A Qualitative Study of a Native American Mascot at "Public University" Michelle Lyn Brune University of Missouri-St

Total Page:16

File Type:pdf, Size:1020Kb

A Qualitative Study of a Native American Mascot at University of Missouri, St. Louis IRL @ UMSL Dissertations UMSL Graduate Works 5-13-2010 A Qualitative Study of a Native American Mascot at "Public University" Michelle Lyn Brune University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/dissertation Part of the Education Commons Recommended Citation Brune, Michelle Lyn, "A Qualitative Study of a Native American Mascot at "Public University"" (2010). Dissertations. 481. https://irl.umsl.edu/dissertation/481 This Dissertation is brought to you for free and open access by the UMSL Graduate Works at IRL @ UMSL. It has been accepted for inclusion in Dissertations by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. 1 A QUALITATIVE STUDY OF A NATIVE AMERICAN MASCOT AT “PUBLIC UNIVERSITY” by MICHELLE LYN BRUNE M.S.A., Southeast Missouri State University, 1998 B.S., Southeast Missouri State University, 1994 A DISSERTATION Submitted to the Graduate School of the UNIVERSITY OF MISSOURI – ST. LOUIS In partial Fulfillment of the Requirements for the degree DOCTOR OF PHILOSOPHY in EDUCATION with an emphasis in Educational Leadership & Policy Studies May, 2010 Advisory Committee Shawn Woodhouse, Ph.D. Chairperson Patricia Boyer, Ph.D. Virginia Navarro, Ph.D. Paula King, Ph.D. © Copyright 2010 by Michelle Lyn Brune All Rights Reserved ii ABSTRACT At the time this study began, there were approximately 60 senior colleges and universities using Native American mascots or nicknames to represent their athletic teams (Fournier, 2003). Many Native Americans, coalitions, organizations, and researchers (Connolly, 2000; Davis, 2002; King & Springwood, 2000; NCAA, 2001) believe that these mascots are racist stereotypes of Native Americans and recommend that they be banned. In contrast, other people believe that Native American mascots signify honor and tradition. Differing meanings or opinions create an obvious conflict and each viewpoint includes a set of arguments to justify their beliefs. For example, many universities claim their alumni will stop contributing to the university if the mascot is removed. For the purpose of this study, the theory of semiotics was used to explain different meanings associated with Native American mascots and nicknames. The civil rights movement was successful in decreasing the number of offensive African-American images and caricatures (U.S. Commission on Civil Rights, 2001). However, it did not diminish the use of Native American images. Native American images and caricatures are used in everything from company logos to sports team mascots. The purpose of this study was to gain an in-depth understanding of the removal of a Native American Mascot at one university. Data for this study was gathered from public and university records, ten personal interviews with faculty, staff, alumni, and community members, and one focus group with twenty-one students. The study examined historical documentation regarding the university‟s mascot/nickname, the iii recent process that was used to change the mascot/nickname at the university, and opinions from students, faculty, alumni and the community regarding the university‟s former Native American mascot/nickname. The opinions that were gathered from the documents, interviews, and focus group and were coded using the most common themes that support and oppose Native American mascots found in literature. Overall, 153 opinions were coded in opposition of the Native American mascot and the most common theme was Code O7: Marketing and School Spirit. Overall, 543 opinions supported the use of the Native American Mascot and the most common theme was code S1: Honor, Respect, and Pride. iv ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the many colleagues and friends who helped me complete this dissertation. I would especially like to thank my dissertation committee. My chairperson, Dr. Shawn Woodhouse, took me under her wing after my chairperson left the university. I could not have made it through this process without her guidance and support. I would like to thank Dr. Paula King, Dr. Patricia Boyer, and Dr. Virginia Navarro for serving on my committee. Dr. King was a constant support throughout the completion of this dissertation. Dr. Patricia Boyer and Dr. Virginia Navarro replaced two committee members after the proposal was completed. They were very supportive and kind for agreeing to serve under these circumstances. I would like to mention the two members of the committee that preceded Dr. Boyer and Dr. Navarro. Dr. Stephen Sherblom and the late Dr. Mary Cooper were very instrumental in helping me develop the dissertation proposal. I sincerely appreciate the service