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The Magic Flute
WOLFGANG AMADEUS MOZART the magic flute conductor Libretto by Emanuel Schikaneder Harry Bicket Saturday, December 29, 2018 production 1:00–2:45 PM Julie Taymor set designer George Tsypin costume designer Julie Taymor lighting designer The abridged production of Donald Holder The Magic Flute was made possible by a puppet designers Julie Taymor gift from The Andrew W. Mellon Foundation Michael Curry and Bill Rollnick and Nancy Ellison Rollnick choreographer Mark Dendy The original production of Die Zauberflöte was made possible by a revival stage director David Kneuss gift from Mr. and Mrs. Henry R. Kravis english adaptation J. D. McClatchy Additional funding was received from John Van Meter, The Annenberg Foundation, Karen and Kevin Kennedy, Bill Rollnick and Nancy Ellison Rollnick, Mr. and Mrs. William R. general manager Miller, Agnes Varis and Karl Leichtman, and Peter Gelb Mr. and Mrs. Ezra K. Zilkha jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON The Magic Flute is The 447th Metropolitan Opera performance of performed without intermission. WOLFGANG AMADEUS MOZART’S This performance is being broadcast the magic flute live over The Toll Brothers– Metropolitan Opera conductor International Radio Harry Bicket Network, sponsored by Toll Brothers, in order of vocal appearance America’s luxury ® tamino second spirit homebuilder , with Ben Bliss* Eliot Flowers generous long- first l ady third spirit term support from Gabriella Reyes** N. Casey Schopflocher the Annenberg Foundation and second l ady spe aker GRoW @ Annenberg, Emily D’Angelo** Alfred Walker* The Neubauer Family third l ady sar astro Foundation, the Maria Zifchak Morris Robinson* Vincent A. -
Mona Lisa LEON BOTSTEIN, Conductor
Friday Evening, February 20, 2015, at 8:00 Isaac Stern Auditorium/Ronald O. Perelman Stage Conductor’s Notes Q&A with Leon Botstein at 7:00 presents Mona Lisa LEON BOTSTEIN, Conductor MAX VON SCHILLINGS Mona Lisa ACT I Intermission ACT II Foreigner/Francesco del Giocondo: MICHAEL ANTHONY MCGEE, Bass-baritone Woman/Mona Fiordalisa: PETRA MARIA SCHNITZER, Soprano Lay Brother/Giovanni de Salviati: PAUL MCNAMARA, Tenor Pietro Tumoni: JUSTIN HOPKINS, Bass-baritone Arrigo Oldofredi: ROBERT CHAFIN, Tenor Alessio Beneventi: JOHN EASTERLIN, Tenor Sandro da Luzzano: CHRISTOPHER BURCHETT, Baritone Masolino Pedruzzi: MICHAEL SCARCELLE, Bass-baritone Mona Ginevra: ILANA DAVIDSON, Soprano Dianora: LUCY FITZ GIBBON, Soprano Piccarda: KATHERINE MAYSEK, Mezzo-soprano Sisto: JOHN KAWA, Tenor BARD FESTIVAL CHORALE JAMES BAGWELL, Director This evening’s concert will run approximately two hours and 20 minutes including one 20-minute intermission. Used by arrangement with European American Music Distributors Company, sole U.S. and Canadian agent for Universal Edition Vienna, publisher and copyright owner. American Symphony Orchestra welcomes the many organizations who participate in our Community Access Program, which provides free and low-cost tickets to underserved groups in New York’s five boroughs. For information on how you can support this program, please call (212) 868-9276. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. FROM THE Music Director The Stolen Smile DVDs or pirated videos. Opera is the by Leon Botstein one medium from the past that resists technological reproduction. A concert This concert performance of Max von version still represents properly the Schillings’ 1915 Mona Lisa is the latest sonority and the multi-dimensional installment of a series of concert perfor- aspect crucial to the operatic experi- mances of rare operas the ASO has pio- ence. -
Holiday Issue 2014 CUES
