Choral Evensong
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Choral Evensong
Dean of Chapel The Revd Dr Michael Banner The Dean in on sabbatical during Lent Term Director of Music Stephen Layton Chaplains The Revd Kirsty Ross Acting Dean of Chapel The Revd Dr Andrew Bowyer Organ Scholars Alexander Hamilton Asher Oliver CHORAL EVENSONG Sunday 4 February 2018 The Second Sunday before Lent (Sexagesima) ORGAN MUSIC BEFORE EVENSONG Huw Williams Bath Abbey Theme and Variations (Andriessen) Sonata No. 6 in G, BWV 530 (Bach) Fantasia in f, K 608 (Mozart) Welcome to this service of Choral Evensong sung by The Choir of Trinity College Cambridge Please ensure that all electronic devices, including cameras, are switched off For those who wish to use them, copies of The New English Hymnal melody edition are available in the stalls The congregation stands when the choir and clergy enter the Chapel. The opening hymn will follow unannounced. HYMN NEH 373 (t. CP 466) COE FEN Words: John Mason (c. 1645–94) Music: Ken Naylor (1931–91) CCLI Licence No. 808452 The minister reads Dearly beloved brethren, the Scripture moveth us in sundry places, to acknowledge and confess our manifold sins and wickedness; and that we should not dissemble nor cloak them before the face of Almighty God our heavenly Father; but confess them with an humble, lowly, penitent, and obedient heart; to the end that we may obtain forgiveness of the same, by his infinite goodness and mercy. And although we ought, at all times, humbly to acknowledge our sins before God; yet ought we most chiefly so to do, when we assemble and meet together to render thanks for the great benefits that we have received at his hands, to set forth his most worthy praise, to hear his most holy Word, and to ask those things which are requisite and necessary, as well for the body as the soul. -
Psalm 42 As an Independent Lament and Synecdochic of the Elohistic Psalter
“Turning the Tempest for God’s Forgotten:” Psalm 42 as an Independent Lament and Synecdochic of the Elohistic Psalter A Dissertation Proposal Presented to the Joint Doctoral Committee of The University of Denver and the Iliff School of Theology In Partial Fulfillment of the Requirements For the Doctor of Philosophy Degree Submitted by David Pettit Biblical Interpretation: Hebrew Bible September 17th, 2018 Denver, Colorado Thesis Psalm 42 is an independent psalm of lament, and as an independent composition is the lead psalm of the Elohistic Psalter (Pss 42-83), and synecdochic of the whole. Statement of the Problem This dissertation argues for a way of reading Psalm 42 that is rooted in Psalm 42’s own poetry as well as in the synecdochic relationship between poems set in juxtaposition and incorporated into collection(s). This dissertation engages questions of how we discern the boundaries of a poetic unit such as a psalm and how we understand or experience the poetry in light of those boundaries, and how a particular psalm relates to other psalms in a collection. This is of particular interest given the comparative evidence from Mesopotamian prayers and collections, as well as collections at Qumran. Psalms or prayers can be compiled or utilized in a number of different contexts. Psalms scrolls at Qumran demonstrate variability in order and in composition. This dissertation is attentive to how individual compositions relate to the literary context and/or collection in which we find them and to the somewhat complex and fluid relationship of parts to wholes where parts reflect the whole and yet retain their distinctiveness. -
Psalm 84 an Old Testament
Psalm 84: an Old Testament ‘Pilgrim’s Progress’. To the chief musician on the Gittith. A Psalm of the sons of Korah. 1. How beloved are your dwelling places, O Lord of hosts! 2. My soul longs, even faints, for the courts of the Lord; my heart and my flesh shout for joy to the living God. 3. Even the sparrow has found a house, and the swallow a nest for herself, where she may lay her young, at your altars, O Lord of hosts, my King and my God. 4. Blessed are those who dwell in your house, they will be still praising you! Selah. 5. Blessed is the man whose strength is in you, in whose heart are the highways to Zion. 6. Passing through the valley of Baca they make it a place of springs; the early rain also covers it with blessings. 7. They go from strength to strength, before appearing before God in Zion. 8. O Lord God of hosts, hear my prayer; give ear, O God of Jacob! Selah. 9. Behold, O God, our shield, and look upon the face of your anointed! 10. For a day in your courts is better than a thousand elsewhere. I would rather be a doorkeeper in the house of my God than dwell in the tents of wickedness. 11. For the Lord God is a sun and shield; the Lord will give grace and glory. No good thing will He withhold from those who walk uprightly. 12. O Lord of hosts, blessed is the man who trusts in you! The title of the psalm associates the psalm with the ‘sons (‘the descendants’, that is) of Korah. -
