Vijay Iyer Full Bio Fall 2020
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Volume CXXXV, Number 23, May 18, 2018
The Student Newspaper of Lawrence University Since 1884 THE LAWRENTIAN VOL. CXXXV NO. 23 LGBTQ group hosts first LU Pride Prom Some of the organizers of the event: junior Rebecca Bernheimer, freshman Spencer Washington, sophomore Taylor Blackson, freshman Hezekíah Ortiz, sophomore Jessenia Zelaya and sophomore Susie Francy. Photo by Angela Caraballoa. Stephanie Meyer had posted. It was both educational clearly done a lot of meaningful Staff Writer and fun.” work in the Houston area.” ______________________________________ Colores not only took the Zelaya reported that the dona- On Friday, May 11, Colores opportunity to create a fun and tion collection at prom resulted in held Lawrence’s first ever Pride welcoming space for Lawrence’s raising a lot of funds and added Prom, a celebration for LGBTQ stu- LGBTQ community, but designed meaningfulness to the prom itself. dents of color and their allies. the event in a way that advo- “It was cool because we wanted “I think there is a big need for cated for the values that Colores to make sure that our issues and expression of pride at Lawrence believes in. One of the ways Colores our core values were represented, because, at the moment, there achieved this was through fundrais- and so we wanted people to have hasn’t really been any spaces, ing during the dance for the Latina fun but also know that they could besides Colores, for LGBTQ stu- Trans Organization of Texas. Zelaya participate in something bigger,” dents,” said sophomore Jessenia explained that this specific orga- said Zelaya. Zelaya, cofounder of Colores. “I nization is currently experiencing The best part of Pride Prom think that the LGBTQ-identifying a great deal of hardship due to was the sense of community and students here really wanted some- the aftermath of Hurricane Harvey welcoming. -
Press Release from 2006
Rosetta [] Press Release from 2006 PRESS RELEASE STEPHAN CRUMP'S ROSETTA -- an intimate collection of compositions performed by bass and two guitars to be released Tuesday, October 10th on Papillon Sounds * Featuring Crump with Liberty Ellman and Jamie Fox * "Stephan Crump represents a new breed of bassist/bandleader/composer, one who asks himself and his listeners to entertain new ideas about what jazz can be and where it can go." -- David Adler, AllAboutJazz.com The three friends have gathered many times before, sharing beers, meals, or tips on vintage amplifiers, or rehearsing music for one of the many projects where their talents have overlapped through the years. But this time the scene is a little different -- more focused, more intimate, more intense. Over a few chilly days in January of 2004, in a cozy little home studio painted leaf green, they are creating a richly conceived and brilliantly executed new album: Rosetta. The friends are double bassist and composer Stephan Crump , acoustic guitarist Liberty Ellman and electric guitarist Jamie Fox , working to bring Crump's very personal vision to life. Feeling the need for deeper intimacy and wider flexibility in his music, and partially inspired by the experience of performing and recording as a duo with his wife (singer-songwriter Jen Chapin), on Rosetta Stephan departs from the more traditional ensembles of previous outings to arrive at the rare concept of a drumless, chamber-like trio of strings. The result is a collection of intricate, narrative compositions set against a uniquely sparse, yet rich sonic landscape. Largely composed at home on the Rhodes piano from fragments emerging during the period after September 11th, the songs are complex yet immediate, and ever-so-slightly twisted. -
The Ethereal Genius of Craig Taborn - the New York Times
