DOCSLIB.ORG

Happy 6Sth, Bill

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Bear Facts VOL. XXll No. 6 THE NEWSLETTER OF OCEANIDS MARCH 1984 HAPPY 6STH, BILL he undertakes. Gordon MacDonald of the MITRE Corporation attempted, in "Small Grains and Big Brains," to construct a "Festive" was the word for February model of Nierenberg, but concluded it lJ when all hands from Scripps and former couldn't be done. Instead, he summarized colleagues and students from throughout the overall character of the man: He is the world gathered to celebrate the 65th his own individual; his memory for impor­ birthday of William A. Nierenberg. Or, tant events is unsurpassed; his impact as the luncheon speaker, Rear Admiral on the intellectual productivity of his Brad Mooney, USN, put it - "the 44th associates will last much longer than fL-1 anniversary of his 21st birthday." The (or 65 years); and his influence on this Old Scripps Building was gaily decorated country has been of major importance. with flags of the US, California, UC, and Fred Spiess was "rapporteur" for the Scripps, as well as a banner reading "gang of six" who dealt with "Nierenberg "Happy Birthday Bill." The general cele­ On and Off the Scripps Campus." Spiess brations were launched at 41JO pm in the first challenged the audience to identify Ritter Plaza area with a special edition slides of visitors to SIO during Nierenberg's of "TGIM," which included a small plane tenure as Director, flashing pictures of flying overhead, trailing a streamer with Emperor Hirohito, Vice Presidents Agnew the message, "Happy 65th Bill," selections and Humphrey, Pete Wilson, Arthur Godfrey, from "The Sorcerer" by members of the Lassie, and Queen Elizabeth and Prince currently-performing Gilbert and Sullivan Philip. He ended with a wedding portrait troupe, and an extraordinary birthday cake. of Bill and Edith Nierenberg, paying special The o-foot by J-foot chocolate cake covered tribute to Edith's role at Scripps over with white frosting and blue and green the years. Freeman Gilbert then commented swirls was decorated with the outlines of on Nierenberg's contributions in the com­ the R/V MELVILIE, the Scripps Satellite puter area, and his unique view of computers Oceanography-Facility, the coastline with as research instruments. Robert Stewart, the Pier and an overhead view of the Marine offering the perspective of a younger Riology Building, and a rose. scientist, spoke of how Nierenberg's recog­ The day had begun earlier in Sumner nition and support of the use of radio Auditorium with a symposium, "In Service waves and then satellites to study ocean to Education, Science and Society," review­ waves, demonstrate his subtle approach to ing Nierenberg's 40-year career. Tributes opening up new areas. Another field he were affectionately punctuated by personal opened up is climatology, though Richard reminiscences and anecdotes. Vernon Hughes Somerville noted that certain studies, of Yale, speaking on "Bill Nierenberg's such as the C02 measurements, antedated Quadrupole Moments," summed up his research Nierenberg's arrival. The program developed achievements, followed by Erwin Hahn's under Nierenberg focused on climate as a "Reminiscences of Bill at Berkeley." science and public policy issue, as an "Encounters with Bill - Hudson Labs and intellectual effort in itself, and as an After" was a humorous account by Robert important component of the program of an Frosch of his contacts with Nierenberg oceanographic institution. He said there early in their careers. Frosch character­ is no truth to the rumor that as a pilot, ized him as being the "compleat" everything Nierenberg wanted his own private fore- ( continued on page 5) bear in mind: Bear- Facts SUMNER NOON Editors: Ellen Clark Revelle 454-2929 7J48 Vista del Mar Thursday, March 22, at 12 noon. La Jolla 920J7 Evelyn Lakoff 296-lOJ9 SANLY STRONG of the San Liego Police Inves­ J510 Dove Court tigations Lepartment speaking on CRIME San Diego 9210J PREVENTION and SELF-LEFENSE: "What You Are Able to Do If You Are Threatened." Calendar: Carolyn Kellogg 452-14J4 See the article, "The Womanly Art of Self­ 4444 Eastgate Mall #8 Defense" by Heli Hoffman in the January San Diego 92121 Bear Facts, and the letter from Sharon Mahoe----rn-this issue attesting to the Interest Odette Filloux 45J-0749 importance and effectiveness of Strong's Groups: 8402 Sugarman Drive message. La Jolla 920J7 Sumner Auditorium at the Scripps Institu­ Subscription/Circulation: tion of Oceanography. Marge Bradner 459-7681 Bring a bag lunch. Coffee and tea provided. 