Giving Back Not Giving Up: Generativity Among Older Female Inmates

Total Page:16

File Type:pdf, Size:1020Kb

Giving Back Not Giving Up: Generativity Among Older Female Inmates University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2009 Giving Back Not Giving Up: Generativity Among Older Female Inmates Regina White Benedict University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Sociology Commons Recommended Citation Benedict, Regina White, "Giving Back Not Giving Up: Generativity Among Older Female Inmates. " PhD diss., University of Tennessee, 2009. https://trace.tennessee.edu/utk_graddiss/562 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Regina White Benedict entitled "Giving Back Not Giving Up: Generativity Among Older Female Inmates." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Sociology. Lois Presser, Major Professor We have read this dissertation and recommend its acceptance: Allison Anders, Damayanti Banerjee, Ben Feldmeyer Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Regina White Benedict entitled “Giving Back Not Giving Up: Generativity Among Older Female Inmates.” I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Sociology. Lois Presser, Major Professor ____________________________________________ We have read this dissertation and recommend its acceptance: Allison Anders ______________________________ Damayanti Banerjee ______________________________ Ben Feldmeyer ______________________________ Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School ______________________________________________ Giving Back Not Giving Up: Generativity Among Older Female Inmates A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Regina White Benedict December 2009 Copyright © 2009 by Regina White Benedict All rights reserved. ii ACKNOWLEDGEMENTS I would like to thank Dr. Lois Presser for her assistance throughout this project. As a person, Dr. Presser is remarkable and as a mentor, she is exceptional. Her guidance, encouragement, and support were invaluable in helping me to complete this project. I would also like to thank Dr. Allison Anders, Dr. Damayanti Banerjee, Dr. Michael Braswell, and Dr. Ben Feldmeyer for serving as members of my dissertation committee and for offering helpful suggestions in order to improve this project. In addition, thank you to the faculty of the Department of Sociology for making the last four years a rewarding and valuable learning experience, with special thanks to Betty Lou and Millie for their assistance, friendship, and welcoming smiles throughout my tenure as a graduate student. I would also like to thank my dear friends Stacey and Sarah for providing me with empathy and good times – I will always be available for lunch. I would like to thank “Aunt” Pat for her continued support and love as I pursued my goal. Thank you to my parents, Mickey and Cookie, for their unwavering support, infinite love, and constant encouragement in all of my endeavors. They are an inspiration to me and have given me the confidence and drive to pursue and obtain an advanced degree. Thank you to Michael for being my big brother – someone who has always given me encouragement, strength, and laughter when I needed them most. I would like to thank my husband, Travis, whose patience, understanding, and love mean the world to me. A special thank you to my daughters, Zoe and Mia, who showed an incredible amount of understanding to be so young – Mommy loves you. iii ABSTRACT Extensive research has been conducted to understand the experience of incarceration, with the focus on hardships inflicted on inmates via incarceration. In addition, the current graying of America‟s prisons has gained some attention from both policymakers and the general public. However, despite the recent upsurge in concern and interest in matters pertaining to prison inmates, the focus by and large remains on young males. Meanwhile, studies addressing the experience of incarceration for older females are virtually non-existent. Generativity, defined as the desire to give back and execution of that desire, is regarded as a universal life stage first occurring sometime during middle age. Yet, generativity among older female inmates has not been specifically researched. This research project explores the experience of incarceration as well as the presence and practice of generativity among older female inmates. Participants in this study were 29 female inmates housed at the Kentucky Correctional Institution for Women in Pewee Valley, Kentucky. Data were collected through low-structure interviews, which allowed the participants to discuss issues that were important to them. The findings suggest that older women experience motherhood and incarceration in unique ways. Generativity was indicated to exist among older women inmates. Furthermore, the participants reported engaging in generative behaviors in prison and expressed desires to continue to be generative upon their release. A number of policy implications are suggested, as are a number of areas that may be of interest to researchers in future. iv CONTENTS Chapter Page 1. INTRODUCTION …………………………………………………………………... 1 2. THE PRISON EXPERIENCE AND COPING…..………………………………….. 12 3. AGING IN PRISON……………………………..………………………………….. 36 4. GENERATIVITY……………………………...…..……………………………….. 51 5. RESEARCH METHODS…………………………....……………………………… 65 6. PARENTING IN PRISON ……………………………………………………….... 