DOCSLIB.ORG

John Kaldor & Anthony Bond

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
John Kaldor & Anthony Bond John Kaldor & Anthony Bond 40 Years of Kaldor Public Art Projects Public Lecture 6.00pm Thursday, 10 September 2009 Edgeworth David Old Geology Theatre, Parramatta Rd, University of Sydney (Next to Footbridge Theatre) Free, all welcome On 2nd October 2009 the Art Gallery of NSW will open an exhibition celebrating 40 years of Kaldor Public Art Projects. At Sydney University John Kaldor and Anthony Bond will present a history of Kaldor Public Art Projects since 1969 starting with the global first of Christo and Jean-Claude wrapping Little Bay and announcing the next project that will form part of the anni- versary exhibition. Anthony will present the art historical narrative while John will recall some of his fascinating experiences of working with these artists: 1969 Christo and Jeanne-Claude, 1971 Harald Szeemann, 1973 Gilbert & George, Antoni Miralda, 1976 Charlotte Moorman & Nam June Paik, 1977 Sol LeWitt, 1977–78 Richard Long, 1984–85 An Australian Accent: Mike Parr, Imants Tillers & Ken Unsworth, 1990–91 Christo and Jeanne-Claude, 1995 Jeff Koons, 1998 Sol LeWitt, 1999 Vanessa Beecroft, 2003–04 Ugo Rondinone, 2004 Barry McGee, 2007 Urs Fischer, Gregor Schneider, 2008 Bill Viola, Martin Boyce, 2009 Tatzu Nishi. Anthony Bond is currently Assistant Director Curatorial at the Art Gallery of NSW where he has been responsible for collect- ing international contemporary art since 1984. Major exhibitions include: The British Show at AGNSW and touring 1984-85, Australian Perspecta 1985, 87 and 89. The 9th Sydney Biennale Boundary Rider 1992-93, Tony Cragg 1997, TRACE the inaugural Liverpool Biennale of Contemporary International Art 1999. He has also curated historical exhibitions such as Body 1997 and Self Portrait: Renaissance to Contemporary for the National Portrait Gallery London and AGNSW Sydney 2005-6. Anselm Kiefer Aperiatur terra with accompanying book was launched in London in January at White Cube and in AGNSW May 2007. He is currently working on a survey of forty years of John Kaldor projects at AGNSW and preparing for a major series of exhibitions with the Kaldor collection and Contemporary AGNSW collections starting 2011. John Kaldor is a committed supporter and patron of international contemporary art in Australia. In 1969 he commissioned Christo and Jean-Claude to wrap Little Bay. Since that time Kaldor has continued to instigate ground-breaking projects with some of the most iconic artists of his time. John Kaldor served as the Commissioner for the Australian Pavilion in the 51st Venice Biennale in 2005 and the 52nd Venice Biennale in 2007. In 2008 John Kaldor and his family donated an art collection built over 50 years to the Art Gallery of New South Wales. It is the largest gift for the visual arts to an Australian institution. Exhibition: Kaldor Public Art Projects: 40 Years, Art Gallery NSW, 2 October 2009 – 14 February 2010 THE POWER INSTITUTE FOUNDATION FOR ART & VISUAL CULTURE T: 9351 4211 E: [email protected] W: http://www.arts.usyd.edu.au/centres/power/ (See University of Sydney map, ref: D:15 http://db.auth.usyd.edu.au/directories/map/largemap00a.html) .
