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(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Creating a Superheroine: a Rhetorical Analysis of the X-Men Comic Books
CREATING A SUPERHEROINE: A RHETORICAL ANALYSIS OF THE X-MEN COMIC BOOKS by Tonya R. Powers A Thesis Submitted in Partial Fulfillment Of the Requirements for the Degree MASTER OF ARTS Major Subject: Communication West Texas A&M University Canyon, Texas August, 2016 Approved: __________________________________________________________ [Chair, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] ____________________________________________________ [Head, Major Department] [Date] ____________________________________________________ [Dean, Fine Arts and Humanities] [Date] ____________________________________________________ [Dean, Graduate School] [Date] ii ABSTRACT This thesis is a rhetorical analysis of a two-year X-Men comic book publication that features an entirely female cast. This research was conducted using Kenneth Burke’s theory of terministic screens to evaluate how the authors and artists created the comic books. Sonja Foss’s description of cluster criticism is used to determine key terms in the series and how they were contributed to the creation of characters. I also used visual rhetoric to understand how comic book structure and conventions impacted the visual creation of superheroines. The results indicate that while these superheroines are multi- dimensional characters, they are still created within a male standard of what constitutes a hero. The female characters in the series point to an awareness of diversity in the comic book universe. iii ACKNOWLEDGEMENTS I wish to thank my thesis committee chair, Dr. Hanson, for being supportive of me within the last year. Your guidance and pushes in the right direction has made the completion of this thesis possible. You make me understand the kind of educator I wish to be. You would always reply to my late-night emails as soon as you could in the morning. -
Avengers Explored
2020 Avengers Explored IRON MAN AND CAPTAIN AMERICA: A STUDY IN TRANSMEDIA, ADDITIVE COMPREHENSION AND ADDITIVE MYSTERY OLIVIER SNEPVANGERS Contents Introduction ............................................................................................................................................. 2 1. Theory: Transmedia and Narratology… Assemble! ............................................................................. 5 1.1 Transmedia .................................................................................................................................... 5 1.2 Narratology .................................................................................................................................. 10 1.3 Method ........................................................................................................................................ 19 2. Analysis: Captain America and Iron Man: A tale of two superheroes ............................................... 20 2.1 Captain America: Fragile body, Strong mind ............................................................................... 20 2.2 Iron Man: Fragile ego, Strong suit ............................................................................................... 29 2.3 Steve and Tony: Fragile friendship, Stronger together ............................................................... 37 2.3.1 The narratological nature of the relationship ...................................................................... 37 2.3.2 Exploring and expanding on Stony -
Spider-Man: Into the Spider-Verse
SPIDER-MAN: INTO THE SPIDER-VERSE Screenplay by Phil Lord and Rodney Rothman Story by Phil Lord Dec. 3, 2018 SEQ. 0100 - THE ALTERNATE SPIDER-MAN “TAS” WE BEGIN ON A COMIC. The cover asks WHO IS SPIDER-MAN? SPIDER-MAN (V.O.) Alright, let’s do this one last time. My name is Peter Parker. QUICK CUTS of a BLOND PETER PARKER Pulling down his mask...a name tag that reads “Peter Parker”...various shots of Spider-Man IN ACTION. SPIDER-MAN (V.O.) I was bitten by a radioactive spider and for ten years I’ve been the one and only Spider-Man. I’m pretty sure you know the rest. UNCLE BEN tells Peter: UNCLE BEN (V.O.) With great power comes great responsibility. Uncle Ben walks into the beyond. SPIDER-MAN (V.O.) I saved a bunch of people, fell in love, saved the city, and then I saved the city again and again and again... Spiderman saves the city, kisses MJ, saves the city some more. The shots evoke ICONIC SPIDER-MAN IMAGES, but each one is subtly different, somehow altered. SPIDER-MAN (V.O.) And uh... I did this. Cut to Spider-Man dancing on the street, exactly like in the movie Spider-Man 3. SPIDER-MAN (V.O.) We don’t really talk about this. A THREE PANEL SPLIT SCREEN: shots of Spider-Man’s “products”: SPIDER-MAN (V.O.) Look, I’m a comic book, I’m a cereal, did a Christmas album. I have an excellent theme song. (MORE) 2. SPIDER-MAN (V.O.) (CONT'D) And a so-so popsicle. -