Psalms Psalm
Cultivate - PSALMS PSALM 126: We now come to the seventh of the "Songs of Ascent," a lovely group of Psalms that God's people would sing and pray together as they journeyed up to Jerusalem. Here in this Psalm they are praying for the day when the Lord would "restore the fortunes" of God's people (vs.1,4). 126 is a prayer for spiritual revival and reawakening. The first half is all happiness and joy, remembering how God answered this prayer once. But now that's just a memory... like a dream. They need to be renewed again. So they call out to God once more: transform, restore, deliver us again. Don't you think this is a prayer that God's people could stand to sing and pray today? Pray it this week. We'll pray it together on Sunday. God is here inviting such prayer; he's even putting the very words in our mouths. PSALM 127: This is now the eighth of the "Songs of Ascent," which God's people would sing on their procession up to the temple. We've seen that Zion / Jerusalem / The House of the Lord are all common themes in these Psalms. But the "house" that Psalm 127 refers to (in v.1) is that of a dwelling for a family. 127 speaks plainly and clearly to our anxiety-ridden thirst for success. How can anything be strong or successful or sufficient or secure... if it does not come from the Lord? Without the blessing of the Lord, our lives will come to nothing. -
Purpose Outline of Psalms
Psalm Notes • Author: David, Asaph, Korah, Solomon, Moses Ethan, Hamen, and Unknown • Date: 1520 – 420 B.C. (1100 years) • Key Verses: 95:6 • Key words: Praise – 176, Blessed, bless, and blessing 92 times Purpose To provide a book of devotions for the Lord’s people. To communicate the heart of God. Almost every mood of the soul is expressed in the book. The Lord has communicated to us His entire revelation through Psalm Outline of Psalms Book 1 ( 1 – 41 ) Largely prayers of David (37 out of 41) Book 2 ( 42 – 72 ) Nineteen of these are by David. General subject of the sufferings of the godly and their dealings. Book 3 ( 73 – 89 ) Psalm emphasizing God’s dealings with Israel from the beginning of the nation to the final blessing. Book 4 ( 92 – 106 ) The sufferings and afflictions of God’s people to end with the Lord’s reign. Book 5 ( 107 – 150 ) These emphasize the Word of God. The Messiah in pictured both in sufferings and glorious return. Closes with Hallelujah chorus. The Psalms are grouped into Notes Various Sections 1. Psalms of Prophecy 2, 16 and 22 2. Psalms of Thanksgiving 18 3. Psalms of Adoration 8 and 29 4. Psalms of Supplications 26 5. Psalms of Instruction 32 and 44 6. Psalms of Confession 51 7. Psalms of Penitence 6, 32, 38, 51, 102,130, and 143 8. Psalms of History 105 and 106 9. Psalms of Judgment 109 and 140 Jesus Christ found in the Psalms Messiah would be the Son of God (Ps 2:7, 12, Matt 17:5) Messiah would be resurrected (Ps 16:8-10, Acts 13:30-37) Messiah would be despised & crucified (Ps 22:6-8, 14, Luke 23:21-23, Matt 27:35) Messiah would be hated without cause (Ps 69:4, Luke 23:13-22) Messiah would be Lord, seated at the right hand of God (Ps 110:1,5, 1 Pet 3:21-22) Messiah would be in the line of Melchizedek (Ps 110:4, Heb 6:17-20) Messiah would be the 'stone' rejected by the Jews (Ps 118:22, Matt Notes 21:42-43) Key Messianic Psalms: Chapters 2, 8, 16, 22, 45, 69, 89, 109, 110, 118 Interesting facts: The book of Psalms is the longest book in the Bible. -
Evensong Pack CONTENTS
Chichester Cathedral Guide for Visiting Choirs Evensong Pack CONTENTS INTRODUCTION _____________________________________________________________________ 3 MUSIC INFORMATION _______________________________________________________________ 4 WHAT WE NEED FROM YOU _______________________________________________________________ 4 CHOICE OF MUSIC _______________________________________________________________________ 4 RESPONSES ____________________________________________________________________________ 4 CANTICLES ____________________________________________________________________________ 4 ANTHEM ______________________________________________________________________________ 4 FINAL DISMISSAL _______________________________________________________________________ 4 PSALMS _______________________________________________________________________________ 5 HYMNS _______________________________________________________________________________ 5 CANTOR ______________________________________________________________________________ 5 DETAILS OF EVENSONG SERVICE ____________________________________________________ 6 EVENSONG PSALMS FOR THE DAY ___________________________________________________ 7 2 Introduction We are delighted that your choir will be singing at Chichester Cathedral shortly, and we look forward to welcoming you for what we hope will be a memorable and rewarding visit. This booklet is intended to help you prepare for your visit. Please take some time to read through it. We hope that it answers some of the questions you may have. If -
