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Post-World War II Jazz in Britain: Venues and Values 19451970
University of Plymouth PEARL https://pearl.plymouth.ac.uk Faculty of Arts and Humanities School of Society and Culture Post-World War II Jazz in Britain: Venues and Values 19451970 Williams, KA http://hdl.handle.net/10026.1/4429 10.1558/jazz.v7i1.113 Jazz Research Journal Equinox Publishing All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. [JRJ 7.1 (2013) 113-131] (print) ISSN 1753-8637 doi:10.1558/jazz.v7i1.113 (online) ISSN 1753-8645 Post-World War II Jazz in Britain: Venues and Values 1945–1970 Katherine Williams Department of Music, Plymouth University [email protected] Abstract This article explores the ways in which jazz was presented and mediated through venue in post-World War II London. During this period, jazz was presented in a variety of ways in different venues, on four of which I focus: New Orleans-style jazz commonly performed for the same audiences in Rhythm Clubs and in concert halls (as shown by George Webb’s Dixielanders at the Red Barn public house and the King’s Hall); clubs hosting different styles of jazz on different nights of the week that brought in different audiences (such as the 100 Club on Oxford Street); clubs with a fixed stylistic ideology that changed venue, taking a regular fan base and musicians to different locations (such as Ronnie Scott’s Jazz Club); and jazz in theatres (such as the Little Theatre Club and Mike West- brook’s compositions for performance in the Mermaid Theatre). -
100 Years: a Century of Song 1970S
100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My -
Red Jackets and Entertainment in 1960S Birmingham Alan Pianosmith Lan Pianosmith Has Written a Book About the Enigmatic 'Professor' Arthur C Aifhroovest
El) , ' ,,, , , , ,, ·, Red ,Jackets and Entertainment in 1960s Birmingham Red Jackets and Entertainment in 1960s Birmingham Alan Pianosmith lan Pianosmith has written a book about the enigmatic 'professor' Arthur C Aifhroovest. Alan and Throovest are one and the same person. But this stage name - dreamed up in the 1950s - came into its own with the advent of the internet. There's only one Throovest and it's Arthur! Or rather, Alan. rm sure you get the idea. Back in 50s Birmingham, however, the only net was what you kept fish in which you hoiked out of the canal at the Maypole. And a mobile hung over babies' cots. Although born in West Bromwich, Arthur lived out his formative years in King Edward Road, Moseley, ._·1; Arthur trying to look cool .•• andfailing miserably! Squirrels publicity snap. Birmingham, up by the 'Fighting someone else. Saturday morning Cocks' pub. It was post-war Brum: cinema. Saturday afternoon bussing an Arthur celebrates passing the rationing; arguing neighbours; into Birmingham - on his own, aged most advanced grade on occasional suicide. Just three car six. · accordton; thanks to Mr. Barrett owners in a cul-de-sac of some 160 of Woodroffe's, John Bright souls. No cash. Kicking tin cans in the Kings Heath Infant & Junior schools. Street. road. Breaking windows and blaming His mother sent him there because she didn1t like the condition of the f, Ii tt Red Jackets and Entertainment in 1960s Birmingham , · ·' · ' Qi) i I' I ' Ricardo Palomino falls asleep during Arthur's somnolent solo at Moseley Grammar. outside lavatories at Moseley Junior songs and life in general, must surely Well, there were no phones back School. -
Saint Motel Debut Uk Single ‘My Type’ Is out Now