Load more

Recommended publications
  • Bring the World to Australia: the John Kaldor Family Collection
    Art Appreciation Lecture Series 2016 Collectors & Collections: classical to contemporary Bring the world to Australia: The John Kaldor Family Collection Wayne Tunnicliffe 10/11 August 2016 Lecture summary: In 2011 the John Kaldor Family Gallery opened at the Art Gallery of New South Wales in conjunction with the announcement of an extraordinary gift of international art dating from the 1960s until now, the most important and most valuable public gift of art in Australian history. The collection was transformative - together with the AGNSW’s existing collection it has enabled an exceptional representation of international American and European art of the late 20th century in Sydney. John Kaldor is now in his sixth decade of collecting avant-garde art and this lecture will explore how from his base in Sydney he engaged with some of the most advanced international artists and art movements of the late 20th century and how building his collection lead to his staging the internationally known Kaldor Public Art Projects. This lecture will also look at how John Kaldor lived with his art collection, before he and his family gave it all away. Slide list: All works are part of the John Kaldor Family Collection at the Art Gallery of New South Wales unless otherwise stated. 1. John Kaldor in 1975, portrait by Lewis Morley, gelatin silver photograph, 33.9 x 22.2 cm, National Portrait Gallery, Canberra 2. Roy Lichtenstein Peanut butter cup 1962, oil on canvas, 35.5 cm x 35.5 cm, John Kaldor and Naomi Milgrom collection 3. Left: Roy Lichtenstein Peanut butter cup 1962 in John Kaldor’s home Right: Roy Lichtenstein Peanut butter cup 1962 and Roy Lichtenstein Kitchen range 1961- 62, oil on canvas, 173 x 173 cm, National Gallery of Australia, installed in Pop to Popism at the AGNSW, December 2014 4.
    [Show full text]
  • 1 Doing It in Public the Kaldor Projects Feature Film End Credits Written and Directed by SAMANTHA LANG Producer JOHN MAYNARD E
    Doing It In Public The Kaldor Projects Feature Film End Credits Written and directed by SAMANTHA LANG Producer JOHN MAYNARD Executive Producers BRIDGET IKIN DAVID GROSS Cinematographer JUSTINE KERRIGAN Editor ELLIOTT MAGEN Additional Editor HILARY BALMOND Sound Designer LIAM EGAN Composer MUNRO MELANO By watching this film legally, you have supported the jobs of creatives, distributors and crew as listed below. Director’s attachment & additional cinematography Kate Blackmore Associate producer Mia Timpano Production manager Amber Ma Production coordinator Molly O’Connor Production accountant Leah Hall 1 Sound recordist Daniel Miau Additional sound recordists Dylan Blowen Mark Tarpey Camera assistants Gokulchand Mandalapu Carina Burke Tyron Seeto Director – London Linda Brusasco Cinematography & sound recordist – London Micah Walker Cinematography - New York Cailin Yatsko Sound recordist - New York Gillian Arthur Assistant editor Wayne C.Blair Post-production facility Definition Films Head of post-production David Gross Supervising post-producer Maile Daugherty Conform Rathai Manivannan Online editor Joyce Escuadro Digital colourist Billy Wychgel Sound mixer Liam Egan QC Silvertrack 2 Archive research Con Anemogiannis Archival clearances Mia Timpano Molly O’Connor Carolyn Saul ABC Archive Wendy Pritchard Legals Verge Whitford & Co Caroline Verge Insurance GALVANiiZE Insurance David McEwan Post-production script Clever Types Create NSW Screen Investment Manager Sofya Gollan Screen Australia Investment / Development Manager – Documentary
    [Show full text]
  • Art Appreciation Lecture Series 2016 Collectors & Collections
    Art Appreciation Lecture Series 2016 Collectors & Collections: classical to contemporary Bring the world to Australia: The John Kaldor Family Collection Wayne Tunnicliffe 10/11 August 2016 Lecture summary: In 2011 the John Kaldor Family Gallery opened at the Art Gallery of New South Wales in conjunction with the announcement of an extraordinary gift of international art dating from the 1960s until now, the most important and most valuable public gift of art in Australian history. The collection was transformative - together with the AGNSW’s existing collection it has enabled an exceptional representation of international American and European art of the late 20th century in Sydney. John Kaldor is now in his sixth decade of collecting avant-garde art and this lecture will explore how from his base in Sydney he engaged with some of the most advanced international artists and art movements of the late 20th century and how building his collection lead to his staging the internationally known Kaldor Public Art Projects. This lecture will also look at how John Kaldor lived with his art collection, before he and his family gave it all away. Slide list: All works are part of the John Kaldor Family Collection at the Art Gallery of New South Wales unless otherwise stated. 1. John Kaldor in 1975, portrait by Lewis Morley, gelatin silver photograph, 33.9 x 22.2 cm, National Portrait Gallery, Canberra 2. Roy Lichtenstein Peanut butter cup 1962, oil on canvas, 35.5 cm x 35.5 cm, John Kaldor and Naomi Milgrom collection 3. Left: Roy Lichtenstein Peanut butter cup 1962 in John Kaldor’s home Right: Roy Lichtenstein Peanut butter cup 1962 and Roy Lichtenstein Kitchen range 1961- 62, oil on canvas, 173 x 173 cm, National Gallery of Australia, installed in Pop to Popism at the AGNSW, December 2014 4.