75 7. AGING AND ACCEPTANCE…….…….…..…………………………………….. 102 8. GENERATIVITY IN PRISON…..……………………………………………….... 127 9. DISCUSSION…………………………………..………………………………….. 147 REFERENCES….………………………………………………………………… 156 APPENDICES……………………………………………………………………….. 183 APPENDIX A…………………………………………………………………….. 184 APPENDIX B…………………………………………………………………………. 185 APPENDIX C…………………………………………………………….…………. 186 VITA………………………………………………………………………………… 188 v CHAPTER 1 INTRODUCTION Previous studies of older inmates focus on negative aspects of incarceration. For example, studies have revealed links between aging and diminishing health, and between aging and behavioral problems of inmates (Flint 1994; Eliopoulos 1997; Ebersole and Hess 1998; Hooyman and Kiyak). Compared to younger inmates, older inmates are more susceptible to both minor and chronic physical illnesses and are more prone to be diagnosed with a mental illness. Older inmates are at a higher risk of contracting urinary tract infections, gastrointestinal infections, hepatitis, and pneumonia (Falter 1999; Hooyman and Kiyak 1999; Aday 2003). While gerontological research generally regards age as gender neutral; that is, with no differentiation between males and females, Lindquist and Lindquist (1999) found both gender and age to be the most consistent demographic predictors of health status and medical utilization among inmates. They discovered that female and older inmates report higher morbidity and higher numbers of medical services (Lindquist and Lindquist 1999). Genders and Player (1990) found that female lifers reported an overwhelming fear of deterioration in their physical health and psychological well-being. Poor physical and mental health among women inmates stems from poor health habits prior to incarceration (Brewer and Baldwin 2000), exposure to traumatic events, such as abuse (Jordan, Schlenger, Fairbank, and Caddell 1996), previous impoverishment, and history of substance abuse (Reviere and Young 2004). As a result, health wise, women in prison are seven to ten years “older” than their chronological counterparts in free society (Reviere and Young 2004). 1 Notwithstanding these gloomy findings concerning aging in prison, the aging process in general also brings about positive outcomes, such as wisdom based on life experience and generative thoughts and desires. Generativity is defined as a commitment to the larger society and its continuation and/or improvement through the next generation (Erikson 1950). This dissertation reports on generativity among older women behind bars. I conducted qualitative, one-on-one interviews with twenty-nine (29) older female inmates (age 40 and older) and younger female inmates (under age 40) in the Kentucky Correctional Institution for Women, located in Pewee Valley, Kentucky. My main research objective is to reveal female inmates‟ expressions of generative desires and how they fulfill these desires behind bars. An additional objective is simply to learn how older female inmates experience incarceration. Given the paucity of research in either area – generativity among inmates and the experience of incarceration for older female inmates – this work is necessarily exploratory. The “graying of America” has become a popular term in reference to the vast growth of our
Recommended publications
  • Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan
    FOR IMMEDIATE RELEASE Media Contact: November 1, 2013 Casey De La Rosa 310.360.1981 [email protected] Six Projects Selected for 2013 Rawi Screenwriters Lab in Jordan Led By The Royal Film Commission-Jordan in Consultation with Sundance Institute, Lab Supports Emerging Filmmakers in Egypt, Jordan, Lebanon and Palestine Los Angeles, CA — Screenwriting fellows for the ninth edition of the Rawi Screenwriters Lab (November 1-5) were announced today by The Royal Film Commission-Jordan and Sundance Institute. The Lab is an example of Sundance Institute’s longstanding work to support emerging filmmakers around the world. Former Rawi Fellows include Cherien Dabis (Amreeka), Mohammed Al Daradji (Son of Babylon), Sally El Hosaini (My Brother The Devil) and Haifaa Al Mansour (Wadjda). Launched in 2005, the Lab is led by the Royal Film Commission of Jordan (RFC) and managed by Deema Azar, in consultation with Sundance Institute’s Feature Film Program, under the direction of Michelle Satter. The Lab provides an opportunity for filmmakers from the region to develop their work under the guidance of accomplished Creative Advisors—this year including Jeremy Pikser (Bulworth), Najwa Najjar (Pomegranates & Myrrh), Mo Ogrodnick (Deep Powder). Aseel Mansour (Line Of Sight), Rose Troche (The L Word, The Safety Of Objects) and Jerome Boivin (La cloche a sonné)—in an environment that encourages storytelling at the highest level. George David, General Manager of the RFC, said, “For the ninth consecutive year, RAWI continues to unveil the regions’ exceptional talent and narratives as part of the RFC’s goal to champion a new generation of Arab film professionals who will represent our noble culture and values, our triumphs and struggles and our hopes and dreams through their films.” Paul Federbush, International Director of the Sundance Institute Feature Film Program, said, “We’ve had the privilege to help give voice to some extraordinary new filmmakers in the region over our nine-year partnership with the RFC.
