The Spiritof Saskatchewan
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The Underpainter
Canadian Literature / Littérature canadienne A Quarterly of Criticism and Review Number 212, Spring 212 Published by The University of British Columbia, Vancouver Editor: Margery Fee Associate Editors: Judy Brown (Reviews), Joël Castonguay-Bélanger (Francophone Writing), Glenn Deer (Poetry), Laura Moss (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New (1977–1995), Eva-Marie Kröller (1995–23), Laurie Ricou (23–27) Editorial Board Heinz Antor University of Cologne Alison Calder University of Manitoba Cecily Devereux University of Alberta Kristina Fagan University of Saskatchewan Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Helen Gilbert University of London Susan Gingell University of Saskatchewan Faye Hammill University of Strathclyde Paul Hjartarson University of Alberta Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Lianne Moyes Université de Montréal Maureen Moynagh St. Francis Xavier University Reingard Nischik University of Constance Ian Rae King’s University College Julie Rak University of Alberta Roxanne Rimstead Université de Sherbrooke Sherry Simon Concordia University Patricia Smart Carleton University David Staines University of Ottawa Cynthia Sugars University of Ottawa Neil ten Kortenaar University of Toronto Marie Vautier University of Victoria Gillian Whitlock University -
THE ONE and the MANY English-Canadian Short Story Cycles
THE ONE AND THE MANY English-Canadian Short Story Cycles Gerald Lynch 'VER THE PAST HUNDRED years the short story cycle has Q 1 become something of a sub-genre within the Canadian short story. This is not to argue that the story cycle has been ignored by American and British writers ( or by French, Australian, and Russian writers, or, for that matter, by the writers of any other national literature) — it hasn't — only that the form has held a special at- traction for Canadian writers. Doubtless there are shared reasons for the story cycle's current popularity internationally and in Canada, even such commercial reasons as its attraction for publishers who assume that readers are more comfort- able with the linkages of the cycle than with the discontinuities of a miscellany. But such matters are not within this paper's literary-historical and theoretical scope. The present study sketches the history of the story cycle in Canada, gives an idea of its diversity and continuing popularity, considers some of the fundamental ques- tions about this comparatively new form, and concludes with an illustrative analysis of the function of one important aspect of story cycles, their concluding stories. Although the short story is the youngest of genres, beginning only in the early nineteenth century, literary historians and theorists often begin their discussions by casting back to the Story of Job, even to pre-literate oral history, so that the epic poems of various cultures are made to seem proto short story cycles.2 Thus aca- demics dress their new subject in the respectable robes of a literary history. -
Film & Television
416 466 1450 • [email protected] • www.larissamaircasting.com FILM & TELEVISION Kids in the Hall (Series) Amazon (Present) Hardy Boys S2 (Series) YTV/HULU (Present) Run the Burbs (Series) CBC (Present) All My Love, Vadim (Feature) Serendipity Points Films, 6 Bees Productions (Present) Take Note S1 (Series) NBC Universal (Present) Holly Hobbie S3, 4, 5 (Series) Hulu / Family Channel (Present) Detention Adventure (Season 3) CBC (Present) Ghostwriter (Season 2) Apple & Sesame (Present) Kiss the Cook (MOW) Champlain Media Inc./Reel One Entertainment (Present) A Country Proposal (MOW) M6 Métropole Television, France (Present) First Person S2 (Short Films) Carousel Pictures (2021) Overlord and the Underwoods S1(Series) marblemedia & Cloudco Entertainment (2021) Say Yes To Christmas (MOW) Lifetime (2021) Christmas in Detroit (MOW) Lifetime (2021) Terror in the Country (MOW) ReelOne Entertainment (2021) Summer Memories (Series) Family Channel (2021) The Color of Love (MOW) Lifetime (2021) Mistletoe & Molly (MOW) Superchannell Heart & Home (2021) Secret Santa (MOW) Superchannel Heart and Home (2021) Christmas At the Movies (MOW) Superchannell (2021) Christmas in Angel Heights (MOW) M6 Métropole Television, France (2021) Left For Dead (MOW) Lifetime (2021) The Christmas Market (MOW) Vortex Productions (2021) Loving Christmas (MOW) M6 Métropole Television, France (2021) Lucas the Spider Warner Brothers (2020) Sissy Picosphere (2020) Death She Wrote M6 Métropole Television, France (2020) SPIN (Canadian Casting) Disney + (2020) TallBoyz S2 (Series) CBC (2020) Odd Squad Mobile Unit (Season 4) PBS, TVO (2020) Love Found in Whitbrooke Harbor M6 Métropole Television, France (2020) Rule Book of Love M6 Métropole Television, France (2020) Overlord and The Underwoods MarbleMedia & Beachwood Canyon Pictures (2020) Dying to be Your Friend Neshama (2020) The Young Line CBC Kids (2020) The Parker Andersons / Amelia Parker BYUtv (2020) Locked Down (Season 2) YouTube (2020) The Enchanted Christmas Cake Enchanted Christmas Cake Productions Inc. -
Cahiers-Papers 53-1
The Giller Prize (1994–2004) and Scotiabank Giller Prize (2005–2014): A Bibliography Andrew David Irvine* For the price of a meal in this town you can buy all the books. Eat at home and buy the books. Jack Rabinovitch1 Founded in 1994 by Jack Rabinovitch, the Giller Prize was established to honour Rabinovitch’s late wife, the journalist Doris Giller, who had died from cancer a year earlier.2 Since its inception, the prize has served to recognize excellence in Canadian English-language fiction, including both novels and short stories. Initially the award was endowed to provide an annual cash prize of $25,000.3 In 2005, the Giller Prize partnered with Scotiabank to create the Scotiabank Giller Prize. Under the new arrangement, the annual purse doubled in size to $50,000, with $40,000 going to the winner and $2,500 going to each of four additional finalists.4 Beginning in 2008, $50,000 was given to the winner and $5,000 * Andrew Irvine holds the position of Professor and Head of Economics, Philosophy and Political Science at the University of British Columbia, Okanagan. Errata may be sent to the author at [email protected]. 1 Quoted in Deborah Dundas, “Giller Prize shortlist ‘so good,’ it expands to six,” 6 October 2014, accessed 17 September 2015, www.thestar.com/entertainment/ books/2014/10/06/giller_prize_2014_shortlist_announced.html. 2 “The Giller Prize Story: An Oral History: Part One,” 8 October 2013, accessed 11 November 2014, www.quillandquire.com/awards/2013/10/08/the-giller- prize-story-an-oral-history-part-one; cf. -
Read Saskatchewan
Celebrating 30 years saskbooks.com Whoever said “who has time to read anymore” has never turned on the radio and heard “travel not recommended,” or paced in the kitchen, glancing out into the yard wondering when the kids would arrive for the holidays. For the long winter nights ahead, for the lazy days of summer eight months from now, for the seemingly endless, swelteringly hot hours in the truck as you wait for the call that the combine is full, we’ve got you covered. The books featured in this catalogue are produced and published by small and independent Saskatchewan publishers. Your local independent bookseller will have many of these titles in their “local” sections, because they know you want to read local and support local independent prairie businesses. SaskBooks is the non-profit creative industry association for Saskatchewan book publishers. Reviews of our publishers’ books are available at reviews.skbooks.com, and if you can’t find the book you’re looking for in this catalogue or at your local bookstore, visit skbooks.com or look for us at gift markets and trade fairs. If you STILL can’t find us, please do phone us. We’re happy to help. This service and others provided to Saskatchewan publishers by SaskBooks are supported by the Government of Canada through the Canada Book Fund, by the Canada Council for the Arts, and by the Province of Saskatchewan through Creative Saskatchewan. Happy reading! Designed and typeset by LM Publications, Regina Kohkum’s Babushka: A Magical Métis/Ukrainian Tale Marion Mutala Michif Translation by Norman Fleury Illustrated by Donna Lee Dumont Kohkum’s Babushka: A Magical Métis /Ukrainian Tale is a story about two families, one Métis and the other Ukrainian, meeting for the first time. -
