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Art Almanac April 2018 $6
Art Almanac April 2018 $6 Julie Dowling Waqt al-tagheer: Time of change Steve Carr Art Almanac April 2018 Subscribe We acknowledge and pay our respect to the many Aboriginal nations across this land, traditional custodians, Elders past and present; in particular the Established in 1974, we are Australia’s longest running monthly art guide and the single print Guringai people of the Eora Nation where Art Almanac destination for artists, galleries and audiences. has been produced. Art Almanac publishes 11 issues each year. Visit our website to sign-up for our free weekly eNewsletter. This issue spotlights the individual encounters and communal experience that To subscribe go to artalmanac.com.au contribute to Australia’s cultural identity. or mymagazines.com.au Julie Dowling paints the histories of her Badimaya ancestors to convey the personal impact of injustice, while a group show by art FROOHFWLYHHOHYHQíOWHUVWKHFRPSOH[LWLHVRI the Muslim Australian experience through diverse practices and perspectives. Links Deadline for May 2018 issue: between suburbia and nationhood are Tuesday 3 April, 2018. presented at Cement Fondu, and artist Celeste Chandler constructs self-portraits merging past and present lives, ultimately revealing the connectedness of human existence. Contact Editor – Chloe Mandryk [email protected] Assistant Editor – Elli Walsh [email protected] Deputy Editor – Kirsty Mulholland [email protected] Cover Art Director – Paul Saint National Advertising – Laraine Deer Julie Dowling, Black Madonna: Omega, -
National Art School 2019–2025 Strategic Plan Executive Summary
National Art School 2019–2025 Strategic Plan Executive Summary The National Art School (NAS) sits on one of the most significant sites in Australia – a meeting place for the Gadigal people, the site of the oldest gaol in Australia – and since 1922 the National Art School has called this site home. Over 185 years since our founding, and 96 years on this site, we have had a dynamic history, with many of Australia’s leading artists studying and teaching here. National Art School alumni have framed late 19th Century and 20th Century Australian art practice. They have formed a significant part of the Art Gallery of NSW’s exhibitions and collection acquisitions. One in five Archibald Prize winners has come from the National Art School. But our future is in preparing contemporary artists to be well equipped for the 21st Century. At the leading art fair in the Asia Pacific – the 2018 Sydney Contemporary Art Fair, 56 out of 337 artists were NAS alumni – that is one in 6, more than any other art institution. The National Art School is Australia’s leading independent fine art school; a producer of new art; a place to experience and participate in the arts; and a presentation venue. Our future vision is for a vital and energetic arts and education precinct. A place where art is made, rehearsals take place, art is seen and most importantly people can experience and participate in art. We will partner with other NSW arts organisations to deliver valuable ACDP objectives for the engagement and participation with people living and/or working in regional NSW, people living and/or working in Western Sydney, Aboriginal people, people from culturally and linguistically diverse (CALD) backgrounds, people with disability, and young people. -
Issue 543 Contents
