The Ecological Thought
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Beyond Stewardship: Toward an Agapeic Environmental Ethic
Marquette University e-Publications@Marquette Dissertations, Theses, and Professional Dissertations (1934 -) Projects Beyond Stewardship: Toward an Agapeic Environmental Ethic Christopher J. Vena Marquette University Follow this and additional works at: https://epublications.marquette.edu/dissertations_mu Part of the Ethics in Religion Commons, Philosophy Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Vena, Christopher J., "Beyond Stewardship: Toward an Agapeic Environmental Ethic" (2009). Dissertations (1934 -). 16. https://epublications.marquette.edu/dissertations_mu/16 BEYOND STEWARDSHIP: TOWARD AN AGAPEIC ENVIRONMENTAL ETHIC by Christopher J. Vena, B.A., M.A. A Dissertation submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Milwaukee, Wisconsin December 2009 ABSTRACT BEYOND STEWARDSHIP: TOWARD AN AGAPEIC ENVIRONMENTAL ETHIC Christopher J. Vena, B.A., M.A. Marquette University, 2009 One of the unfortunate implications of industrialization and the rapid expansion of global commerce is the magnification of the impact that humans have on their environment. Exponential population growth, along with growing technological capabilities, has allowed human societies to alter their terrain in unprecedented and destructive ways. The cumulative effect has been significant to the point that the blame for widespread environmental degradation must be pinned squarely on human shoulders. Because of our dependence on these systems for survival, the threat to the environment is a threat to human life. The root of the ecological crisis is found in human attitudes and behaviors. In the late 1960’s it was suggested that Christianity was a key source of the problem because it promoted the idea of human “dominion” over creation. -
Eco-Art and Design Against the Anthropocene
sustainability Article Making the Invisible Visible: Eco-Art and Design against the Anthropocene Carmela Cucuzzella Design and Computation Arts, Concordia University, Montreal, QC H3G 1M8, Canada; [email protected] Abstract: This paper examines a series of art and design installations in the public realm that aim to raise awareness or activate change regarding pressing ecological issues. Such works tend to place environmental responsibility on the shoulders of the individual citizen, aiming to educate but also to implicate them in the age of the Anthropocene. How and what these works aim to accomplish, are key to a better understanding the means of knowledge transfer and potential agents of change in the Anthropocene. We study three cases in this paper. These are examined through: (1) their potential to raise awareness or activate behavior change; (2) how well they are capable of making the catastrophic situations, which are invisible to most people, visible; and (3) how well they enable systemic change in the catastrophic situations. In the three cases studied, we find that they are successful in helping to raise awareness and even change individual behavior, they are successful in rendering the invisible visible, but they are incapable of engendering any systemic change of the catastrophic situations depicted. Keywords: Anthropocene; public art; eco-art installations; eco-design; raising awareness Citation: Cucuzzella, C. Making the Invisible Visible: Eco-Art and Design 1. Introduction against the Anthropocene. Sustainability 2021, 13, 3747. https:// Earth has experienced many planetary-scale shifts in its 4.5-billion-year history. The doi.org/10.3390/su13073747 first signs of life, in fact, forcefully altered the future of the planet. -
God, Nature, and Politics in Olivier Messiaen's <I>Des Canyons Aux Étoiles
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2014 Sonic Environmentalism: God, Nature, and Politics in Olivier Messiaen's Des canyons aux étoiles . Ryan James Taussig University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Musicology Commons Recommended Citation Taussig, Ryan James, "Sonic Environmentalism: God, Nature, and Politics in Olivier Messiaen's Des canyons aux étoiles . .. " Master's Thesis, University of Tennessee, 2014. https://trace.tennessee.edu/utk_gradthes/2853 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Ryan James Taussig entitled "Sonic Environmentalism: God, Nature, and Politics in Olivier Messiaen's Des canyons aux étoiles . .." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major in Music. Rachel M. Golden, Major Professor We have read this thesis and recommend its acceptance: Leslie C. Gay, Jacqueline A. Avila Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) ! Sonic Environmentalism:! God, Nature, and Politics in Olivier Messiaen’s Des canyons aux étoiles . -
The Lost Journals of Sylvia Plath