Download Full Issue
191CanLitWinter2006-4 1/23/07 1:04 PM Page 1 Canadian Literature/ Littératurecanadienne A Quarterly of Criticism and Review Number , Winter Published by The University of British Columbia, Vancouver Editor: Laurie Ricou Associate Editors: Laura Moss (Reviews), Glenn Deer (Reviews), Kevin McNeilly (Poetry), Réjean Beaudoin (Francophone Writing), Judy Brown (Reviews) Past Editors: George Woodcock (1959–1977), W.H. New, Editor emeritus (1977–1995), Eva-Marie Kröller (1995–2003) Editorial Board Heinz Antor Universität Köln Janice Fiamengo University of Ottawa Carole Gerson Simon Fraser University Coral Ann Howells University of Reading Smaro Kamboureli University of Guelph Jon Kertzer University of Calgary Ric Knowles University of Guelph Neil ten Kortenaar University of Toronto Louise Ladouceur University of Alberta Patricia Merivale University of British Columbia Judit Molnár University of Debrecen Leslie Monkman Queen’s University Maureen Moynagh St. Francis Xavier University Élizabeth Nardout-Lafarge Université de Montréal Ian Rae Universität Bonn Roxanne Rimstead Université de Sherbrooke Patricia Smart Carleton University David Staines University of Ottawa Penny van Toorn University of Sydney David Williams University of Manitoba Mark Williams University of Canterbury Editorial Laura Moss Playing the Monster Blind? The Practical Limitations of Updating the Canadian Canon Articles Caitlin J. Charman There’s Got to Be Some Wrenching and Slashing: Horror and Retrospection in Alice Munro’s “Fits” Sue Sorensen Don’t Hanker to Be No Prophet: Guy Vanderhaeghe and the Bible Andre Furlani Jan Zwicky: Lyric Philosophy Lyric Daniela Janes Brainworkers: The Middle-Class Labour Reformer and the Late-Victorian Canadian Industrial Novel 191CanLitWinter2006-4 1/23/07 1:04 PM Page 2 Articles, continued Gillian Roberts Sameness and Difference: Border Crossings in The Stone Diaries and Larry’s Party Poems James Pollock Jack Davis Susan McCaslin Jim F. -
To Play Or Not to Play?
To Play or not to Play? That is the question Prepared by: Kim McGrath Preschool Education 2 day Workshop Competency 5 2009-2010 What is play? Prepared by: Kim McGrath Definition of Play Activities that are freely chosen and directed by children and arise from intrinsic motivation. (Edward Miller and Joan Almon, Crisis in the Kindergarten: Why children Need to Play in School, college Park, MD: Alliance for Childhood, 2009). Prepared by: Kim McGrath What are children developing while at play? Prepared by: Kim McGrath Benefits of Play • Psychomotor Development • Social Development “Young children learn the most important things not by being told, but by constructing knowledge for themselves • Emotional Development in interaction with the physical world and with other children-and the way they do this is by playing”. (Jones, E., & Reynolds, G. (1992). The play’s the thing: • Language Development Teacher’s roles in children’s play, pg. 1.) • Cognitive Development Prepared by: Kim McGrath True or False? Play is play. As long as the children appear to be engaged with something, it is contributing to their overall development. Prepared by: Kim McGrath Forms of Play • Types of Play • Play Levels Large-motor play Level 1: Children use realistic props only Small-motor play Imitate everyday actions Mastery play No imagination Actions are repetitive Rules-based play Order of actions is not important Construction play Roles are determined by choice Make-believe play of props Symbolic play Children do not label roles Language play No rules Playing with the arts No speech roles Sensory play Play is solitary or parallel Play time is short Rough and Tumble play (Leong & Bedrova, E. -
Weather Images in Canadian Short Prose 1945-2000 Phd Dissertation