1867 Caminita Marzella La Jolla 920J7 For more information, call Alma Coles, 45J-881J. Assistant:Suzy Ticho Parking is a problem in this area. If you Staff Elibet Marshall 459-5246 do not find a place on La Jolla Shores Artist: 2767 Hidden Valley Road Drive, we suggest parking at the north La Jolla 920J7 end of Kellogg Park (La Jolla Shores Beach) which is about four blocks south of Sumner Housing Nora Atlas 453-6444 Auditorium. Ads: 3087 Cranbrook Ct. La Jolla 92037 Staff: Doris Bailey, Alma Coles, Helen Ellis, Elaine Halperin, Alice Kearns, Peggy Sard, Susan Scholander, Frieda Urey, Ilse letters: Warschawski, Isabel Wheeler. Bear Facts is the newsletter of Oceanids, Dear Editors: a UCSD campus women's organization. It is I j~st recently became a member of published monthly except for July, August Oceanids and soon after receiving your and September. Letters to the Editor and January issue signed up for the self­ articles of interest to UCSD women are defense course offered by Sandy Strong. invited. All submissions-must be received I have attended only one class, but by the Editors no later than the 10th of I am so impressed with his professional each month. and compassionate treatment of the issues of self-defense, rape, assault, etc. The Membership and/or subscription: $10 per year cost of the course is well worth the commitment of four evenings and is an extremely good idea for those of us who are enrolled in evening courses, attend concerts, etc. Several women came with their daughters and shared the information together. I encourage all of the Bear It's unbearable Facts readers to follow up on his class to be without and do it soon. Bear Facts! I share a chuckle on the January issue: On page nine, under Public Places in the Bar~ain rate: left column we are advised: Don't get $5.00 for into an elevator with a strange man. remaining issues. Wait for an empty one. Are we to ask the poor man if he is hungry? Thanks for an interesting newsletter! Sharon Mahoe 2 February 7, 1984 BEYOND WAR Dear Editors: I am writing in response to Liz Fong The other evening three of us from Wills' letter in the February issue of Oceanids attended an orientation session Bear Facts. presented by Creative Initiatives Beyond ~~The February treasurer's report shows War, a relatively new anti-nuclear group. that the proposed cost of producing Bear Three women from the group discussed the Facts this year will exceed the annual group's program and philosophy, and made income from membership dues by $210. a clear presentation of where we are now This deficit and other Oceanids operating with respect to nuclear war, and what alter­ costs must then be covered by gifts and native courses of action might be. They fund raising efforts. The $5 charge for also showed "The Last Epidemic," a short housing ads must be considered a fund film made by Physicians for Social Respon­ raiser to keep our whole organization sibility, depicting the medical consequences solvent. of a nuclear attack. Oceanids, in my opinion, put a great The major points of the presentation deal back into the UCSD community each were two: year through scholarships, donations and 1. War is obsolete. The destructive­ service. Those who cannot donate their ness of nuclear weapons, both in their time know they are helping support four immediate impact, as shown in "The Last students a year through scholarships. Epidemic," and to the biosphere, in the The Kitchen Exchange and the Newcomers loris; range con~equences, as discussed by Committee provide a most welcome service Erlich et al. in a recent issue of "Science," to hundreds of UCSD scholars and their makes nuclear war suicidal for us as a families annually. Oceanids' general species, much less as a nation. interest groups provide the camaraderie 2. In order to prevent war, we all must and foundation of a campus women's group ~hange our frame of reference from a famil­ that is admired by many. Special events, ial,, local, or national one to a truly such as the Musical Gala, promote individ­ global one. We must think of the earth ual departments on campus throughout the as ONE, and act on this, especially in local community. Even though "certain relation to international competition and individuals do a tremendous amount of confrontation. work, 11 they do so on behalf of all Oceanids. Neither of these ideas is new, and yet their combination, plus the impact of the Fran Thompson group's presentation, has pushed me to PS The January "Coping with Crime" articles, face my own fears of even thinking about written by people I know, instilled in me nuclear war. Perhaps more important, I the need to be more cautious, something have been nudged, somewhat reluctantly articles by and about strangers have not to conta?t ?thers, ~nd to begin talking succeeded in doing. about this issue which I would prefer not to think about. This is a place to start, The same issue contained another unintended ~nd to reach those who may not agree with bit of humor (due to careless rewriting by ne, or are too frightened to begin think­ one of the editors).
Recommended publications
  • CV Tech Copy

