicação Social, habilitação em Audiovisual Brasília, 2 de julho de 2019. MEMBROS DA BANCA EXAMINADORA Prof. Dra. Denise Moraes Cavalcante, FAC/UnB Orientadora Prof. M.a Emilia Silveira Silbertein Examinadora Prof. M.a Érika Bauer Oliveira Examinadora Prof. Dra. Rose May Carneiro Suplente 4 A todas as mulheres que lutam por um feminismo classista e acessível. 5 AGRADECIMENTOS A minha família, pelo suporte em todos os momentos, desde a formação quando criança até a bagagem necessária para chegar aqui. A Deus, por ter me dado sabedoria para que eu fizesse as melhores escolhas. A todas as mulheres fortes e inspiradoras próximas a mim. Entre elas: minha mãe, uma mulher incrível que sempre me moveu com sua determinação. -
Looking Back at the Creative Process
IATSE LOCAL 839 MAGAZINE SPRING 2020 ISSUE NO. 9 THE ANIMATION GUILD QUARTERLY SCOOBY-DOO / TESTING PRACTICES LOOKING BACK AT THE CREATIVE PROCESS SPRING 2020 “HAS ALL THE MAKINGS OF A CLASSIC.” TIME OUT NEW YORK “A GAMECHANGER”. INDIEWIRE NETFLIXGUILDS.COM KEYFRAME QUARTERLY MAGAZINE OF THE ANIMATION GUILD, COVER 2 REVISION 1 NETFLIX: KLAUS PUB DATE: 01/30/20 TRIM: 8.5” X 10.875” BLEED: 8.75” X 11.125” ISSUE 09 CONTENTS 12 FRAME X FRAME 42 TRIBUTE 46 FRAME X FRAME Kickstarting a Honoring those personal project who have passed 6 FROM THE 14 AFTER HOURS 44 CALENDAR FEATURES PRESIDENT Introducing The Blanketeers 46 FINAL NOTE 20 EXPANDING THE Remembering 9 EDITOR’S FIBER UNIVERSE Disney, the man NOTE 16 THE LOCAL In Trolls World Tour, Poppy MPI primer, and her crew leave their felted Staff spotlight 11 ART & CRAFT homes to meet troll tribes Tiffany Ford’s from different regions of the color blocks kingdom in an effort to thwart Queen Barb and King Thrash from destroying all the other 28 styles of music. Hitting the road gave the filmmakers an opportunity to invent worlds from the perspective of new fabrics and fibers. 28 HIRING HUMANELY Supervisors and directors in the LA animation industry discuss hiring practices, testing, and the realities of trying to staff a show ethically. 34 ZOINKS! SCOOBY-DOO TURNS 50 20 The original series has been followed by more than a dozen rebooted series and movies, and through it all, artists and animators made sure that “those meddling kids” and a cowardly canine continued to unmask villains. -
Trabajo Fin De Grado
Trabajo Fin de Grado Las series de animación dirigidas a la infancia y las representaciones del sexo y el género. Una aproximación desde el Trabajo Social. The animation shows aimed to the childhood and the sex and gender representations. An approach from Social Work. Autor/es Andrea Cebollada Latorre Director/es Antonio Eito Mateo FACULTAD DE CIENCIAS SOCIALES Y DEL TRABAJO 2017 Repositorio de la Universidad de Zaragoza – Zaguan http://zaguan.unizar.es Infinitas gracias al incesante apoyo de mi tutor Antonio Eito, mis compañeros del grado y mi familia durante este recorrido. ÍNDICE RESUMEN .......................................................................................................................... 1 1. INTRODUCCIÓN ......................................................................................................... 2 2. OBJETIVOS ................................................................................................................. 4 3. METODOLOGÍA .......................................................................................................... 5 3.1 UNA INVESTIGACIÓN CUALITATIVA DE MATERIALES VISUALES ............................ 5 3.2 TÉCNICAS E INSTRUMENTOS PARA LA OBTENCIÓN DE INFORMACIÓN ................ 6 3.3 TÉCNICAS DE ANÁLISIS DE DATOS .......................................................................... 7 4. DOCUMENTACIÓN BIBLIOGRÁFICA........................................................................... 8 4.1 INTRODUCCIÓN ..................................................................................................... -
The Pigeon Comes to Philadelphia!
