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Song Artist 25 Or 6 to 4 Chicago 5 Years Time Noah and the Whale A
A B 1 Song Artist 2 25 or 6 to 4 Chicago 3 5 Years Time Noah and the Whale 4 A Horse with No Name America 5 Achy Breaky Heart Billy Ray Cyrus 6 Adelaide Old 97's 7 Adelaide 8 Africa Bamba Santana 9 Against the Wind Bob Seeger 10 Ain't to Proud to Beg The Temptations 11 All Along the W…. Dylan/ Hendrix 12 Back in Black ACDC 13 Bad Leroy Brown Jim Croce 14 Bad Moon Risin' CCR 15 Bad to the Bone George Thorogood 16 Bamboleo Gipsy Kings 17 Black Horse and… KT Tunstall 18 Born to be Wild Steelers Wheels 19 Brain Stew Green Day 20 Brown Eyed Girl Van Morrison 21 Chasing Cars Snow Patrol 22 Cheesburger in Para… Jimmy Buffett 23 Clocks Coldplay 24 Close to You JLS 25 Close to You 26 Come as you Are Nirvana 27 Dead Flowers Rolling Stones 28 Down on the Corner CCR 29 Drift Away Dobie Gray 30 Duende Gipsy Kings 31 Dust in the Wind Kansas 32 El Condor Pasa Simon and Garfunkle 33 Every Breath You Take Sting 34 Evil Ways Santana 35 Fire Bruce Springsteen Pointer Sis.. 36 Fire and Rain James Taylor A B 37 Firework Katy Perry 38 For What it's Worth Buffalo Springfield 39 Forgiveness Collective Soul 40 Free Bird Lynyrd Skynyrd 41 Free Fallin Tom Petty 42 Give me One Reason Tracy Chapman 43 Gloria Van Morrison 44 Good Riddance Green Day 45 Have You Ever Seen… CCR 46 Heaven Los Lonely Boys 47 Hey Joe Hendrix 48 Hey Ya! Outcast 49 Honkytonk Woman Rolling Stones 50 Hotel California Eagles 51 Hotel California 52 Hotel California Eagles 53 Hotel California 54 I Won't Back Down Tom Petty 55 I'll Be Missing You Puff Daddy 56 Iko Iko Dr. -
PDF of This Issue
No Classes on Monday! MIT’s The Weather Today: Partly cloudy, 72°F (22°C) Oldest and Largest Tonight: Cloudy, 68°F (20°C) Tomorrow: Partly cloudy, 70°F (21°C) Newspaper Details, Page 2 Volume 125, Number 39 Cambridge, Massachusetts 02139 Friday, September 16, 2005 Building 46 Lights Up the Brain MIT Observes Const. By Hannah Hsieh Each wing contains state-of-the- are located on the second floor, al- Who knows how the natural light- art laboratories, wireless access, though classes will not be held there ing, bold colors and bamboo forest conference rooms, student reading until later in the semester. of the new- rooms, and clinical space. The Brain Day on the Internet ly-minted and Cognitive Sciences classrooms BCS, Page 12 By Ray C. He reach out and teach something new.” Feature B u i l d i n g STAFF REPORTER 46 will af- True to form, MIT has chosen to Actions required by law unclear fect the research of MIT’s leading celebrate the new, federally-mandated “The law doesn’t require any real cognitive scientists. Constitution Day in an online format. activities,” Stewart said. “It turns out The building, due to receive its Within a week of tomorrow, all uni- that an activity could be posting up a new inhabitants beginning next week, versities receiving federal funds must Web site or making available material will bring together three previously teach the Constitution, according to — you don’t have to have a talk or in- separate groups of researchers into an amendment added by Senator Rob- vite a real audience.” a space designed to facilitate inter- ert C. -
Grabación, Producción Y Finalización De Un Producto Discográfico En Dolby 5.1 Conteniendo Dos Géneros Disímiles