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 8-2005 The Lost Journals of Sylvia Plath Kimberly Dawn Knutsen Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the English Language and Literature Commons Recommended Citation Knutsen, Kimberly Dawn, "The Lost Journals of Sylvia Plath" (2005). Dissertations. 1040. https://scholarworks.wmich.edu/dissertations/1040 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE LOST JOURNALS OF SYLVIA PLATH by Kimberly Dawn Knutsen A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of English Western Michigan University Kalamazoo, Michigan August 2005 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. THE LOST JOURNALS OF SYLVIA PLATH Kimberly Dawn Knutsen, Ph.D. Western Michigan University, 2005 Wilson A. Lavender is a doctoral candidate and instructor of women’s studies who is beginning to thing he knows nothing about women. His wife, Katie, is a recent graduate and stay-at-home mother of three—sexy, bored, and plagued by a violent past. Her sister, January, newly pregnant and obsessed with 80s rocker, Stevie Flame, arrives unexpectedly from New Mexico. As Wilson writes in the dissertation he fears will never be done: “Things begin to devolve.” Reproduced with permission of the copyright owner. -
Killing Snakes in Medieval Chinese Buddhism
religions Article The Road to Redemption: Killing Snakes in Medieval Chinese Buddhism Huaiyu Chen 1,2 1 Research Institute of the Yellow River Civilization and Sustainable Development, Henan University, Kaifeng 10085, China; [email protected] 2 School of Historical, Philosophical and Religious Studies, Arizona State University, Tempe, AZ 85287, USA Received: 11 March 2019; Accepted: 31 March 2019; Published: 4 April 2019 Abstract: In the medieval Chinese context, snakes and tigers were viewed as two dominant, threatening animals in swamps and mountains. The animal-human confrontation increased with the expansion of human communities to the wilderness. Medieval Chinese Buddhists developed new discourses, strategies, rituals, and narratives to handle the snake issue that threatened both Buddhist and local communities. These new discourses, strategies, rituals, and narratives were shaped by four conflicts between humans and animals, between canonical rules and local justifications, between male monks and feminized snakes, and between organized religions and local cultic practice. Although early Buddhist monastic doctrines and disciplines prevented Buddhists from killing snakes, medieval Chinese Buddhists developed narratives and rituals for killing snakes for responding to the challenges from the discourses of feminizing and demonizing snakes as well as the competition from Daoism. In medieval China, both Buddhism and Daoism mobilized snakes as their weapons to protect their monastic property against the invasion from each other. This study aims to shed new light on the religious and socio-cultural implications of the evolving attitudes toward snakes and the methods of handling snakes in medieval Chinese Buddhism. Keywords: snakes; Buddhist violence; Buddhist women; local community; religious competition 1. -
Natality, Care, Art: a Three-Fold Response to Posthumanism's
Natality, Care, Art: A Three-Fold Response to Posthumanism’s Figuration of the Political By Mirra-Margarita Ianeva Department of Art History and Communication Studies McGill University August 2020 A thesis submitted to McGill University in Partial fulfillment of the requirements of the degree of Master of Arts ©Copyright by Mirra-Margarita Ianeva Table of Contents Abstract 3 Resume 4 Acknowledgements 5 Introduction 6 The Parliamentary Scene 6 Reframing the Hard Question 10 Natality, Care, Art 13 Section I. The Natality Scene: An Arendtian Response to Latour 20 Beginning Anew 22 Subject or World 25 Foucault and the Practice of the Self 26 Arendt and Natality 30 An Undeveloped Concept of Care 36 Section II. Ecological Attunements: From Boredom to Care 38 Boredom or Plurality as Coexistence 40 Care or Plurality as Coevolution 46 Section III. Art of Care 52 Amie Siegel’s Provenance (2013): Work and Context 54 Beyond the Restorationist Model 57 Conclusion 60 Bibliography 62 2 Abstract This thesis reflects on the limits of the frame of communication, adopted by posthumanist thinkers like Bruno Latour and Jane Bennett, for addressing the challenge of a more-than- human politics. It explores how Hannah Arendt’s political thought, brought into dialogue with feminist and artistic meditations on care, can suggest a more productive approach to this question. While taking as its point of departure posthumanism’s intuition that ecology compels us to rethink the political itself, the thesis argues that to bring this promise to full fruition requires taking a deeper look at the human and the political as sites of transformative practice. -
Metaphysics Or Metaphors for the Anthropocene? Scientific Naturalism and the Agency of Things