    CV Tech Copy

    JEFF KAISER www.jeffkaiser.com EDUCATION ________________________________________________________________________________________ Ph.D., Music, Integrative Studies University of California San Diego, 2013 Fields of study: Media technology, ethnomusicology, critical studies, improvisation. Committee: David Borgo (Chair), Anthony Davis, Mark Dresser, Kevin Fellezs, Sarah Shun-lien Bynum. Dissertation Title: Improvising Technology: Configuring Identities and Interfaces in Contemporary Electro-Acoustic Music. M.M., Choral and Orchestral Conducting, Azusa Pacific University, Azusa, CA, 1987 B.A., Music Composition, Westmont College, Santa Barbara, CA, 1985 PROFESSIONAL ACTIVITIES, SKILLS AND CREATIVE WORK ____________________________________________________ Audio professional • Producer: As a music label owner and freelance consultant, I have overseen the production of hundreds of full- length music recordings and thousands of smaller projects that range from language education to sound-for- picture. I have been actively involved with all aspects of production, including: recording, mixing, mastering, audio restoration, graphic design, manufacturing, advertising, as well as physical and digital distribution. • Recording and mixing engineer: I have extensive knowledge of—and experience with—audio technology. This includes, but is not limited to: Pro Tools, Ableton Live, Digital Performer, Native Instruments Komplete Ultimate, Logic, DSP Quattro, Finale, Audacity, Reaper and third party plug-ins from companies such as Izotope, Waves and DMG
  • Balboa Park Facilities

    Balboa Park Facilities

    ';'fl 0 BalboaPark Cl ub a) Timken MuseumofArt ~ '------___J .__ _________ _J o,"'".__ _____ __, 8 PalisadesBuilding fDLily Pond ,------,r-----,- U.,..p_a_s ..,.t,..._---~ i3.~------ a MarieHitchcock Puppet Theatre G BotanicalBuild ing - D b RecitalHall Q) Casade l Prado \ l::..-=--=--=---:::-- c Parkand Recreation Department a Casadel Prado Patio A Q SanD iegoAutomot iveMuseum b Casadel Prado Pat io B ca 0 SanD iegoAerospace Museum c Casadel Prado Theate r • StarlightBow l G Casade Balboa 0 MunicipalGymnasium a MuseumofPhotograph icArts 0 SanD iegoHall of Champions b MuseumofSan Diego History 0 Houseof PacificRelat ionsInternational Cottages c SanDiego Mode l RailroadMuseum d BalboaArt Conservation Cente r C) UnitedNations Bui lding e Committeeof100 G Hallof Nations u f Cafein the Park SpreckelsOrgan Pavilion 4D g SanDiego Historical Society Research Archives 0 JapaneseFriendship Garden u • G) CommunityChristmas Tree G Zoro Garden ~ fI) ReubenH.Fleet Science Center CDPalm Canyon G) Plaza deBalboa and the Bea Evenson Fountain fl G) HouseofCharm a MingeiInternationa l Museum G) SanDiego Natural History Museum I b SanD iegoArt I nstitute (D RoseGarden j t::::J c:::i C) AlcazarGarden (!) DesertGarden G) MoretonBay Ag T ree •........ ••• . I G) SanDiego Museum ofMan (Ca liforniaTower) !il' . .- . WestGate (D PhotographicArts Bui lding ■ • ■ Cl) 8°I .■ m·■ .. •'---- G) CabrilloBridge G) SpanishVillage Art Center 0 ... ■ .■ :-, ■ ■ BalboaPar kCarouse l ■ ■ LawnBowling Greens G 8 Cl) I f) SeftonPlaza G MiniatureRail road aa a Founders'Plaza Cl)San Diego Zoo Entrance b KateSessions Statue G) War MemorialBuil ding fl) MarstonPoint ~ CentroCu lturalde la Raza 6) FireAlarm Building mWorld Beat Cultura l Center t) BalboaClub e BalboaPark Activ ity Center fl) RedwoodBrid geCl ub 6) Veteran'sMuseum and Memo rial Center G MarstonHouse and Garden e SanDiego American Indian Cultural Center andMuseum $ OldG lobeTheatre Comp lex e) SanDiego Museum ofArt 6) Administration BuildingCo urtyard a MayS.
  • STANLEY FRANK DANCE (K25-28) He Was Born on 15 September

