Sanctuary Organ, Saint Andrew’s Episcopal Church 306 North Division Street, Ann Arbor, Michigan, 48104-1497

Built by the Reuter Organ Company, Lawrence, Kansas, 1971, opus 1732 Antiphonal by Dewey Layton, Ypsilanti, Michigan, 1955 (pipes by Jacques Stinkens, Zeist, Netherlands) Total: 39 ranks, 1897 pipes; three manuals and Pedal, six divisions Electro-pneumatic action; 61-note manuals (C-c’’’’); 32-note Pedal (C-g’) Main console (drawknob) located in right front of chancel Antiphonal console (stoptab; one manual, 56 notes, C-g’’’; no pedal) located in rear gallery

GREAT (II) pipes: POSITIV (I; * = in Swell)

8’ Principal 61 8’ Gedeckt 61 8’ 61 *8’ Gemshorn 61 4’ Octave 61 *8’ Gemshorn celeste 49 4’ Spillflöte 61 4’ Spitzprincipal 61 2’ Spitzprincipal 61 2’ Principal 61 1’ Fourniture III 183 1-1/3’ Quint 61 16’ Great to Great ½’ Scharf III 183 Great Unison Off *8’ Krummhorn 61 4’ Great to Great Tremolo (unenclosed stops only) Chimes (prepared for) 16’ Positiv to Positiv (2 blank stopknobs) Positiv Unison Off 4’ Positiv to Positiv

SWELL (III; expressive) ANTIPHONAL 16’ Rohrflöte 73 (floating; playable on I, II or Pedal) 8’ Rohrflöte (from 16’) -- 8’ Salicional 61 8’ Gedeckt 56 4’ Hohlflöte 61 8’ Dolcan 44** 2-2/3’ Nasard 61 4’ Principal 56 2’ Blockflöte 61 2’ Gemshorn 56 1-3/5’ Tierce 61 1-1/3’ II 112 8’ Trompette 61 8’ Oboe 61 **(low 12 from Gedeckt) 8’ 61 Tremolo 16’ Swell to Swell Swell Unison Off 4’ Swell to Swell (3 blank stopknobs)

PEDAL (* = in Swell)

32’ Resultant (from Bourdon) -- 16’ Principal 44 16’ Bourdon 56* (wood) 16’ Rohrflöte (from Swell) -- 8’ Octave (from Principal) -- 8’ Bourdon (from 16’) -- 8’ Rohrflöte (from Swell) -- 4’ Choralbass 32 4’ Bourdon (from 16’) -- 4’ Rohrflöte (from Swell) -- 2’ Rohrflöte (from Swell) -- 1-1/3’ Mixture II 64 16’ Bombarde 56 8’ Bombarde (from 16’) -- 4’ Bombarde Clarion (from 16’) --

ANTIPHONAL PEDAL

16’ Bourdon (ext. fr. Gedeckt) 12

Couplers: Combination Pistons:

8’ Great to Pedal 6 General (duplicated thumb & toe) 4’ Great to Pedal 6 Great (thumb) 8’ Swell to Pedal 6 Swell (thumb) 4’ Swell to Pedal 6 Positiv (thumb) 8’ Positiv to Pedal 4 Antiphonal (thumb; on Great keyslip) 4’ Positiv to Pedal 6 Pedal (toe) 8’ Antiphonal to Pedal Pedal to Manual combination couplers 16’ Swell to Great On/Off for each manual 8’ Swell to Great 4’ Swell to Great General Cancel (thumb) 16’ Positiv to Great 8’ Positiv to Great Reversible Pistons (duplicated thumb 4’ Positiv to Great & toe): 8’ Antiphonal to Great Great to Pedal 16’ Swell to Positiv Swell to Pedal 8’ Swell to Positiv Positiv to Pedal 4’ Swell to Positiv Full Organ 8’ Antiphonal to Positiv Balanced Pedals: Indicator Lights: Positiv expression (non-functional) Crescendo (amber) Swell expression Full Organ (red) Crescendo Current (green) Pipework locations:

Great: right side, elevated chest above at side of chancel front

Positiv: left side, elevated chest above seating at side of chancel front; three stops in Swell’s box

Swell: left chancel chamber

Pedal: left chancel chamber, in front of , except for the 12 pipes of the 8’ octave of the Principal unit, and the entire 4’ Choralbass, which are located with the Positiv pipes; the Bourdon unit is placed within the Swell box

Antiphonal: mounted on rear gallery wall, to left (from perspective while seated in nave, facing forward) of central windows

Mixture compositions:

Great Fourniture III:

C1 1’ 2/3’ ½’ G#21 1-1/3’ 1’ 2/3 F30 2’ 1-1/3’ 1’ C#38 2-2/3’ 2’ 1-1/3’ A46 4’ 2-2/3’ 2

Positiv Scharf III:

C1 ½’ 1/3’ ¼’ C13 2/3’ ½’ 1/3’ C25 1’ 2/3’ ½’ C37 1-1/3’ 1’ 2/3’ F#43 2’ 1-1/3’ 1’ C49 2-2/3’ 2’ 1-1/3’ G56 4’ 2-2/3’ 2’

Pedal Mixture II:

1-1/3’ 1’ throughout

Antiphonal Mixture II:

C1 1-1/3’ 1’ C25 2’ 1-1/3’ C37 2-2/3’ 2’