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The Radical Voices of Elizabeth Gaskell and Margaret Oliphant
From Fallen Woman to Businesswoman: The Radical Voices of Elizabeth Gaskell and Margaret Oliphant Item Type Thesis or dissertation Authors Baker, Katie Citation Baker, K. (2018). From Fallen Woman to Businesswoman: The Radical Voices of Elizabeth Gaskell and Margaret Oliphant. (Doctoral dissertation). University of Chester, United Kingdom. Publisher University of Chester Rights Attribution-NonCommercial-NoDerivs 3.0 United States Download date 30/09/2021 14:12:07 Item License http://creativecommons.org/licenses/by-nc-nd/3.0/us/ Link to Item http://hdl.handle.net/10034/621387 From Fallen Woman to Businesswoman: The Radical Voices of Elizabeth Gaskell and Margaret Oliphant Thesis submitted in accordance with the requirements of the University of Chester for the degree of Doctor of Philosophy by Katie Baker April 2018 Declaration The material being presented for examination is my own work and has not been submitted for an award of this or any other HEI except in minor particulars which are explicitly noted in the body of the thesis. Where research pertaining to the thesis was undertaken collaboratively, the nature and extent of my individual contribution has been made explicit. Signed Date Abstract This thesis demonstrates the ways in which Elizabeth Gaskell and Margaret Oliphant drew upon their domestic identities as wives and mothers to write in radical, yet subtle, ways which had the potential to educate and inform their young female readership. While in the nineteenth century the domestic space was viewed as the rightful place for women, I show how both Gaskell and Oliphant expanded this idea to demonstrate within their novels and short stories the importance of what I term an 'extended domesticity'. -
Preservation and Progress in Cranford
Preservation and Progress in Cranford Katherine Leigh Anderson Lund University Department of English ENGK01 Bachelor Level Degree Essay Christina Lupton May 2009 1 Table of Contents I. Introduction and Thesis.................................................. 3 II. Rejection of Radical Change in Cranford...................... 4 III. Traditional Modes of Progress....................................... 11 IV. Historical Transmission Through Literature.................. 14 V. Concluding Remarks....................................................... 18 VI. Works Cited...................................................................... 20 2 Introduction and Thesis Elizabeth Gaskell's Cranford was first published between 1851 and 1853 as a series of episodic stories in Household Words under the the editorship of Charles Dickens; it wasn't until later that Cranford was published in single volume book form. Essentially, Cranford is a collection of stories about a group of elderly single Victorian ladies and the society in which they live. As described in its opening sentence, ”In the first place, Cranford is in possession of the Amazons; all the holders of houses, above certain rent, are women” (1). Cranford is portrayed through the eyes of the first person narrator, Mary Smith, an unmarried woman from Drumble who visits Cranford occasionally to stay with the Misses Deborah and Matilda Jenkyns. Through Mary's observations the reader becomes acquainted with society at Cranford as well as Cranfordian tradition and ways of life. Gaskell's creation of Cranford was based on her own experiences growing up in the small English town of Knutsford. She made two attempts previous to Cranford to document small town life based on her Knutsford experiences: the first a nonfiction piece titled ”The Last Generation” (1849) that captured her personal memories in a kind of historical preservation, the second was a fictional piece,”Mr. -
Enlightenment and Dissent No.29 Sept
ENLIGHTENMENT AND DISSENT No.29 CONTENTS Articles 1 Lesser British Jacobin and Anti-Jacobin Writers during the French Revolution H T Dickinson 42 Concepts of modesty and humility: the eighteenth-century British discourses William Stafford 79 The Invention of Female Biography Gina Luria Walker Reviews 137 Scott Mandelbrote and Michael Ledger-Lomas eds., Dissent and the Bible in Britain, c. 1650-1950 David Bebbington 140 W A Speck, A Political Biography of Thomas Paine H T Dickinson 143 H B Nisbet, Gottfried Ephraim Lessing: His Life, Works & Thought J C Lees 147 Lisa Curtis-Wendlandt, Paul Gibbard and Karen Green eds., Political Ideas of Enlightenment Women Emma Macleod 150 Jon Parkin and Timothy Stanton eds., Natural Law and Toleration in the Early Enlightenment Alan P F Sell 155 Alan P F Sell, The Theological Education of the Ministry: Soundings in the British Reformed and Dissenting Traditions Leonard Smith 158 David Sekers, A Lady of Cotton. Hannah Greg, Mistress of Quarry Bank Mill Ruth Watts Short Notice 161 William Godwin. An Enquiry Concerning Political Justice ed. with intro. Mark Philp Martin Fitzpatrick Documents 163 The Diary of Hannah Lightbody: errata and addenda David Sekers Lesser British Jacobin and Anti-Jacobin Writers during the French Revolution H T Dickinson In the late eighteenth century Britain possessed the freest, most wide-ranging and best circulating press in Europe. 1 A high proportion of the products of the press were concerned with domestic and foreign politics and with wars which directly involved Britain and affected her economy. Not surprisingly therefore the French Revolution and the French Revolutionary War, impacting as they did on British domestic politics, had a huge influence on what the British press produced in the years between 1789 and 1802. -