    [Show full text]
  • Film Appreciation Wednesdays 6-10Pm in the Carole L
    Mike Traina, professor Petaluma office #674, (707) 778-3687 Hours: Tues 3-5pm, Wed 2-5pm [email protected] Additional days by appointment Media 10: Film Appreciation Wednesdays 6-10pm in the Carole L. Ellis Auditorium Course Syllabus, Spring 2017 READ THIS DOCUMENT CAREFULLY! Welcome to the Spring Cinema Series… a unique opportunity to learn about cinema in an interdisciplinary, cinematheque-style environment open to the general public! Throughout the term we will invite a variety of special guests to enrich your understanding of the films in the series. The films will be preceded by formal introductions and followed by public discussions. You are welcome and encouraged to bring guests throughout the term! This is not a traditional class, therefore it is important for you to review the course assignments and due dates carefully to ensure that you fulfill all the requirements to earn the grade you desire. We want the Cinema Series to be both entertaining and enlightening for students and community alike. Welcome to our college film club! COURSE DESCRIPTION This course will introduce students to one of the most powerful cultural and social communications media of our time: cinema. The successful student will become more aware of the complexity of film art, more sensitive to its nuances, textures, and rhythms, and more perceptive in “reading” its multilayered blend of image, sound, and motion. The films, texts, and classroom materials will cover a broad range of domestic, independent, and international cinema, making students aware of the culture, politics, and social history of the periods in which the films were produced.
    [Show full text]
  • Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
    Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing
    [Show full text]
  • Teaching Social Studies Through Film
    Teaching Social Studies Through Film Written, Produced, and Directed by John Burkowski Jr. Xose Manuel Alvarino Social Studies Teacher Social Studies Teacher Miami-Dade County Miami-Dade County Academy for Advanced Academics at Hialeah Gardens Middle School Florida International University 11690 NW 92 Ave 11200 SW 8 St. Hialeah Gardens, FL 33018 VH130 Telephone: 305-817-0017 Miami, FL 33199 E-mail: [email protected] Telephone: 305-348-7043 E-mail: [email protected] For information concerning IMPACT II opportunities, Adapter and Disseminator grants, please contact: The Education Fund 305-892-5099, Ext. 18 E-mail: [email protected] Web site: www.educationfund.org - 1 - INTRODUCTION Students are entertained and acquire knowledge through images; Internet, television, and films are examples. Though the printed word is essential in learning, educators have been taking notice of the new visual and oratory stimuli and incorporated them into classroom teaching. The purpose of this idea packet is to further introduce teacher colleagues to this methodology and share a compilation of films which may be easily implemented in secondary social studies instruction. Though this project focuses in grades 6-12 social studies we believe that media should be infused into all K-12 subject areas, from language arts, math, and foreign languages, to science, the arts, physical education, and more. In this day and age, students have become accustomed to acquiring knowledge through mediums such as television and movies. Though books and text are essential in learning, teachers should take notice of the new visual stimuli. Films are familiar in the everyday lives of students.