SAINT MOTEL DEBUT UK SINGLE ‘MY TYPE’ IS OUT NOW Playlists include A list at Radio 2, B list at Radio 1 and XFM’s Daytime list WATCH ON YOUTUBE https://www.youtube.com/watch?v=IyVPyKrx0Xo “Each of their songs announces itself with a flourish and no little élan, and there's a light sprinkling of Caribbean rhythms, tropical flavours and lounge-jazziness throughout.” – The Guardian “Jackson and his cohorts inject Caribbean lilts, stomping beats and lounge-jazz licks into giddy power-pop.” – The Washington Post Already a growing proposition in the States where they’ve played shows with the likes of Arctic Monkeys and Imagine Dragons, the Los Angeles quartet SAINT MOTEL are making a strong impression with their debut Parlophone track and first Top 40 single ‘My Type’. A record Track of the Day at Radio 1 and Record of the Week at Radio 2, it’s also been playlisted at Radio 2 (A list), Radio 1 (B list), XFM (Daytime list) and Absolute (B list). ‘My Type’ is an exuberant collision of gorgeous tropical horns and percussion, suave indie style and frontman A/J Jackson’s velveteen croon. Recalling the glam flair of the Seventies with elements of retro power-pop, SAINT MOTEL also possess a tongue-in- cheek twist on cynicism and irony that reflects their status as a Los Angeles band influenced by British culture. The single is the first new song that SAINT MOTEL have issued ahead of their upcoming EP which will be their first full UK release. Having recently introduced themselves to British audiences with London show at Club NME and The Lexington, they’ll return to these shows in November for a full tour: November 2nd – Brighton, The Haunt 5th – London, The 100 Club 6th – Sheffield, The Plug 8th – Bristol, The Lanes 13th – Manchester, The Ruby Lounge 14th – Leeds, Brudenell Social Club 15th – Newcastle, Think Tank 16th – Edinburgh, Electric Circus SAINT MOTEL’S debut album ‘Voyeur’ demonstrated a band that contrasts immediate, hook-fuelled pop melodies with leftfield subject matter. -
Benny's Babbies
2 1 3 11 12 8 14 13 4 5 28 29 31 9 10 27 7 6 50 51 19 24 93 37 21 22 23 30 36 38 39 52 16 25 26 32 35 49 54 55 56 18 102 20 42 43 73 53 57 62 15 33 86 34 40 46 66 64 95 94 90 89 88 83 82 47 72 65 85 84 81 79 48 58 17 44 74 69 63 101 99 41 45 61 97 92 80 75 71 103 96 78 77 68 100 87 70 98 76 115 67 60 91 120 121 109 59 107 110 114 106 117 118 108 112 105 116 111 113 122 119 104 The Birmingham figures shown in the image are: 1 Steel Pulse (band) 33 Laura Rollins (actress) 65 Lee Child (author) 97 Adrian Lester (actor) 2 Black Sabbath (band) 34 Steve Winwood (musician) 66 Kate Ashfield (actress) 98 Gillian Wearing (artist) 3 Paul Henry (actor) 35 Jeff Rawle (actor) 67 Natalie Haynes (writer/comedian) 99 Duran Duran (band) 4 Cold War Steve (ahem… artist) 36 Jacob Banks (singer) 68 Maizie Williams (model/singer) 100 John Oliver (comedian/TV host) 5 Jemmy (the Rockman) 37 Samuel Anderson (actor) 69 Hard Kaur (rapper) 101 Shefali Chowdhury (actress) 6 James and Oliver Phelps (actors) 38 Alice Amter (actress) 70 Julie Walters (actress) 102 Joe Dixon (actor) 7 Broadcast (band) 39 Hunt Emerson (cartoonist) 71 Donnaleigh Bailey (actress) 103 David Harewood (actor) 8 Apache Indian (rapper) 40 Mr Hudson (musician) 72 Jude Bellingham (footballer) 104 Musical Youth (band) 9 ROMderful (DJ) 41 Jonathan Coe (author) 73 Jack Grealish (footballer) 105 Mist (rapper/grime) 10 The Move (band) 42 Susan Fletcher (author) 74 Anna Brewster (actress) 106 Joe Lycett (comedian) 11 Mike Skinner (musician, rapper, producer) 43 Dr Pogus Caesar (photographer, artist, -
SLAP Supporting Local Arts & Performers