of all of these faculty members. I would like to thank the participants who spent time interviewing and completing the focus group with me. Their personal opinions and historical knowledge of the mascot were invaluable to my study. I would like to thank my parents, John and June Behnken, for their encouragement, support, and helping me understand the importance of a college education at a very young age. I would like to thank my son, Brady, and husband, Brian, for being patient with me as I spent time away from them to finish this dissertation. I would like to also thank Dr. Cheryl McAllister and Dr. Walt Paquin for their encouragement and support throughout my PhD program and dissertation completion. v TABLE OF CONTENTS ABSTRACT………………………………………………………………………. ii ACKNOWLEDGEMENTS………………………………………………………. iv TABLE OF CONTENTS…………………………………………………………. v LIST OF FIGURES………………………………………………………………. xiii LIST OF TABLES………………………………………………………………... xiv CHAPTER 1: INTRODUCTION……………………………………………….. 1 Purpose of the Study …………………………………………………………….. 2 Background of the Study ………………………………………………… 3 American Education and the Media ……………………………... 3 The Use of Native American Images ……………………………. 5 Beer, Butter, and Bikes ………………………………….. 5 Native American Mascots ……………………………….. 7 The Removal of Native American Mascots ……………………… 8 Significance of the Study ………………………………………………… 9 Overview of the Methodology …………………………………………… 10 Limitations of the Study …………………………………………………. 13 Definition of Terms ………………………………………………………. 13 Organization of the Study ………………………………………………... 14 CHAPTER 2: REVIEW OF LITERATURE…………………………………….. 16 Finding Meaning in Signs ...……………………………………………… 16 Communication Theory and Semiotics …………………………... 17 Ferdinand de Saussure……………………………………………. 20 vi Charles Pierce ……………………………………………………. 22 Roland Barthes....…………………………………………………. 23 Semiotics and Native American Mascots………………………… 25 Meaning of Native American Mascots…………………………………… 25 Cultural Influences ……………………………………………….. 27 Myths and Stereotypes …………………………………… 27 The Indian Stereotype ……………………………. 28 The Redskin Stereotype ………………………….. 28 The Red Savage and Noble Redman Stereotypes ... 29 The Squaw Stereotype …………………………… 30 Formal Education ………………………………………… 30 Informal Education – The Media ………………………… 31 Meanings Found in Literature ……………………………………. 31 Meanings Opposed to Native American Mascots ………... 32 Meanings Supporting Native American Mascots ………... 34 Controversies Regarding Native American Mascots …….. 35 The University of Illinois Urbana-Champaign...…. 35 Florida State University…………………………... 37 Arkansas State University………………………… 38 The University of North Dakota …………………. 39 Efforts to Remove Native American Mascots……………. 40 The National Collegiate Athletic Association……. 41 U.S. Commission on Civil Rights………………… 43 vii Organizations……………………………………... 43 Summary………………………………………………….. 44 CHAPTER 3: METHODOLOGY...……………………………………………… 45 Inquiry ……………………………………………………………………. 45 Design of the Study ………………………………………………………. 46 Sample ……………………………………………………………………. 47 Procedure……..…..………………………………………………………. 47 Document Review ………………………………………………... 48 Interviews ………………………………………………………… 48 Focus Groups …………………………………………………….. 49 Data Analysis ……………………………………………………. 50 Testing and Confirming Data …………………………….. 51 CHAPTER 4: DOCUMENT REVIEW...………………………………………… 52 Part I ……………………………………………………………………… 52 Public University Files.…………………………………………… 52 Center for Regional History Files ………………………… 52 University Relations Department Files……………………. 53 Public University Yearbook and Student Newspaper…….. 53 Other Publications and Websites………………………….. 53 Findings……………………………………………………………………. 54 History of the Mascot at Public University………………………. 54 Native Americans in the Region...………………………… 54 Mound builders……………………………………. 54 viii Trail of Tears………………………………………. 55 Origin of the Mascot………………………………………. 56 Public University Mascots: 1914-1980...………………….. 56 Mascot Committees………………………………………... 58 Mascot Committees: 1981-1987…...……………… 58 Mascot Committees: 1988-1995…………………... 60 Mascot Committees: 1996-2002…………………... 66 Part II……………………………………………………………………… 68 Newspapers ………………………………………………………. 68 Local Daily Newspaper …………………………………... 68 Public University Student Newspaper ………………….… 72 Other Newspapers…………………………………………. 72 Public University Communication ……………………………….. 72 University Relations Department Files.…………………… 72 Newsletters and Press Releases..…………………………... 73 Letters, Email, and Flyers…………………………………. 74 Public University Websites………………………………………. 74 The Rumor Mill Website..………………………………… 74 Nickname/Mascot Committee Website…………………… 75 Findings…………………………………………………………………..... 76 Changing Public University‟s Mascot: 2003-2005………………... 76 Opinions of Faculty, Staff, Students, and Community Members..... 89 Start Codes……………………………………………….... 90 ix Local Daily Newspaper…………………………………….
