The Importance of Time in Charles Dickens' Hard Times
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Dombey and Son: an Inverted Maid's Tragedy
Advances in Language and Literary Studies ISSN: 2203-4714 Vol. 6 No. 3; June 2015 Flourishing Creativity & Literacy Australian International Academic Centre, Australia Dombey and Son: An Inverted Maid's Tragedy Taher Badinjki Department of English, Faculty of Arts, Al-Zaytoonah University P O box 1089 Marj Al-Hamam, Amman 11732, Jordan E-mail: [email protected] Doi:10.7575/aiac.alls.v.6n.3p.210 Received: 14/02/2014 URL: http://dx.doi.org/10.7575/aiac.alls.v.6n.3p.210 Accepted: 29/04/2015 Abstract Ross Dabney, J. Butt & K. Tillotson, and others think that Dickens revised the role of Edith in the original plan of Dombey and Son upon the advice of a friend. I tend to believe that Dickens's swerve from his course was prompted by two motives, his relish for grand scenes, and his endeavour to engage the reader's sympathies for a character who was a victim of a social practice which he was trying to condemn. Dickens's humanitarian attitude sought to redeem the sinner and condemn the sin. In engaging the reader's sympathies, Dickens had entrapped his own. Both Edith and Alice are shown as victims of rapacious mothers who sell anything, or anybody for money. While Good Mrs Brown sells Alice's virtue and innocence for cash, Mrs Skewton trades on Edith's beauty in the marriage market to secure fortune and a good establishment. Edith and Alice's maturity and moral growth and their scorn and anger at their mothers' false teaching come in line with public prudery. -
Industrial Relations: Carlyle's Influence on Hard Times
Industrial Relations: Carlyle's influence on Hard Times Graham Law I. Introduction The aim of the present paper is the strictly limited one of presenting detailed internal evidence of the nature and extent of the influence of the writings of Thomas Carlyle on Charles Dickens's anti-utilitarian novel of 1854 Hard Times. The principal works of Carlyle in question here are: Sartor Resartus (1833-4, cited as SR), Chartism (1839, cited as CH), Past and Present (1843, cited as P&P), and Latter-Day Pamphlets (1850, cited as LDP), three works which return explicitly to the 'Condition-of-England question' first raised in the 1929 essay 'Signs of the Times' (cited as SofT), plus the History of the French Revolution (1837, cited as FR), a book less explicitly connected to the theme of industrialism but with which Dickens appears to have been especially familiar.1 Specific citations in the extensive exemplification which follows refer to the Centenary Edition of Carlyle's works, published in thirty volumes by Chapman & Hall in 1898, using the abbreviation CE. Citations from Hard Times refer to the 'Charles Dickens' edition published by Chapman and Hall in 1868, using the abbreviation HT. Citations from the weekly family journal Dickens conducted during the 1850s, Household Words, are indicated by the abbreviation HW. The wider implications of this material, in particular with regard to Dickens's contribution to the early Victorian genre of the industrial novel and the debate on industrialisation which Carlyle called 'the Condition-of-England question,'2 are here only briefly outlined but are discussed in greater detail elsewhere.3 The relative literary status of Carlyle's social criticism and Dickens's novel is now almost precisely the reverse of that pertaining when they were first received by the Victorian reading public. -
1854 HARD TIMES Charles Dickens 2