12/20/2019 The Ethereal Genius of Craig Taborn - The New York Times FEATURE The Ethereal Genius of Craig Taborn He has become one of the best jazz pianists alive — by disappearing almost completely into his music. By Adam Shatz June 22, 2017 he jazz pianist Craig Taborn often goes to museums for inspiration, carrying a notebook to record ideas for compositions and song titles. He also sometimes T performs at museums, becoming a sort of art object himself. This is a complicated situation for Taborn, who is very private. His mother, Marjorie Taborn, remembers seeing him at the Rubin Museum of Art in New York, where he played a recital to a full house at the debut of his solo album “Avenging Angel.” After the show, she was chatting with his friend Tim Berne, a saxophonist, while her son signed copies of his album, smiling graciously and patiently fielding questions. She and Berne looked at each other, because they each knew how much effort this required from Taborn. “Look at Craig,” Taborn’s mother recalls telling Berne, “he’s getting everything he never wanted, all the attention he’d never seek.” Taborn, who is 47, is used to attracting attention he’d prefer to avoid, and not just because of his extraordinary musicianship. He is an African-American man from Minnesota with features that often draw curious looks: a very pale complexion, reddish-blond curls and hazel eyes. “I have never had a day when someone does not look at me with an openly questioning gaze, sometimes remote and furtive, sometimes polite, sometimes in admiration or awe and sometimes with disgust,” he told me. -
Downbeat.Com December 2014 U.K. £3.50
£3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, -
Myra Melford & Snowy Egret Language of Dreams
Saturday, November 19, 2016, 8pm Zellerbach Hall Myra Melford & Snowy Egret Language of Dreams Conceived and composed by Myra Melford Myra Melford’s Snowy Egret Myra Melford, piano, melodica, and sampler Ron Miles, cornet Liberty Ellman, guitar Stomu Takeishi, acoustic bass guitar Tyshawn Sorey, drums David Szlasa, video artist and lighting design Oguri, dancer and choreography Sofia Rei, narrator/spoken text Hans Wendl, artistic direction and production Texts excerpted from Eduardo Galeano’s Memory of Fire (Memoria del Fuego ) trilogy: Genesis (1982) Faces and Masks (1984) Century of the Wind (1986) Copyright 1982, 1984, 1986 respectively by Eduardo Galeano. Translation copyright 1985, 1987, 1988 by Cedric Belfrage. Published in Spanish by Siglo XXI Editores, México, and in English by Nation Books. By permission of Susan Bergholz Literary Services, New York, NY and Lamy, NM. All rights reserved. e creation and presentation of Language of Dreams was made possible by Yerba Buena Center for the Arts, a Guggenheim Fellowship, the Doris Duke Performing Artist Award, and a University of California Faculty Research Grant. Jazz residency and education activities generously underwritten by the Thatcher-Meyerson Family. n e s i o B s e l y M Myra Melford (far right) with Snowy Egret Language of Dreams I Prelude e Promised Land Snow e Kitchen II e Virgin of Guadalupe A Musical Evening For Love of Fruit/Ching Ching III Language IV Times of Sleep and Fate Little Pockets/Everybody Pays Taxes Market e First Protest V Night of Sorrow Day of the Dead e Strawberry VI Reprise – e Virgin of Guadalupe This performance will last approximately 75 minutes and will be performed without intermission. -
Glenn Siegel, Ken Irwin, (413) 545-2876
Contact: Glenn Siegel, Ken Irwin, (413) 545-2876 www.fineartscenter.com/magictriangle THE 2010 MAGIC TRIANGLE JAZZ SERIES PRESENTS: STEVE COLEMAN & FIVE ELEMENTS The Magic Triangle Jazz Series, produced by WMUA-91.1FM and the Fine Arts Center at the University of Massachusetts, Amherst, concludes its 22nd season on Thursday, April 26, at Bezanson Recital Hall, at 8:00pm with a performance by Steve Coleman & Five Elements. The group features Coleman on alto saxophone with Jonathan Finlayson (trumpet), Tim Albright (trombone), Jen Shyu (vocals), Thomas Morgan (bass) and Tyshawn Sorey (drums). A mentor and something of a pied piper, Coleman is a hugely influential figure who has aided the careers of peers like Geri Allen, Greg Osby and Cassandra Wilson, as well as nurturing the development of such important younger musicians as Vijay Iyer, Steve Lehman and Rudresh Mahanthappa. Over the past two decades, he's turned his band Five Elements into an improviser's academy, attracting a steady flow of exceptional young musicians. “To me, Steve Coleman is as important as John Coltrane,” says pianist Vijay Iyer, “he has contributed an equal amount to the history of the music. He deserves to be placed in the pantheon of pioneering artists.” Born in Chicago in 1956, Coleman moved to New York City in 1978 and has been identified with the City ever since. Initially influenced by saxophonists Charlie Parker, Sonny Rollins, John Coltrane, Von Freeman and Bunky Green, Coleman has performed and recorded with Thad Jones, Sam Rivers, drummer Doug Hammond, Cecil Taylor, Abbey Lincoln and Dave Holland. One of the founders of the so-called M-Base movement, Coleman has led several groups and has 25 recordings under his name. -