    STANLEY FRANK DANCE (K25-28) He Was Born on 15 September

    STANLEY FRANK DANCE (K25-28) He was born on 15 September 1910 in Braintree, Essex. Records were apparently plentiful at Framlingham, so during his time there he was fortunate that the children of local record executives were also in attendance. This gave him the opportunity to hear almost anything that was at hand. By the time he left Framlingham, he and some friends were avid record collectors, going so far as to import titles from the United States that were unavailable in England. By the time of his death, he had been writing about jazz longer than anyone had. He had served as book editor of JazzTimes from 1980 until December 1998, and was still contributing book and record reviews to that publication. At the time of his death he was also still listed as a contributor to Jazz Journal International , where his column "Lightly And Politely" was a feature for many years. He also wrote for The New York Herald- Tribune, The Saturday Review Of Literature and Music Journal, among many other publications. He wrote a number of books : The Jazz Era (1961); The World of Duke Ellington (1970); The Night People with Dicky Wells (1971); The World of Swing (1974); The World of Earl Hines (1977); Duke Ellington in Person: An Intimate Memoir with Mercer Ellington (1978); The World of Count Basie (1980); and Those Swinging Years with Charlie Barnet (1984). When John Hammond began writing for The Gramophone in 1931 he turned everything upside down and Stanley began corresponding with Hammond and they met for the first time during Hammond's trip to England in 1935.
  • Art of Elan San Diego Air & Space Museum Athenaeum Music & Arts

    Art of Elan San Diego Air & Space Museum Athenaeum Music & Arts

    FY17 ORGANIZATIONAL SUPPORT PROGRAM (OSP) CONTRACTORS Art of Elan San Diego Air & Space Museum Athenaeum Music & Arts Library San Diego Archaeological Center Bach Collegium San Diego San Diego Art Institute Balboa Park Cultural Partnership San Diego Automotive Museum Balboa Park Online Collaborative, Inc. San Diego Ballet California Ballet Association, Inc San Diego Center for Jewish Culture Camarada, Inc. San Diego Children's Choir Center for World Music San Diego Chinese Historical Society and Museum Choral Consortium of San Diego San Diego Civic Youth Ballet. Inc. City Ballet, Inc San Diego Dance Theater Classics for Kids, Inc. San Diego Guild of Puppetry, Inc Culture Shock Dance Troupe, Inc San Diego Hall of Champions Cygnet Theatre Company San Diego History Center Diversionary Theatre San Diego Junior Theatre Fern Street Community Arts, Inc San Diego Master Chorale Finest City Performing Arts, Inc. San Diego Model Railroad Museum Flying Leatherneck Historical Foundation San Diego Museum Council, Inc. Gaslamp Quarter Historical Foundation San Diego Museum of Art Intrepid Shakespeare Company San Diego Museum of Man Ion Theatre Company San Diego Musical Theatre Japanese Friendship Garden Society of San Diego San Diego Opera La Jolla Historical Society San Diego Repertory Theatre La Jolla Music Society San Diego Society of Natural History Balboa Park La Jolla Symphony and Chorus Association San Diego Symphony Orchestra Association Lambda Archives of San Diego San Diego Theatres, Inc Mainly Mozart, Inc. San Diego Watercolor Society Malashock Dance & Company San Diego Women's Chorus Maritime Museum Association of San Diego San Diego Writers, Ink Media Arts Center San Diego San Diego Youth Symphony and Conservatory Mingei International, Inc.
  • Recorded Jazz in the 20Th Century