1 1854 HARD TIMES Charles Dickens 2 Dickens, Charles (1812-1870) - The most popular and perhaps greatest English novelist and short-story writer, he drew on his experiences as a poor child to produce extremely realistic stories. Hard Times (1854) - Thomas Gradgrind is an educator who believes only in the demonstrable fact. He raises his children, Louisa and Thomas, in a grim materialistic atmosphere that adversely affects their entire lives. “Hard Times” is an indictment of the values of 19th century industrial England. 3 Table Of Contents BOOK THE FIRST CHAPTER 1 . .. 6 The One Thing Needful CHAPTER 2 . 7 Murdering the Innocents CHAPTER 3 . 12 A Loophole CHAPTER 4 . 16 Mr Bounderby CHAPTER 5 . 22 The Key-note CHAPTER 6 . 27 Sleary’s Horsemanship CHAPTER 7 . 38 Mrs Sparsit CHAPTER 8 . 43 Never Wonder CHAPTER 9 . 48 Sissy’s Progress CHAPTER 10 . 54 Stephen Blackpool CHAPTER 11 . 59 No Way Out CHAPTER 12 . 65 The Old Woman CHAPTER 13 . .69 Rachael CHAPTER 14 . 75 The Great Manufacturer CHAPTER 15 . 79 Father and Daughter CHAPTER 16 . 85 Husband and Wife BOOK THE SECOND CHAPTER 1 . 91 Effects in the Bank CHAPTER 2 . 102 Mr James Harthouse CHAPTER 3 . 109 The Whelp CHAPTER 4 . 113 Men and Brothers 4 CHAPTER 5 . 120 Men and Masters CHAPTER 6 . 126 Fading Away CHAPTER 7 . 136 Gunpowder CHAPTER 8 . 146 Explosion CHAPTER 9 . 156 Hearing the Last of it CHAPTER 10 . 163 Mrs Sparsit’s Staircase CHAPTER 11 . 167 Lower and Lower CHAPTER 12 . 174 Down BOOK THE THIRD CHAPTER 1 . 179 Another Thing Needful CHAPTER 2 . -
Troubled Masculinity at Midlife: a Study of Dickens's Hard Times
235 Troubled Masculinity at Midlife: A Study of Dickens’s Hard Times HATADA Mio Hard Timesで提示される “Fact”と“Fancy”の2つの対照的な世界、あるいは価値観は、一見 すると相反するもののように思われるが、この小説は両者の対立よりもむしろ、両者がいかに 密接な関係を持っているかを暗示しているように思われる。そして、主要な登場人物は複雑に 絡まり合ったこれら2つの世界に、それぞれのやり方で関わりを持ち、反応を示す。興味深い ことに、2つの絡み合う世界は、主要な人物(その多くは中年の男性である)の抱えている問 題とも密接な関係を持っている。本稿ではHard Timesにおける2つの世界を、作品中で直接姿 を現すことのないSissy の父親の存在を手がかりに、中年期の男性が経験するmasculinityの危 機、という観点から再考している。 キーワード:aging, masculinity, gender Introduction It is well known that F. R. Leavis included Hard Times in his work The Great Tradition, calling it “a completely serious work of art” (Leavis 258) with the “subtlety of achieved art” (Leavis 279). Much earlier, John Ruskin estimated the novel as “the greatest” of Dickens’s novels, and asserted that it “should be studied with close and earnest care by persons interested in social questions” (34). Many other critics make much of the aspect of Hard Times as a critique of the contemporary society, and it has often been treated with other industrial novels such as Elizabeth Gaskell’s North and South (1855). Humphry House, for instance, points out that Dickens was “thinking much more about social problems,” and that “Hard Times is one of Dickens’s most thought-about books.” He goes on to assert that “in the ’fi fties, his novels begin to show a greater complication of plot than before” because “ he was intending to use them as a vehicle of more concentrated sociological argument” (House 205). David Lodge, too, affi rms, “Hard Times manifests its identity as a polemical work, a critique of mid-Victorian industrial society dominated by materialism, acquisitiveness and ruthlessly competitive capitalist economics,” which are “represented... by the Utilitarians” (Lodge 69‒70). -
The Characters of a Christmas Carol Page 10: Pre and Post Show Questions & Discussion Starters Page 11: Resources Language Arts Core Curriculum Standards CCRR3
Theatre for Youth and Families A Christmas Carol Based on the story by Charles Dickens Adapted by David Bell Directed by Rosemary Newcott Study Guide, grades K-5 Created by the Counterpane Montessori Middle and High School Dramaturgy Team of Martha Spring and Katy Farr As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students program Under the guidance of Resident Teaching Artist Kim Baran Now in its 25th season, a magical holiday tradition for the whole family. On the Alliance Theatre stage November 21 through December 24, 2014 A Christmas Carol Study Guide 1 Happy Holidays from the Alliance Theatre! Welcome to the Alliance Theatre’s production of A Christmas Carol, written by Charles Dickens and adapted for stage by David H. Bell. This Study Guide has been created with the student audience in mind with the intent of providing a starting point as the audience prepares and then reflects together upon the Alliance Theatre for Youth and Families’ series production of A Christmas Carol. A