Issue 41 SLAP Supporting Local Arts & Performers Fuel presents Fiction Conceived by David Rosenberg and Glen Neath Written by Glen Neath Directed by David Rosenberg Music & Sound by Ben & Max Ringham 14 October, 7 & 9pm Fuel Ticket Offers Buy one ticket to a Fuel show Malvern Theatres & get the second half price! Quote the code FUELHALF. Grange Road, Malvern WR14 3HB Come to all three shows & get one Tickets: £16/14/£8 show free. Quote the code FUELFREE. 01684 892277 Offers can only be used when booking by telephone or in person, malvern-theatres.co.uk subject to availability. fueltheatre.com Fiction, commissioned by the Cambridge Festival of Ideas, Cambridge Junction and Bournemouth Arts by the Sea Festival. Funded by Arts Council England and a Wellcome Trust Arts Award. New Theatre In Your Neighbourhood is funded by Arts Council England and the Esmée Fairbairn Foundation. Welcome to the October issue of SLAP Magazine which marks the end of a glorious summer of festivals for us. In fact I write my editorial from the Forest of Dean, home to the wonderful Something else in the Dean festival - sadly the last of the season. We take a snapshot view of this years hugely successful Worcester Music Festival with Andy O’Hare, surely the busiest man of the whole weekend. Talking of snapshots, we bring you the judges top three from the WMF photo Oct 2014 competition. If you’re quick you can see all 25 finalists on display at the Arts Workshop until Saturday 5th October following the presentation which took place as we went to press. -
Rescue Plan for London's Grassroots Music Venues Making Progress
Rescue Plan for London’s Grassroots Music Venues Making progress 2 Support organisations to make a workforce. There is a vast range of greater impact for their staff, our opportunities too, from partnering communities, the next generation on one of our programmes, to and London as a whole. forming a relationship supporting a small charity, or encouraging One of our aims is to help your staff to volunteer and use young people on their path to their skills at one of the 1,200 employment. Volunteering can charities we work with. Indeed, help develop the skills, confidence whatever your CSR objectives, and experiences they need to Team London is here to help. succeed at work. In partnership with the CIPD and Step Up to London, Volunteering, Charities Serve, we are asking businesses and Sponsorship to commit to recognising this when they recruit young people. Copyright So, this is a rallying call to London businessesGreater London to Authority get involved with TeamJanuary London. 2017 It is not just a good Greaterthing to London do. It Authoritywill also benefit both yourCity Hall, present The Queen’s and future Walk More London London SE1 2AA london.gov.uk enquiries 020 7983 4100 minicom 020 7983 4458 Written and researched by The Greater London Authority, Music Venue Trust, Nordicity, Sound Diplomacy With thanks to The London Music Board The Mayor of London’s Night Time Commission Cover Image: Blood Orange at KOKO, Camden ©Carolina Faruolo 3 Contents Introduction from the Mayor 4 Executive summary 6 Definition of a grassroots music venue 8 London’s grassroots music 10 venues in numbers Map of London’s grassroots 13 music venues Putting the Rescue Plan for London’s 19 Grassroots Music Venues into practice Our partners 28 4 Introduction from the Mayor This report is a major step to rebuilding London’s live music scene. -
University of Birmingham Fighting Thatcher with Comedy