Annual Report 2002-03 Final Version 050304 Second
IHR Annual Report 2002-3 Senate House Malet Street London WC1E 7HU t 020 7862 8740 f 020 7862 8745 Annual Report 2002-2003 University of London SCHOOL OF ADVANCED STUDY Page 1 IHR Annual Report 2002-3 Board, Staff, Fellows and Associates of the Institute Members of the Institute of Historical Research Advisory Council Ex officio Members Professor Nicholas Mann, The Dean of the School of Advanced Study Professor David Cannadine, The Director of the Institute of Historical Research Chair of the IHR Advisory Council Professor Peter Marshall, Emeritus Professor, King’s College, London Members Dr Tobias Abse, Goldsmiths College Sir Neil Cossons, English Heritage Dr Virginia Davis, Queen Mary, University of London Professor Christopher Dyer, University of Leicester Dr Clive Field, The British Library Professor Ralph A Griffiths, University of Wales, Swansea Professor Catherine Hall, University College London Ms Jane Hamlett, IHR Student Representative Dr Vanessa Harding, Birkbeck, University of London Dr Janet Hartley, London School of Economics Professor Angela V John, University of Greenwich Dr Elizabeth Hallam-Smith, Public Record Office Mr Gordon Marsden, MP Sir Peter Middleton, Barclays Bank Plc (until 02/03) Professor Pam Pilbeam, Royal Holloway, University of London Dr Avril Powell, School of Oriental and African Studies, University of London Dr Charles Saumarez Smith, National Gallery Dr Paul Seaward, History of Parliament Trust Professor Alan Smith, University of Glasgow Dr Barbara Taylor, University of East London Professor Miles -
Bibliographic Supplement Gaskell Scholarship 2002 – 2011
BIBLIOGRAPHIC SUPPLEMENT GASKELL SCHOLARSHIP 2002 – 2011 BIBLIOGRAPHIES/BIBLIOGRAPHIC ESSAYS Ashley, Mike. “Mrs. Gaskell: Victorian Novelist.” Book and Magazine Collector December, 2007: 26-37. Baker, Fran. “Gaskell Papers in the John Rylands University Library.” Gaskell Society Journal 20 (2006): 1-13. _____. “The Papers of J. G. Sharps.” Gaskell Society Newsletter 44 (Autumn, 2007): 2-6. Brotherton Library, University of Leeds. Gaskell and the Brontës: Literary Manuscripts of Elizabeth Gaskell (1810-1865) and the Brontës from the Brotherton Library, University of Leeds. A Listing and Guide to the Microfilm Collection. Marlborough: Adam Matthew, 2003. Print. Chapple, John A.V. “Early Gaskell Scholars: Adolphus William Ward 1837- 1924.” Gaskell Society Journal 19 (2005): 96-99. Hamilton, Susan. “Gaskell Then and Now.” The Cambridge Companion to Elizabeth Gaskell. Ed. Jill L. Matus. Cambridge: Cambridge UP, 2007. 178-191. _____. “Ten Years of Gaskell Criticism.” Dickens Studies Annual 31 (2002): 397-414. Lingard, Christine. “Gaskell in Translation: A Summary.” Gaskell Society Newsletter 41 (Spring, 2006): 10-16. Sadlair, Michael. 1922. “Mrs. Gaskell.” Excursions in Victorian Bibliography: Scholar Select. Charleston, SC: Nabu Press, 2010. 201-213. Print. NancySWeyant.com Shattock, Joanne. “The New Complete Edition of the Works of Elizabeth Gaskell.” Gaskell Society Journal 19 (2005): 100-106. Shelston, Alan. “Where Next in Gaskell Studies?” Elizabeth Gaskell, Victorian Culture, and the Art of Fiction: Original Essays for the Bicentenary. Ed. Sandro Jung. Ghent: Academia P, 2010. 1-12. Weyant, Nancy S. Elizabeth Gaskell: An Annotated Guide to English Language Sources, 1992-2001. Lanham, MD: Scarecrow Press, 2004. BIOGRAPHIES/BIOGRAPHICAL FOOTNOTES Avery, Simon. 2003. “Gaskell, Elizabeth Cleghorn.” Continuum Encyclopedia of British Literature. -
Elizabeth Gaskell and the Middle Class
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2009 “The Sort . of People to Which I Belong”: Elizabeth Gaskell and the Middle Class Allison Masters The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Masters, Allison, "“The Sort . of People to Which I Belong”: Elizabeth Gaskell and the Middle Class" (2009). Graduate Student Theses, Dissertations, & Professional Papers. 16. https://scholarworks.umt.edu/etd/16 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. “THE SORT . OF PEOPLE TO WHICH I BELONG”: ELIZABETH GASKELL AND THE MIDDLE CLASS By ALLISON JEAN MASTERS B.A., University of Colorado, Boulder, Colorado, 2006 Thesis presented in partial fulfillment of the requirements for the degree of Masters of Arts in English Literature The University of Montana Missoula, MT May 2009 Approved by: Perry Brown, Associate Provost for Graduate Education Graduate School John Glendening, Chair English Jill Bergman English Ione Crummy French Masters ii Masters, Allison, M.A., May 2009 English “The Sort . of People to Which I Belong”: Elizabeth Gaskell and the Middle Class Chairperson: John Glendening In this thesis, I examine Elizabeth Gaskell’s development as a middle-class author, which is a position that most scholars take for granted. -
