CREATOR UNKNOWN a Thesis Submitted to the Kent State
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Christians in the Movies: a Century of Saints and Sinners Bryan Polk Penn State Abington, [email protected]
Journal of Religion & Film Volume 17 Article 2 Issue 2 October 2013 10-2-2013 Christians in the Movies: A Century of Saints and Sinners Bryan Polk Penn State Abington, [email protected] Recommended Citation Polk, Bryan (2013) "Christians in the Movies: A Century of Saints and Sinners," Journal of Religion & Film: Vol. 17 : Iss. 2 , Article 2. Available at: https://digitalcommons.unomaha.edu/jrf/vol17/iss2/2 This Book Review is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Christians in the Movies: A Century of Saints and Sinners Abstract This is a book review of Peter Dans' Christians in the Movies: A Century of Saints and Sinners (Lanham, MD: Rowman and Littlefield, 2009). Author Notes Bryan Polk, Senior Lecturer in Religious Studies at Penn State Abington, is a graduate of Susquehanna University (B.A., Religion, 1977), Lutheran Theological Seminary, Philadelphia (M.Div., 1981), and Beaver College, now Arcadia University, Glenside, PA (M.A., English, 1995). His interests, in addition to religion and film, are in the areas of Fundamentalism in Judaism, Christianity, and Islam, Medieval Literature, and Biblical Studies. His publications include articles on "Jesus as a Trickster God" and "The eM dieval Image of the Hero in the Harry Potter Novels," and he has written six--unpublished--novels. He lives in Abington, Pennsylvania. This book review is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol17/iss2/2 Polk: Christians in the Movies Peter Dans has written an important book, Christians in the Movies: A Century of Saints and Sinners (2009) which brings to light a number of critical insights and presents a lucid exposition of how the Motion Picture Production Code and The Catholic Legion of Decency influenced Hollywood and American society for decades. -
Among Us by Nina Runa Essendrop
1 . Among us By Nina Runa Essendrop A poetic and sensuous scenario about human loneliness and about the longing of the angels for the profound beauty which is found in every human life. 2 Preview Humans are ever present. They see the world in colors. They feel and they think and they walk on two feet. They touch the water and feel the cold softness of the surface. They gaze at the horizon and think deep thoughts about their existence. Humans feel the wind against their faces, they laugh and they cry and their pleading eyes seek for a meaning in the world around them. They breathe too fast and they forget to feel the ground under their feet or the invisible hand on their shoulder, which gently offers them comfort and peace. Angels exist among the humans. Invisible and untouchable they witness how humans live their lives. Their silent voices gently form mankind’s horizons, far away and so very very close that only children and dreamers will sense their presence. "Among us" is a poetic and sensuous scenario about a lonely human being, an angel who chooses the immediacy of mortal life, and an angel who continues to be the invisible guardian of mankind. It is a slow and thoughtful experience focussing on how beautiful, difficult and meaningful it is to be a human being. The scenario is played as a chamber larp and the players will be prepared for the play-style and tools through a workshop. The scenario is based on the film ”Wings of Desire” by Win Wender. -
The Second Try
The Second Try Jimmy Wolk Chapter I: The 12th Shinji Ikari, Third Children and designated pilot of Evangelion Unit-01, had just reached a new sync- ratio record. And as Rei Ayanami suspected, the former holder of this record, known as Asuka Langley Soryu, wasn't very pleased with this. So she didn't pay much attention to the rants of the Second Children, who made obviously ironical statements about the 'great, invincible Shinji' while holding herself; swaying in front of her locker. Instead, Rei finished changing from the plugsuit the pilots were supposed to wear during their time in the entry plugs of the EVAs or the test plugs, into her casual school uniform. As soon as she was done, she went silently for the door of the female pilots' changing room, whispered "Sayonara" and left. With the First Children gone, Asuka could finally release all the feelings that tensed up the last hours in a powerful... ...sigh. She still had problems to play this charade in front of everyone, and it seemed to only grow harder. She wasn't sure if she would be able to keep it up much longer at all. Not while these thoughts disturbed her mind; thoughts of all the things that happened... or will happen soon. Lost in her worries, she failed to notice someone entering the room, sneaking up to her and suddenly embracing her from behind; encircling her arms with his own. She tensed up noticeably as she felt the touch, even though (or maybe just because) she knew exactly who the stranger was. -