    Recorded Jazz in the 20Th Century

    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
  • Robert F. Smith, Jr. Museum Management Symposium

    Robert F. Smith, Jr. Museum Management Symposium

    Balboa Park Cultural Partnership Centro Cultural de la Raza House of Hospitality Japanese Friendship Garden Society of San Diego Mingei International Museum Museum of Photographic Arts Reuben H. Fleet Science Center San Diego Air & Space Museum San Diego Art Institute: Museum of the Living Artist San Diego Automotive Museum San Diego Hall of Champions Sports Museum San Diego Historical Society San Diego Junior Theatre San Diego Model Railroad Museum San Diego Museum of Art The Balboa Park Cultural Partnership San Diego Museum of Man presents San Diego Natural History Museum Spanish Village Art Center The Old Globe Timken Museum of Art Veterans Museum & Memorial Center WorldBeat Center Robert F. Smith, Jr. Zoological Society of San Diego Museum Management Symposium st 21 Century Leadership for Nonprofit Organizations The Partnership’s mission is to enrich the cultural life of San Diego by facilitating collaborative efforts among member institutions as well as between the Partnership and the community; to enable Balboa Park cultural institutions to achieve their full individual and collective potential; and to preserve and enhance the cultural assets of Balboa Park for future generations. November 19, 2007 9:00 a.m. to 11:00 a.m. James S. Copley Auditorium Balboa Park Cultural Partnership San Diego Museum of Art 1549 El Prado, Suite One San Diego, CA 92101 619.232.7502 www.bpcp.org Mr. Robert F. Smith, Jr. Robert F. Smith, Jr. Robert (Bob) F. Smith, Jr. was the co-founder and president of Museum Management Symposium Strategies & Teams, Inc., an international consulting company based in San Diego. Mr. Smith’s service to Balboa Park began when he Welcome was a young newsboy, selling daily papers at the California-Pacific Dr.
  • Advanced Scavenger Hunt

    Advanced Scavenger Hunt

    Balboa Park Scavenger Hunt AN EDUCATION PROGRAM OF FRIENDS OF BALBOA PARK Balboa Park History Balboa Park was originally built to host the Panama-California Exposition of 1915, celebrating the Earn your patch! opening of the Panama Canal. The Park was not intended to be permanent, but citizens rallied to preserve it. Over a century later, it remains one of San Diego's most beloved destinations. Your Mission Using the Balboa Park Map, follow the clues and riddles to learn even more about the park, its important buildings, museums, and institutions. Each “Hidden Treasure” will have a map number listed to help you narrow down your search. Good luck! Hidden Treasure #1 Hidden Treasure #2 Map number 11 Map letter A Many works of art from Spain can be found This garden was restored in 1962. inside this museum, and these Spanish artists can be found standing on the outside What is the name of this garden? of it. What club restored it? Hidden Treasure #3 Map letter H What are the last names of these three artists? This tropical oasis contains more than 1. 450 palms within 2 acres. 2. The original group of 3. Mexican Fan Palms date back to 1912. What is the name of this hidden spot? FRIENDS OF BALBOA PARK SCAVENGER HUNT Hidden Treasure #4 Hidden Treasure #6 Map number 22 Map number 15 The Spreckels Organ is the largest outdoor organ in the world! Who donated the organ to the City of San Diego, back in 1914? This spy was a dark secret when it first breathed air.
  • C100 Brochure