A Thesis Submitted, to the Faculty of .Divinity of the University of Edinburgh in Partial Fulfilment of the Requirements for the Ph
THE T ii E I S Li 0 JAMES M A It T I 1, E A U A Thesis submitted, to the Faculty of .Divinity of the University of Edinburgh in partial fulfilment of the requirements for the Ph. D. degree. Gerald Otho LloJulloh, II.A., S.T.B Hay, 1933, -1- This study is an exposition and evaluation of the Theism of James Liartineau, shewing also the manner in which Martineau influenced and was influenced by tiie various trends of thought in the nineteenth century. Special attention has been devoted to that phase of his theism which deals y/ith his doctrine of God. The task of presenting a clear picture of Martineau's viev,r has been rendered difficult at some points by his practice of criticizing opposing views without giving a systematic presentation of his own. In such cases it has been found necessary to deal directly with his treatment of the relation between his own position and that to which he is opposed. Although his exposition of these opposing views is not always accurate, no criticism has been attempted of these inaccuracies. It will be seen that such questions are not of major importance for the understanding of Llartineau's own position. In making citations in l^ootnotes the books have been indicated by the author's name, the initials of the title of the book to which reference is made, and the volume and page numbers. it'or example, a reference to Martineau's Study of fteligion. volume one, page thirteen, will appear thus: Martineau, SCii, I, 13. -
James Martineau Selections
JAMES MARTINEAU I 888 JAMES MARTINEAU SELECTIONS COMPILED BY ALFRED HALL, M.A, D.D. THE LINDSEY PRESS 14 GORDON SQUARE, LONDON, W.C.1 First published 1950 The nineteenth century had no more reverent thinker than Mar- tineau : the awe of the Eternal was the very atmosphere he breathed, and he looked at man with the com- passion of one whose thoughts were full of God. PREFACE THE following selections have been made in the hope that interest may be revived in the man of whom Gladstone said, " There is no doubt that Mr. Martineau is the greatest of living thinkers." In the Victorian Age, when the conflict between science and religion was at its height, he stood forth as the protagonist on behalf of Ethical Theism. A man of exceptional mental quali- ties and argumentative power, he was recognized at once by the opponents of theism as a foeman worthy of their steel. " At critical moments ", wrote Dr. Fair- bairn, " the name of James Martineau was a tower of strength to the feeble, and his words, like Luther's, were not only half battles, but equal to whole victories." Yet in recent discussions dealing with that controversy and in volumes treating of the Philosophy of Religion, his work and thought have received scant attention. Even those who have been proud to regard him as their leader have been neglectful of his writings. It may be that his influence has waned, because, owing to the disturbed state of the world during the last two genera- tions, little opportunity has been afforded for the serious contemplation of the high themes of the ultimate truths of God and the soul. -
RESEARCH FRAMEWORK 100 the Derwent Valley 100 95 95
DERWENT VALLEY MILLS DERWENT VALLEY 100 The Derwent Valley 100 95 95 75 The Valley that changed the World 75 25 DERWENT VALLEY MILLS WORLD HERITAGE SITE 25 5 RESEARCH FRAMEWORK 5 0 0 Edited by David Knight Inscriptions on UNESCO's SITE RESEARCH FRAMEWORK WORLD HERITAGE prestigious World Heritage List are based on detailed research into the sites' evolution and histories. The role of research does not end with the presentation of the nomination or indeed the inscription itself, which is rst and foremost a starting point. UNESCO believes that continuing research is also central to the preservation and interpretation of all such sites. I therefore wholeheartedly welcome the publication of this document, which will act as a springboard for future investigation. Dr Mechtild Rössler, Director of the UNESCO Division for Heritage and the UNESCO World Heritage Centre 100 100 95 95 75 75 ONIO MU IM N R D T IA A L P W L O A I 25 R 25 D L D N H O E M R E I T I N A O GE IM 5 PATR 5 United Nations Derwent Valley Mills Educational, Scientific and inscribed on the World 0 Cultural Organisation Heritage List in 2001 0 Designed and produced by Derbyshire County Council, County Hall, Matlock Derbyshire DE4 3AG Research Framework cover spread print 17 August 2016 14:18:36 100 100 95 95 DERWENT VALLEY MILLS WORLD HERITAGE SITE 75 75 RESEARCH FRAMEWORK 25 25 5 Edited by David Knight 5 0 0 Watercolour of Cromford, looking upstream from the bridge across the River Derwent, painted by William Day in 1789. -