Warren Ellis Frankenstein's Womb Gn (Ogn) H MMW THOR V
H UNIVERSAL WAR ONE V. 1 HC H POWERS V. 12 TPB collects #1-3, $25 collects #25-30, $20 H M ADVS HULK V. 4 DIGEST H MMW AVENGERS V. 8 HC collects #13-16, $9 collects #69-79, $55 H M ADVS SPIDEY V. 11 DIGEST H MMW atlas era STRANGE TALES v.2 HC collects #41-44, $9 collects #11-20, $55 H ANITA BLACK VH GP V. 2 TPB Warren Ellis Frankenstein's Womb Gn (ogn) H MMW THOR V. 8 HC collects #7-12, $16 by Warren Ellis & Marek Oleksicki It began a few months earlier when, en route through Ger- H collects #163-172, $55 SPIDEY BND V . 2 TPB many to Switzerland, Mary, her future husband Percy Shelley, and her stepsister Clair Clair- H SECRET WARS OMNIBUS V. 2 HC collects #552-558, $20 mont approached a strange castle. And she was never the same again - because something H collects EVERYTHING!! REALLY, $100 CABLE V. 1 TP was haunting that tower, and Mary met it there. Fear, death and alchemy - the modern age is H ULTIMATE ORIGINS HC collects #1-5, $15 created here, in lost moments in a ruined castle on a day never recorded. collects #1-5, $25 H HEDGE KNIGHT 2 S. SWORD TPB H NOVA V. 1 HC collects #1-6, $16 Eureka #1 (4 issues) collects #1-12 & ANN 1, $35 H INFINITY CRUSADE V. 1 TPB by Andrew Cosby, Brendan Hay & Diego Barreto TV's smash sci-fi hit comes to BOOM! In what H ULTIMATES 3 V. -
TSR6907.MHR2.Webs-Th
Official Game Accessory Table of Contents Introduction ……………………………………………………………………………………………… 3 Brief History ……………………………………………………………………………………………… 4 Peter Parker's Journal …………………………………………………………………………………. 6 NOW Magazine Pull-Out Section ………………………………………………………………………. 13 Peter Parker's Journal (continued) …………………………………………………………………… 21 Spider-Man's Quips and Quotes ………………………………………………………………………. 27 Bibliography ……………………………………………………………………………………………... 29 Credits: Design: Scott Davis Typography: Tracey Zamagne Editing: Dale A. Donovan Cartography: John Knecht Cover Art: Mark Bagley and John Romita Sr. Graphic Design: Paul Hanchette Interior Art: The Marvel Bullpen Production: Paul Hanchette This book is protected under the copyright law of the United States of America. Any reproduction or unauthorized use of the material or artwork herein is prohibited without the express written consent of TSR, Inc. and Marvel Entertainment Group, Inc. The names of the characters used herein are fictitious and do not refer to any persons living or dead. Any descriptions including similarities to persons living or dead are merely coincidental. Random House and its affiliate companies have worldwide distribution rights in the book trade for English language products of TSR, Inc. Distributed to the book and hobby trade in the United Kingdom by TSR Ltd. Distributed to the toy and hobby trade by regional distributors. MARVEL SUPER HEROES, SPIDER-MAN and Marvel Universe are trademarks of Marvel Entertainment Group, Inc. All Marvel characters, character names, and the distinctive likenesses thereof are trademarks of Marvel Entertainment Group, Inc. Copyright '''1992 Marvel Entertainment Group, Inc. All Rights Reserved. The TSR logo is a trademark owned by TSR, Inc. Copyright 1992 TSR, Inc. All Rights Reserved. Printed in the U.S.A. TSR, Inc. P.O. Box 756 Lake Geneva WI 53147 U.S.A. -
Marvel January – April 2021
MARVEL Aero Vol. 2 The Mystery of Madame Huang Zhou Liefen, Keng Summary THE MADAME OF MYSTERY AND MENACE! LEI LING finally faces MADAME HUANG! But who is Huang, and will her experience and power stop AERO in her tracks? And will Aero be able to crack the mystery of the crystal jade towers and creatures infiltrating Shanghai before they take over the city? COLLECTING: AERO (2019) 7-12 Marvel 9781302919450 Pub Date: 1/5/21 On Sale Date: 1/5/21 $17.99 USD/$22.99 CAD Paperback 136 Pages Carton Qty: 40 Ages 13 And Up, Grades 8 to 17 Comics & Graphic Novels / Superheroes CGN004080 Captain America: Sam Wilson - The Complete Collection Vol. 2 Nick Spencer, Daniel Acuña, Angel Unzueta, Paul Re... Summary Sam Wilson takes flight as the soaring Sentinel of Liberty - Captain America! Handed the shield by Steve Rogers himself, the former Falcon is joined by new partner Nomad to tackle threats including the fearsome Scarecrow, Batroc and Baron Zemo's newly ascendant Hydra! But stepping into Steve's boots isn't easy -and Sam soon finds himself on the outs with both his old friend and S.H.I.E.L.D.! Plus, the Sons