The Sunday Book of Poetry
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com fe Wi ilkWMWM niiiiiiiiiiiiiiiiiii no THE GIFT OF Prof .Aubrey Tealdi iiiiuiiiiiiiiiiuiiiiiiiiiiiiMiiiiiuiiiiiiiiiiiiiiiiiiiiiiiuiHiiiiiiiiiiuiiiiiiiiiiiiiiiiiiiiii.il!!: tJU* A37f , k LONDON : R. CLAY, SON, AND TAYLOR, PRINTERS, BREAD STREET HILL. Fourth Thousand. THE SUNDAY BOOK OF POETRY SELECTED AND ARRANGED BY V,v ., .O" F^-A*! EX A N D E R AUTHOR OF "HYMNS FOR LITTLE CHILDREN," ETC. Jfambou srab Cambridge : MACMILLAN AND CO. 1865. A Taip in&e' when tonat v.... <lu: lie Ria sev ate Pi di . B IT- PREFACE The present volume will, it is hoped, be found to contain a selection of Sacred Poetry, of such a character as can be placed with profit and pleasure in the hands of intelligent children from eight to fourteen years of age, both on Sundays and at other times. It may be well for the Compiler to make some remarks upon the principles which have been adopted in the present selection. Dr. Johnson has said that " the word Sacred should never be applied but where some reference may be made to a higher Being, or where some duty is exacted, or implied." The Compiler be lieves she has selected few poems whose insertion may not be justified by this definition, though several perhaps may not be of such a nature as are popularly termed sacred. Those which appear under the division of the Incarnate Word, and of Praise, and Prayer, are of course in some cases directly hymns, and in all cases founded upon the great doctrines of the Christian faith, or upon the events of the Redeemer's life. -
The End-Days War By
THE END-DAYS WAR BY: MICAH BURKHOLDER PROLOGUE A Storm is coming. Mankind faces ruin and despair. The World is changing, yet hope remains in the hearts of the people. We go about our daily lives never knowing the forces that could change our destinies forever. We are oblivious, ignorant like sheep to the slaughter; this very Night, marks the beginning of our journey together, a journey into darkness, into madness. I watch her from the shadows. Is she the one? She has come far already, but she will be tested; tested to the very limits of human endurance and beyond. This night, she walks seeking for a purpose in this life, armed with Ebony Armor, Ebony Boots, Ebony Gauntlets, and an Ebony Greatsword. Tonight, she will begin her journey into utter darkness, into oblivion. The time has come for me, the Writer of this story to bid you all a very fond farewell. The time has come for you to hear for yourself a tale That only I am worthy to tell you. It is unto me to tell you of this moment, a Dark Fantasy of a Warrior who fights her way against the Demons of Hell. A Warrior who risks everything to fight to the Death against those who wish to cut her down. And finally, a Warrior who seeks A Ranger who was cast out of his land and defeats the Evil that corrupts these Lands before her. This is the tale of the Ebony Warrior and a Ranger, both who risk everything to rid the Great Evil of these Lands and stand and fight on against the creatures of the Night. -
Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black .................................. -
The Journal of the Core Curriculum Volume XII Spring 2003 the Journal of the Core Curriculum
The Journal of the Core Curriculum Volume XII Spring 2003 The Journal of the Core Curriculum Volume XII Julia Bainbridge, EDITOR Zachary Bos, ART DIRECTOR Agnes Gyorfi, LAYOUT EDITORIAL BOARD Brittany Aboutaleb Kristen Cabildo Kimberly Christensen Jehae Kim Heather Levitt Nicole Loughlin Cassandra Nelson Emily Patulski Christina Wu James Johnson, DIRECTOR of the CORE CURRICULUM and FACULTY ADVISOR PUBLISHED by BOSTON UNIVERSITY at BOSTON, MASSACHUSETTS, in the month of MAY, 2003 My mother groan'd! my father wept. Into the dangerous world I leapt: Hapless, naked, piping loud: Like a fiend hid in a cloud. ~William Blake Copyright © MMIII by the Trustees of Boston University. Reproduction of any material contained herein