Erik Truffaz, Murcof, Talvin Singh
Roch-Olivier Maistre, Président du Conseil d’administration Laurent Bayle, Directeur général Jeudi 16 avril Erik Truffaz/Murcof /Talvin Singh Dans le cadre du cycle Répéter/varier II Du mardi 14 au vendredi 17 avril 2009 Jeudi avril 16 | Ce concert est difusé en direct sur les sites www.citedelamusique.fr et www.arte.tv. Il y restera disponible gratuitement pendant un mois. Erik Truffaz/Murcof /Talvin Singh /Talvin Erik Truffaz/Murcof Vous avez la possibilité de consulter les notes de programme en ligne, 2 jours avant chaque concert, à l’adresse suivante : www.citedelamusique.fr Cycle Répéter/varier II DU MARdi 14 AU VENDREdi 17 AVRIL Le jazz acoustique tourne enen rond.rond. En unsorcier mot, ilde se l’échantillonnage, répète. Tel est le verdict MARDI 14 AVRIL, 20H Eden unnombreux mot, il se jeunes répète. musiciens Tel est d’aujourd’hui.le guitariste Comment David en Torn finir avec avec son ses MERCREDI 15 AVRIL, 20H letrajectoires verdict de trop nombreux prévisibles, jeunes ses harmoniesescouade bien calées, d’improvisateurs ses rythmiques de musiciensà la ligne ? d’aujourd’hui.Comment sortir Comment de ce son daté,choc trop (Tim quadrillé Berne, Craig par la Taborn tradition ? et Aufgang & PC Pieces enComment finir avec s’échapper ses trajectoires de l’inévitable trop schémaTom R « thèmeainey) propose et variation » ? avec Prezens prévisibles,Comment changer ses harmonies de beat bien pour trouverde de mélanger nouveaux motifs mondes répétitifs, ? Telles Première partie : calées,sont les ses questions rythmiques auxquelles à la ligne ? toute unetextures nouvelle électroniques, génération tente ambiances de Aufgang Commentrépondre en sortir branchant de ce son l’improvisation daté, hypnotiques sur le courant et électronique. -
Embodied Mind, Situated Cognition, and Expressive Microtiming In
http://cnmat.berkeley.edu/publications/embodied-mind-situated-cognition-and-expressive-microtiming-african- american-music Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music Author(s): Vijay Iyer Source: Music Perception: An Interdisciplinary Journal, Vol. 19, No. 3 (Spring 2002), pp. 387-414 Published by: University of California Press Stable URL: http://www.jstor.org/stable/10.1525/mp.2002.19.3.387 Accessed: 30-03-2017 21:59 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Music Perception: An Interdisciplinary Journal This content downloaded from 162.233.200.40 on Thu, 30 Mar 2017 21:59:20 UTC All use subject to http://about.jstor.org/terms Music Perception © 2002 BY THE REGENTS OF THE UNIVERSITY OF CALIFORNIA Spring 2002, Vol. 19, No. 3, 387–414 ALL RIGHTS RESERVED. Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music V I J AY I Y E R New York City The dual theories of embodied mind and situated cognition, in which physical/temporal embodiment and physical/social/cultural environment contribute crucially to the structure of mind, are brought to bear on issues in music perception. -
59Th Annual Critics Poll
Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Kris Davislooks to Discover the Piano's Full Potential
Outerto the Kris Davis looks to discover the piano’s full potential. ReachesBY TED PANKEN t 7 a.m., 90 minutes before our scheduled morning, after which, Davis told me later, she treated herself interview on Christmas Eve morning, Kris to a rare “day off” that entailed practice, exercise and hanging Davis sent an email: “bad night of sleep — out with her son. call you when I’m up — around 9:30.” We Between our conversations, Davis had pursued her were supposed to speak the previous night, customarily industrious schedule, which included a commute but she emailed me before the appointed from her Ossining, New York, home to Manhattan to teach time to say that a second consecutive day of recording piano and guide the Herbie Hancock Ensemble at the New an orchestral album with saxophonist Ingrid Laubrock at School; a two-hours-each-way drive to teach jazz piano at Manhattan’s Power Station left her too punchy “to do you Princeton; and two long rehearsals with Laubrock. The day much good.” When we finally connected at 