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Art Collections FP.2012.005 Finding Aid Prepared by Caity Tingo
Art Collections FP.2012.005 Finding aid prepared by Caity Tingo This finding aid was produced using the Archivists' Toolkit October 01, 2012 Describing Archives: A Content Standard Fairmount Archives 10/1/2012 Art Collections FP.2012.005 Table of Contents Summary Information ................................................................................................................................. 3 Scope and Contents note............................................................................................................................... 4 Administrative Information .........................................................................................................................4 Collection Inventory...................................................................................................................................... 5 Lithographs, Etchings, and Engravings...................................................................................................5 Pennsylvania Art Project - Work Progress Administration (WPA)......................................................14 Watercolor Prints................................................................................................................................... 15 Ink Transparencies.................................................................................................................................17 Calendars................................................................................................................................................24 -
Nomination Form
141 Form No. 10-300 ,o- ' 'J-R - ft>( 15/r (i;, ~~- V ' I UNITED STATES DEPARTMENT OF THE INTERIOR FOR NPSUSE ONLY NATIONAL PARK SERVICE NATIONAL REGISTER OF IIlSTORIC PLACES RECEIVED INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS- - - - - [EINAME HISTORIC Shack Mountain AND/OR COMMON raLOCATION 2 miles NNW of Charlottesville; .3 mile E of Ivy Creek; .4 mile N of STREET & NUMBER State Route 657; 1 mile NNW of intersection of State Routes 657 and 743. _NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT Charlottesville _2( VICINITY OF Seventh (J. Kenneth Robinson) STATE CODE COUNTY CODE Virginia 51 Albemarle 003 CLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE _DISTRICT _PUBLIC XoccuP1Eo _AGRICULTURE _MUSEUM X...BUILDING!S) X..PRIVATE _UNOCCUPIED _COMMERCIAL _PARK _STRUCTURE _BOTH _WORK IN PROGRESS _EDUCATIONAL 2LPRIVATE RESIDENCE -SITE PUBLIC ACQUISITION ACCESSIBLE -ENTERTAINMENT -RELIGIOUS _OBJECT _IN PROCESS -YES: RESTRICTED _GOVERNMENT _SCIENTIFIC _BEING CONSIDERED - YES: UNRESTRICTED _INDUSTRIAL -TRANSPORTATION -~O _MILITARY _OTHER: [~OWNER OF PROPERTY NAME Mr. and Mrs. W. Bedford Moore, I II STREET & NUMBER Shack Mounta_in, Route 5 CITY. TOWN STATE Charlottesville _ VICINITY OF Virginia 22901 [ELOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS.ETC. Albemarle County Courthouse - ---•---------------------------------------~ STREET & NUMBER CITY. TOWN STATE Charlottesville. Virginia l~ REPRESENTATION I1'fEXISTING SURVEYS TITLE -
4. FAIRMOUNT (EAST/WEST) PARK MASTER PLAN Fairmount Park System Natural Lands Restoration Master Plan Skyline of the City of Philadelphia As Seen from George’S Hill
4. FAIRMOUNT (EAST/WEST) PARK MASTER PLAN Fairmount Park System Natural Lands Restoration Master Plan Skyline of the City of Philadelphia as seen from George’s Hill. 4.A. T ASKS A SSOCIATED W ITH R ESTORATION A CTIVITIES 4.A.1. Introduction The project to prepare a natural lands restoration master plan for Fairmount (East/West) Park began in October 1997. Numerous site visits were conducted in Fairmount (East/West) Park with the Fairmount Park Commission (FPC) District #1 Manager and staff, community members, Natural Lands Restoration and Environmental Education Program (NLREEP) staff and Academy of Natural Sciences of Philadelphia (ANSP) staff. Informal meetings at the Park’s district office were held to solicit information and opinions from district staff. Additionally, ANSP participated in the NLREEP Technical Advisory Committee (TAC) meetings in March and October 1998. These meetings were used to solicit ideas and develop contacts with other environmental scientists and land managers. A meeting was also held with ANSP, NLREEP and FPC engineering staff to discuss completed and planned projects in or affecting natural lands in Fairmount (East/West) Park. A variety of informal contacts, such as speaking at meetings of Friends groups and other clubs, and discussions during field visits provided additional input. ANSP, NLREEP and the Philadelphia Water Department (PWD) set up a program of quarterly meetings to discuss various issues of joint interest. These meetings are valuable in obtaining information useful in planning restoration and in developing concepts for cooperative programs. As a result of these meetings, PWD staff reviewed the list of priority stream restoration sites proposed for Fairmount (East/West) Park. -