OPERAVolume 55 Number 03 | Holiday Issue 2014 CUES World Premiere Iain Bell and Simon Callow A CHRISTMAS CAROL DECEMBER 5, 7, 9, 11, 14, 16, 17, 19, 20, 21 PATRICK SUMMERS PERRYN LEECH ARTISTIC & MUSIC DIRECTOR MANAGING DIRECTOR Margaret Alkek Williams Chair ADVERTISE IN OPERA CUES Opera Cues is published by Houston Grand Opera Association; all rights reserved. Opera Cues is produced by Houston Grand Opera’s Communications Department, Judith Kurnick, director. Director of Publications Laura Chandler Art Direction / Production Pattima Singhalaka Contributors Iain Bell Simon Callow Perryn Leech Myles Mellor For information on all Houston Grand Opera productions and events, or for a complimentary season brochure, please call the Customer Care Center at 713-228-OPERA (6737). Houston Grand Opera is a member of OPERA America, Inc., and the Theater District Association, Inc. Find HGO online: HGO.org facebook.com / houstongrandopera twitter.com / hougrandopera Readers of Houston Grand Opera’s Mobile: HGO.org Opera Cues magazine are the most desirable prospects for an advertiser’s message. LOYAL: 51 percent of readers have been reading Opera Cues for more than three years. DEDICATED: 42 percent of readers read the magazine from cover to cover. EDUCATED: More than 90 percent are college-educated, and 57 percent hold graduate degrees. SOCIAL: 44 percent patronize downtown restaurants when they go to a performance at Houston Grand Opera. For more information on advertising in Opera Cues, call Matt Ross at 713-956-0908. 2 | Opera Cues Holiday Issue 2014 www.HGO.org B:8.625” T:8.375” S:7.875” KEEPING ELITE PERFORMERS IN THE SPOTLIGHT. -
The Magic Flute
WOLFGANG AMADEUS MOZART the magic flute conductor Libretto by Emanuel Schikaneder Lothar Koenigs Saturday, January 4, 2020 production 8:00–9:45 PM Julie Taymor set designer Last time this season George Tsypin costume designer Julie Taymor lighting designer Donald Holder The abridged production of puppet designers The Magic Flute was made possible by a Julie Taymor Michael Curry gift from The Andrew W. Mellon Foundation choreographer and Bill Rollnick and Nancy Ellison Rollnick Mark Dendy The original production of revival stage director David Kneuss Die Zauberflöte was made possible by a gift from Mr. and Mrs. Henry R. Kravis english adaptation J. D. McClatchy Additional funding was received from John Van Meter, The Annenberg Foundation, Karen and Kevin Kennedy, Bill Rollnick and general manager Nancy Ellison Rollnick, Mr. and Mrs. William R. Peter Gelb Miller, Agnes Varis and Karl Leichtman, and jeanette lerman-neubauer music director Mr. and Mrs. Ezra K. Zilkha Yannick Nézet-Séguin 2019–20 SEASON The 459th Metropolitan Opera performance of WOLFGANG AMADEUS MOZART’S the magic flute conductor Lothar Koenigs in order of vocal appearance tamino spirits Paul Groves* David Katzman Eliot Flowers first l ady N. Casey Schopflocher Gabriella Reyes** spe aker second l ady Dwayne Croft* Megan Esther Grey** sar astro third l ady Soloman Howard Renée Tatum* priests papageno Christopher Job Will Liverman Scott Scully queen of the night papagena Kathryn Lewek Ashley Emerson* sl aves guards Stephen Paynter Arseny Yakovlev** Kurt Phinney Richard Bernstein Craig Montgomery monostatos Rodell Rosel solo dancer Maria Phegan The Magic Flute is pamina flute solo presented without Ying Fang* Stephanie C. -
SALOMÉ De Richard Strauss (ÓPERA)
2, 4, 5 Y 6 DE JULIO SALOMÉ de Richard Strauss (ÓPERA) Reparto Gun-Brit Barkmin, Ángeles Blancas, Thomas Moser, John Easterlin, José Antonio López, Ana Ibarra, José Manuel Montero, Mireia Pintó, Carlos Martos y Arantxa Sagardoy Coreografía Víctor Ullate Dirección musical Orquesta de Extremadura Álvaro Albiach Dirección de escena y escenografía Paco Azorín 11 Celebración 150º Aniversario de Richard Strauss (1864-1949) SALOMÉ Ópera en un acto Música de Richard Strauss Libreto del compositor, basado en la obra teatral homónima de Oscar Wilde traducida por Hedwig Lachmann Estreno mundial en el Teatro de la Corte de Dresde, 9 de diciembre 1905 El misterio de la música es más grande que el misterio de la muerte Sin duda alguna, Salomé es una obra genial, poderosísima y, en todo caso, una de las óperas más importantes de nuestros días. Gustav Mahler (1907) La historia bíblica de la decapitación de Juan el Bautista ha fascinado a lo largo de todos los tiempos, como lo prueba la gran cantidad de pintores que la han inmortalizado en sus lienzos. Sin embargo, a finales del siglo XIX y principios del XX ha sido cuando más eco se ha hecho de ella, no sólo en la iconografía sino también en la literatura y en la música. La ópera SALOMÉ es buena muestra de ello. Richard Strauss (1864-1949) asistió a una representación de la obra teatral, escrita por Óscar Wilde (1854-1900), y ese mismo día decidió componer una ópera, protagonizada por la princesa de Judea y con la luna como telón de fondo. La luna, en oposición al sol, es el astro de la noche, de la sensualidad, de lo onírico y de lo salvaje. -