But a Few Acres of Snow? − Weather Images in Canadian Short Prose 1945-2000 PhD Dissertation Judit Nagy Acknowledgements First and foremost, I would like to express my sincere and heartfelt thanks to my advisor and director of the Modern English and American Literature, Dr. Aladár Sarbu for his professional support, valuable insights and informative courses, which all markedly prompted the completion of my dissertation. I would also thank Dr. Anna Jakabfi for her assistance with the Canadian content of the dissertation, the cornucopia of short stories she has provided me with, and for her painstaking endeavours to continually update the Canadian Studies section of the ELTE-SEAS library with books that were indispensable for my research. I am also grateful to Dr. Istán Géher, Dr. Géza Kállay, Dr. Péter Dávidházi and Dr. Judit Friedrich, whose courses inspired many of the ideas put forward in the second chapter of the dissertation (“Short Story Text and Weather Image”). I would also like to express my gratitude to the Central European Association of Canadian Studies for the conference grant that made it possible for me to deliver a presentation in the topic of my dissertation at the 2nd IASA Congress and Conference in Ottawa in 2005, to the Embassy of Canada in Hungary, especially Robert Hage, Pierre Guimond, Agnes Pust, Yvon Turcotte, Katalin Csoma and Enikő Lantos, for their on-going support, to the Royal Canadian Geographic Society and Environment Canada for providing me with materials and information regarding the geographical-climatological findings included in my dissertation, and, last but not least, to the chief organisers of the “Canada in the European Mind” series of conferences, Dr. -
Writers Workshop U of G 2019
WRITERS WORKSHOP at the University of Guelph SATURDAY, MARCH 2, 2019 WRITERS WORKSHOP 2018 | PAGE 2 WELCOME TO THE 2019 UNIVERSITY OF GUELPH WRITERS WORKSHOP Welcome, and thank you for attending the University of Guelph’s eighth Annual Writers Workshop. This two-day event is designed to provide hands-on practical tips and instruction for a wide variety of writing interests and needs. From fiction writing to magazine writing, digital communication to scientific journals, you’ll find it here. All of the workshop leaders have volunteered their time and talents. We would like to extend a thank you to these presenters, our volunteer staff, and our sponsors because without their dedication and generosity, this event would not be possible. Thank you again for attending; we hope you enjoy the event. THE WRITERS WORKSHOP COMMITTEE Jodie Salter – Coordinator Daniel Poulin Juliene McLaughlin Marinette Fargo Sarah Gibbons Amber Allen We acknowledge that the University of Guelph resides on the ancestral lands of the Attawandaron people and the treaty lands and territory of the Mississaugas of the Credit. We recognize the significance of the Dish with One Spoon Covenant to this land and offer our respect to our Anishinaabe, Haudenosaunee and Métis neighbours as we strive to strengthen our relationships with them. Today, this gathering place is home to many First Nations, Métis and Inuit peoples and acknowledging them reminds us of our important connection to this land where we learn and work. NOTE: Photos will be taken at this public event and may be used for promotional purposes THANKS TO OUR SPONSORS PROGRAM SCHEDULE SATURDAY MARCH 2, 2019 Room LIB 109 Room LIB 246 Room LIB 360 Room LIB 370 Room LIB 384 8:00 a.m. -
M~T 'Lltbttnt 3Jtuti.6~ Ntwn