    [Show full text]
  • 2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
    2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter
    [Show full text]
  • 35 Years of Nominees and Winners 36
    3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First
    [Show full text]
  • Under the Silver Lake
    Presents UNDER THE SILVER LAKE A film by David Robert Mitchell 139 mins, USA, 2018 Language: English Official Selection: 2018 Festival de Cannes – Competition – World Premiere 2018 Fantasia Festival – Camera Lucida – Canadian Premiere Distribution Publicity Mongrel Media Inc Bonne Smith 1352 Dundas St. West Star PR Toronto, Ontario, Canada, M6J 1Y2 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com Synopsis From the dazzling imagination that brought you It Follows and The Myth of the American Sleepover comes a delirious neo-noir thriller about one man’s search for the truth behind the mysterious crimes, murders, and disappear- ances in his East L.A. neighborhood. Sam (Andrew Garfield) is a disenchanted 33 year old who discovers a mys- terious woman, Sarah (Riley Keough), frolicking in his apartment’s swimming pool. When she vanishes, Sam embarks on a surreal quest across Los An- geles to decode the secret behind her disappearance, leading him into the murkiest depths of mystery, scandal, and conspiracy in the City of Angels. From writer-director David Robert Mitchell comes a sprawling and unexpect- ed detective thriller about the Dream Factory and its denizens—dog killers, aspiring actors, glitter-pop groups, nightlife personalities, It girls, memorabilia hoarders, masked seductresses, homeless gurus, reclusive songwriters, sex workers, wealthy socialites, topless neighbors, and the shadowy billionaires floating above (and underneath) it all. Mining a noir tradition extending from Kiss Me Deadly and The Long Good- bye to Chinatown and Mulholland Drive, Mitchell uses the topography of Los Angeles as a backdrop for a deeper exploration into the hidden meaning and secret codes buried within the things we love.
    [Show full text]
  • Anita Cabada Costume Designer
    ANITA CABADA COSTUME DESIGNER https://www.anitacabada.com/AC+/BIO.html TELEVISION SUBURGATORY (Season 1 EP: The Barbecue, The Chatterer, Don’t Call Me Shirley) creator: Emily Kapnek cast: Jeremy Sisto, Jane Levy, Cheryl Hines, Carly Chaikin, Allie Grant, Ana Gasteyer, Alan Tudyk THE LOOP (Seasons 1 & 2) Fox Television exec. producers/creators: Pam Brady, Will Gluck cast: Bret Harrison, Mimi Rogers, Phillip Baker Hall, Joy Osmanski, Ian Reed Kesler, Eric Christian Olsen SOUTH OF NOWHERE (Season 1) Teen Nick prods: Tom Lynch, Gary Stephenson cast: Gabrielle Christian , Mandy Musgrave, Matt Cohen, Chris Hunter, Danso Gordon, Valerie M. Ortiz CRACKING UP (EP. 7-11) Fox Television exec. producer/ creator: Mike White cast: Molly Shannon, Jason Schwartzman, Chris McDonald, Caitlin Wachs, Jake Sandvig, David Walton FEATURE FILMS THE HAUNTING OF MOLLY HARTLEY Liddell Ent. director: Mickey Liddell, prod. Jennifer Hilton Monroe cast: Haley Bennett, Jake Weber, Shannon Woodward, Chace Crawford NOSEBLEED (short film) Vespa Pictures, Inc. director: Jeff Vespa, prod. Rachel North cast: David Arquette BARK! Propaganda Films/ Dog Pointe Productions director: Kasia Adamik cast: Hank Azaria, Vincent D’Onofrio, Lisa Kudrow, Lee Tergeson SUGAR TOWN Film Four/ USA Films co-directors: Allison Anders, Kurt Voss cast: Rosanna Arquette, Beverly D’Angelo, Michael Des Barres, Jade Gordon, Ally Sheedy, John Taylor EAT YOUR HEART OUT Leora Films director: Felix O. Adlon, prod. Jamie Beardsley cast: Linda Hunt, Christian Oliver, Laura San Giacomo, Pamela Segall BUNNY Girls with Glasses director: Mia Trachinger cast: Petra Tikalova, Edward Dratver, Brian Morri *ASSISTANT COSTUME DESIGN: TELEVISION Good Girls NBC (season 1) Exec. Producer: Jenna Bans costume designer: Peggy Schnitzer cast: Christina Hendricks, Retta, Mae Whitman The Catch ABC (season 1 & 2) Exec.