The Magic Flute Wolfgang Amadeus Mozart (1756 – 1791)
STUDY GUIDE THE MAGIC FLUTE WOLFGANG AMADEUS MOZART (1756 – 1791) PRODUCTION SPONSOR PRODUCTION ORIGINALLY MADE POSSIBLE BY THE CATHERINE AND MAXWELL MEIGHEN FOUNDATION coc.ca TABLE OF CONTENTS Background and Characters ...............................................................................................3 Synopsis ......................................................................................................................................4 Wolfgang Amadeus Mozart ................................................................................................6 The Life and Times of W. A. Mozart ................................................................................7 Mozart’s Music ..........................................................................................................................9 What to Look for .....................................................................................................................10 Freemasonry .............................................................................................................................12 Masonic Tradition Activity ...................................................................................................13 Symbolism in Opera ...............................................................................................................14 Lesson Planner .........................................................................................................................15 Introduction to The Magic Flute Work Sheet -
Annual Field Report 2006
Annual Field Report 2006 www.operaamerica.org 2006 Annual Field Report 1 OPERA America Annual Field Report 2006 ©January 2008, OPERA America, Inc. Cover photo credits (from left to right): • Photo: American Opera Projects 2006 performance of Weisman’s Darkling. Photo by Richard Termine (for The New York Times). • Jeannine Thames, Elizabeth Grohowski, Michael Zegarski, Matt Morgan, Barbara Dever, Karen Huffstodt, Eric Jordan and John Easterlin in Gotham Opera Chamber Opera’s 2006 production of Britten’s Albert Herring. Photo by Richard Termine. • Anna Netrebko and Rolando Villazón in Los Angeles Opera’s 2006 production of Massenet’s Manon. Photo by Robert Millard. OPERA America — the nonprofit service organization for opera — leads and serves the entire opera community, supporting the creation, presentation and enjoyment of opera. Artistic services help opera companies and creative and performing art- ists to improve the quality of productions and increase the creation and presentation of North American works. Information, technical and administrative services to opera companies reflect the need for strengthened leadership among staff, trustees and volunteers. Education, audience development and community services are designed to enhance all forms of opera enjoy- ment. OPERA America’s membership includes 133 Professional Company Members in North America, more than 250 Associate and Business Members (many of which produce and present opera), and 1,500 Individual Members from around the world. Additional copies of the report are available -
Anna Nicole Composed by Mark-Anthony Turnage Libretto by Richard Thomas Directed by Richard Jones Conducted by Steven Sloane