Recommended publications
  • Asian American Art Associations in New York City
    Vol. 9, No. 1 International Journal of Multicultural Education 2007 Multimedia Review: Multicultural Film John Caruso, Jr. Multimedia Review Editor Rosenstein, Jay (Producer) (1997). In whose honor? American Indian mascots in sports [Film]. (Available from New Day Films, 22 D Hollywood Ave., Ho-ho- kus, NJ 07423) It has ever been the way of the white men in relation to the Indian, first, to sentimentalize him as a monster until he has been killed off, and second to sentimentalize him in retrospect as the noble savage. James Gray, "The Illinois," 1940 In a 47-minute-long documentary film of 1997, Jay Rosenstein, film writer, producer, editor, and journalism professor, tells the poignant story of how one courageous Native American began a journey to end 81 years of racial insensitivity at the University of Illinois, Champagne-Urbana. The University’s war-painted, turkey feathered, color beaded, buckskin-clad dancing mascot of sporting events, Chief Illiniwek, was partially laid to rest in 2007, thanks to the efforts of Charlene Teters, a member of the Spokane Nation. Charlene’s solitary struggle motivated others to demand the removal of all Native American symbols, mottos, logos, and mascots from professional, college and high school teams. In 1988, Ms. Teters, a graduate student recruited by the University of Illinois Art Department, brought her two children to a Fighting Illini basketball game where a student dressed as Chief Illiniwek performed a pre-game purported ceremonial dance to raise the team’s spirit and entertain the fans. A combination of knowledgeable and inane fans smeared with fake war paint yelled Hollywood war chants in response.
    [Show full text]
  • The Impact of Racist Stereotypes on Indigenous People
    S. HRG. 112–37 STOLEN IDENTITIES: THE IMPACT OF RACIST STEREOTYPES ON INDIGENOUS PEOPLE HEARING BEFORE THE COMMITTEE ON INDIAN AFFAIRS UNITED STATES SENATE ONE HUNDRED TWELFTH CONGRESS FIRST SESSION MAY 5, 2011 Printed for the use of the Committee on Indian Affairs ( U.S. GOVERNMENT PRINTING OFFICE 66–994 PDF WASHINGTON : 2011 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 VerDate 0ct 09 2002 14:35 Aug 03, 2011 Jkt 066994 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 S:\DOCS\66994.TXT JACK COMMITTEE ON INDIAN AFFAIRS DANIEL K. AKAKA, Hawaii, Chairman JOHN BARRASSO, Wyoming, Vice Chairman DANIEL K. INOUYE, Hawaii JOHN MCCAIN, Arizona KENT CONRAD, North Dakota LISA MURKOWSKI, Alaska TIM JOHNSON, South Dakota JOHN HOEVEN, North Dakota MARIA CANTWELL, Washington MIKE CRAPO, Idaho JON TESTER, Montana MIKE JOHANNS, Nebraska TOM UDALL, New Mexico AL FRANKEN, Minnesota LORETTA A. TUELL, Majority Staff Director and Chief Counsel DAVID A. MULLON JR., Minority Staff Director and Chief Counsel (II) VerDate 0ct 09 2002 14:35 Aug 03, 2011 Jkt 066994 PO 00000 Frm 00002 Fmt 5904 Sfmt 5904 S:\DOCS\66994.TXT JACK C O N T E N T S Page Hearing held on May 5, 2011 ................................................................................. 1 Statement of Senator Johnson ................................................................................ 21 Statement of Senator Udall .................................................................................... 1 WITNESSES Fryberg, Stephanie A., Ph.D, Associate Professor of Social and Cultural Psy- chology, University of Arizona ............................................................................ 27 Prepared statement .........................................................................................
    [Show full text]
  • American Indian Mascots: Hype, Insult, Or Ignorance
    American Indian Mascots: Hype, Insult, or Ignorance THE ALMA PROJECT A Cultural Curriculum Infusion Model Denver Public Schools In partnership with Metropolitan State College of Denver THE ALMA PROJECT A Cultural Curriculum Infusion Model American Indian Mascots: Hype, Insult, or Ignorance By Darius Lee Smith Grades: 9–12 Implementation Time: 4–5 weeks Published 2003 Denver Public Schools, Denver, Colorado The Alma Curriculum and Teacher Training Project Loyola A. Martinez, Project Director ACKNOWLEDGEMENTS The undertaking of a project of this magnitude and importance would not have been possible without the Goals 2000 grant awarded to Denver Public Schools in July 1996. We are indebted to former superinten- dent Irv Moskowitz, the assistance and support of the Colorado Department of Education, members of the Board of Education, Department of Education Services, and the Metropolitan State College of Denver. Special thanks are extended to the following people for the many long hours and hard work spent in the development of this unit of study American Indian Mascots: Hype, Insult, or Ignorance. Ms. Loyola A. Martinez Mr. & Ms. Dan and Susan Ninham Editor Advisor Denver Public Schools Bemidji, Minnesota Ms. Terresa D. York Mr. Mark Tafoya Editor and Advisor Advisor Aurora, Colorado Thornton, Colorado Ms. Teresa Torres Ms. Marianne Kenney Editor Advisor Denver Public Schools Denver, Colorado Ms. Lisa M. Calderon Mr. Ronald H. Booth, Principal Editor Arapahoe High School Denver, Colorado Littleton, Colorado Ms. Stephanie Rossi, Teacher Mr. Torry Mendoza Advisor Boulder, Colorado Wheat Ridge, Colorado Mr. Jay Rosenstein Mr. Gilberto Munoz Champaign, Illinois Social Studies Coordinator Denver Public Schools Ms. Joni Tucker-Nisbeth Hutchinson, Kansas Prof.