    [Show full text]
  • Loft-Film-Fest-2019-Program.Pdf
    GET YOUR TICKETS LOFT FILM FEST SPONSORS FILM FESTIVAL BADGE TITLE SPONSORS General: $180 Loft Members: $150 FILMS General: $12 Loft Members: $10 OFFICIAL FEST SITE LoftFilmFest.org SCREENINGS TAKE PLACE AT The Loft Cinema 3233 E. Speedway Blvd. Tucson, AZ 85716 PRESENTING SPONSORS CONTACT [email protected] (520) 795-0844 FULL SCHEDULE ON PAGES 12-13 LOFT FILM FEST STAFF FESTIVAL EXECUTIVE DIRECTOR OFFICIAL HOTEL OF OFFICIAL BEER OF Peggy Johnson LOFT FILM FEST LOFT FILM FEST FESTIVAL DIRECTORS J.J. Giddings, Jeff Yanc MANAGING DIRECTOR Zach Breneman FESTIVAL PROGRAMMING CONSULTANTS Cassie Ramirez Breneman, Anthony Cutrone, Christine Hill, Debi Chess Mabie, Max McCauslin, SUPPORTING SPONSORS Mike Plante, Ernie Quiroz, Nikki Sanchez, VR Consultant Eric Carr FINANCE DIRECTOR Jonathan Kleefeld MARKETING/DESIGN Ben Mackey, Matt McCoy SPONSORSHIP DIRECTOR Amber Kleefeld PROGRAM SPONSORS DIRECTOR OF EDUCATION & ENGAGEMENT Shawna Dacosta GUEST RELATIONS Anthony Cutrone, Shawna Dacosta, Ben Mackey, Daniela Ontiveros, Emily Quinn DIRECTOR OF THEATRE OPERATIONS FILM SPONSORS Jason Denholm Anonymous, Max McCauslin, Hal Melfi, Patricia & John Whitehill, OPERATIONS MANAGER University of Arizona School of Theatre, Film & Television, Joe Tarver, Brenda Rodriguez Claire Scheuren ASSISTANT MANAGERS Marcel Jeanisse, Madeline McClure, Candace Ripley, IN-KIND DONATIONS Pedro Robles-Hill, A.J. Simon Old Pueblo Trolley , Proud Source H2O THE LOFTY ACHIEVEMENT AWARD The Loft Film Fest is awarding two Lofty Awards this year. The Lofty is presented each year at the Loft Film Fest to an individual whose career and body of work have significantly contributed to the world of cinema, and who continues to The Loft Film Fest was proud to receive a $20,000 Art inspire, entertain and enlighten audiences.
    [Show full text]
  • Allison Anders, Director
    5 Allison Anders, director Allison Anders rode the independent film wave of the 1990s with such notable titles as Gas Food Lodging (1992). Although still an indie filmmaker, today she devotes most of her time to directing episodes for television series that range from comedies to police procedurals. Anders discusses the many changes she has seen in the motion picture industries over the last few decades and compares the chal- lenges directors face in film versus television. If you had to describe your work, what do you do? I am a couple of things. I’m a writer. I write for film and television, and personal, prose-y things, too. I also, of course, direct, both film and TV. Writing is pretty self-explanatory. You know what is involved with that, but people have very strong misconceptions about directing. I remember directing a TV episode with a TV writer who was very involved, very controlling. I asked him, “Why don’t you just direct?” He said, “Oh, no. I couldn’t do that. I don’t know lenses, I don’t know cameras, I don’t know shots.” And I said, “Well, I don’t any of that shit either. I don’t know lenses. That’s for the DP [director of photography] to know.” There are some directors who know that, but that’s not me, and that’s not the most important part of the job. When you direct, you are making creative choices. That’s what a director does. Yes, I work on setting up the camera with the DP, but otherwise, directing is decision making.