FOR IMMEDIATE RELEASE June 2, 2021 CONTACT: Tracy Curvan | Chief Growth Officer Cell: (267) 788-6868 E-mail: [email protected] THE PIGEON COMES TO PHILADELPHIA! A MO WILLEMS EXHIBIT LANDS AT PLEASE TOUCH MUSEUM IN JUNE Summer fun and antics await families through an interactive exhibit based on beloved children’s book characters by New York Times best-selling author and illustrator PHILADELPHIA (June 2, 2021) – Please Touch Museum (PTM), a national leader in children’s museums today announced that The Pigeon Comes to Philadelphia! A Mo Willems Exhibit will be open to visitors from June 4 through September 12, 2021. This engaging traveling exhibit, co-organized by Children's Museum of Pittsburgh and The Eric Carle Museum of Picture Book Art and locally sponsored by TD Bank, is inspired by the art and characters of the beloved children’s book author and illustrator, Mo Willems. Many familiar characters will be featured including best friend duo Elephant and Piggie, faithful companion Knuffle Bunny and The Pigeon, the wily city bird best known for his antics in Don’t Let the Pigeon Drive the Bus! Activities will give visitors the opportunity to make art that is inspired by Mo Willems and to learn about the rich social and emotional lives of the author’s characters. The exhibit will also feature prints of illustrations, including sketches and other preliminary materials, by Mo Willems. “In a time when parents and families are looking for opportunities to reengage in community, we are thrilled to offer a whimsical exhibit centered around the playful characters of New York Times best-selling author and illustrator Mo Willems,” said Patricia D. -
Medyada Şiddet; Televizyon Çizgi Diziler Üzerine Bir İnceleme*1
Ç.Ü. Sosyal Bilimler Enstitüsü Dergisi, Cilt 25, Sayı 1, 2016, Sayfa 43-58 Medyada Şiddet; Televizyon Çizgi Diziler Üzerine Bir İnceleme*1 Nüket Elpeze Ergeç** Murat Ertan Doğan*** Özet İzleyici araştırmaları televizyon yayın içeriklerinin, izleyiciler üzerinde değer sistemlerinin oluşumunda ve davranışların biçimlenmesinde güçlü bir etkiye sahip olduğunu göstermektedir. Şiddetin sadece haber, dizi ve magazin programlarının yanında, çocuk kanallarında da önemli boyutta olduğu gözlemlenmektedir. Şiddetin öğrenilen bir davranış olduğuna vurgu yapan Riches (1989), şiddet eylemi sosyal gerçekliği pratik anlamda dönüştürmeyi hedefleyen ve bunu yaparken de içinde bulunduğu sosyalliğin düşünsel durumunu sergileyen bir yapıya sahip olduğunu belirtmektedir. Şiddetin kişiler üzerinde bir tepkisizlik yarattığı, giderek şiddetin problemleri çözmede bir yol olarak kabul edildiği, televizyonda izlenen şiddetin taklit edildiği ve televizyondaki karakterler ile şiddet gören arasında özdeşleşme kurulduğuna dair çok sayıda çalışma bulunmaktadır (Wilson vd, 2002; Kirsh, 2006). Bu çalışma, medya üzerinden çocuğun maruz kaldığı şiddete ilişkin yeniden düşünmeyi amaçlamaktadır. Çalışma kapsamında Türkiye’de ulusal çapta yayın yapan özel bir çocuk televizyon kanalının bir haftalık yayın akışında yer alan 24 farklı çizgi dizideki şiddet öğesi incelenmiş ve bu öğeler sınıflandırılmıştır. Araştırma sonunda örneklem kapsamındaki dizileri izleyen çocukların, ortalama her 40 saniyede bir şiddet içeren eyleme maruz kaldığı bulgulanmıştır. Elde edilen bulgular sonucunda çalışma, çocukların televizyon izlerken şiddetin etkilerinden korunma yollarının birçok farklı disiplinlerle işbirliği ile uzun soluklu çalışmalarla önlenebileceğini çözüm olarak sunmuştur. Anahtar Kelime: çocuk, şiddet, medya, televizyon Violence in the Media; Review on the Television Cartoon Series Abstract Studies show television has a crucial impact on children’s development of value systems and forming of behaviors. Violence occurs not only in news, magazine programs and TV series but in children’s television channels. -
Animation Voice-Over Workshop with Bob Bergen