From Cranford to the Country of the Pointed Firs: Elizabeth Gaskell's American Publication and the Work
From Cranford to The Country of the Pointed Firs: Elizabeth Gaskell’s American Publication and the Work of Sarah Orne Jewetti ALAN SHELSTON In this second of two articles on Elizabeth Gaskell’s American connections I plan first to outline the history of the publication of her work in the United States during her own lifetime, and then to consider the popularity of Cranford in that country in the years following her death. I shall conclude by discussing the work of the New England writer, Sarah Orne Jewett whose story sequences Deephaven (1877) and The Country of the Pointed Firs (1896) clearly reflect the influence of Gaskell’s work. I One of the remarkable things about Gaskell’s career as a novelist is the way in which, after a late start, her career took off. She was in her late thirties when Mary Barton was published, but from then on, and in particular through the 1850s, her output was incessant. This was partly due to the fact that Dickens took her up for Household Words; it is interesting to watch her becoming increasingly independent of his encouragement and influence through the fifties decade. What is also interesting is the extent to which she was taken up abroad, both on the continent and in the USA. To some extent this is because publishers in those countries found it more profitable to publish established English authors - even if, as in the case of the Europeans, they had to translate them - than to develop native talent. It was a period when popular fiction flourished, often published in cheap and sometimes unauthorised popular series. -
What Kind of Book Isc( Cr Anfora"?
What Kind of Book is C( Cr anfora"? GEORGE V. GRIFFITH "That a book is a novel means anything or nothing; the practical question relates to its character and contents."1 -LOR SO SLIGHT a thing Cranford is a problematic book. Every• one loves it, although no one is quite sure how it works or what it is. A glance at its printing history and the history of its critical reception confirms the problem. Whereas Mrs. GaskelPs other novels have seen no more than five or six editions, Cranford has appeared in no fewer than one hundred and seventy editions since 1853.2 Yet through the critical assessment and revaluation two troubling questions persist. The first is a generic question (is it a novel?), the second a question of narrative technique (what is the manner of its telling?). Cranford has been alternately labelled a novel or a collection of sketches. Generic labellers have consistently hedged, carefully tendering their descriptions with oddly hyphenated terms and a liberal sprinkling of the words "although" and "perhaps." Thus to a biographer what begins as a "story-article" became what "might be called a novel."3 To an eminent historian of the novel Cranford "happily perhaps is not a novel."* To a chronicler of the short story form Cranford "though it has far more unity than a mere collection of stories about a single locale, is after all episodic and more truly belongs to the history of short fiction than some of her shorter pieces."5 A similar confusion characterizes the discussion of Cranford's narrative technique. -
1 Philosophy at University College London
1 Philosophy at University College London: Part 1: From Jeremy Bentham to the Second World War Talk to Academic Staff Common Room Society, April 2006 Jonathan Wolff I’m quite often asked to give talks but I’m rarely asked to talk about the philosophy department. In fact I can only remember being asked to do this once before: to College Council very soon after Malcolm Grant was appointed as Provost. On that occasion I decided to tell a cautionary tale: painting a picture of the brilliance of the department in the late 1970s – second in the country only to the very much larger department at Oxford; how it was all ruined in the early 1980s by a wave of cost- cutting measures in which all the then internationally known members of the department left; and how it has taken twenty-five years to come close to recovery. This seemed to go down well on the day, but I can’t say that I won the longer term argument about the imprudence of cost-cutting. For this talk I was, at first, at a bit of a loss to know what to talk about. One possibility would be to try to describe the research that currently takes place in the department. But this idea didn’t appeal. Philosophers tend to work on their own, and so we don’t have research groups, as such, or collective projects. We have 15 members of the department, each engaged on their own research. Also, every time I try to summarize their work my colleagues tell me that I have misunderstood it.