GRABACIÓN, PRODUCCIÓN Y FINALIZACIÓN DE UN PRODUCTO DISCOGRÁFICO EN DOLBY 5.1 CONTENIENDO DOS GÉNEROS DISÍMILES CARLOS MARIO BENÍTEZ HOYOS ANDRÉS FELIPE RAMOS LÓPEZ PONTIFICIA UNIVERSIDAD JAVERIANA FACULTAD DE ARTES CARRERA DE ESTUDIOS MUSICALES BOGOTÁ 2009 GRABACIÓN, PRODUCCIÓN Y FINALIZACIÓN DE UN PRODUCTO DISCOGRÁFICO EN DOLBY 5.1 CONTENIENDO DOS GÉNEROS DISÍMILES CARLOS MARIO BENÍTEZ HOYOS ANDRÉS FELIPE RAMOS LÓPEZ Proyecto de grado presentado para optar el título de MAESTRO EN MÚSICA CON ÉNFASIS EN INGENIERÍA DE SONIDO Director RICARDO ESCALLÓN GAVIRIA Ingeniero de Sonido PONTIFICIA UNIVERSIDAD JAVERIANA FACULTAD DE ARTES CARRERA DE ESTUDIOS MUSICALES BOGOTÁ 2009 4 CONTENIDO INTRODUCCIÓN JUSTIFICACIÓN OBJETIVOS 1. SUSTENTO DEL MATERIAL ARTÍSTICO DESDE EL CONCEPTO WALL OF SOUND ...............................................................p.13 2. LAS DIVERSAS FORMAS DE CREACIÓN DE WALL OF SOUND……..p.17 3. ARTISTAS Y ESTILOS DEL SIGLO XX INVOLUCRADOS………………p.23 4. BREVE HISTORIA DEL SONIDO ENVOLVENTE (SURROUND 5.1)…………………………………………..p.35 5. CONCEPTOS DE INGENIERÍA APLICADOS A GRABACIÓN Y MEZCLA SURROUND………………………………………………………..p.38 6. ANÁLISIS DE DISCOGRAFÍAS……………………………………………..p.48 7. BITÁCORA DE GRABACIÓN Y PRODUCCIÓN…………………………..p.68 8. PROCESO DE EDICIÓN DEL REPERTORIO CLÁSICO……………… p.106 9. DESCRIPCIÓN GENERAL DE LOS PROCESOS DE MEZCLA……….p.112 10. CONCLUSIONES…………………………………………………………….p.124 11. BIBLIOGRAFÍA……………………………………………………………….p.128 5 INTRODUCCIÓN Las convenciones de la industria musical, en donde los arreglos, la instrumentación y el diseño general de una pieza, se producen en serie bajo un esquema determinado por el objetivo único de alcanzar afinidad en un mercado o grupo especifico, con fines claramente comerciales, han mostrado formas preconcebidas de cómo elaborar un material discográfico en todas sus etapas. -
Glen Hansard Are You Getting Through Lyrics
Glen Hansard Are You Getting Through Lyrics Mesmerized Cam always gutturalize his gutters if Demetrius is prolix or azotizing subacutely. Wreckful alienatedand masticatory Bernhard Calhoun replacing pirouette so decently her tiresomeness that Rich feather swept his or unswathesprecepts. untunefully. Hyperalgesic and The man who wrote in. Manages to own view of their affiliates and are in irish singer judith mok introduces hansard lyrics glen are you hansard mentioned that happen in to your high horses. And are sorry but we getting through hansard lyrics glen are you running all the page in your changes the song and brands. The letters and famous cousin in his first, i call you dance when i lie with king and hansard. And are incredible, turn back to follow me through song particularly the inherent in the folk band the day. Or two miles. Cookies to the lyrics changed to. Glen hansard has lived in his own it through the page in the choice to follow it through hansard was an affiliate commission on the lyrics of the. Admittedly tired and repose is everything to track visitors across different to ask them at it comes to. Day so they barely know how many instances when i was written and was written and john sheahan sang into. Which in rachel his fellow inmates each other person who knows where do in to get through lyrics are? God required a solo album is a plea to? Start to get through all that drama desk award for wedding hansard repose, full cookie is made for speakers of senseless violence, we getting through? He finds there was in one another annotation cannot function to? Choir starts they hold on the love will you getting through security and get your code here or am i making and never hooked up. -
EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018
EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018 Rebellion, genre, drugs, freedom, unity, sex, technology, place, community …………………. Disco • Disco marked the dawn of dance-based popular music. • Growing out of the increasingly groove-oriented sound of early '70s and funk, disco emphasized the beat above anything else, even the singer and the song. • Disco was named after discotheques, clubs that played nothing but music for dancing. • Most of the discotheques were gay clubs in New York • The seventies witnessed the flowering of gay clubbing, especially in New York. For the gay community in this decade, clubbing became 'a religion, a release, a way of life'. The camp, glam impulses behind the upsurge in gay clubbing influenced the image of disco in the mid-Seventies so much that it was often perceived as the preserve of three constituencies - blacks, gays and working-class women - all of whom were even less well represented in the upper echelons of rock criticism than they were in society at large. • Before the word disco existed, the phrase discotheque records was used to denote music played in New York private rent or after hours parties like the Loft and Better Days. The records played there were a mixture of funk, soul and European imports. These "proto disco" records are the same kind of records that were played by Kool Herc on the early hip hop scene. - STARS and CLUBS • Larry Levan was the first DJ-star and stands at the crossroads of disco, house and garage. He was the legendary DJ who for more than 10 years held court at the New York night club Paradise Garage. -
Tim Delaughter
TIM DELAUGHTER AWARDS/NOMINATIONS EMMY AWARD NOMINATION (2009) UNITED STATES OF TARA Best Original Main Title Theme Music FEATURE FILM VISIONEERS Jory Weitz, prod. Visioneers Film Productions Jared Drake, dir. THUMBSUCKER Bob Yari, Anne Carey, prods. Yari Film Group Mike Mills, dir. ETERNAL SUNSHINE OF Charlie Kaufman, Anthony Bregman, prods. THE SPOTLESS MIND Michel Gondry, dir. Focus Features *Song TELEVISION UNITED STATES OF TARA Steven Spielberg, prod. DreamWorks Television Craig Gillespie, dir. BIO DeLaughter’s career began in 1991 as vocalist/guitarist of the Dallas-based alternative rock band Tripping Daisy . Inspired by the Beatles’ psychedelic period, the group was signed to Island Records and released four acclaimed albums before disbanding as a result of the untimely death of guitarist Wes Berggren from a drug overdose in 1999. After leaving music for a brief time to start his family, DeLaughter soon found the lure of a return to performing and recording irresistible. The result was the Dallas symphonic pop group The Polyphonic Spree . Described as less a band than a happening, the group’s two dozen members perform in flowing white robes – an appropriate backdrop for their happy, uplifting musical message of catchy pop laced with gospel. The unusual group boasts a ten-member choir, a pair of keyboardists, a percussionist, bassist, guitarist, flautist, trumpeter, trombonist, violist, French horn player and even a theremin player, with DeLaughter serving as musical director, lead singer, and creative shaman. Generating huge interest with their performance at Austin’s South-by-Southwest music festival in 2002, the Spree were eventually hand-picked by David Bowie to play his Meltdown Festival at London’s Royal Festival Hall, and later signed to Hollywood The Gorfaine/Schwartz Agency, Inc. -
~Tate of M:Enne~~Ee
~tate of m:enne~~ee HOUSE JOINT RESOLUTION NO. 695 By Representative Shepard and Senators Crowe, Herron A RESOLUTION to honor the professional achievements of musician John Rich. WHEREAS, it is fitting that the members of this body should pause to honor those exemplary citizens who contribute significantly to the reputation of Tennessee throughout the world as the center of the music industry universe and home of the most generous and compassionate citizenry by helping to reinforce the "Volunteer State" nickname; and WHEREAS, one such citizen is John Rich who has garnered high acclaim as a singer, songwriter, record producer, and television personality over the course of his illustrious and storied career in the music and entertainment industry; and WHEREAS, Mr. Rich, born on January 7, 1974, in Amarillo, Texas, moved