note from the director, Rosemary Newcott, the Sally G. Tomlinson Artistic Director of Theatre for Youth and Families: “I think of this show as a gift to Atlanta . I always hope it reflects the look and spirit of our community. The message is one that never grows old – that one is still capable of change — no matter what your age or what you have experienced!” Table of Contents Page 3: Charles Dickens Page 4-5: Vocabulary **(see note below) Page 6: Cast of Characters; Synopsis of the story Page 7: Money of Victorian England Page 8: Design your Own Christmas Carol Ghost Costume! Page 9: Word Search: The Characters of A Christmas Carol Page 10: Pre and Post show questions & discussion starters Page 11: Resources Language Arts Core Curriculum Standards CCRR3. -
Hard Times Major Characters Mr. Gradgrind: Thomas Gradgrind Is the Notorious School Board Superintendent in Dickens's Novel Hard
University of Tikrit College Education for Women Majeed Hammadi Kahalifa Class: Third Class English Department Assistant Lecturer Subj: Novel Hard Times Major characters Mr. Gradgrind: Thomas Gradgrind is the notorious school board Superintendent in Dickens's novel Hard Times who is dedicated to the pursuit of profitable enterprise. His name is now used generically to refer to someone who is hard and only concerned with cold facts and numbers. He is an intense follower of Utilitarian ideas. He soon sees the error of these beliefs however, when his children's lives fall into disarray. Mr. Bounderby: Josiah Bounderby is a business associate of Mr. Gradgrind. Given to boasting about being a self-made man, he employs many of the other central characters of the novel. He has risen to a position of power and wealth from humble origins (though not as humble as he claims). He marries Mr. Gradgrind's daughter Louisa, some 30 years his junior, in what turns out to be a loveless marriage. They have no children. Bounderby is callous, self-centred and ultimately revealed to be a liar and fraud. Louisa: Louisa (Loo) Gradgrind, later Louisa Bounderby, is the eldest child of the Gradgrind family. She has been taught to suppress her feelings and finds it hard to express herself clearly, saying as a child that she has "unmanageable thoughts." After her unhappy marriage, she is tempted to adultery by James Harthouse, but resists him and returns to her father. Her rejection of Harthouse leads to a new understanding of life and of the value of emotions and the imagination. -
The Treatment of Children in the Novels of Charles
THE TREATMENT OF CHILDREN IN THE NOVELS OF CHARLES DICKENS A THESIS SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY CLEOPATRA JONES DEPARTMENT OF ENGLISH ATLANTA, GEORGIA AUGUST 1948 ? C? TABLE OF CONTENTS % Pag® PREFACE ii CHAPTER I. REASONS FOR DICKENS' INTEREST IN CHILDREN ....... 1 II. TYPES OF CHILDREN IN DICKENS' NOVELS 10 III. THE FUNCTION OF CHILDREN IN DICKENS' NOVELS 20 IV. DICKENS' ART IN HIS TREATMENT OF CHILDREN 33 SUMMARY 46 BIBLIOGRAPHY 48 PREFACE The status of children in society has not always been high. With the exception of a few English novels, notably those of Fielding, child¬ ren did not play a major role in fiction until Dickens' time. Until the emergence of the Industrial Revolution an unusual emphasis had not been placed on the status of children, and the emphasis that followed was largely a result of the insecure and often lamentable position of child¬ ren in the new machine age. Since Dickens wrote his novels during this period of the nineteenth century and was a pioneer in the employment of children in fiction, these facts alone make a study of his treatment of children an important one. While a great deal has been written on the life and works of Charles Dickens, as far as the writer knows, no intensive study has been made of the treatment of children in his novels. All attempts have been limited to chapters, or more accurately, to generalized statements in relation to his life and works. -
Victorian Ghost Stories and the Christmas Market