of the Serpent, Doctor Malus -and the all-new Falcon! And a team-up with Spider-Man and the Inhumans! The headline- making Sam Wilson is a Captain America for today! COLLECTING: CAPTAIN AMERICA (2012) 25, ALL-NEW CAPTAIN AMERICA: FEAR HIM (2015) 1-4, ALL-NEW CAPTAIN AMERICA (2014) 1-6, AMAZING SPIDERMAN SPECIAL (2015) 1, INHUMAN SPECIAL (2015) 1, Marvel ALL-NEW CAPTAIN AMERICA SPECIAL (2015) 1, CAPTAIN AMERICA: SAM WILSON (2015) 1-6 9781302922979 Pub Date: 1/5/21 On Sale Date: 1/5/21 $39.99 USD/$49.99 CAD Paperback 504 Pages Carton Qty: 40 Ages 13 And Up, Grades 8 to 17 Comics & Graphic Novels / Superheroes CGN004080 Marvel January to April 2021 - Page 1 MARVEL Guardians of the Galaxy by Donny Cates Donny Cates, Al Ewing, Tini Howard, Zac Thompson, .. -
The Biological Basis of Marvel Comics Mutants
Journal of Geek Studies jgeekstudies.org The biological basis of Marvel Comics mutants Damián E. Pérez Instituto Patagónico de Geología y Paleontología (IPGP CCT CONICET- CENPAT), Puerto Madryn, Chubut, Argentina. E-mail: [email protected] “Feared and hated by a world they have changes in human offspring, and mutants sworn to protect” is the catchphrase always were the consequence (Accorsi & Accorsi, present in nearly all comics of Marvel’s mu- 1994; Clemente, 2000; Kakalios, 2005). tants, the X-Men. This phrase was coined by Stan Lee, the co-creator of the X-Men to- Beyond Stan Lee and Jack Kirby, this is gether with Jack Kirby. A popular proverb the same concept used in the Japanese God states that “we fear what we do not under- zilla films of previous years. Thus, the word stand” and this is probably the case with ‘mutant’ was often used in sci-fi literature the mutants within Marvel’s comic book of the 1950s to designate human varia- universe. Therefore, the question is: can we tions with strange superpowers. The term understand Marvel’s mutants? That is the was used a few times during those years in main aim of this essay. some Atlas (previous name of Marvel Com- ics editorial during the 1950s) comic books The word ‘mutant’ is often found in sci- from 1952 to 1963 (for example, in Tales of ence fiction literature, television and mov- Suspense #6, from 1959). Officially, accord- ies. The mutant condition is not an inven- ing to the established cannon, the first time tion of these arts and media. -
Civil War: House of M Pdf, Epub, Ebook
CIVIL WAR: HOUSE OF M PDF, EPUB, EBOOK Christos Gage,Andrea Di Vito | 120 pages | 12 Apr 2016 | Marvel Comics | 9780785195740 | English | New York, United States Civil War: House of M PDF Book His wounded arm was amputated, and Jackson lived for another eight days before succumbing to pneumonia. A Confederate admiral hailing from the North faces a navy led by a Union admiral born in Tennessee and raised in New Orleans. Help Learn to edit Community portal Recent changes Upload file. Marvel's Toy Biz division is a recognized creative force and leader in toy design, sales and marketing, developing and overseeing both licensee and in-house toy lines. In another part of the Monarchy of M, Deathlocket, Hawkeye, Misty Knight, and Black Cat are hiding in the underground base where Deathlocket's father built hundreds of Deathlok cyborgs. This economic disparity also led to irreconcilable differences in societal and political views. It turns out that Quicksilver himself was the one responsible for the creation of the alternate world, suggesting to Wanda to make everyone happy in an almost-perfect world. December 19, Marvel Comics Multiverse. They advised Graves to challenge Cilley to a duel in order to maintain his political standing within his party. Victoria Hand S. As with most wars, however, there was no single cause. With Agent Wolverine of S. Though he commuted in to the Oval Office daily—past encamped Union troops, field hospitals, and cemeteries—Lincoln felt most at home here, four miles from the White House. Save Pin ellipsis More. Even though things were already near a boiling point after Lincoln was elected, South Carolina issued its "Declaration of the Causes of Secession " on December 24, There will be Sentinals galore, a very familiar mutant Professor, and an explosive battle with the mutant High Lord Apparently, he is in collusion with the Submariner to take over the surface world. -
Thesis Final