    C100 Brochure

    THE COMMITTEE 1915-1916 OF ONE HUNDRED he Panama-California Exposition, held in Balboa Park during 1915-1916, introduced Working to preserve Balboa Park’s historic TSpanish Colonial Revival architecture to architecture,10 gardens, and public 0 spaces since 1967 Southern California and to millions of visitors. The El Prado grouping, connected by arcades, was dubbed a “Dream City” by the press. The California Building, its tower and quadrangle, the Spreckels Organ Pavilion, the Botanical Building, the plazas, SAFE ZONE: gardens and the many “temporary” buildings along All critical elements (text, images, graphic elements, El Prado have thrilled San Diegans for one hundred logos etc.) must be kept inside the blue box. All text should have an 0.0625 inch spacing from the fold lines. years. Exposition buildings had begun to deteriorate as early as 1922, when George Marston appealed to TRIMMING ZONE: the public for funds in his letter to the editor of the Please allow 0.125 inches cutting tolerance around San Diego Union: your card. We recommend no borders due to shifting in the cutting process, borders may appear uneven. BLEED ZONE 0.125 inches: WhyCOVER should the park buildings be saved? Make sure to extend the background images or colors Were they not built as temporary structures, all the way to the edge of the black outline. without any thought of being retained after FOLD LINES: the Exposition period? … the community “OUTSIDEhas grown slowly into conviction that what we have there in Balboa Park—which is IMPORTANT something more than mere buildings— Please send artwork without blue, purple, black and gray frames.
  • Jimmy and Jeannie Cheatham Audiovisual Collection

    Jimmy and Jeannie Cheatham Audiovisual Collection

    Title of Collection: Jimmy and Jeannie Cheatham Audiovisual Collection Reference Code: US-MoKcUMS-MSA149 Repository: Marr Sound Archives UMKC Miller Nichols Library 800 E. 51st Street Kansas City, MO 64110 Creator: Cheatham, Jimmy and Jeannie Biographical History: Jeannie and Jimmy Cheatham and the Sweet Baby Blues Band played in the Kansas City blues style at its best. Jeannie Cheatham’s musical style was shaped in the church choir in Akron, Ohio. She began to study piano when she was five and went on to play in the school band. She and Jimmy Cheatham taught at the University of Wisconsin before moving to San Diego in 1978. Jimmy Cheatham retired as Professor Emeritus status in 1993 from the University of California at San Diego as Professor of Music. Jimmy was such a valuable resource, however, that UCSD officials hired him back immediately to continue in his role as Jazz Ensemble Director. In 1993, Jimmy and the UCSD Jazz Ensemble were selected by the San Diego Music Awards Committee for Best Jazz Ensemble. The Cheathams and the Sweet Baby Blues Band were voted as the Best Jazz Band in the area by the same group. Jimmy taught Improvisation and Black Music History and was the Director of UCSD’s Jazz Program during his active teaching years. Over the years, he played bass trombone with Duke Ellington, Lionel Hampton, Thad Jones and Ornette Coleman, and was Musical Director for Chico Hamilton. He arranged all the songs for the Sweet Baby Blues Band and co-wrote with his wife, Jeannie, most of their original songs.
  • San Diego History Center Is a Museum, Education Center, and Research Library Founded As the San Diego Historical Society in 1928

    San Diego History Center Is a Museum, Education Center, and Research Library Founded As the San Diego Historical Society in 1928

    The Journal of Volume 57 Fall 2011 Number 4 • The Number Journal of San Diego History 2011 57 Fall Volume San Diego History Publication of The Journal of San Diego History is underwritten by a major grant from the Quest for Truth Foundation, established by the late James G. Scripps. Additional support is provided by “The Journal of San Diego History Fund” of the San Diego Foundation and private donors. The color sections in this issue have been underwritten by Fred and Angelina Kleinbub. Mrs. Kleinbub is the granddaughter of Angelina Yorba Kraemer and is a direct descendant of Josefa Yorba. The San Diego History Center is a museum, education center, and research library founded as the San Diego Historical Society in 1928. Its activities are supported by: the City of San Diego’s Commission for Arts and Culture; the County of San Diego; individuals; foundations; corporations; fundraising events; membership dues; admissions; shop sales; and rights and reproduction fees. Articles appearing in The Journal of San Diego History are abstracted and indexed in Historical Abstracts and America: History and Life. The paper in the publication meets the minimum requirements of American National Standard for Information Science-Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. Front Cover: Guy Rose (1867-1925), The Leading Lady (ca. 1915), 70 x 60 in. Collector William C. Foxley recently donated this painting to the San Diego History Center. It won the gold medal at San Diego’s Panama-California Exposition in 1916. Courtesy of the San Diego History Center. Back Cover: Maurice Braun (1877-1941), Ranch, Riders Mounted, color pencil on paper, 18½ x 14½ in.
  • Kids Explore Free at Over 40 San Diego Museums This Fall