Gabriel Jackson
Gabriel Jackson Sacred choral WorkS choir of St Mary’s cathedral, edinburgh Matthew owens Gabriel Jackson choir of St Mary’s cathedral, edinburgh Sacred choral WorkS Matthew owens Edinburgh Mass 5 O Sacrum Convivium [6:35] 1 Kyrie [2:55] 6 Creator of the Stars of Night [4:16] Katy Thomson treble 2 Gloria [4:56] Katy Thomson treble 7 Ane Sang of the Birth of Christ [4:13] Katy Thomson treble 3 Sanctus & Benedictus [2:20] Lewis Main & Katy Thomson trebles (Sanctus) 8 A Prayer of King Henry VI [2:54] Robert Colquhoun & Andrew Stones altos (Sanctus) 9 Preces [1:11] Simon Rendell alto (Benedictus) The Revd Canon Peter Allen precentor 4 Agnus Dei [4:24] 10 Psalm 112: Laudate Pueri [9:49] 11 Magnificat (Truro Service) [4:16] Oliver Boyd treble 12 Nunc Dimittis (Truro Service) [2:16] Ben Carter bass 13 Responses [5:32] The Revd Canon Peter Allen precentor 14 Salve Regina [5:41] Katy Thomson treble 15 Dismissal [0:28] The Revd Canon Peter Allen precentor 16 St Asaph Toccata [8:34] Total playing time [70:22] Recorded in the presence Producer: Paul Baxter All first recordings Michael Bonaventure organ (tracks 10 & 16) of the composer on 23-24 Engineers: David Strudwick, (except O Sacrum Convivium) February and 1-2 March 2004 Andrew Malkin Susan Hamilton soprano (track 10) (choir), 21 December 2004 (St Assistant Engineers: Edward Cover image: Peter Newman, The Choir of St Mary’s Episcopal Cathedral, Asaph Toccata) and 4 January Bremner, Benjamin Mills Vapour Trails (oil on canvas) 2005 (Laudate Pueri) in St 24-Bit digital editing: Session Photography: -
The Plight of Anglican Church Music in the Western Cape: Three Case Studies
THE PLIGHT OF ANGLICAN CHURCH MUSIC IN THE WESTERN CAPE: THREE CASE STUDIES Levi Eudo Alexander Thesis presented in partial fulfilment of the requirements for the degree of Master of Music (Choral Conducting) in the Faculty of Arts and Social Sciences at Stellenbosch University. Supervisor: Martin Berger March 2021 Stellenbosch University https://scholar.sun.ac.za DECLARATION By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Levi Alexander March 2021 Copyright © 2021 Stellenbosch University All rights reserved 1 Stellenbosch University https://scholar.sun.ac.za ABSTRACT Music ministries still providing Anglican church congregations with traditional Anglican church music find themselves clutching onto a musical tradition in a church plagued by the increasing secularisation of society. This thesis, in three case studies, investigates the musical output and general daily function of three Anglican churches in the Western Cape by interviewing the rector and music director of each parish. Each parish was selected as it presented a varied historical, musical, liturgical and churchmanship culture. The aim of the thesis is to ascertain, primarily, whether traditional music is under threat of falling into disuse in the church and secondly, if traditional music is indeed under threat, the possible measures which could be implemented to preserve the heritage for future generations of Anglican worshippers. -
Hymns for Prayer and Praise: Melody Ebook Free Download
HYMNS FOR PRAYER AND PRAISE: MELODY PDF, EPUB, EBOOK John Harper | 640 pages | 31 Jan 2012 | CANTERBURY PRESS NORWICH | 9781848250628 | English | London, United Kingdom Hymns for Prayer and Praise: Melody PDF Book Please note that there may be a slight delay in the despatch of any orders placed. These songs may help soothe the wound of missing out on fellowship. We did it a lot in the small church I was raised in. Robin on March 10, at am. Ask us here. Victoria Gladden on June 25, at am. They were first published in in the appendix to A Manual of Prayers For the Use of the Scholars of Winchester College , with the admonition for the students to sing them "in your chamber devoutly. The editorial team was headed by John Harper, former director of the Royal School of Church Music, and consisted of esteemed members of Anglican and Roman Catholic communities. Thy hand, in sight of all my foes, Doth still my table spread; My cup with blessings overflows, Thine oil anoints my head. Sing and make music in your hearts to the Lord, Berean Literal Bible speaking to each other in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord, New American Standard Bible speaking to one another in psalms and hymns and spiritual songs, singing and making melody with your heart to the Lord; New King James Version speaking to one another in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord, King James Bible Speaking to yourselves in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord; Christian Standard Bible speaking to one another in psalms, hymns, and spiritual songs, singing and making music with your heart to the Lord, Contemporary English Version When you meet together, sing psalms, hymns, and spiritual songs, as you praise the Lord with all your heart. -
2 Samuel & 1 Chronicles with Associated Psalms