Illumine Vol. 11, No. 1, 2012 “Winter Stories — Ghost Stories... Round the Christmas Fire”: Victorian Ghost Stories and the Christmas Market Caley Ehnes, University of Victoria Abstract Using the publication of Elizabeth Gaskell’s “The Old Nurse’s Story” in the 1852 Christmas number of Dickens’s Household Words as a case study, this paper examines how the publication of Victorian ghost stories in Christmas numbers redefines the ghost story, transforming it from a modern text participating in contemporary debates on spiritualism into a social text participating in the broader cultural project of reaffirming the nation’s (religious) traditions in the face of (secular) modernity. While the themes of Christmas ghost stories explicitly address social issues and secular, middle-class cultural values, the morals and social traditions promoted by Christmas fiction cannot exist outside of the era’s contemporary conversations about the place of religion in a modern, industrial society. The ghosts and goblins of Dickens’s Christmas fiction address and attempt to correct the social ills of modern society through a secularised application of Christian values and behaviours. n his first full-length novel, The Pickwick Papers (1836-37), Charles Dickens introduces readers to the Christmas traditions prevalent in his youth. Our host, Mr. Wardle, informs the IPickwickian crowd, “[o]ur invariable custom [is to have everyone sit] down with us on Christmas Eve, as you see them now—servants and all; and here we wait, until the clock strikes twelve, to usher Christmas in, and beguile the time with forfeits and old stories.”1 1 Charles Dickens, The Pickwick Papers. -
Hard Times by Charles Dickens BOOK the FIRST
Hard Times by Charles Dickens BOOK THE FIRST - SOWING CHAPTER I - THE ONE THING NEEDFUL 'NOW, what I want is, Facts. Teach these boys and girls nothing but Facts. Facts alone are wanted in life. Plant nothing else, and root out everything else. You can only form the minds of reasoning animals upon Facts: nothing else will ever be of any service to them. This is the principle on which I bring up my own children, and this is the principle on which I bring up these children. Stick to Facts, sir!' The scene was a plain, bare, monotonous vault of a school-room, and the speaker's square forefinger emphasized his observations by underscoring every sentence with a line on the schoolmaster's sleeve. The emphasis was helped by the speaker's square wall of a forehead, which had his eyebrows for its base, while his eyes found commodious cellarage in two dark caves, overshadowed by the wall. The emphasis was helped by the speaker's mouth, which was wide, thin, and hard set. The emphasis was helped by the speaker's voice, which was inflexible, dry, and dictatorial. The emphasis was helped by the speaker's hair, which bristled on the skirts of his bald head, a plantation of firs to keep the wind from its shining surface, all covered with knobs, like the crust of a plum pie, as if the head had scarcely warehouse-room for the hard facts stored inside. The speaker's obstinate carriage, square coat, square legs, square shoulders, - nay, his very neckcloth, trained to take him by the throat with an unaccommodating grasp, like a stubborn fact, as it was, - all helped the emphasis. -
Commodity Culture in Dickens's Household Words
COMMODITY CULTURE IN DICKENS’S HOUSEHOLD WORDS For Mary and in memory of Ron Commodity Culture in Dickens’s Household Words The Social Life of Goods CATHERINE WATERS University of New England, Australia First published 2008 by Ashgate Publishing Published 2016 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 711 Third Avenue, New York, NY 10017, USA Routledge is an imprint of the Taylor & Francis Group, an informa business Copyright © Catherine Waters 2008 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. Catherine Waters has asserted her moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. British Library Cataloguing in Publication Data Waters, Catherine Commodity culture in Dickens’s Household words : the social life of goods. – (The nineteenth century series) 1. Household words 2. Commercial products – Great Britain – History – 19th century I. Title 052 Library of Congress Cataloging-in-Publication Data Waters, Catherine. Commodity culture in Dickens’s Household words : the social life of goods / by Catherine Waters. p. cm. — (The nineteenth century series) Includes bibliographical references. ISBN-13: 978-0-7546-5578-7 (hbk) 1. Household words. 2. Commercial products—Great Britain—History—19th century. -