    [Show full text]
  • TENDRICH, CAS Production Sound [email protected]
    Jon Tendrich Production Sound Mixer 1of 6 GOLDEN REEL AWARD 2004 JON "TIGER" TENDRICH, CAS I.A.T.S.E Local 695 Production Sound Cinema Audio Society Los Angeles / Miami [email protected] Cell 786-264-2470 Project Company Position Date Feature Films Black Tulip Dir. Sonia Nassery Cole Production Sound Mixer 11-09 Una Noche Dir. Lucy Mulloy Production Sound Mixer 6-09 Frat Party Supermassive Films LLC Production Sound Mixer 3-09 The Secret Lives of Pippa Lee Dir. Rebecca Miller Production Sound Mixer:L.A. Unit 6-08 500 Days of Summer 500 DOS LLC ProTools Playback Operator 5-08 Semi-Pro Avery Pix, Inc. Production Sound Mixer:2nd Unit 4-07 The Hills Have Eyes II Dir. Wes Craven Production Sound Mixer: Day 12-06 West 32nd Street Dir. Michael Kang Production Sound Mixer: Day 11-06 Shades of Love Dir. Robert Mann Production Sound Mixer 8-06 Michael Clayton Michael Clayton, LLC. Boom Operator: Day 4-06 Devil Within MEB Prod: Lions Gate Home Entertainment Production Sound Mixer 12-05 Brotherhood of Blood MEB Prod: Lions Gate Home Entertainment Production Sound Mixer 11-05 Two Weeks Dir. Steven Stockman Production Sound Mixer: Day 4-05 Boynton Beach Bereavement Club Snowbird Films, LLC Production Sound Mixer 11-04 Table Manners Dir. Elizabeth Hollander Boom Operator 9-04 9 Lives Dir. Rodrigo Garcia Boom Operator 7-04 Into the Blue MGM / Mandalay Underwater Sound Effects Mixer 3-04 POV Dir. Tyrone Tan Boom Operator 7-02 The Surrogate De-Bear Entertainment 2nd Unit Boom Operator 6-02 June Fat Kid Films Boom Operator 5-02 The Trip Road Hazard Productions 2nd Unit Boom Operator 5-02 Manhood Dir.
    [Show full text]
  • SANDI SISSEL, ASC Director of Photography Feature Films: MEET the BROWNS - Lions Gate - Tyler Perry, Director NEW YORK MINUTE - Warner Bros
    SANDI SISSEL, ASC Director of Photography Feature Films: MEET THE BROWNS - Lions Gate - Tyler Perry, director NEW YORK MINUTE - Warner Bros. - Dennie Gordon, director CAMP NOWHERE - Hollywood Pictures - Jonathan Prince, director FULL ECLIPSE - HBO Pictures - Tony Hickox, director DOUBLE SWITCH - Interactive Movie for Digital Pictures - Mary Lambert, director THE PEOPLE UNDER THE STAIRS - Universal - Wes Craven, director NO SECRETS - Columbia - Deszo Magyar, director SALAAM BOMBAY** - Film 4 International/Cinecom - Mira Nair, director HEAVY PETTING - DeLaurentiis Film Group - Obie Benz, director 2nd Unit DP CELLULAR (2nd Unit Director of Photography) - New Line - David Ellis, director MR. AND MRS. SMITH (2nd Unit Director of Photography) - New Regency Productions - Doug Liman, director MASTER AND COMMANDER (2nd Unit Director of Photography) - 20th Century Fox - Peter Weir, director DAREDEVIL (2nd Unit Director of Photography) - Universal - Mark Steven Johnson, director STEALING HARVARD (2nd Unit Director of Photography) - Imagine Entertainment - Bruce McCulloch, director EXIT WOUNDS (2nd Unit Director of Photography) - Warner Bros. - Andrzej Bartkowiak. director ROCKSTAR (2nd Unit Director of Photography) - Warner Bros. - Stephen Herek, director BLOW (2nd Unit Director of Photography) - New Line - Ted Demme, director AUSTIN POWERS: THE SPY WHO SHAGGED ME (2nd Unit Director of Photography) - New Line - Jay Roach, director THE MOD SQUAD (2nd Unit Director of Photography) - MGM - Scott Silver, director THE BELIEVERS (2nd Unit Director of
    [Show full text]