    Kids Explore Free at Over 40 San Diego Museums This Fall

    FOR IMMEDIATE RELEASE Kids Explore Free at Over 40 San Diego Museums This Fall Kids Free in October offers new adventures with free admission for kids 12 and under at San Diego Museum Council member institutions San Diego, CA (Sept. 12, 2018)— There is no better time to be a kid in San Diego than in the month of October. This October 1-31, the San Diego Museum Council (SDMC) presents Kids Free in October, an initiative that provides San Diegans and tourists alike the opportunity to explore more museum destinations than ever before. Going into its eighth year, this annual program sponsored by Scholarshare 529 provides free admission for kids 12 and under at more than 40 art, cultural, and science museums and historical sites in San Diego County. Organized by the San Diego Museum Council (SDMC), Kids Free in October is an opportunity for thousands of families to enjoy new museum experiences each year. Kids Free in October offers adventure for all ages, from the colorful Hall of Fishes in the Birch Aquarium at Scripps to the historical United States aircrafts at the Flying Leatherneck Aviation Museum. Nearly 20,000 kids participated in the program in 2017 with free access to the many diverse museums throughout San Diego County such as the Maritime Museum of San Diego in San Diego’s harbor, Museum of Music in Carlsbad, the Fleet Science Center in the heart of Balboa Park, and many more. “Families will be surprised to see new exhibits and experiences ready to be explored throughout San Diego -- from the California Surf Museum in Oceanside to the Living Coast Discovery Center in Chula Vista,” said Julio Martinez, executive director of the ScholarShare Investment Board, which oversees ScholarShare 529.
  • The Art Traveler Guide: a Portrait of Balboa Park Copyright ©2016 Save Our Heritage Organisation Edited by Alana Coons.Text by Ann Jarmusch

    The Art Traveler Guide: a Portrait of Balboa Park Copyright ©2016 Save Our Heritage Organisation Edited by Alana Coons.Text by Ann Jarmusch

    THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK 1 THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK ON THE COVER: “Mr. Goodhue’s Dream” (detail of Cabrillo Bridge and the California State Building) by RD Riccoboni®, a.k.a. the Art Traveler. He created all the paintings reproduced in this guide in acrylic on canvas or paper, working in Balboa Park and his San Diego studio (2006-2014). Paintings from Beacon Artworks Collection, ©RD Riccoboni. www.rdriccoboni.com MR. GOODHUE’S DREAM Acrylic on canvas, 2012 | 16 x 20 inches The Art Traveler Guide: A Portrait of Balboa Park Copyright ©2016 Save Our Heritage Organisation Edited by Alana Coons.Text by Ann Jarmusch. All rights reserved. No part of this book, either text or image may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without prior written permission of the publisher. Published by Our Heritage Press, 2476 San Diego Avenue, San Diego, CA 92110 ISBN-13 978-0-9800950-5-0 ISBN-10 0-9800950-5-0 THE ART TRAVELER GUIDE A PORTRAIT OF BALBOA PARK Paintings by RD Riccoboni Forward✥ by ✥ Bruce ✥ Coons Executive Director, Save Our Heritage Organisation Alana Coons, Editor Ann Jarmusch, Writer Martina Schimitschek, Designer Will Chandler and Michael Kelly, Editorial Consultants Second Edition An Our Heritage Press publication to commemorate the Centennial of the 1915 Panama-California Exposition, and to promote the preservation and celebration of historic Balboa Park in the heart of San Diego. Table of Contents Forward by Bruce Coons, Executive Director, Save Our Heritage Organisation ........