Open Philosophy 2018; 1: 191–212 Patrick Gamez* Metaphysics or Metaphors for the Anthropocene? Scientific Naturalism and the Agency of Things https://doi.org/10.1515/opphil-2018-0014 Received June 17, 2018; accepted July 31, 2018 Abstract: In this paper, I provide the outlines of an alternative metaphilosophical orientation for Continental philosophy, namely, a form of scientific naturalism that has proximate roots in the work of Bachelard and Althusser. I describe this orientation as an “alternative” insofar as it provides a framework for doing justice to some of the motivations behind the recent revival of metaphysics in Continental philosophy, in particular its ecological-ethical motivations. In the second section of the paper, I demonstrate how ecological-ethical issues motivate new metaphysicians like Bruno Latour, Jane Bennett, Timothy Morton, Ian Bogost, and Graham Harman to impute to objects real features of agency. I also try to show how their commitments lead to deep ambiguities in their metaphysical projects. In the final section, I outline a type of scientific naturalism in Continental philosophy that parallels the sort of naturalism championed by Quine, both conceptually and historically, and suggest that it might serve our ecological-ethical purposes better. Keywords: speculative realism, vital materialism, environmental ethics, non-anthropocentrism, Bachelard, Althusser, Continental philosophy 1 Introduction 1.1 Overview The landscape of Continental philosophy has changed radically in the early 21st century. The last 15 years have seen a resurgence of speculative philosophy, rationalisms, and realisms of all stripes. We see this in the “new materialism” of Diana Coole and others, the Deleuzian realism of Manuel Delanda, the “object-oriented philosophy” of Graham Harman, and many others. -
Women Writing Nature
WOMEN WRITING NATURE A Special Edition of Sugar Mule Literary Magazine Issue #41 Guest Edited by Jeanetta Calhoun Mish Cover Photo © 2012 by Eleanor Leonne Bennett All rights to individual works are the property of the authors. Please do not reproduce this issue in part or in whole without obtaining the express written permission of the authors and/or the editors. Sugar Mule Literary Magazine Marc Weber, Editor www.sugarmule.com WOMEN WRITING NATURE NOTE: THIS ELECTRONIC ISSUE IS BEST VIEWED IN “2-UP” OR “PAGE SPREAD” OPTION. CONTRIBUTOR TABLE OF CONTENTS Barbara Adams"-----------------------------------------------------------------2 Sandra Ervin Adams"----------------------------------------------------------9 Carol Alexander"--------------------------------------------------------------10 Dorothy Alexander"-----------------------------------------------------------13 Olivia V. Ambrogio"-----------------------------------------------------------19 Lou Amyx"----------------------------------------------------------------------23 Claudia Anderson"------------------------------------------------------------25 Judith Arcana"------------------------------------------------------------------32 Susan Auld"---------------------------------------------------------------------34 Tara Baldridge"-----------------------------------------------------------------35 Christianne Balk"--------------------------------------------------------------37 KB Ballentine"-----------------------------------------------------------------41 Julie Brooks Barbour"--------------------------------------------------------42 -
Mediated Meetings in Grizzly Man
An Argument across Time and Space: Mediated Meetings in Grizzly Man TRENT GRIFFITHS, Deakin University, Melbourne ABSTRACT In Werner Herzog’s 2005 documentary Grizzly Man, charting the life and tragic death of grizzly bear protectionist Timothy Treadwell, the medium of documentary film becomes a place for the metaphysical meeting of two filmmakers otherwise separated by time and space. The film is structured as a kind of ‘argument’ between Herzog and Treadwell, reimagining the temporal divide of past and present through the technologies of documentary filmmaking. Herzog’s use of Treadwell’s archive of video footage highlights the complex status of the filmic trace in documentary film, and the possibilities of documentary traces to create distinct affective experiences of time. This paper focuses on how Treadwell is simultaneously present and absent in Grizzly Man, and how Herzog’s decision to structure the film as a ‘virtual argument’ with Treadwell also turns the film into a self-reflexive project in which Herzog reconsiders and re-presents his own image as a filmmaker. With reference to Herzog’s notion of the ‘ecstatic truth’ lying beneath the surface of what the documentary camera records, this article also considers the ethical implications of Herzog’s use of Treadwell’s archive material to both tell Treadwell’s story and work through his own authorial identity. KEYWORDS Documentary time, self-representation, digital film, trace, authorship, Werner Herzog. Introduction The opening scene of Grizzly Man (2005), Werner Herzog’s documentary about the life and tragic death of grizzly bear protectionist and amateur filmmaker Timothy Treadwell, shows Treadwell filming himself in front of bears grazing in a pasture, addressing the camera as though a wildlife documentary presenter. -
Public Pedagogies of Arts-Based Environmental Learning and Education for Adults European Journal for Research on the Education and Learning of Adults 8 (2017) 1, S