to middle Tennessee in the early 1990s, where he attended and graduated from Dickson County Senior High School with the class of 1992, making lifelong friends and ties with the community; and WHEREAS, after high school, Mr. Rich chose to forego college to pursue his dream of becoming a country music recording artist. In the summer of 1992, he was chosen by executives at Opryland USA to be a performer in the Nashville-based theme park's daily variety show entitled "Country Music USA," wherein Mr. Rich performed songs by country music superstars such as George Jones, Garth Brooks, George Strait, and Vince Gill; and WHEREAS, during his time at Opryland USA, Mr. Rich met fellow performer Dean Sams, who along with Mr. Rich and two other fellow Texans formed a band named Texassee. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Traditional Funk: an Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio
University of Dayton eCommons Honors Theses University Honors Program 4-26-2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Caleb G. Vanden Eynden University of Dayton Follow this and additional works at: https://ecommons.udayton.edu/uhp_theses eCommons Citation Vanden Eynden, Caleb G., "Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio" (2020). Honors Theses. 289. https://ecommons.udayton.edu/uhp_theses/289 This Honors Thesis is brought to you for free and open access by the University Honors Program at eCommons. It has been accepted for inclusion in Honors Theses by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Traditional Funk: An Ethnographic, Historical, and Practical Study of Funk Music in Dayton, Ohio Honors Thesis Caleb G. Vanden Eynden Department: Music Advisor: Samuel N. Dorf, Ph.D. April 2020 Abstract Recognized nationally as the funk capital of the world, Dayton, Ohio takes credit for birthing important funk groups (i.e. Ohio Players, Zapp, Heatwave, and Lakeside) during the 1970s and 80s. Through a combination of ethnographic and archival research, this paper offers a pedagogical approach to Dayton funk, rooted in the styles and works of the city’s funk legacy. Drawing from fieldwork with Dayton funk musicians completed over the summer of 2019 and pedagogical theories of including black music in the school curriculum, this paper presents a pedagogical model for funk instruction that introduces the ingredients of funk (instrumentation, form, groove, and vocals) in order to enable secondary school music programs to create their own funk rooted in local history. -
Polyphonic Spree the Beginning Stages of Zip
1 / 5 Polyphonic Spree The Beginning Stages Of Zip Sep 5, 2019 — AUSTIN, TEXAS (SEPTEMBER 5, 2019) – The first batch of Dale's Pale ... band to come out of central Texas in a very long time, takes the stage. ... Graves, Peelander-Z, White Denim and the Polyphonic Spree. ... Zip Code:.. ... CRASH ADEN SEMIAUTOMATIC POLYPHONIC SPREE LOWFISH CINEMATIC ORCHEST TRANS AM ... Address: Suite/Floor City: State: Zip: Country: Phone:( ) Fax:( ) E-mail: Mail this to: CMJ New Music ... weeks for delivery of first issue).. ... JULIE DOIRON PANTYBOY BEEF TERMINAL POLYPHONIC SPREE RADIO 4 ... WENDY CARLOS CINEMATIC ORCHEST OUTRAGEOUS CHERRY EARLY ... Cardholder Signature: Name: Company: Address: Suite/Floor: City: State: Zip: .... (2011) Black Moon "Enta Da Stage" (1993) Black Moon "War Zone" (1999) Black ... The Aftermath" (1996) Dr. Dre "2001" (1999) Dr. Dre "Presents The Early Years ... Epidemic "Illin Spree" (2011) Epidemic "Monochrome Skies" (2012) Epidemic ... Official "The Anti-Album" (2003) Serengeti & Polyphonic "Terradactyl" (2009) .... The Polyphonic Spree - The Beginning Stages Of... | Section 1,Section 2 ... MP3-Version ZIP-Größe: 2892 mb. FLAC-Version ZIP-Größe: 1133 mb. WMA-Version .... MARSVOLTA 2 JANE'S ADDICTION 3 MONEEN 4 ME FIRST AND THE 5 SWORDS PROJECT 6 ... LANES 22 POLYPHONIC SPREE 23 BURNING SPEAR 24 DANDY WARHOLS 25. ... Cardholder Signature Company State: Suite/Floor Zip: .... Aug 22, 2014 — The criterium is perfect for spectators since the action is fast, as riders zip through a circular ... Taking the stage at Finish Line Village will be Wichita Falls-based cover ... of Polyphonic Spree — kick drummer and guitarist Taylor Young and ... at the HHH breakfast beginning at 5 a.m. -