University of Birmingham Fighting Thatcher with comedy Schaffer, Gavin DOI: 10.1017/jbr.2015.229 License: None: All rights reserved Document Version Peer reviewed version Citation for published version (Harvard): Schaffer, G 2016, 'Fighting Thatcher with comedy: What to do when there is no alternative', Journal of British Studies, vol. 55, no. 2, pp. 374-397. https://doi.org/10.1017/jbr.2015.229 Link to publication on Research at Birmingham portal Publisher Rights Statement: Checked for eligibility: 20/04/2016. Journal of British Studies / Volume 55 / Issue 02 / April 2016, pp 374-397 Copyright © The North American Conference on British Studies 2016 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. -
Music Culture in and Around Birmingham, Uk
N Rob Halford Cozy Powell Lolly The Station The Gate Matt Everitt Credit To The Nation Mike Burney Joan Armatrading Livid Kid Biz Bizley Stevie Winwood Andy Cash The Moody Blues Fuzzbox Mike Pinder Mothers Johnny West And The Sunsets Lawrence Hayward The Barn Ozzy Osbourne Plaza Black Sabbath Cleopatra Bruce Springsteen Rod Stewart PCRL Blackfoot Sue Villa Lesiure Centre Benjamin Zephaniah Steel PulseB21Apache Indian Musical Youth Band Of Joy David Hinds Hollick & Taylor Studios Basil Gabbidon Ronald McQueen The Monte Carlo The Drum Swami Elbow Room BRMB Jeffrey Lynne Traffic The Astonaires The Andicaps The Bobcats Soweto Kinch Mad City Robannas Malcolm Stent The Ben JohnsonAston Uni Student Guild Cedar Club The Pot Of Beer The Triangle Simon White Stephen Duffy The Black Horse Brum Cavern West End BarHawkins Wine Bar Jam HouseAlex’s Pie Stand Actress and Bishop Plastic Factory Harvey Andrews City of Birmingham Choir Q Club The BeatPigeon Park OasisScruffy Murphy’sThe Railway Jamelia VirginTop Rank Hummingbird Second City Sounds Dave SwarbrickSwinging Sporan Reddingtons Rare RecordsTempestHole In The ThrashWall Bang Wallop King Adora Subside Costermongers NIAMagnumHighway 67Swordfish Boots DEP Studios Thimblemill Swimming Baths Fiddle And BoneDuran Duran Town Hall Trocadero Symphony Hall Golden EagleOdeon Roy Wood The Rum Runner Whiskey A Go-GoRotundaSunset Cinema Club Raymond Froggatt Henry’s Blues HouseThe Ship Ashore Tower Ballroom The KaleidoscopeEdwards No8Reddingtons Rare Records The Opposite Lock Club The FoundaryThe Victoria Ian -
British Cult Comedy.Indb 215 16/8/06 12:34:16 Pm Cult Comedy Club up the Creek in Greenwich, Southeast London
Geography Lessons: comedy around Britain British Cult Comedy.indb 215 16/8/06 12:34:16 pm Cult comedy club Up The Creek in Greenwich, southeast London British Cult Comedy.indb 216 16/8/06 12:34:17 pm Geography Lessons: comedy around Britain Comedy just wouldn’t be comedy without local roots. And that is why, in this chapter, we take you on a tour of British comedy from Cornwall to the Scottish Highlands, visiting local comedic landmarks, clubs and festivals. Comedy is prey to the same homogenizing forces Do Part, was successfully re-created in America, that have made Starbucks globally ubiquitous but Germany and Israel, suggesting that comedy that humour doesn’t travel so easily or predictably as touches, however lightly, on universal truths can cappuccino. In the past, slang, regional vocabu- be exported around the world. lary, accents and local knowledge have often A comic’s roots, cherished or spurned, are limited a comic’s appeal, explaining why such crucial to their humour. The small screen has acts as George Formby and Tommy Trinder never made it easier for contemporary acts – nota- quite transcended the north/south divide. Yet a bly Johnny Vegas, Peter Kay and Ben Elton character as localized as Alf Garnett, the charis- – to achieve national recognition while retain- matic Cockney bigot in the sitcom Till Death Us ing a regional identity. Since the 1980s, a more 217 British Cult Comedy.indb 217 16/8/06 12:34:17 pm GEOGRapHY LESSONS: COmedY arOUND brItaIN adventurous approach to sitcoms has meant that theme to British comedy, it was that, as Linda shows such as The Royle Family have had a much Smith told him: “A lot of comics come from more authentic local flavour than most of their the edge of nowhere.” Smith often argued with predecessors. -
