L'immagine Dell'arte a Milano Negli Anni Sessanta. L'archivio Del

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L'immagine Dell'arte a Milano Negli Anni Sessanta. L'archivio Del UNIVERSITÀ DEGLI STUDI DI UDINE CORSO DI DOTTORATO DI RICERCA IN STORIA DELL'ARTE CICLO XXV L'immagine dell’arte a Milano negli anni Sessanta. L'archivio del fotografo d'arte Enrico Cattaneo tra il 1960 e il 1970. Dottorando: Roberto Del Grande Relatore: Prof. Ale andro Del P!ppo Anno Accade$ico 2013/&'(+ SOMMARIO INTRODUZIONE....................................................................................................................................... 4 PARTE I LEGGERE LE FOTOGRAFIE D'ARTE CAPITOLO 1 - IL BINOMIO ARTE-FOTOGRAFIA La fotografia vista dall'arte................................................................................................................... 12 Fotografia e pittura del Novecento....................................................................................................... 13 Esposizioni tra arte e fotografia dagli anni Sessanta a oggi.................................................................. 15 Combattimento per un'immagine (1973)..................................................................................................... 15 Da Brancusi a Boltanski. Fotografie d'artista (1993)................................................................................. 16 Fotografia e arte in Italia. 1968-1998 (1998)............................................................................................. 17 Al limite. Arte e fotografia tra gli anni Sessanta e Settanta (2006).............................................................19 Fotografia d'arte e fotografia degli artisti..............................................................................................20 L'immagine nell'arte. Le gallerie.......................................................................................................... 24 L'immagine nell'arte. Riviste e cataloghi.............................................................................................. 27 CAPITOLO 2 - LA FOTOGRAFIA COME FONTE PER LA STORIA DELL'ARTE Dalla teoretica agli archivi.................................................................................................................... 31 Dalla teoria al metodo...........................................................................................................................35 Dal metodo alle fotografie. Una lettura pragmatica.............................................................................. 40 Fotografia come atto critico.................................................................................................................. 43 PARTE II DALL'AMATORIALISMO AL PROFESSIONISMO SULLE TRACCIE DELLA FOTOGRAFIE D'ARTE CAPITOLO 3 - FOTOGRAFIA TRA ARTE E DOCUMENTO NEGLI ANNI CINQUANTA Dalla fotografia amatoriale al professionismo...................................................................................... 47 Rinascita del circuito amatoriale...........................................................................................................48 “All artistic creation is absolutely subjective”...................................................................................... 50 La fotografia a confronto con la quotidianità........................................................................................53 Fotogiornalismo tra le due guerre......................................................................................................... 54 Fotogiornalismo nel Secondo dopoguerra............................................................................................ 55 Federico Patellani fotoamatore del quotidiano......................................................................................56 La fotografia come arte e come documento ......................................................................................... 57 1 La Nuova Fotografia italiana................................................................................................................ 61 Arte e fotografia negli anni Cinquanta: due ambiti distinti................................................................... 63 Il racconto in fotografia........................................................................................................................ 65 Verso un nuovo fotoamatorialismo....................................................................................................... 67 CAPITOLO 4 - TRACCE DI FOTOGRAFIE D'ARTE NEGLI ANNI CINQUANTA Il circuito amatoriale.............................................................................................................................71 I cataloghi delle mostre ...............................................................................................................................71 Gli annuari...................................................................................................................................................73 I periodici specializzati................................................................................................................................ 74 L'esempio di Tullio Stravisi, fotoamatore di Trieste............................................................................. 76 Il fotogiornalismo. L'arte come fenomeno di massa............................................................................. 79 Il fotografo professionista specializzato in arte contemporanea............................................................80 Verso l'autonomia della fotografia........................................................................................................ 81 CAPITOLO 5 - FOTOGRAFIA D'ARTE NEGLI ANNI SESSANTA...................................................... 85 Dalla teoria all'editoria..........................................................................................................................85 Fotografia come oggetto teorico........................................................................................................... 85 Aspetti commerciali, accademici e istituzionali della fotografia italiana.............................................. 86 1967. Primi passi verso la fotografia come oggetto teorico.................................................................. 89 Cento anni di Fotografia....................................................................................................................... 90 Renzo Chini. Il linguaggio fotografico................................................................................................. 96 Luigi Crocenzi e la cultura della fotografia.......................................................................................... 99 1968. Alcune iniziative per la storia della fotografia.......................................................................... 100 I libri fotografici in Italia.................................................................................................................... 102 I modelli Duncan e Liberman............................................................................................................. 104 I Quaderni di IMAGO ....................................................................................................................... 107 Ugo Mulas. New York Arte e persone.................................................................................................112 Milano, il “Gruppo 66”....................................................................................................................... 116 III PARTE I FOTOGRAFI D'ARTE CAPITOLO 6 - I FOTOGRAFI D'ARTE................................................................................................ 120 I fotografi d'arte in Italia negli anni Sessanta...................................................................................... 120 Professione fotografo, nella cultura della fotografia........................................................................... 122 Paolo Monti per Metro....................................................................................................................... 124 Quello che so di Attilio Bacci (e figlio).............................................................................................. 128 Due cataloghi di mostre sui fotografi d'arte........................................................................................ 131 2 I fotografi d'arte a Milano................................................................................................................... 135 Giorgio Colombo, professionista dell'arte...........................................................................................139 Paolo Mussat Sartor, arte povera da vicino......................................................................................... 142 Lo sguardo distaccato di Giovanni Ricci............................................................................................ 146 CAPITOLO 7 - BLOW UP SU ENRICO CATTANEO Enrico Cattaneo.................................................................................................................................. 151 Cattaneo fotografo amatoriale con tendenze professionali..................................................................152 Cattaneo fotografo di Milano..............................................................................................................154 L'incontro con i Realisti esistenziali e la fotografia d'arte...................................................................160 La fotografia artistica di Cattaneo.......................................................................................................163
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