without the expressed consent of the authors is strictly forbidden. Printed 2003 by Offset Prep. Inc., North Quincy, Massachusetts. Table of Contents In the Beginning 7 Stephanie Pickman Love 10 Jonathon Wooding Sans Artifice 11 Ryan Barrett A Splintering 18 Jaimee Garbacik Ripeness and Rot in Shakespeare 22 Stephen Miran Interview with the Lunatic: A Psychiatric 28 Counseling Session with Don Quixote Emily Patulski In My Mind 35 Julia Schumacher On Hope and Feathers 37 Matt Merendo Exploration of Exaltation: A Study of the 38 Methods of James and Durkheim Julia Bainbridge Today I Saw Tombstones 43 Emilie Heilig A Dangerous Journey through the Aisles of Shaw’s 44 Brianna Ficcadenti Searching for Reality: Western and East Asian 48 Conceptions of the True Nature of the Universe Jessica Elliot Journey to the Festival 56 Emilie -
Paul Klee . Angelus Novus , 1920, Oil and Watercolor on Paper 31.8 X
PAUL KLEE. ANGELUS NOVUS , 1920, OIL AND WATERCO LO R ON PAPER , 31.8 X 24.2CM . ISRAEL MUSEUM , JERUSALEM (COURTESY OF CR E ATIVE COMMONS). What is the nature of history in John There are two important aspects to stay—presumably in the present painting, Akomfrah considers the Mothership Connection. Following Akomfrah’s 1995 documentary, The to this thesis that are relevant to (or perhaps even return to the story of the historical figure and this clue, the Data Thief, “[Surfs] Last Angel of History? One way to understanding the concept of history past)—to help mend the catastrophe blues legend, Robert Johnson. In across the internet of black culture, Akomfrah’s answer this question is to begin with in Akomfrah’s film: the location of before his feet. However, historical the very beginning of the film, the breaking into the vaults, breaking into the title. The Last Angel of History the storm and the angel’s desire materialism’s sense of history is narrator recites the famous story the rooms, and stealing fragments, Angel of is surely a reference to Walter to stay. Benjamin explains that oriented towards the future. That is of how Johnson learned to play the fragments from cyber-culture, Benjamin’s famous meditation on the storm’s origin is Paradise. In to say, each distinct historical event blues: “Robert Johnson sold his techno-culture, narrative-culture.”8 Paul Klee’s 1920 painting, Angelus Abrahamic religious traditions, builds on another toward a logical soul to the devil at the crossroads History Novus, in his own “Theses on the Paradise is the subject of various end based on material progress. -
Review and Herald for 1855
VIEt AD\nr4r1 GI...n[11UL AN]) SABBATH HERALD. ft no e is the Patience of the Sainte; Here arc they that keep the Commandments of God and the Penh of Jesue.' , Vo L . VII. ROCHESTER, N. Y., THIRD-DAY, SEPTEMBER 18, 1855. No. 6. to the disciples, says, "Go ye into all the world, natural eyes. There would then be no propriety for THE REVIEW AND HERALD and preach the gospel to every creature, and lo l God to say he would put his hand over Moses' face IS PUBLISHED I am with you alway, even unto the end of the while he passed by, (seemingly to prevent him from At South St. Paul-st., Stone's Block, world. Now, no one would contend that Christ seeing his face,) for he could not see him. Neither NO. 23, Third Floor. had been on the earth personally ever since the dis- do we conceive how an immaterial hand could ob- TERMS.—One Dollar for a Volume of ciples commenced to fulfill this commission. But struct the rays of light from passing to Moses' eyes. Numbers. 916 his Spirit has been on the earth; the Comforter that But if the position be true that God is immaterial, J. N. ANDREWS, }) Publishing lie promised to send. So in the same manner God and cannot be seen by the natural eye, the text R. F. COTTRELL, Committee. URIAH SMITH. manifests himself by his Spirit which is also the above is all superfluous. What sense is there in power through which he works. "But if the Spir- saying God put his hand over Moses' face, to prevent rirtancommunications, orders, and remittances should be addressed to ELD. -
SOA/AAA/CIA General Session