המרכז HaMerkazACT Jewish Community Magazine December 2018 | Tevet 5779 Issue 543 Contents A: 31 National Circuit, Forrest ACT P: PO Box 3105, Manuka ACT 2603 T: 02 6295 1052 E: [email protected] REGULAR REPORTS W: actjc.org.au 04 2018 PRESIDENT’S FAREWELL MESSAGE: Yael Cass 05 OUR INCOMING PRESIDENT: New President, Veronica Leydman 06 FROM THE RABBI’S DESK: Rabbi Eddi’s Chanukah message. 07 EVERY ENCOUNTER: Rabbi Robuck’s contribution. SPECIAL ARTICLES 10 ORTHODOX SHUL: Adele Rosalky writes on the design sources. 13 REMEMBRANCE DAY: Gai Brodtmann’s speech. Issue 543 22 PHOTOS FROM REMEMBRANCE DAY 24 CANBERRA TIMES: RUTH LANDAU: Ruth’s story of survival. 30 EARLE HOFFMAN LIBRARY: Updates from Leonie Webb. 32 HOLOCAUST SURVIVAL: Peter Witting’s escape. DECEMBER 2018 38 DEAR COMMUNITY: From Shay and Shir. 40 HISTORY & FOOD: Chanukah traditions. 41 CHANUKAH RECIPES: Four tempting recipes. 46 THE NEW YORK TIMES ARTICLE: Submitted by Karen Tatz. 47 BOOK: JEWISH IN AMERICA: Submitted by Karen Tatz. The views expressed in HaMerkaz by individual authors do not necessarily reflect the views or policy of the ACT Jewish Community Inc. COMMUNITY AND OTHER REPORTS 06 CONVERSATIONS: Submitted by Bill Arnold. 12 AJHS: Adele Rosalky. COPYRIGHT 2018. 17 NCJWA: A report from the Canberra Section. 27 WELCOME COMMITTEE: News on the group activities. All rights reserved. No part of this publication may be reproduced in any form or by any means, electronic or mechanical, including photocopying, EVENTS recording, or by any information storage and retrieval system, without 08 YOUNG ADULTS’ CHANUKAH: From Tamsin Sanderson. permission in writing from an 17 WIZO: Visit by WIZO representatives. -
International Student Science Conference A
PLC SYDNEY BIANNUAL MAGAZINE ISSUE 12: SUMMER 2014 INTERNATIONAL STUDENT SCIENCE CONFERENCE A SUCCESSFUL SNOW SEASON INTERTWINED EXHIBITION YEAR 12 GRADUATION PARENT SEMINARS DISNEY COMES TO PLC SYDNEY 1 From the Principal 17 Creative writing workshops Connect magazine is printed on Sovereign Offset. It is a FSC certified paper and 2 Outstanding young writer recognised 18 Intertwined exhibition contains fibre sourced only from responsible 3 St Aloysius’ College and PLC Sydney 20 Parent seminars forestry practices and made with elemental chlorine free pulps. Special Concert 21 Pipe Band Tour to Perth 2015 Cover image: Taking a break at the entrance to the 4 International Student Science Conference 22 Rising star on the hockey field Athenian Acropolis in Greece during the Ancient History Tour. 5 SMART Tree project 23 Sleek geeks Editor: Mrs Nicole Paull 6 Living the dream 24 Self-defence day Contributors: Dr Paul Burgis, Ms Carolyn Lain, 7 Disney comes to PLC Sydney 25 Textiles technology students inspired Gwendalyn Dabaja, Ms Fiona Clouston, Emma 8 The end of Year 12 by upcycling trend Carnuccio, Isabelle Hooton, Catherine Taylor, 10 The East Timor story so far 26 The serious business of scientific fun Natalie Teh, Hayley Ng, Averlie Wang, Madeleine Maloof, Cailin Pascoe, Mrs Fiona Hendriks, 11 Sydney Eisteddfod results 27 Year 2 Camp Claire Protas, Madeline Panos, Isabella Cordaro, 12 Ancient History Tour 28 Year 12 graduation: Giving thanks Leila Bunguric, Sophie Hayman, Mr Adam Bold, Claire Sharman, Ms Jenny Clarke, Mrs Melissa 13 Central -
2020 Archibad Prize Media
2020 ARCHIBALD PAUSTRALIA’SRIZ FAVOURITEE PORTRAIT PRIZE 26 SEP 2020 – 10 JAN 2021 ARCHIE FACTS ARCHIBALD, WYNNE & 2020 SULMAN ENTRIES 2565 ARCHIBALD, WYNNE & SULMAN FINALISTS 18 50 181 64 1768 107 53 48 59 396 8 FEMALE MALE 27 ARCHIBALD PRIZE FINALISTS ARCHIBALD PRIZE ENTRIES 55 1068 RECORD YEAR WYNNE PRIZE WYNNE PRIZE FINALISTS 782 ENTRIES 34 SULMAN PRIZE ENTRIES SULMAN PRIZE FINALISTS 715 RECORD YEAR 18 OVER YOUNG ARCHIE ENTRIES FINALISTS YOUNG ARCHIE 40 COMPETITION 1800 FIRST-TIME (40%) ARCHIBALD SMALLEST FINALISTS 22 ARCHIBALD PRIZE ENTRY 25 x 20.5 cm Yuri Shimmyo Carnation, lily, Yuri, rose FIRST-TIME (50%) WYNNE FINALISTS 17 LARGEST FIRST-TIME (33%) ARCHIBALD PRIZE ENTRY SULMAN FINALISTS 6 250 x 250 cm Blak Douglas Writing in the sand NUMBER OF ARTISTS WHO ARE FINALISTS IN MORE THAN ONE PRIZE Abdul Abdullah and Benjamin Aitken (Archibald and Sulman) Lucy Culliton and Guy Maestri (Archibald and Wynne) 6 Caroline Rothwell and Gareth Sansom (Wynne and Sulman) SITTERS IN ARCHIBALD PRIZE ARCHIBALD, WYNNE AND SULMAN PRIZE FINALIST WORKS TOP 3 SUBJECTS WORKS BY INDIGENOUS ARTISTS WORKS BY INDIGENOUS ARTISTS 12 SELF-PORTRAITS 26 RECORD YEAR ARCHIBALD PRIZE WORKS WITH 9 OTHER ARTISTS INDIGENOUS SITTERS 10 RECORD YEAR 8 