BAM 2013 Next Wave Festival #AnnaNicole Brooklyn Academy of Music New York City Opera Alan H. Fishman, Charles R. Wall, Chairman of the Board Chairman of the Board William I. Campbell, George Steel, Vice Chairman of the Board General Manager and Artistic Director Adam E. Max, Vice Chairman of the Board Jayce Ogren Music Director Karen Brooks Hopkins, President Joseph V. Melillo, present Executive Producer Anna Nicole Composed by Mark-Anthony Turnage Libretto by Richard Thomas Directed by Richard Jones Conducted by Steven Sloane BAM Howard Gilman Opera House Sep 17, 19, 21, 24, 25, 27 & 28 at 7:30pm Approximate running time: two hours and 30 minutes including one intermission Anna Nicole was commissioned by the Royal Opera House, Covent Garden, London and premiered there in February 2011 Set design by Miriam Buether Costume design by Nicky Gillibrand Leadership support for opera at BAM provided by: Lighting design by Mimi Jordan Sherin & D.M. Wood The Andrew W. Mellon Foundation Choreography by Aletta Collins The Peter Jay Sharp Foundation Stage director Richard Gerard Jones Stavros Niarchos Foundation Supertitles by Richard Thomas Major support provided by Chorus master Bruce Stasyna Aashish & Dinyar Devitre Musical preparation Myra Huang, Susanna Stranders, Lynn Baker, Saffron Chung Additional support for opera at BAM provided by The Francena T. Harrison Foundation Trust Production stage manager Emma Turner Stage managers Samantha Greene, Jenny Lazar New York City Opera’s Leadership support for Assistant stage director Mike Phillips Anna Nicole provided by: Additional casting by Telsey + Company, Tiffany Little John H. and Penelope P. Biggs Canfield, CSA Areté Foundation, Edward E. -
John Easterlin Opera Repertoire
JOHN EASTERLIN REPERTOIRE OPERA Composer Opera Role Beethoven FIDELIO Jaquino Berg LULU Alwa, Der Maler, Der Neger WOZZECK Hauptmann, Andres Bernstein CANDIDE Candide, Dr. Pangloss, Governor, Vanderdender Bizet CARMEN El Remendado Britten ALBERT HERRING Albert Herring, Mayor Upfold BILLY BUDD Red Whiskers, Squeak, Novice Donizetti LUCIA DI LAMMERMOOR Sir Arturo Bucklaw, Normanno Floyd SUSANNAH Little Bat Giordano LA CENA DELLA BEFFE Trinca Humperdinck HÄNSEL UND GRETEL Die Hexe Janaček THE MAKROPULOS CASE Count Hauk-Sendorf Leoncavallo PAGLIACCI Beppe Massenet MANON Guillot de Morfontaine Menotti THE CONSUL The Magician Mozart DIE ENTFÜHRUNG AUS DEM SERAIL Pedrillo DIE ZAUBERFLÖTE Monostatos LE NOZZE DI FIGARO Basilio, Don Curzio Mussorgsky BORIS GODUNOV Missail,Schuisky, The Simpleton KHOVANSHCHINA The Scribe Offenbach LES CONTES D’HOFFMANN The Four Servants, Spalanzani Prokofiev THE GAMBLER Prince Nilsky THE LOVE OF THREE ORANGES Truffaldino KHOVANSCHINA The Scribe Puccini LA FANCIULLA DEL WEST Nick, Harry GIANNI SCHICCHI Rinuccio, Gherardo MADAMA BUTTERFLY Goro MANON LESCAUT Edmondo, Il Maestro di Ballo, Un Lampionaio TOSCA Spoletta TURANDOT Pong, Pang RimskyKorsakov THE TSAR’S BRIDE Bomelii Romberg THE DESERT SONG Benjamin Kidd THE NEW MOON Alexander Rossini IL BARBIERE DI SIVIGLIA Count Almaviva ERMIONE Attalo, Pilade Roussel PADMAVATI Le Brahamane Shostakovich LADY MACBETH OF MTSENSK Shabby Peasant J. Strauss DIE FLEDERMAUS Alfred, Dr. Blind R. Strauss ARIADNE AUF NAXOS Tanzmeister, Brighella CAPRICCIO Italian Tenor, Mesieur Taupe -
12-24-2019 Magic Flute Eve.Indd
WOLFGANG AMADEUS MOZART the magic flute conductor Libretto by Emanuel Schikaneder Lothar Koenigs Tuesday, December 24, 2019 production 7:30–9:15 PM Julie Taymor set designer George Tsypin costume designer Julie Taymor lighting designer Donald Holder The abridged production of puppet designers The Magic Flute was made possible by a Julie Taymor Michael Curry gift from The Andrew W. Mellon Foundation choreographer and Bill Rollnick and Nancy Ellison Rollnick Mark Dendy The original production of revival stage director David Kneuss Die Zauberflöte was made possible by a gift from Mr. and Mrs. Henry R. Kravis english adaptation J. D. McClatchy Additional funding was received from John Van Meter, The Annenberg Foundation, Karen and Kevin Kennedy, Bill Rollnick and general manager Nancy Ellison Rollnick, Mr. and Mrs. William R. Peter Gelb Miller, Agnes Varis and Karl Leichtman, and jeanette lerman-neubauer music director Mr. and Mrs. Ezra K. Zilkha Yannick Nézet-Séguin 2019–20 SEASON The 454th Metropolitan Opera performance