* RECORD, Volume 29, No. 3 Orlando Annual Meeting October 26–29, 2003 Session 110GS SOA/AAA/CIA General Session Keynote Speaker: LYNN BREWER Speakers: BARBARA LAUTZENHEISER MIKE LOMBARDI NEIL PARMENTER Summary: Not for sale! Professionalism is "priceless" for many reasons--its value is beyond quantification and its attainment is not through barter. This session will speak to the paramount importance of professionalism and also provide a cautionary tale about its disappearance from corporate life. Current presidents from the AAA, CIA and SOA highlight the central place professionalism and ethical behavior has in actuarial practice. Lynn Brewer, author and former Enron executive responsible for risk management in gas and power, will detail what happens when ethical behavior gets overrun by naked avarice. "House of Cards: Confessions of an Enron Executive," is her gripping account of nearly three years spent with the company that has come to symbolize the worst in corporate greed. Ms. Brewer provides a shocking look at the notorious illicit deals and the unscrupulous people who made them. MR. MIKE LOMBARDI: As we look at professionalism today, we hope to stimulate your thinking and perhaps even to stir you with a little controversy. I will speak about two interrelated questions: What does professionalism mean in the CIA, and what does professionalism mean to me? When we consider other professions, such as doctors, lawyers, engineers or accountants, we note that of the people in these professions are uniquely qualified and organized to provide the public some special service. The public often grants these professions a special recognition or even monopoly power. -
[Modern Brown]
[Modern Brown] by [Olvard Liche Smith ] A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing Rutgers University – Newark MFA Program Written under the direction of [Alice Elliott Dark] And approved by Jayne Anne Phillips ________________________________ ________________________________ Newark, New Jersey May 2015 2015 Olvard Liche Smith ALL RIGHTS RESERVED TABLE OF CONTENTS Modern Brown……………………………………………………………………….. 1 Prince………………………………………………………………………………… 32 Strange Blood……………………………………………………………………….... 58 The Last Variant…………………………………………………………………….... 85 Louie’s………………………………………………………………………………… 114 Grand Gesture………………………………………………………………………..... 129 1 Modern Brown I grew up in Hawthorne, California, in a black neighborhood where I never knew if I could say nigga, even around my best friend Marcel. Marcel said nigga all the time but he was shoe polish black and talked with an urban twang. Brown-skinned and mixed, I didn’t even ask permission. We spent all our lunch periods together in the schoolyard, watching the other kids play handball, tetherball, and basketball. I’ve enjoyed playing those games many times, but chilling was just our thing. I was twelve, and didn’t want to play as often anymore; I’d calmed down in some ways and found excitement in others. I was over kid shit, and I assumed Marcel was too. So lunch periods we leaned against the chain- linked fence, discussing basketball or rap—usually rap. “Cam G is mad fresh son,” Marcel said, “That nigga’s flow is amazing. Efren, you gotta hear his new song. Nigga in the video with mad bitches dancing on him, shoving his face in they chest. -
Scriptural Sources for Renewal by Very Rev
Scriptural Sources for Renewal By Very Rev. Robert Barron 2015 Anglophone Conference, Pontifical Gregorian University The Catholic Church, especially in the West, has been passing through one of the very worst crises in its history. The clergy sex abuse scandal has compromised the work of the Church in almost every way. It has adversely affected teaching, preaching, evangelization, the recruitment of priests and religious; it has cost many billions of dollars which could otherwise have supported the Church’s mission; it has almost thoroughly undermined the credibility of the Church’s ministers, and of course most terribly, it has deeply wounded many thousands of the most innocent, those the Church is specially charged to protect. Given the gravity of this crime, it is just that the Church should suffer. Those who reverence the Bible as the Word of God will not be surprised to discover that the Scriptures have a good deal to say about this crisis. I believe that any approach to solving it—psychological, legal, institutional, etc.—must be grounded, finally, in the wisdom of God’s revealed Word; otherwise, it will be a chase after wind. I would suggest that we begin at the beginning, with the account of creation in the book of Genesis. In almost all of the other accounts of creation from the ancient world, order comes to the universe through some primordial act of violence, typically the victorious struggle of one god against another. Very often the elements of the world are made up of the severed body parts of the conquered deity.