PERFORMING ARTS Join the conversation #archibaldprize Keep up to date on Facebook, Twitter & Instagram @artgalleryofnsw ANNOUNCEMENTS Announcement of the Archibald, Wynne and Sulman Prize 2020 finalists; Young Archie finalists and honourable mentions; and Packing Room Prize winner Thursday 17 September, 11am Announcement of the winners of the Archibald, Wynne and Sulman Prizes 2020 Friday 25 September, 12 noon Announcement of winners of the Young Archie 2020 competition Saturday 24 October, 10am ANZ People’s Choice winner announcement Wednesday 16 December, 11am EXHIBITION DATES Archibald, Wynne and Sulman Prizes 2020 Art Gallery of New South Wales Saturday 26 September 2020 – Sunday 10 January 2021 Ticketed Due to COVID-19 capacity restrictions, tickets are $20 adult dated and timed. -
Chapter 4. Australian Art at Auction: the 1960S Market
Pedigree and Panache a history of the art auction in australia Pedigree and Panache a history of the art auction in australia Shireen huda Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au/pedigree_citation.html National Library of Australia Cataloguing-in-Publication entry National Library of Australia Cataloguing-in-Publication entry: Author: Huda, Shireen Amber. Title: Pedigree and panache : a history of the art auction in Australia / Shireen Huda. ISBN: 9781921313714 (pbk.) 9781921313721 (web) Notes: Includes index. Bibliography. Subjects: Art auctions--Australia--History. Art--Collectors and collecting--Australia. Art--Prices--Australia. Dewey Number: 702.994 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design by Teresa Prowse Cover image: John Webber, A Portrait of Captain James Cook RN, 1782, oil on canvas, 114.3 x 89.7 cm, Collection: National Portrait Gallery, Canberra. Purchased by the Commonwealth Government with the generous assistance of Robert Oatley and John Schaeffer 2000. Printed by University Printing Services, ANU This edition © 2008 ANU E Press Table of Contents Preface ..................................................................................................... ix Acknowledgements -
Collective Identity(Ies): This Is That Time
EDUCATION RESOURCE KIT A CASE STUDY COLLECTIVE IDENTITY(IeS): THIS IS THAT TIME 1 INTRODUCTION With the education strategies written by Kate Caddey, the exhibition text prepared by Lisa Corsi and published by Lake Macquarie City Art Gallery, this education kit is designed to assist senior secondary Visual Arts teachers and students in the preparation, appreciation and understanding of the case study component of the HSC syllabus. The gallery is proud to support educators and students in the community with an ongoing series of case studies as they relate to the gallery’s exhibition program. This education resource kit is available directly from the gallery, or online at www.artgallery.lakemac.com.au. A CASE STUDY A series of case studies (a minimum of FIVE) should be undertaken with students in the HSC course. The selection of content for the case study should relate various aspects of critical and historical investigations, taking into account practice, the conceptual framework Cover: and the frames. Emphasis may be given to a particular Gordon Bennett aspect of content although all should remain in play. The Nine Ricochets (Fall down black fella, jump up white fella) 1990 Case studies should be 4–10 hours in duration in the oil and synthetic polymer paint HSC course. on canvas and canvas boards 220 x 182cm image courtesy the artist and NSW Board of Studies, Visual Arts Stage 6 Syllabus, 2012 Milani Gallery, Brisbane. photo Carl Warner private collection, Brisbane CONTENTS ABOUT THIS EDUCATION RESOURCE KIT COLLECTIVE IDENTITY(IeS) ESSAY -
Jenny Sages Transience of Time