• Page Two Thursday,. February THE WESTERN JEWISH NEWS Thursday, February 10, 1955 l 0, 1955 THE WESTERN JEWISH NEWS -----------------.,....------------------,--...:.......:.... .,.... Page Three IIIIIIIIIIIIJIIIIIUIIIIIIIIIJIIIIJllllnlllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll•~ _____ _______ _ ' m~t 'lltBttnt 3JtUti.6~ Ntwn . ~ = Th• Leading National Weekly Devoted to Jewish Interests TaE HOLD AND T1rn TaRAII ~ ~oirE HEiping Hands· for lsraEI Council 13.-idEs G.-oup To Stai~ Edmonton To Mark Jleads Hospital Member ol tbe Jewish Telographlc Agency I ~·-j,t··, . Correction Published every Thursday by With In our issue of Feb. 3 in the spread ~ Anrthina GoEs" Show F~b. 14- devoted to Pierre's Restaurant, it J EW I S H N EW S LT D. I The Wrestling Rabbi Say~ i l>ioneer S. A. BERG, LL.B., President was Jncorrectly stated that Williams By Raplaael llalpcrn Restaurant Supply Ltd. was re DAVE CORNE, Advertising Manager e I at the a911ual brotl~crhood :--:c1·vicc or Beth Sholom congregation 8 p,m, • :~:. ...,, sponsible for .. complete moderniza HAROLD- A. HYMAN, Edilor-in-Chlet 51 (Aa AJP Fnhard U:.'JtlCJA.£1 9 Friday, Feb, 18. nnd the men's group o( Knox United. church will be ,~ 'T guests. -------------- ,· tion and interior design," ,.., Editorial Offices: 307 Paris Building THE SECRET OF SUCCESS th This was done by Simpson's, Con Telephones 02-6361 - 92-6362 Rabbi Dr. Louis L. Sacks, Dr. ~:~:~,e:i::!:~e for Bc Shalom ·::~ f~'./J;i·.':.... ;,~. .. \··,,:·.·.. ·.. -,.' 1 · 11Luck11 unqitcstionably plays a big part In the success of a person's B3rncy Mass .ind the children's choir .... ~ < tract Divlslon, Winnipeg, as correct Authorized as _second class mail, Post Office Department, Ottawa. -
Dosdall and Lehmkuhl 1979 Qev15n1 3 116 CC Released.Pdf
This work is licensed under the Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-sa/3.0/us/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA. STONEFLIES (PLECOPTERA) OF SASKATCHEWAN LLOYD M. DOSDALL1 Biology Department University of Saskatchewan Saskatoon, Saskatchewan S7N0W0 D.M. LEHMKUHL Biology Department University of Saskatchewan Saskatoon, Saskatchewan Quaestiones Entomologicae S7N0W0 15:3-116 1979 Forty-one species, twenty-nine genera and eight families of Plecoptera are recorded from Saskatche wan. Distinguishing characters are given and keys are provided. Species recorded are: Pteronarcys dorsata (Say), Pteronarcella badia (Hagen), Taeniopteryx nivalis (Fitch), Oemopteryx fosketti (Packer), Capnia coloradensis Claassen, Capnia confusa Claassen, Capnia gracilaria Claassen, Capnia vernalis Newport, Paracapnia angulata Hanson, Isocapnia crinita (Needham and Claassen), Isocapnia missourii Ricker, Utacapnia trava (Nebeker and Gaufin), Nemoura rickeri Jewett, Shipsa rotunda (Claassen), Amphinemura linda (Ricker), Zapada cinctipes (Banks), Malenka californica (Claassenj, Podmosta delicatula (Claassen, Paraleuctra vershina Gaufin and Ricker, Leuctra ferruginea (Walker), Acroneuria abnormis (Newman), Acroneuria lycorias (Newman), Hesperoperla pacifica (Banks), C'laassenia sabulosa (Banks), Paragnetina media (Walker), Perlesta placida (Hagen), Isoperla bilineata (Say), -
Book Club Summaries
Book club summaries FICTION The 100-Year-Old Man Who Climbed Out the Window and Disappeared – Jonas Jonasson A reluctant centenarian much like Forrest Gump (if Gump were an explosives expert with a fondness for vodka) decides it’s not too late to start over. 13 rue Thérèse – Elena Mauli Shapiro American academic Trevor Stratton discovers a box full of artifacts from World War I as he settles into his new office in Paris. The pictures, letters, and objects in the box relate to the life of Louise Brunet, a feisty, charming Frenchwoman who lived through both World Wars. The 19th Wife – David Ebershoff It is 1875, and Ann Eliza Young has recently separated from her powerful husband, Brigham Young, prophet and leader of the Mormon Church. Expelled and an outcast, Ann Eliza embarks on a crusade to end polygamy in the United States. A rich account of a family’s polygamous history is revealed, including how a young woman became a plural wife. 29 – Adena Halpern 75-year-old Ellie Jerome is granted her birthday wish: for just one day, she is 29 years old again. 29 is the story of three generations of women and how one magical day shakes up everything they knew about each other. Abigale Hall – Lauren A. Forry Set aftr WWII, 17-year-old Eliza Haverford and her 12-year-old sister, Rebecca, have lost their parents and are now in the care of their sullen Aunt Bess, who’s more than willing to ship the girls off to Wales to work as servants.