Dickens : a Chronology of His Whereabouts
Tracking Charles Dickens : A Chronology of his Whereabouts Previous Dickens chronologies have focused on his life and works : this one does not attempt to repeat their work, but to supplement them by recording where he was at any given date. Dickens did not leave a set of appointment diaries, but fortunately he did leave a lifetime of letters, pinpointing at the head both the date and place of composition. This chronology is based on that information as published in the awesome Pilgrim Edition of his letters published by the Oxford University Press. The source of each entry in the chronology is identified. There are more than 14,000 letters in Pilgrim, giving a wealth of detail for the chronology. Many of the letters, of course, were written from his home or office, but he was an indefatigable traveller, and in the evening he still somehow found the energy to write one from his hotel room. Even so, there are inevitably many dates with no letter, and some of those gaps have been (and will be) filled from information in the letters themselves, and from other reliable sources. Philip Currah. DICKENSDAYS E.B. Elias Bredsdorff, Hans Andersen and Charles Dickens : A Friendship and Its Dissolution.Cambridge, Eng. : Heffer, 1956. 140 p. ill. E.P. Edward F. Payne, Dickens Days in Boston : A Record of Daily Events. Boston : Houghton Mifflin, 1927. 274 p. ill. E.J. Edgar Johnson, Charles Dickens : His Tragedy and Triumph. London : Victor Gollancz, 1953. 2 v. (xxii, 1159, cxcvii p.) ill. J.F. John Forster, The Life of Charles Dickens. -
“Innocent” Table in Our Mutual Friend
“The Voice of Society” Dickens’ Surprising Lesson in Diplomacy Spoken by the “Innocent” Table in Our Mutual Friend by Patricia Hernandez A Thesis Submitted to the Faculty of The Wilkes Honors College in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in Liberal Arts and Sciences with a Concentration in English/Literature Wilkes Honors College of Florida Atlantic University Jupiter, Florida June 2007 “The Voice of Society” Dickens’ Surprising Lesson in Diplomacy Spoken by the “Innocent” Table in Our Mutual Friend by Patricia Hernandez This thesis was prepared under the direction of the candidate’s thesis advisor, Dr. Hilary A. Edwards, and has been approved by the members of her supervisory committee. It was submitted to the faculty of The Honors College and was accepted in partial fulfillment of the requirements for the degree of Bachelor of Arts in Liberal Arts and Sciences. SUPERVISORY COMMITTEE: ____________________________ Dr. Hilary A. Edwards ____________________________ Dr. Laura Barrett ______________________________ Dean Jeffrey Buller, Wilkes Honors College ____________ Date ii ABSTRACT Author: Patricia Hernandez Title: “The Voice of Society” Dickens’ Surprising Lesson in Diplomacy Spoken by the “Innocent” Table in Our Mutual Friend Institution: Wilkes Honors College of Florida Atlantic University Thesis Advisor: Dr. Hilary A. Edwards Degree: Bachelor of Arts in Liberal Arts and Sciences Concentration: English/Literature Year: 2007 In Our Mutual Friend Dickens plays with the idea of people becoming things and things becoming people. One such person, who is initially introduced as a table, is Melvin Twemlow. This member of the aristocracy plays an almost comical, minor role within one sub-plot of the novel, but over the course of the novel progresses from a “feeble” character into a strong, morally authoritative voice.