9:30 sharp, Davis after our second talk, she led a new trio with Eric Revis and explained that she’d been up most of the night soothing her Johnathan Blake at a John Zorn-produced evening at the New A4-year-old son through serial nightmares. School’s Tishman Auditorium, then worked three consecutive It was our second rescheduling moment of the week. Six nights as a sidewoman, first in saxophonist Jure Pukl’s quintet days earlier, we postponed our first scheduled interview when at the Cornelia Street Café in Greenwich Village, then in a Davis awoke in the morning with a stomach virus her son had quintet assembled by Revis to play a newly commissioned suite picked up at school. -
Music Week 8 News
Music Newsletter - Spring Qtr. Week 8 Music Department Mon 5/17/2021 7:13 AM To: INTEGRATED COMPOSITION, IMPROVISATION, &TECHNOLOGY-All Students, MUSIC - PERFORMANCE-All Students, MUSIC-All Students, Sender Custom Email List <[email protected]> Dear UCI Music students, It is officially week 8 of spring quarter! Please see your Music-related news below, including an invitation to join the Chamber 176 class this Wednesday, 5/19/21 at 1 pm with guest lecturer, Tyshawn Sorey, information about the Piano Proficiency sign-ups, beginning week 9, and a notice for an upcoming multi-factor authentication requirement for all UCI students. MUSIC WEEK 8 NEWS Special Guest: Tyshawn Sorey in Chamber 176 Date: Wednesday, May 19, 2021 Time: 1:00 pm PDT Tyshawn Sorey completed his DMA in Composition in 2017. In fall 2017 he became an Assistant Professor at Wesleyan University. Sorey is an active composer, performer, educator, and scholar who works across an extensive range of musical idioms. As a percussionist, trombonist, and pianist, Tyshawn has performed and/or recorded nationally and internationally with his own ensembles and with artists such as Muhal Richard Abrams, Steve Coleman, Butch Morris, Peter Evans, Misha Mengelberg, John Zorn, VijayIyer, Wadada Leo Smith, Dave Douglas, Anthony Braxton, Steve Lehman, and Tim Berne, among many others. See his full biography attached. Piano Proficiency Exam | Sign-ups to begin next week Sign-ups for the Piano Proficiency Exam will begin Week 9 on Monday, 5/24/21 at 9 am. Next week, please submit your top three preferred times to [email protected]. You will receive a confirmation of your scheduled time, along with the Zoom link. -
Mephista Short Bios.Rtf
MEPHISTA Sylvie Courvoisier (piano) Ikue Mori (electronics) Susie Ibarra (drums) Three of downtown's most dynamic performers join forces to form Mephista-one of the first all women supergroups (Susie Ibarra, Sylvie Courvoisier, and Ikue Mori). Separately these three have worked with some of the most important musicians in new music (Derek Bailey, William Parker, John Zorn, Fred Frith, Mike Patton, Dave Douglas, etc.)-together they have created a whole new kind of music spanning the worlds of rock, classical, jazz and electronica. Sensitive, powerful and exotic. Recordings Black Narcissus (Tzadic,2002) Entomological Refelections (Tzadic, 2004) ----------------------------------------------------------------------------------------- SYLVIE COURVOISIER- Pianist & composer Sylvie Courvoisier was born and raised in Lausanne, Switzerland. As a composer, she has been commissioned to write music for concerts, radio, dance and theater. Her newest release as a leader "ABATON" with Mark Feldman and Erik Friedlander is on ECM Records. As a pianist and improviser, she plays and records with different artists such as Mark Feldman, John Zorn, Tony Oxley, Yusef Lateef, Butch Morris, Tim Berne, Herb Robertson, Joëlle Léandre, Dave Douglas, Susie Ibarra, Ellery Eskelin, Ikue Mori, Fred Frith, Michel Godard, Mark Nauseef… Since 1998, Sylvie Courvoisier has been based in Brooklyn, New York. Her recent work includes: "Abaton", a trio performing her compositions with Mark Feldman violin & Erik Friedlander cello. "Sylvie Courvoisier Quintet" with Mark Feldman, Vincent Courtois, Ikue Mori, Gerald Cleaver "Mephista" an improvising trio with Ikue Mori electronics and Susie Ibarra drums. "Duo" with Mark Feldman playing John Zorn’s music "Vincent Courtois Trio" the French cellist's group with Ellery Eskelin saxophone. "John Zorn's Cobra" “Yusef Lateef 4tet” with Yusef Lateef , Adam Rudolph and Joseph Bowie "Herb Robertson Quintet" with Tim Berne, Tom Rainey and Mark Dresser.