    [Show full text]
  • NEW CONTEMPORARY GALLERIES FEATURING the JOHN KALDOR FAMILY GALLERY May 2011 – JUNE 2012 NEW CONTEMPORARY GALLERIES FEATURING the JOHN KALDOR FAMILY GALLERY
    EDUCATION KIT ART GALLERY OF NEW SOUTH WALES www.artgallery.nsw.gov.au/education NEW CONTEMPORARY GALLERIES FEATURING THE JOHN KALDOR FAMILY GALLERY MAY 2011 – JUNE 2012 NEW CONTEMPORARY GALLERIES FEATURING THE JOHN KALDOR FAMILY GALLERY For an institution such as ours, with the aspiration to Bill Viola, Andreas Gursky and Thomas Struth, among others. develop and maintain a distinguished and impressive Alongside will be a number of commissioned and newly representation of contemporary art, it would be hard installed site-specific artworks from Sol LeWitt, Richard Long to overestimate the significance of the gift of the and Ugo Rondinone. John Kaldor Family Collection, a milestone that happens There are also major works from the Gallery’s collection once in a century. It will be a transforming experience from artists such as Jannis Kounellis, Mike Parr, Anselm Kiefer, for the Art Gallery of New South Wales. Doris Salcedo, Rosemary Laing, Janet Laurence, Patricia — Edmund Capon, director, Art Gallery of NSW Piccinini, Del Kathryn Barton and Ricky Swallow. Contemporary artists take art beyond the traditional forms I have shared my love of contemporary art with the of drawing, painting and sculpture and embrace new mediums Australian public for more than 40 years through Kaldor and technologies. In this first display of works in the new Public Art Projects. My collection, on the other hand, contemporary galleries, several key themes emerge among has remained private. Donating it to the Art Gallery of the myriad of new approaches to art that have developed New South Wales is a natural extension of my aim to since the 1960s.
    [Show full text]
  • 50 Years of Kaldor Public Art Projects on View in Australia’
    Takac, Balasz. ’50 Years of Kaldor Public Art Projects on View in Australia’. Widewalls Online. 1 October 2019 50 Years of Kaldor Public Art Projects On View in Australia An installation view of the entrance to the exhibition Making art public, 50 years of Kaldor Public Art Projects at the Art Gallery of New South Wales featuring Michael Landy, Mate, what’s this shit? 2019, Drawing for Kaldor Public, Art Project 35 and Kaldor Public Art Project 5: Charlotte Moorman and Nam June Paik Charlotte Moorman performs Sky Kiss, composition by Jim McWillliams, above the Sydney Opera House Forecourt as part of the project Moorman + Paik, 11 April 1976. © the artists Photo: John Gollings. In 1969, Australian art collector and philanthropist John Kaldor, at the time a successful textile manufacturer, founded an extraordinary organization called the Kaldor Public Art Projects, as the title suggests, focused on public art. Ever since, this valuable initiative has been supporting the production of some of the most important examples of public art made by the likes of Christo and Jeanne-Claude, Richard Long, Gilbert and George, Sol LeWitt, and others. In 2019, the Kaldor Public Art Projects is celebrating five decades of their work with an exhibition Making Art Public: 50 years of Kaldor Public Art Projects at The Art Gallery of New South Wales which holds Caldor’s grand collection gifted by the patron to the gallery in 2008. An installation view of the exhibition Making art public, 50 years of Kaldor Public Art Projects at the Art Gallery of New South Wales featuring Christo, Two Wrapped Trees, 1969.