Jenny Sages Transience of Time King Street Gallery on William 10am – 6pm Tuesday – Saturday 177 William St Darlinghurst NSW 2010 Australia T: 61 2 9360 9727 F: 61 2 9331 4458 [email protected] www.kingstreetgallery.com.au 1 Jenny Sages (born 1933, Shanghai; arrived Australia 1948; lives in Sydney) Jenny Sages’ understated paintings have a quiet, nuanced beauty. Her vision is abstract, organic, poetic and intuitive rather than rational and representational. It is both intimate and overarching, but never detached. Her abstraction is grounded in the small details of organic life - the shapes, the tones and textures of vegetation, the desiccated skins of animals, the weathered patina of abandoned things. Yet it is imbued also with a larger, more ineffable dimension. This may have something to do with a poetics of immanence, the apprehension of beauty and meaning that is encoded in the nature of things, and connecting the organic, mortal universe. Her paintings are testaments to her sense of connection with the natural environment of the inland. For twenty four years from the mid 1980s until 2008 Sages made annual sojourns with groups of women friends to walk the land and paint the landscape. Over many years of trekking through the landscape of Central and Northern Australia she developed lasting friendships with local indigenous people, and has gained a partial insight into their traditional relationship with the land. Her approach to abstraction is not imitative of Aboriginal art but there are affinities evident in her repetitive organic rhythms and textures, and in the underlying allusions to nature as a well-spring of spiritual understanding. -
Kedumba Drawing Award 2007 28 October to 2 December 2007
Kedumba Drawing Award 2007 28 October to 2 December 2007 Judge: Guest of Honour: CHERRY HOOD JUSTICE RODERICK MEAGHER Born in Sydney. Studies in fine art; sculpture The Hon. Justice Roderick Meagher was educated (Perugia); painting (NAS); at SCA: BVA at St. Ignatius College (Riverview), Sydney and St. (Hons) (1998), MVA (2000). Recent group John’s College, Sydney University (BA, Ll.B). He exhibitions: Portia Geach, Dobell, ‘Scrubber’s was admitted to the New South Wales Bar in 1960, Revenge’, Penrith RG; ‘More Real than Life’, at the same time lecturing in the Faculty of Law Gertrude Contemporary Art Spaces; ‘Scratch at the University of Sydney. He was subsequently the Surface’, Canberra Contemporary Art Space; appointed Queen’s Counsel and served as Archibald Prize, AGNSW (Winner, 2002); President of the New South Wales Bar Association ‘Heimlich unHeimlich’, RMIT Gallery. Recent (1979–81) before being appointed, in 1989, a Judge solo exhibitions: Harold’s End, Deitch Projects, of the Supreme Court of New South Wales and New York; Ayesha’s Child, Arc One, Melbourne; Judge of the Court of Appeal, from which he is now ‘Family Matters’, Maroondah Gallery, Victoria; retired. He is the author and editor of a number of Brüder, Lehman, Leskiw + Schedler, Zurich, major legal works. He has a keen interest in art and Toronto; ‘Stranger than Fiction’ and ‘Interface’, his late wife Penny was a wonderful artist. Mori Gallery, Sydney. Her work is held in many private and public collections in Australia and overseas. Trustees Patrons Sponsors Maurice -
Andrew Sibley
Andrew Sibley From Wikipedia, the free encyclopedia Andrew John Sibley (9 July 1933 – 3 September 2015) was an English-born Australian artist. Sibley has been the subject of three books and is commonly listed in histories and encyclopedias of Australian art as a significant figurative painter of the mid and late 20th century. [1][2][3][4] 1 Personal history 2 Career overviews 2.1 Early career 2.2 Mid-career 2.3 Late career 3 Collections 4 References 5 External links Personal history Sibley was born in Adisham, Kent, England, the first child to John Percival and Marguerite Joan Sibley (née Taylor). With his family home bombed in the London Blitz, Sibley was relocated to Sittingbourne, Kent, then moving to Northfleet, Kent. In 1944 Sibley was awarded a scholarship at Gravesend School of Art, where he studied with fellow students including English artist Peter Blake. [4] In 1948, with his parents and two brothers, Sibley emigrated to Australia, where they lived and worked on