of WOLFGANG AMADEUS MOZART’S the magic flute conductor Lothar Koenigs in order of vocal appearance tamino spirits David Portillo David Katzman Eliot Flowers first l ady N. Casey Schopflocher Gabriella Reyes** spe aker second l ady Patrick Carfizzi Megan Esther Grey** sar astro third l ady Morris Robinson* Renée Tatum* priests papageno Christopher Job Joshua Hopkins Scott Scully queen of the night papagena Kathryn Lewek Ashley Emerson* sl aves guards Stephen Paynter Arseny Yakovlev** Kurt Phinney Richard Bernstein Craig Montgomery monostatos Rodell Rosel solo dancer Maria Phegan The Magic Flute is pamina flute solo presented without Joélle Harvey Chelsea Knox intermission. -
Frost School of Music
University of Miami • Spring 2015 INSIDE: Pitch Perfect Onward and Upward Art of Comprimario scoreFROST SCHOOL OF MUSIC Building Greatness on Frost enters a Help Us Reach the new pace of progress with sound-savvy buildings and skyrocketing Next Crescendo rankings. Message from the Dean What a year it has been! As you will read in this issue, Musical America and The Hollywood Reporter have affirmed the Frost School’s place in the very highest tier among university music schools worldwide. Our long-held goal remains to be the most excellent and relevant music school anywhere, and we are accomplishing that ambition on a daily basis. Here’s how: Our curricula are the most relevant and innovative. It started with the groundbreaking undergraduate Experiential Music Curriculum, which results in broader skills and more ability to compose, arrange, improvise, and hear music. Now we are revising our master’s degrees in performance, with career and skill-focused course options to foster better stage presence and skills in marketing, communication, media and repertoire creation, and pedagogy. Frost Online is growing and extending the excellence and uniqueness of a Frost education to students everywhere. The Henry Mancini Institute continues to provide Frost students with real-world experiences rarely found in academia. These include network television specials, major label recordings, film scores, and concerts and workshops with renowned artists across a spectrum of style and genre. Now we are welcoming James Newton Howard as artistic director of the Henry Mancini Institute, and a new world of opportunity awaits. Frost graduates are working. Many of our programs have virtually 100% employment, including Music Engineering, Music Education, Music Therapy, and the various forms of conducting. -
77131 Score Cover'07
UNIVERSITY OF MIAMI www.music.miami.edu FROST SCHOOL OF MUSIC FALL 2008 Frost School of Music ADMINISTRATION Piano Tuner Instrumental Ensembles Music Therapy Dean David Welton Gary Green Shannon de l’Etoile Shelton Berg Thomas Keck Teresa Lesiuk Administrative Assistant Dante Luciani Associate Dean, Administration Dan Williams Luciano Magnanini Musical Theatre Nicholas DeCarbo DEPARTMENT CHAIRS JD Shaw David Alt Ney Rosauro Jo Lynn Burks Associate Dean, Graduate Studies Instrumental Performance Thomas Sleeper Mollye Otis Edward Asmus Gary Green Jazz Bass Assistant Dean, Undergraduate Musicology Keyboard Performance Charles Bergeron Chuck Bergeron Studies Tian Ying Kenneth Moses Don Coffman Willa Collins Frank Cooper Music Education & Music Therapy Jazz Composition and Arranging Assistant Dean, Development Joyce Jordan Melissa de Graaf Nancy Castleman-Dion Gary Lindsay Gene Greco Music Media & Industry Jazz Guitar Deborah Schwartz-Kates Director, Admissions Rey Sanchez Karen Kerr Randall Dollahon Nancy Zavac Music Theory & Composition Rainer Davies Oboe Director, Business Operations Dennis Kam Judith Mower Jazz Percussion Robert Weiner Musicology Steve Rucker Opera Theatre PROFESSIONAL/ Deborah Schwartz-Kates Jason Furman Alan Johnson ADMINISTRATIVE STAFF John Yarling David Malis Studio Music & Jazz Dean Southern Supervisor, Keyboard Instruments Whit Sidener Jazz Piano Paul Bruno Doug Bickel Organ Vocal Performance Felix Gomez Robert Remek Director, Music Operations David Alt William Dillon Whit Sidener Percussion FACULTY Executive Assistant