SENTINELS OF LIBERTY: CAPTAIN AMERICA, HIS DOUBLES, AND THE DILEMMA OF AMERICAN IDENTITY by Robert Wicks A Thesis Submitted to the Faculty of The Wilkes Honors College in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in Liberal Arts and Sciences with a Concentration in American Studies Wilkes Honors College of Florida Atlantic University Jupiter, Florida May 2009 SENTINELS OF LIBERTY: CAPTAIN AMERICA, HIS DOUBLES, AND THE DILEMMA OF AMERICAN IDENTITY by Robert Wicks This thesis was prepared under the direction of the candidate’s thesis advisor, Dr. Christopher B. Strain, and has been approved by the members of his supervisory committee. It was submitted to the faculty of The Honors College and was accepted in partial fulfillment of the requirements for the degree of Bachelor of Arts in Liberal Arts and Sciences. SUPERVISORY COMMITTEE: ___________________________ Dr. Christopher B. Strain ___________________________ Dr. Laura Barrett ___________________________ Dean, Wilkes Honors College ________ Date ii ACKNOWLEDGEMENTS I am indebted to too many people to list on this small page, but I’ll try to thank as many as possible. Dr. Chris Strain, for consistently telling me that all of my drafts needed more work, that my research was scant, and that I needed to re-work everything, thank you. If you’d told me I was doing fine, I probably would have taken a nacho break for a semester and been in serious trouble. To Dr. Laura Barrett, for reading over the final draft and adding a layer of polish that would have otherwise been absent. And to the entire staff of the Honors College, for making me so nervous that all I’ve ever tried to do is not look silly in your eyes… hopefully accomplishing something in the process. -
Critiquing the Characterization of Minority Identity in the Medium of Comics
Designing Identity: Critiquing the Characterization of Minority Identity in the Medium of Comics A thesis submitted to the College of Communication and Information of Kent State University in partial fulfillment of the requirements for the degree of Master of Fine Arts By Alesha Erin Williams November 2019 Thesis written by Alesha Erin Williams B.F.A, Columbus College of Art and Design, 2014 M.F.A., Kent State University, 2019 Approved by __________________________________ Ken Visocky O’Grady, M.F.A., Advisor, Professor, School of Visual Communication Design __________________________________ Daniel Alenquer, Director, School of Visual Communication Design __________________________________ Amy Reynolds, Ph. D. Dean , College of Communication and Information ii Table of Contents TABLE OF CONTENTS ............................................................................................................................. iii LIST OF FIGURES ...................................................................................................................................... v ACKNOWLEDGEMENTS ......................................................................................................................... vi CHAPTER I. IDENTITY, CHARACTERIZATION AND CHARACTER DESIGN ................................................ 1 The Problem ...................................................................................................................................... 5 Limitations ....................................................................................................................................... -
Iron Man and Philosophy: Facing the Stark Reality / Edited by Mark D
ftoc.indd viii 12/29/09 1:50:07 PM IRON MAN AND PHILOSOPHY ffirs.indd i 12/30/09 1:52:49 PM The Blackwell Philosophy and Pop Culture Series Series Editor: William Irwin South Park and Philosophy House and Philosophy Edited by Robert Arp Edited by Henry Jacoby Metallica and Philosophy Watchmen and Philosophy Edited by William Irwin Edited by Mark D. White Family Guy and Philosophy X-Men and Philosophy Edited by J. Jeremy Wisnewski Edited by Rebecca Housel and J. Jeremy Wisnewski The Daily Show and Philosophy Edited by Jason Holt Terminator and Philosophy Edited by Richard Brown and Lost and Philosophy Kevin Decker Edited by Sharon Kaye Heroes and Philosophy 24 and Philosophy Edited by David Kyle Johnson Edited by Richard Davis, Jennifer Hart Week, and Ronald Weed Final Fantasy and Philosophy Edited by Jason Blahuta and Battlestar Galactica and Michel Beaulieu Philosophy Edited by Jason T. Eberl Twilight and Philosophy Edited by Rebecca Housel and The Offi ce and Philosophy J. Jeremy Wisnewski Edited by J. Jeremy Wisnewski Batman and Philosophy Edited by Mark D. White and Robert Arp ffirs.indd ii 12/30/09 1:52:50 PM IRON MAN AND PHILOSOPHY FACING THE STARK REALITY Edited by Mark D. White John Wiley & Sons, Inc. ffirs.indd iii 12/30/09 1:52:50 PM This book is printed on acid-free paper. Copyright © 2010 by John Wiley & Sons, Inc. All rights reserved Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or trans- mitted in any form or by any means, electronic, mechanical, photocopying, record- ing, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com.