Some Windows Onto History in Fairmount Park
Contact: Norman Keyes, Jr., Director of Media Relations Emily Raabe, Press Officer 215-684-7364 [email protected] SOME WINDOWS ONTO HISTORY IN FAIRMOUNT PARK About Philadelphia’s Historic Fairmount Park Houses Within Philadelphia’s extensive Fairmount Park is a gracious group of 18th- and early 19th-century historic houses, all of them established by wealthy landowners as country seats to provide refuge from the pressures of urban life. Located to the north and west of Philadelphia along the Schuylkill River, these houses were built within a leisurely horseback ride from the commercial center of what was once the most prosperous city in the American colonies. Some properties functioned as working farms, including productive dairies, orchards, and game lands. Others provided elegant, fashionable retreats. Fiske Kimball (1888-1955), the distinguished architectural historian who became director of the Philadelphia Museum of Art in 1925, was the prime mover behind establishing these rare architectural treasures as house museums. In the 1920s, Kimball fostered relationships with many civic organizations, encouraging them to support and preserve the historic houses for posterity. Under his auspices, the Museum assumed administration of Mount Pleasant (built 1762-1765), which had been built for a Scottish sea captain and privateer and was briefly owned by Benedict Arnold, and Cedar Grove (built 1748), a simpler structure that is fascinating for its innovative interior features and its original furnishings that remain in pristine condition. -
Fiske Kimball and Preservation at the Powel House
Front Parlor Much like Kimball, the methods that he employed at the Powel House could bought the house in 1931, Kimball eventually supported her efforts by be problematic. However, it is important to remember that because of his presenting Landmarks with the original woodwork taken from this room (as it As you enter the front parlor, take a moment to examine the furniture in the training and experience, Kimball believed he was doing what was necessary was not being used by the Museum) and loaning her some of the furniture. room and the architecture above the fireplace. All of these pieces have been and right to save the legacy of the Powel House. His method involved Due to the return of the room’s moldings and trim, it is one of the only rooms preserved and maintained so that they could be seen and studied today. While purchasing the key architectural pieces of the house, such as the woodwork, in the house that is original and not a reconstruction. In this room then, it is this room is the simplest architecturally because it was the only room the and reconstructing them at the Art Museum to be displayed as period rooms important to think about how history is remembered and preserved. It is not general public had access to when conducting business with Samuel and later along with contemporary furniture and paintings. Today, such invasive enough to just save the physical pieces but preservation must also engage with Elizabeth Powel, it has been preserved for the sake of the stories it can tell. -
AFRICAN AMERICAN HISTORIC PLACES in SOUTH CAROLINA ////////////////////////////// September 2015
AFRICAN AMERICAN HISTORIC PLACES IN SOUTH CAROLINA ////////////////////////////// September 2015 State Historic Preservation Office South Carolina Department of Archives and History should be encouraged. The National Register program his publication provides information on properties in South Carolina is administered by the State Historic in South Carolina that are listed in the National Preservation Office at the South Carolina Department of Register of Historic Places or have been Archives and History. recognized with South Carolina Historical Markers This publication includes summary information about T as of May 2015 and have important associations National Register properties in South Carolina that are with African American history. More information on these significantly associated with African American history. More and other properties is available at the South Carolina extensive information about many of these properties is Archives and History Center. Many other places in South available in the National Register files at the South Carolina Carolina are important to our African American history and Archives and History Center. Many of the National Register heritage and are eligible for listing in the National Register nominations are also available online, accessible through or recognition with the South Carolina Historical Marker the agency’s website. program. The State Historic Preservation Office at the South Carolina Department of Archives and History welcomes South Carolina Historical Marker Program (HM) questions regarding the listing or marking of other eligible South Carolina Historical Markers recognize and interpret sites. places important to an understanding of South Carolina’s past. The cast-aluminum markers can tell the stories of African Americans have made a vast contribution to buildings and structures that are still standing, or they can the history of South Carolina throughout its over-300-year- commemorate the sites of important historic events or history. -