Animation Voice-over Workshop with Bob Bergen and Casting/Voice Director, Collette Sunderman ! Saturday & Sunday, Nov. 8 & 9, 2014: 10am to 5pm John Marshall Media, 630 Ninth Ave., New York, NY WORKSHOP DETAILS: On Sat., Nov. 8, Bob will guide & direct you with animation audition copy, preparing you to showcase your characters for Collette on Sun., Nov. 9. Collette will then add her own adjustments & ideas, as she directs your characters to the next level. Two-time Emmy nominated actor Bob Sunday concludes with a Q&A with both Bob and Collette. This Bergen is one of the most in-demand is a great opportunity to ask those questions we rarely get the animation voice artists in the opportunity to do with a casting director, such as: business. Credits include: CN’s CLARENCE, ROBOT CHICKEN, ! STAR WARS: THE CLONE WARS, What makes a great audition great? THE LOONEY TUNES SHOW, UP!, ! How much creativity are we expected to bring to the WALL-E, SPIRITED AWAY, script. Can we ad-lib? GREMLINS, WRECK IT RALPH, ! Should we slate in character? CURIOUS GEORGE, GREMLINS, ! What are the most common mistakes that sabotage an TINKER BELL, TANGLED, and THE SANTA CLAUSE 2 & 3, to name a actor’s career? few! ! How can an actor stay on your radar without being a pest? www.BobBergen.com/ ! AND more! Cost: $850 for the 2-day workshop if paid by check / $875 if paid by Paypal. $250 to reserve your spot; balance due one month prior. SPACE IS LIMITED!! Emmy nominated Voice & Casting Director Collette Sunderman began her career at Hanna- Barbera Studios over 20 years ago. -
CARTOON NETWORK March 2012
CARTOON NETWORK March 2012 MON. TUE. WED. THU. FRI. SAT. SUN. 4:00 Princess Knight Angela Anaconda 4:00 4:30 Kimba The White Lion Camp Lazlo 4:30 5:00 The Garfield Show Princess Knight 5:00 5:30 BEN 10 3/6～Generator Rex Kimba The White Lion 5:30 6:00 BEN10: ULTIMATE ALIEN 3/6～BEN 10: ALIEN FORCE My Gym Partner's A Monkey 6:00 6:30 Popeye 3/5～Mini Moo Moo The Pink Panther & Pals 6:30 7:00 Thomas and Friends The Mr. Men Show, Series 1 7:00 7:20 PINGU、MIO&MAO SERIES,Symfollies BEN 10: ULTIMATE 7:40 Capelito 2,MuMuHug season 1&2,Nouky & Friends Generator Rex 7:30 ALIEN 8:00 Tom & Jerry Kids Generator Rex Teen Titans 8:00 8:30 Madeline BEN10 8:30 Moomin The Bugs Bunny 9:00 9:00 Tom & Jerry 9:30 Charlie Brown and Snoopy Show 9:30 Thomas and Friends 10:00 10:00 Meet the Boneheads Aesop's Theater 10:15 10:30 The Mr. Men Show, Series 2 Mini Moo Moo 3/11～Little Moonlight Rider 10:30 11:00 Ruby Gloom 11:00 11:30 Baby Looney Tunes POPCORN 11:30 12:00 Thomas and Friends 12:00 12:20 Clifford the Big Red Dog,saari Wacky Races 12:30 12:40 Pinky Dinky Doo,Gazoon Thomas and Friends 13:00 13:00 The Powerpuff Girls PINGU,KIPPER,MuMuHug season 3&4 13:15 13:30 The Grim Adventures of Billy & Mandy Snailympics,Hilltop Hospital 13:40 14:00 Courage the Cowardly Dog A Collection of Fables 14:00 14:30 Johnny Bravo The Mr. -
Juvenile Translation Spring 2016
Juvenile Translation Spring 2016 Director of Sub-Rights: Jacqueline Murphy [email protected] FRONTLIST New York Times Bestselling Author Patrick Carman Fizzopolis: The Trouble with Fuzzwonker Fizz Illustrated by Brian Sheesley Middle Grade ✴ March 2016 ✴ Katherine Tegen Books/Harper Collins “Carman ventures into the realm of comedy with endearing characters in this hilarious story . Sheesley’s illustrations add charm and humor to the story. Fans of ‘Diary of a Wimpy Kid’ or ‘Captain Underpants’ are sure to enjoy this slapstick romp. ” — School Library Journal Rights Available: Translation, UK Commonwealth _______ Rights Sold: TV Arabic Welcome to Fizzopolis! Home to the world’s greatest soda pop, Fuzzwonker Fizz, and the Fizzies—fuzzy, fizzy creatures that live only in Fizzopolis. Join Harold and Floyd in this wacky new illustrated series from bestselling author Patrick Carman and Emmy Award–winning illustrator Brian Sheesley. Harold Fuzzwonker is an ordinary kid with an extraordinary fizzy friend, Floyd. But Floyd’s a secret— like a top super-secret. Harold must protect him, as well as the family recipe for Fuzzwonker Fizz, from the evil Snood Candy Factory. But it’s hard to guard a secret when he’s your best good buddy and he always escapes from your backpack! Fizzopolis: Floozombies (Book 2) coming in October 2016 Patrick Carman is the award-winning author of many books for young adults and children. His bestselling books and series includes The Land of Elyon, Atherton, Elliot’s Park, 39 Clues, Floors, Trackers, Thirteen Days to Midnight, Dark Eden, Pulse, 3:15, and Skeleton Creek. Mr. Carman’s books have been translated into approximately two dozen languages. -
Animation Production Cel Set-Up for the Man Who Yelled, 1990