Walter, Pierre; Earl, Allison Public pedagogies of arts-based environmental learning and education for adults European journal for Research on the Education and Learning of Adults 8 (2017) 1, S. 145-163 Empfohlene Zitierung/ Suggested Citation: Walter, Pierre; Earl, Allison: Public pedagogies of arts-based environmental learning and education for adults - In: European journal for Research on the Education and Learning of Adults 8 (2017) 1, S. 145-163 - URN: urn:nbn:de:0111-pedocs-140063 - DOI: 10.3384/rela.2000-7426.relaOJS88 http://nbn-resolving.org/urn:nbn:de:0111-pedocs-140063 http://dx.doi.org/10.3384/rela.2000-7426.relaOJS88 in Kooperation mit / in cooperation with: http://www.ep.liu.se Nutzungsbedingungen Terms of use Gewährt wird ein nicht exklusives, nicht übertragbares, persönliches und We grant a non-exclusive, non-transferable, individual and limited right to beschränktes Recht auf Nutzung dieses Dokuments. Dieses Dokument ist using this document. ausschließlich für den persönlichen, nicht-kommerziellen Gebrauch This document is solely intended for your personal, non-commercial use. Use bestimmt. Die Nutzung stellt keine Übertragung des Eigentumsrechts an of this document does not include any transfer of property rights and it is diesem Dokument dar und gilt vorbehaltlich der folgenden Einschränkungen: conditional to the following limitations: All of the copies of this documents must Auf sämtlichen Kopien dieses Dokuments müssen alle retain all copyright information and other information regarding legal Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen Schutz protection. You are not allowed to alter this document in any way, to copy it for beibehalten werden. Sie dürfen dieses Dokument nicht in irgendeiner Weise public or commercial purposes, to exhibit the document in public, to perform, abändern, noch dürfen Sie dieses Dokument für öffentliche oder distribute or otherwise use the document in public. -
Squatting My Mind – Towards an Architectural Ecosophy
163 ISSN: 1755-068 www.field-journal.org vol.4 (1) Squatting My Mind – Towards an Architectural Ecosophy Catharina Gabrielsson Understanding ecology as “a widely-drawn category that encompasses objects and ideas, organic species and their habitats, inseparably linked 1 Andrew Ballantyne, Architecture together”,1 ecology clearly involves architecture on countless levels, by far Theory: a Reader in Philosophy and Culture (London, New York: exceeding the parameters of sustainable building technology that dominate Continuum, 2005) p. 36. conceptions of this field. Primarily addressing the ‘mental ecology’ of architecture – that is, how architecture is thought and constructed within the discipline – this article furthers an understanding of how occupancy has the power to undo central architectural concepts. Such an undoing is seen as a prerequisite for what Félix Guattari has denoted ecosophy – the ethico-political articulation between the three, interconnected ecological registers: that of the environment, of social relations and the realm of ideas. Considered within an ecological intellectual framework, notions of resistance, spatial appropriation and indeterminacy in architecture are seen to evolve as steps along the way in the urgent task of re-writing architecture’s ontology. It points towards an architecture of shifts and additions, of re-uses and re-inventions; an architecture that generously permits a variety of uses and a continuous production of meaning. 164 www.field-journal.org vol.4 (1) Fig 1. Squatters make the headlines. Catharina Gabrielsson. Shortly after the financial crisis struck London in the autumn of 2008, newspapers were flooded with reports on how a group of artists had invaded an empty eighteenth century property in Mayfair and had opened it to the public as a “non-hierarchical centre for knowledge and learning”, called ‘Temporary School of Thought.’ During a few winter months, in a neighbourhood dominated by embassies and offices, the house at No. -
Pandemic Response Racial Justice Initiative Environmental Analysis
Special 2020 Issue Vol. 53 No. 1 Pandemic Response Racial Justice Initiative Environmental Analysis The College transitions to remote learning Three areas of transformative action Celebrating 50 years President’s Message I write this message at the determination, endless creativity and a profound commitment to each and outright strange conditions, we found ways to broaden our to work through shifting mountains of logistics and multiple scenarios for end of a year that has continually other and our shared ideals. While Pitzer’s campus has been closed since academic and co-curricular ambitions. We kept innovating. Pitzer Now, delivering a Pitzer education in a pandemic. defied and redefined our sense mid-March, and we will start spring 2021 online, you will read how our Pitzer@Home, and the People’s Pitzer are just some of the programs That work goes on. In the midst of such uncertainty, we do know this: of reality. We have struggled community came together even as we were forced apart. These pages show that were born as faculty, students and staff created new platforms to Pitzer’s commitment to its brand of liberal arts education and core values at times to comprehend the how we individually and collectively rose to meet this moment and, as the address our community’s needs. On December 10, Pitzer and the Justice endures. When we return to campus, not everything will or should go moment we’re living in. We have Dean of Faculty Allen Omoto says, “learned from each other.” Education Initiative of The Claremont Colleges launched the country’s back to the way it was before.