October 1916
[Sg^gg^^ / tamiiHffiy1^ ^\\ r] ARCHITEOJVRAL D aiiiafigoj b r -- * i-ir+X. Vol. XLVI. No. 4 OCTOBER, 1919 Serial N o 25 Editor: MICHAEL A. MIKKELSEN Contributing Editor: HERBERT CROLY Business Manager: J. A. OAKLEY COVEK Water Color, by Jack Manley Rose PAGE THE AMERICAN COUNTRY HOUSE . .;. .-. 291 By Prof. Fiske Kimball. I. Practical Conditions: Natural, Economic, Social . ,. *.,, . 299 II. Artistic Conditions : Traditions and Ten^ dencies of Style . \ . .- 329 III. The Solutions : Disposition and Treatment of House and Surroundings . 350 J . .Vi Yearly Subscription United States $3.00 Foreign $4.00 Stn<7?e copies 33 cents. Entered May 22, 1902, as Second Class Matter, at New York, N. Y. Member Audit Bureau of Circulation. PUBLISHED MONTHLY BY THE ARCHITECTURAL:TURAL RECORD COMPANY VEST FORTIETH STKEET, NEW YORK F. T. MILLER, Pres. XL, Vice-Pres. J. W. FRANK, Sec'y-Treas. E. S. DODGE, Vice-Pi* ''< w : : f'lfvjf !?-; ^Tt;">7<"!{^if ^J^Y^^''*'C I''-" ^^ '^'^''^>'**-*'^j"^4!V; TIG. 1. DETAIL RESIDENCE OF H. BELLAS HESS, ESQ., HUNT1NGTON, L. I HOWELLS & STOKES, ARCHITECTS. AKCHITECTVKAL KECORD VOLVME XLVI NVMBER IV OCTOBER, 1919 <Amerioan Country <House By Fiskc KJmball the "country house" in America scribed "lots" of the city, where one may we understand no such single well- enjoy the informality of nature out-of- BYestablished form as the traditional doors. country house of England, fixed by cen- Much as has been written on the sub- turies of almost unalterable custom, with ject, we are still far from having any a life of its own which has been described such fundamental analysis of the Amer- as "the perfection of human society." ican country house of today as that Even in England today the great house which Hermann Muthesius in his classic yields in importance to the new and book "The English House" has given for smaller types which the rise of the middle England. -
Philly Museum Reopens Historic Mansion the $1.6 Million Job Illuminates the Mansion’S Origins and History
Philly Museum Reopens Historic Mansion The $1.6 million job illuminates the mansion’s origins and history. BY MEAGHAN O'NEILL INTERIOR DESIGN · APRIL 27, 2006 After a 24-month, $1.6 million restoration project, the Philadelphia Museum of Art has reopened Mount Pleasant, a mid-18th century Fairmount Park mansion. The extensive preservation project included restoring the roof, wood shingling, dormers, and balustrade of both the main house and two smaller pavilions. “The restoration of Mount Pleasant offers a remarkable window onto a particular moment in Philadelphia’s—and the nation’s—history,” says museum director Anne d’Harnoncourt. The house will reopen without furnishings, allowing visitors to enjoy the space first and foremost as a work of architecture, and guided tours will focus on the floor plan and other architectural details. The house’s original views of the Schuylkill River have also been reestablished. The manse was originally constructed for Scottish sea captain John Macpherson in 1765 by Philadelphia-born builder Thomas Nevell. Nevell served as an apprentice of Edmund Woolley, who built the structure now known as Independence Hall. The house’s distinctive edifice features a hipped roof and balustrade, adherence to classical symmetry and balance, and carved details throughout the interior and exterior. The City of Philadelphia acquired the property, now a National Historic Landmark, in 1869. Preservation carpenters salvaged as much of the original material as possible and replaced damaged sections with historically and structurally appropriate materials. The process of interpreting Mount Pleasant’s original design and function was aided by Macpherson’s original letters and diaries, which provided insight into how the house was used during his time. -
National Register of Historic Places Registration Form
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: __Mount Pleasant Baptist Church and Cemetery______________________ Other names/site number: ____DHR # 076-6009_________________ Name of related multiple property listing: __N/A_____________________ (Enter "N/A" if property is not part of a multiple property listing) ____________________________________________________________________________ 2. Location Street & number: __15008 Lee Highway__________________________ City or town: _Gainesville__ State: _VA__ County: _Prince William______ Not For Publication: N/A Vicinity: N/A ____________________________________________________________________________ A 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register -