an orchard in the rural town of Stanthorpe, Queensland. [5] He left the farm in 1951 to undertake National Service Training with the Royal Australian Navy, after which he spent a short time living and working in Port Moresby, Papua New Guinea. [6] After meeting his future wife Irena Sibley (née Pauliukonis) in Brisbane in 1967, Sibley followed her to Sydney, where they were married in 1968. The Sibley’s moved to Victoria, where he lived and worked until his death on 3 September 2015 at the age of 82. [7] Career overview From his early success in the 1960s Andrew Sibley consistently exhibited throughout Australia and internationally. -
Downloadable Process Diaries
ART GALLERY OF NEWSOUTHWALES ART GALLERY ART GALLERY OF NEW SOUTH WALES NSW Art Gallery Road The Domain Sydney NSW 2000 Telephone: (02) 9225 1700 Information Line: (02) 9925 1790 Email (general): [email protected] For information on current exhibitions and events, visit the Gallery’s website www.artgallery.nsw.gov.au ART GALLERY OF NEW SOUTH WALES ANNUAL REPORT 2006 ANNUAL REPORT 2006 ANNUAL REPORT ART GALLERY OF NEW SOUTH WALES GENERAL INFORMATION ACCESS RESEARCH LIBRARY GALLERY SHOP PUBLIC TRANSPORT ‘One of the loveliest and most insightful exhibitions devoted to a single The Gallery opens every day except AND ARCHIVE Open daily from 10am to 5pm and until Buses: the 441 bus route stops at the Easter Friday and Christmas Day The Gallery’s Research Library and 8.45pm each Wednesday night, the Gallery en route to the Queen Victoria artist.’ Pissarro exhibition, Sebastian Smee, Weekend Australian, 26 Nov 06 between the hours of 10am and 5pm. Archive is open Monday to Friday Gallery Shop offers the finest range of art Building. The service runs every 20 The Gallery opens late each Wednesday between 10am and 4pm (excluding books in Australia and also specialises in minutes on weekdays and every 30 night until 9pm. General admission is public holidays) and until 8.45pm each school and library supply. The shop minutes on weekends. Call the STA on free. Entry fees may apply to a limited Wednesday night. The Library has the stocks an extensive range of art posters, 131 500 or visit www.131500.info for number of major temporary exhibitions. -
NEWSLETTER Issue No 275 Mail P.O
Aug 2013 NEWSLETTER Issue No 275 Mail P.O. Box 76 Wentworth Falls 2782—Email [email protected] Meetings at St Bonaventure's Church Hall Cnr. Hartley Espl & Railway Pde. Leura Website / Gallery www.mountainartists.org Management Committee PRESIDENT Vacant ORDINARY MEMBER Dennis West 4757 3135 VICE-PRESENT Marie Morris 4787 1257 LIBRARIAN Maunie Kwok 4757 3550 SECRETARY Robyn Berglund 4782 5727 ORDINARY MEMBER John Finnerty 4757 4324 TREASURER Patricia Carruthers 4758 7172 ORDINARY MEMBER Alfred Blakers 4787 5870 Assistant Treasurer Marlene Strathdee ORDINARY MEMBER Peter Ayres 4758 9005 Patron: John Wilson FRAS Membership / Web John Finnerty 4757 4324 Editor: Alfred (Fred) Blakers 4787 5870 [email protected] Records [email protected] Articles required by 2nd Monday of month Management Committee Report As you all know, in the absence of a President, management committee members have been taking turns in chairing the monthly general meetings and writing a report for the monthly newsletter ….. and this month it is my turn to do the report. Firstly I must congratulate Marion Westmacott whose beautiful botanical painting won the Jamison Award and it will be the raffle prize at our Spring Exhibition. Thank you Marion. On Thursday 25th July we held a very successful Mid-Year Luncheon at the Wentworth Falls Coun- try Club and those of you who were unable to attend missed an excellent meal, and the company was good too. In fact, the event had a special vibe about it with everybody obviously enjoying themselves. The Learning Workshop Day was held on Saturday 3rd August at the Wentworth Falls Country Club, when fourteen people attended to paint and gain help and advice from Dennis West, Peter Ayers, Anna Marshall and Helen Hudson.