2 Samuel& 1 Chronicles w/Associated Psalms (Part 2 ) -Psalm 22 : The Psalm on the Cross . This anguished prayer of David was on the lips of Jesus at his crucifixion. Jesus’ prayed the psalms on the cross! Also, this is the most quoted psalm in the New Testament. Read this and then pray this the next time you experience anguish. -Psalm 23 : The Shepherd Psalm . Probably the best known psalm among Christians today. -Psalm 24 : The Christmas Processional Psalm . The Christmas Hymn, “Lift Up Your Heads, Yet Might Gates” is based on this psalm; also the 2000 chorus by Charlie Hall, “Give Us Clean Hands.” -Psalm 47 : God the Great King . Several hymns & choruses are based on this short psalmcelebrating God as the Great King over all. Think of “Psalms” as “Worship Hymns/Songs.” -Psalm 68 : Jesus Because of Hesed . Thematically similar to Psalms 24, 47, 132 on the triumphant rule of Israel’s God, with 9 stanzas as a processional liturgy/song: vv.1-3 (procession begins), 4-6 (benevolent God), 7-10 (God in the wilderness [bemidbar]), 11-14 (God in the Canaan conquest), 15-18 (the Lord ascends to Mt. Zion), 19-23 (God’s future victories), 24-27 (procession enters the sanctuary), 28-31 (God subdues enemies), 32-35 (concluding doxology) -Psalm 89 : Davidic Covenant (Part One) . Psalms 89 & 132 along with 2 Samuel 7 & 1 Chronicles 17 focus on God’s covenant with David. This psalm mourns a downfall in the kingdom, but clings to the covenant promises.This psalm also concludes “book 4” of the psalter. -
Wisdom Editing in the Book of Psalms: Vocabulary, Themes, and Structures Steven Dunn Marquette University
Marquette University e-Publications@Marquette Dissertations (2009 -) Dissertations, Theses, and Professional Projects Wisdom Editing in the Book of Psalms: Vocabulary, Themes, and Structures Steven Dunn Marquette University Recommended Citation Dunn, Steven, "Wisdom Editing in the Book of Psalms: Vocabulary, Themes, and Structures" (2009). Dissertations (2009 -). Paper 13. http://epublications.marquette.edu/dissertations_mu/13 Wisdom Editing in the Book of Psalms: Vocabulary, Themes, and Structures By Steven Dunn, B.A., M.Div. A Dissertation submitted to the Faculty of the Graduate School, Marquette University, in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Milwaukee, Wisconsin December 2009 ABSTRACT Wisdom Editing in the Book of Psalms: Vocabulary, Themes, and Structures Steven Dunn, B.A., M.Div. Marquette University, 2009 This study examines the pervasive influence of post-exilic wisdom editors and writers in the shaping of the Psalter by analyzing the use of wisdom elements—vocabulary, themes, rhetorical devices, and parallels with other Ancient Near Eastern wisdom traditions. I begin with an analysis and critique of the most prominent authors on the subject of wisdom in the Psalter, and expand upon previous research as I propose that evidence of wisdom influence is found in psalm titles, the structure of the Psalter, and among the various genres of psalms. I find further evidence of wisdom influence in creation theology, as seen in Psalms 19, 33, 104, and 148, for which parallels are found in other A.N.E. wisdom texts. In essence, in its final form, the entire Psalter reveals the work of scribes and teachers associated with post-exilic wisdom traditions or schools associated with the temple. -
Guidance Notes for Visiting Organists 2018
St. Peter’s Cathedral Organ Guidance Notes for Visiting Organists 2018 Introduction Welcome to St. Peter’s Cathedral. We hope you enjoy your visit and the opportunity to play this wonderful instrument. The 1929 Hill, Norman and Beard Organ is one of the Cathedral’s great treasures and must be respected as such. Please study these notes carefully to ensure that your playing experience at the Cathedral is a positive one, and that the instrument remains in fine condition for many years to come. Thank you for your cooperation and music ministry in this wonderful space. David Heah Cathedral Organist December 2018 Table of Contents Introduction ............................................................................................................................................ 1 Practical Arrangements for Visiting Organists ........................................................................................ 2 Access to the Organ Loft ................................................................................................................... 2 Organ Practice .................................................................................................................................... 2 Switching On ....................................................................................................................................... 2 Switching Off ....................................................................................................................................... 2 Pistons and Memory Levels ...............................................................................................................