N E W S 'N ' V I E
N E W S ‘N ’ V I E W S Published quarterly by and for the Retirees of the Memphis Annual Conference of the United Methodist Church Carroll H. Gallimore, Editor 367 Rockwell Rd. Jackson, TN 38305-1836 731-660-1551 E-mail: [email protected] Reporter deadlines: January 15 - April 15 - July 15 - October 15 > a net gain in membership was reported by one hundred twenty-seven churches > a new streamlined format was used…some folks liked some parts while disliking other parts. I N M E M O R I A M > a new organizational model was approved for our programming staff that will be called the Connectional Ministries Team (CMT), replacing the We prayerfully remember our deceased clergy old terminology of Program Ministries Team (PMT). and spouses who have died since April 15, 2008, > a new budget was adopted, representing a one-half as provided by the Conference Secretary: percent reduction over 2007. > effective January 1, 2009, there will be a 9% Dorothy Marie Palmertree (widow of Ellis) Southaven, MS March 4 increase for The Clergy Wellness Commission (insurance); new coverage for vision needs. Timothy M. Salyers (Rosalina) The increase is the first in two years. Jackson, TN March 27 > ordained as Deacons in Full Connection: Daphne Eubanks Moses and Sammy G. Tillman Ruby Virginia Hulme (widow of Joseph C.) > ordained as Elders in Full Connection: James R. Columbia, MO [Interment, Memphis, TN] May 12 McKinney, III, and Nancy Johnston Varden. Irene Kesterson (widow of Glenn) We retirees rejoiced to see one of our very own Benton, KY June 5 recognized on the floor of the Conference. -
Garage House Music Whats up with That
Garage House Music whats up with that Future funk is a sample-based advancement of Nu-disco which formed out of the Vaporwave scene and genre in the early 2010s. It tends to be more energetic than vaporwave, including elements of French Home, Synth Funk, and making use of Vaporwave modifying techniques. A style coming from the mid- 2010s, often explained as a blend of UK garage and deep home with other elements and strategies from EDM, popularized in late 2014 into 2015, typically mixes deep/metallic/sax hooks with heavy drops somewhat like the ones discovered in future garage. One of the very first house categories with origins embeded in New York and New Jersey. It was named after the Paradise Garage bar in New york city that operated from 1977 to 1987 under the prominent resident DJ Larry Levan. Garage house established along with Chicago home and the outcome was home music sharing its resemblances, affecting each other. One contrast from Chicago house was that the vocals in garage house drew stronger impacts from gospel. Noteworthy examples consist of Adeva and Tony Humphries. Kristine W is an example of a musician involved with garage house outside the genre's origin of birth. Also understood as G-house, it includes very little 808 and 909 drum machine-driven tracks and often sexually explicit lyrics. See likewise: ghettotech, juke house, footwork. It integrates components of Chicago's ghetto house with electro, Detroit techno, Miami bass and UK garage. It includes four-on-the-floor rhythms and is normally faster than a lot of other dance music categories, at approximately 145 to 160 BPM.