    [Show full text]
  • John Kaldor Art Projects 1969-2012
    The rise of the private art foundation: John Kaldor Art Projects 1969-2012 Rebecca Coates M.A. (Leicester), B.Litt. (Hons), B.A. (Melb) A thesis submitted in total fulfillment of the requirements of the degree of Doctor of Philosophy. April 2013 School of Culture and Communication The University of Melbourne Produced on archival quality paper. 2 Image removed due to copyright Martin Boyce, We are shipwrecked and landlocked (2008) Left: Martin Boyce, right: John Kaldor Installation view, Old Melbourne Gaol, RMIT University, Melbourne Photo: Adam Free Forbat (ed), 40 Years, Kaldor Public Art Projects, 2009, p. 252. iii 4 Declaration This is to certify that (1) the thesis comprises only my original work towards the PhD, (2) due acknowledgement has been made in the text to all other material used, (3) the thesis is less than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Rebecca Coates ………………………… April 2013 iv Abstract What role do private foundations play in a global contemporary art world? Not-for-profit art foundations presenting site-specific temporary art installations have become established institutions in their own right. This thesis traces the development of these foundations from the 1970s, placing their role within the context of the evolution of contemporary art institutions. My research focuses on Kaldor Public Art Projects as one of the earliest exponents of this form of patronage and support for contemporary art. The thesis examines the history and impact of Kaldor Public Art Projects, from Christo and Jeanne-Claude’s Wrapped Coast (1969), to Thomas Demand’s The Dailies (2012).
    [Show full text]
  • Marina Abramović in Residence
    MARINA ABRAMOVIĆ IN RESIDENCE EDUCATION KIT LIST OF CONTENTS 1 Project No 30, Marina Abramović: In Residence 5 Marina Abramović: Artist’s practice and biography 11 Historical context: Performance, immateriality and duration in visual art 17 Performance and participation 18 Female performance artists and the body 21 Mind and body: Neuroscience and meditative practices 23 Australian Artists’ Residency Program 28 The venue: Pier 2/3, Walsh Bay 29 In the classroom 33 References 34 Acknowledgements Front cover : Photograph © 2014 Marco Anelli/Serpentine Galleries 512 Hours PROJECT No 30 MARINA ABRAMOVIĆ: IN RESIDENCE We constantly like to be entertained, to get things from outside. We never take time to get in touch with ourselves … our inner self.1 Kaldor Public Art Project No 30, Marina of exercises, developed in over three decades of represents the latest conducting Cleaning the House workshops. Aimed development in the four-decade-long career initially at artists and performers, and ofen taking of pioneering performance artist, Marina place in remote locations over several days, these Abramović. The Project has been developed workshops were intended to eliminate distractions, specifically for Sydney, and follows the training participants in the concentration, self- innovative , presented to widespread control and willpower required to endure the acclaim at London’s Serpentine Gallery in 2014. rigours of durational performance. Marina Abramović will be present at Pier 2/3 for In Project No 30, Abramović invites a wider 12 days, conducting audiences through a series audience to give their time and energy, and to of exercises based on four decades of intensive participate in this open-ended act of exchange.
    [Show full text]
  • Doing It in Public: the Kaldor Projects Written and Directed by SAMANTHA
    Doing It In Public: The Kaldor Projects Written and directed by SAMANTHA LANG Producer JOHN MAYNARD Executive Producer BRIDGET IKIN Cinematographer JUSTINE KERRIGAN Editor ELLIOTT MAGEN Additional Editor HILARY BALMOND Sound Designer LIAM EGAN Composer MUNRO MELANO By watching this film legally, you have supported the of jobs of creatives, distributors and crew as listed below. 1 Director’s attachment & additional cinematography Kate Blackmore Associate producer Mia Timpano Production manager Amber Ma Production coordinator Molly O’Connor Production accountant Leah Hall Sound recordist Daniel Miau Additional sound recordists Dylan Blowen Mark Tarpey Camera assistants Gokulchand Mandalapu Carina Burke Tyron Seeto Director - London Linda Brusasco Cinematography & sound recordist - London Micah Walker Cinematography - New York Cailin Yatsko Sound recordist - New York Gillian Arthur Assistant editor Wayne C.Blair Post-production facility Definition Films Head of post-production David Gross Supervising post-producer Maile Daugherty Conform Rathai Manivannan Online editor Joyce Escuadro Digital colourist Billy Wychgel Sound mixer Liam Egan QC Silvertrack Archive research Con Anemogiannis Archival clearances Mia Timpano Molly O’Connor Carolyn Saul ABC Archive Wendy Pritchard Verge Whitford & Co Legals Caroline Verge GALVANiiZE Insurance Insurance David McEwan Post-production script Clever Types Create NSW Screen Investment Manager Sofya Gollan Screen Australia Investment / Development Manager – Documentary Alyssa Orvis Music record and mix Yen
    [Show full text]