MT. PLEASANT HISTORIC DISTRICT Page 1 United States Department of the Interior, National Park Service______National Register of Historic Places Registration Form
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 MT. PLEASANT HISTORIC DISTRICT Page 1 United States Department of the Interior, National Park Service_________________________________________National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Mt. Pleasant Historic District Other Name/Site Number: 2. LOCATION Street & Number: Roughly bounded by Union Street alley on the north, Not for publication: Cemetery Street on the east, Union Street alley on the south, Vicinity: and Market Street on the west City/Town: Mt. Pleasant State: Ohio County: Jefferson Code: 081 Zip Code: 43939 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): Public-Local: X District: _X Public-State: _X_ Site: Public-Federal: Structure: Object: Number of Resources within Property Contributing Noncontributing 41 66 buildings __ sites _L_ structures __ objects 43 67 Total Number of Contributing Resources Previously Listed in the National Register: 77 Name of Related Multiple Property Listing: NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 MT. PLEASANT HISTORIC DISTRICT Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this __ nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. -
The Publicity of Monticello: a Private Home As Emblem and Means Benjamin Block [email protected]
University of Puget Sound Sound Ideas Summer Research 2013 The Publicity of Monticello: A Private Home as Emblem and Means Benjamin Block [email protected] Follow this and additional works at: http://soundideas.pugetsound.edu/summer_research Part of the American Art and Architecture Commons, Architectural History and Criticism Commons, and the United States History Commons Recommended Citation Block, Benjamin, "The ubP licity of Monticello: A Private Home as Emblem and Means" (2013). Summer Research. Paper 179. http://soundideas.pugetsound.edu/summer_research/179 This Article is brought to you for free and open access by Sound Ideas. It has been accepted for inclusion in Summer Research by an authorized administrator of Sound Ideas. For more information, please contact [email protected]. THE PUBLICITY OF MONTICELLO: A PRIVATE HOME AS EMBLEM AND MEANS Ben Block Department of Art History September 24, 2013 1 THE PUBLICITY OF MONTICELLO: A PRIVATE HOME AS EMBLEM AND MEANS The next Augustan age will dawn on the other side of the Atlantic. There will, perhaps, be a Thucydides at Boston, a Xenophon at New York, and, in time, a Virgil at Mexico, and a Newton at Peru. At last, some curious traveller from Lima will visit England and give a description of the ruins of St. Paul's, like the editions of Balbec and Palmyra. - Horace Walpole 1 In the course of the study of Thomas Jefferson as architect, which began in earnest in 1916 with Fiske Kimball’s landmark study Thomas Jefferson, Architect , only recently have historians began to break out of the shell that Kimball placed around Jefferson’s architecture. -
National Park Service Cultural Landscapes Inventory Marconi
National Park Service Cultural Landscapes Inventory 2007 Marconi Memorial, US Reservation 309 A Rock Creek Park - DC Street Plan Reservations Table of Contents Inventory Unit Summary & Site Plan Concurrence Status Geographic Information and Location Map Management Information National Register Information Chronology & Physical History Analysis & Evaluation of Integrity Condition Treatment Bibliography & Supplemental Information Marconi Memorial, US Reservation 309 A Rock Creek Park - DC Street Plan Reservations Inventory Unit Summary & Site Plan Inventory Summary The Cultural Landscapes Inventory Overview: CLI General Information: Purpose and Goals of the CLI The Cultural Landscapes Inventory (CLI), a comprehensive inventory of all cultural landscapes in the national park system, is one of the most ambitious initiatives of the National Park Service (NPS) Park Cultural Landscapes Program. The CLI is an evaluated inventory of all landscapes having historical significance that are listed on or eligible for listing on the National Register of Historic Places, or are otherwise managed as cultural resources through a public planning process and in which the NPS has or plans to acquire any legal interest. The CLI identifies and documents each landscape’s location, size, physical development, condition, landscape characteristics, character-defining features, as well as other valuable information useful to park management. Cultural landscapes become approved CLIs when concurrence with the findings is obtained from the park superintendent and all required data fields are entered into a national database. In addition, for landscapes that are not currently listed on the National Register and/or do not have adequate documentation, concurrence is required from the State Historic Preservation Officer or the Keeper of the National Register.