    [Show full text]
  • Native Americans on Film: Conversations, Teaching, and Theory
    University of Kentucky UKnowledge American Popular Culture American Studies 1-18-2013 Native Americans on Film: Conversations, Teaching, and Theory M. Elise Marubbio Augsburg College Eric L. Buffalohead Augsburg College Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Marubbio, M. Elise and Buffalohead, Eric L., "Native Americans on Film: Conversations, Teaching, and Theory" (2013). American Popular Culture. 12. https://uknowledge.uky.edu/upk_american_popular_culture/12 Native Americans on Film Native Americans on Film Conversations, Teaching, and Theory Edited by M. Elise Marubbio and Eric L. Buffalohead Copyright © 2013 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com 17 16 15 14 13 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Native Americans on film : conversations, teaching, and theory / edited by M. Elise Marubbio and Eric L. Buffalohead. pages cm Includes bibliographical references and index.
    [Show full text]
  • Lifetim E Achievem Ent Awards
    Charlene Teters Audrey Flack Lifetime Achievement Awards Mary Schmidt Campbell 1 Women’s Caucus for Art Martha Rosler 2017 2017 National Lifetime Achievement Awards Saturday, February 18, 2017 New York Institute of Technology (NYIT) Welcome and Introduction Susan M. King WCA National Board President, 2016–18 Presentation of Lifetime Achievement Awards Mary Schmidt Campbell Essay by Deborah Willis, PhD. Presentation by Gordon J. Davis. Audrey Flack Essay by Gail Levin. Presentation by Samantha Baskind. Martha Rosler Essay by Mignon Nixon. Presentation by Judith Rodenbeck. Charlene Teters Essay by Lucy R. Lippard. Presentation by Jaune Quick-to-See Smith. Presentation of President’s Award for Art & Activism Kat Griefen Presentation by Susan M. King. Foreword and Acknowledgments The Women’s Caucus for Art (WCA) is a trailblazer Art. Unlike the banal work of her male counterparts, organization that has strived for recognition, her work is emotional, confrontational and political. inclusion and equity for women in the arts for Her canvases are littered with an array of objects over forty-five years. WCA held its first Lifetime filled with memory and power. Her recent large Achievement Awards (LTA) in 1979. Since then, 194 sculptures focus on the feminine, imbued with women have been honored with the award. These power and spirituality. Her History of Art Band honorees made inroads not only in the arts but also engages us in art history through music. into the very fabric of our society. They have been the innovators, the pioneers, who navigated an Martha Rosler is an artist, writer, theorist, and unrelenting, unfriendly landscape. This year, at the educator.
    [Show full text]
  • “Our Indian Princess” Subverting the Stereotype
    “Our Indian Princess” Subverting the Stereotype “Imagine Trying to Convince 1 the World You Exist” TAMMY RAHR: Oh yeah, you get frustrated. There’s no doubt. I get asked the dumbest questions. I was told there was no such thing as a dumb question, but these people need to be educated. You know, if someone has a misconception about Indian squaws, well, you need to set them right. You need to let them know where it’s at. You know, “Hey, I can speak English. I can speak very good English. As a matter of fact, I can even write it. I went to school. I’m not ignorant. I’m a very caring, loving person.” I’ve had people thank me. They’ve sent me gifts for taking the time to talk to them. NANCY MITHLO: Is part of that presenting yourself as an Indian artist instead of as just an artist? TAMMY RAHR: When I am out there, I am a woman, I am an artist, I am a mother, I am Indian. I am all of those things. If I can reach someone …we are all related somehow. If I can utilize that, I will.1 Are images and representations central to understanding Native Americans? How do Native artists, as producers of visual culture, respond to what art critic Lucy Lippard (1990a:13) calls “the overwhelming burdens” of Indian art? Cayuga artist Tammy Rahr expresses a felt responsibility to address the misconceptions of non-Indians she encounters in her work as a bead worker and an arts educator.
    [Show full text]