25 Years of the London Jazz Festival
MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay Published in Great Britain in 2017 by University of East Anglia, Norwich NR4 7TJ, UK as part of the Impact of Festivals project, funded by the Arts and Humanities Research Council, under the Connected Communities programme. impactoffestivals.wordpress.com ACKNOWLEDGEMENTS This book is an output of the Arts and Humanities Research Council collaborative project The Impact of Festivals (2015-16), funded under the Connected Communities Programme. The authors are grateful for the research council’s support. At the University of East Anglia, thanks to project administrators CONTENTS Rachel Daniel and Jess Knights, for organising events, picture 1 FOREWORD 50 CHAPTER 4. research, travel and liaison, and really just making it all happen JOHN CUMMING OBE, THE BBC YEARS: smoothly. Thanks to Rhythm Changes and CHIME European jazz DIRECTOR, EFG LONDON 2001-2012 research project teams for, once again, keeping it real. JAZZ FESTIVAL 50 2001: BBC RADIO 3 Some of the ideas were discussed at jazz and improvised music 3 INTRODUCTION 54 2002-2003: THE MUSIC OF TOMORROW festivals and conferences in London, Birmingham, Cheltenham, 6 CHAPTER 1. 59 2004-2007: THE Edinburgh, San Sebastian, Europe Jazz Network Wroclaw and THE EARLY YEARS OF JAZZ FESTIVAL GROWS Ljubljana, and Amsterdam. Some of the ideas and interview AND FESTIVAL IN LONDON 63 2008-2011: PAST, material have been published in the proceedings of the first 7 ANTI-JAZZ PRESENT, FUTURE Continental Drifts conference, Edinburgh, July 2016, in a paper 8 EARLY JAZZ FESTIVALS 69 2012: FROM FEAST called ‘The role of the festival producer in the development of jazz (CULTURAL OLYMPIAD) in Europe’ by Emma Webster. -
Leyland Historical Society
LEYLAND HISTORICAL SOCIETY (Founded 1968) Registered Charity No. 1024919 PRESIDENT Mr. W. E. Waring CHAIR VICE-CHAIR Mr. P. Houghton (Joint) Mr E. Almond and Mr. M. J. Park HONORARY SECRETARY HONORARY TREASURER Mr. M. J. Park Mr. E. Almond Tel: 01772 337258 AIMS To promote an interest in history generally and that of the Leyland area in particular MEETINGS Held on the first Monday of each month (September to July inclusive) at 7.30 pm in The Shield Room, Banqueting Suite, Civic Centre, West Paddock, Leyland SUBSCRIPTIONS Vice Presidents: £12.00 per annum Members: £12.00 per annum School Members: £1.00 per annum Casual Visitors: £3.00 per meeting A MEMBER OF THE LANCASHIRE LOCAL HISTORY FEDERATION THE HISTORIC SOCIETY OF LANCASHIRE AND CHESHIRE and THE BRITISH ASSOCIATION FOR LOCAL HISTORY Visit the Leyland Historical Society's Web Site at: http//www.leylandhistoricalsociety.co.uk Editorial Welcome to the fifty-eighth edition of the Lailand Chronicle. The year 2012 has been a year of celebration in our capital city, our neighbouring city of Preston and our town of Leyland. It was a year in which we celebrated our monarch’s Diamond Jubilee during an CONTENTS extended week-end in June; then came the the London 2012 Olympic and Paraplegic Games taking place in July and August. The Guild Editorial 3 celebrations in Preston were held at the end of August and our own revamped Leyland Festival took place in September having been Society Affairs 4 rescheduled from July because of wet weather Peter Houghton conditions. The wet weather itself is making headlines as this year is being recorded as the Historical Fact, Fiction and 7 wettest in the last one hundred years.