IL2016.16.1, IL2016.16.2 Animation production cel set-up for The Man Who Yelled, 1990 Student project at NYU, Tisch School of the Arts Ink and cel paint on acetate Collection of the artist Animation production cel set-up for “Sharks,” 1994 Going, Going, Almost Gone! Animals in Danger, 1995 Produced by the Mo Willems Studio for HBO Ink and cel paint on acetate with colored pencil on paper Collection of the artist IL2016.16.3, IL2016.16.4 Animation production cel set-up for “Suzie Kabloozie and the Telephone,” ca. 1995 Sesame Street, first aired in Episode #3434, 1996 Produced by the Mo Willems Studio for Children’s Television Workshop Ink and cel paint on acetate with mixed media on paper Collection of the artist Animation production cel set-up for “Small Octopus on Your Head,” 1994 Sesame Street, first aired in Episode #3351, 1995 Produced by the Mo Willems Studio for Children’s Television Workshop Ink and cel paint on acetate with colored pencil on paper Collection of the artist IL2016.16.8 Production background for “Agony of De-bleat,” ca. 2000 Sheep in the Big City, Season 1, Episode 8 Produced by Curious Pictures for Cartoon Network Ink on paper Collection of the artist Willems directed the design of the New York-like background cityscape for Sheep in the Big City, his animated series that aired on Cartoon Network from 2000 to 2002. The show features a sheep named Sheep, who flees his farm home for the Big City when the military identifies him as fuel for a sheep-powered ray gun. -
AWNMAG5.05 Cover
Table of Contents AUGUST 2000 VOL.5 NO.5 5 Editor’s Notebook Go Web Young (Wo)Man, Go Web 7 Letters: [email protected] InternetCOMIC BOOKS Animation 8 Your Move… Jacquie Kubin looks at how and why packaged gaming companies are adding on-line elements to their business plans. 12 Alter-Net-ive Worlds How would the world of animation be different if instead of being a new tool the Web was an old one? Get ready for some pretty wild “classics.” Martin “Dr. Toon” Goodman takes us theorizing… 16 The Aesthetics of Internet Animation Think Web tools are restrictive creatively? Think again! Chris Lanier, creator of Wildbrain’s Romanov, explains why, in the vein of comics, they are actually a source of freedom. 2000 20 Is There Life Beyond Flash? Flash is the leading tool for Internet animation, but there are a few other options for production and augmentation. Here industry leaders reveal their secrets from high tech 3D software to good, old-fashioned talent. 23 Getting Started On-Line So you want to get into this Internet game? Two of AtomStudios’ animators, Kwesi Ako Kennedy and James Dalby, not only tell you how, but offer tips for success. ComputerADULT ANIMATION Animation 25 Vancouver’s Mainframe Entertainment Since their first 3D CGI television show, the groundbreaking Reboot, Mainframe Entertainment has been producing quality children’s television. Don Perro goes for a tour and finds they are working on more than television now. 29 Writing for CGI:A Talk With Ian Boothby UGUST Ian Boothby, co-writer of Casper’s Haunted Christmas, gives us some insight on the pitfalls and joys of writing for CGI. -
Channel Sschedule Date Schedule Timepgm Name
CHANNEL SSCHEDULE_DATE SCHEDULE_TIMEPGM_NAME SYNOPSIS C22 03/01/2014 00:00 Chowder Mung has to make a dish that requires a fruit that he fears, so he sends Chowder and Shnitzel to get the fruit. C22 03/01/2014 01:00 Camp Lazlo Miss Mucous volunteers to help the Bean Scouts pass their fitness test, but secretly she's out to destroy Camp Kidney. C22 03/01/2014 02:00 The Marvelous Misadventures of Flapjack Flapjack thinks he's a dummy so K'nuckles takes him to school where they both have an adventure in learning. C22 03/01/2014 03:00 The Amazing World of Gumball Envious of his rustic lifestyle, Gumball invites Idaho over to teach the Wattersons how to live like a potato. C22 03/01/2014 04:00 My Gym Partner's A Monkey Due to another clerical error,Jake Spidermonkey finds out he's actually Jake Spiderplant, and is transferred to Creeping Broad-Leaf Sedge Middle School, where he has a hard time fitting in with his fellow plants. C22 03/01/2014 05:00 Chowder Whenever Chowder opens his mouth, he starts to breathe fire. C22 03/01/2014 06:00 The Amazing World of Gumball Anais uncovers a secret that she's convinced will lead her to the Watterson's hidden family treasure. C22 03/01/2014 07:00 Tom & Jerry Show Tom and Jerry Cartoon by Chuck Jones C22 03/01/2014 08:00 Regular Show Mordecai, Rigby, Muscle Man, and HFG want to get a laserdisc player so they can watch the director's cut of a cult classic.