DOCSLIB.ORG

Flute Duet 2008

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Flute Duet 2008 2008 - 2009 WSMA Event 720 - Flute Duet Music Festival List Teacher Online Data Entry: Enter EventClassSelection, i.e., 720A9. Allotted Performance Time: All Classes = 8 min. 1. A REGULAR Ensemble. A regular ensemble may not be conducted. 2. No Permission or Transfer -This layout 3. Play two contrasting movements on all multi-movement selections unless other instructions are specified. 4. If the length of the music exceeds 3/4 of the allotted performance time, the music may be cut to stay within the time limits. 5. A member of the ensemble is expected to introduce the performance at WSMA District and State Festivals, including performer and accompanist names, name of school, title and composer of piece (and if appropriate, movements being performed), and (Continued) briefly describe a significant aspect of style, form, technique, harmony, rhythm, or melody in the piece. Please go to www.wsmamusic.org for the most accurate Festival Music List and to view recent updates. 720A 10 Belwin Master Duets Adv. Vol. II 720C 1 Six Duets Op. 75 Book I Play one from pgs. 20-22, 23-27, 28-30 1 Belwin Master Duets Easy Vol. 2 Play one mvt. from No. 1; ed. Snell Play any two duets from pgs. 6-32 OR play two contrasting mvts. from Nos. WB ed. Snell 2 or 3 SC Student Composition WB Mozart 2 Infant Holy, Infant Lowly CB-CF 720B arr. Christensen 2 Duo Concertant in G Major IX No. 5 1 A French Trilogy Kendor Play mvt. I or II Play one mvt. 3 12 Country Dances of the Devienne/Stallman Ruge/Yates 17th Century Int Kendor 14222 Play any two 3 Six Petits Duos Faciles Op. 59 2 Mel Bay Presents Flute Duets Vol. 1 arr. Yates, Charles Play any one duet Play one from pgs. 36-47, 78-79, 80-83 Kendor 14276 Berbiguier, T. ed. McCaskill & Gilliam 4 Duet Time EdMus EM220 Mel Bay Play any one 4 Masterworks Arranged for Two Flutes 3 Twelve Classical Duets Scarmolin Vol. 2 Play two duets (8 & 8A are one duet) Ludwig Play pgs. 3-5 (Telemann); Mancinelli/Yates 5 Easy Classics for Two OR play pgs. 22-27 (Bach) Kendor Play any one arr. Guenther 4 Six Little Duets Op. 145 Letter C arr. Stouffer WB Play one from Nos. 1, 2, 3, 4 Kendor 5 Classic Duets for Flute Gariboldi 6 Selected Duets for Flute Vol. I Easy-Med. Play any two duets from CB-CF Play two contrasting duets from Nos. 1-12, 16-21; 5 Selected Duets Vol. II Adv. pgs. 3-23 except pgs. 10-11 OR play all of No. 22. Play any one ed. Voxman arr. Clardy ed. Voxman Rub-HL UnEd Rub-HL 7 Forty Short Duets for Beginner Flutists 6 Six Duets for Two Flutes Op. 2 6 Golden Classic Duets Play two contrasting duets Bk. 1 Nos. 1-3, or Bk. 2 Nos. 4-6 Play any one arr. Moyse Play two contrasting mvts. from one duet arr. Lombardo, Ricky GS-HL Quantz, Johann/ed. Flaumont Lombardo FD-004 8 Gavotte Masters M3653 / M3692 7 Jazzy Duets Harris, Floyd 7 Six Canonic Sonatas Play any one Ludwig D-90B39 Play two contrasting mvts. from any one Rae 9 Duet Adventures Sonata UnEd (Import) Play two contrasting duets from Telemann/Schmidt pgs. 4-12 WestInt 8 Selected Duets Vol. 1 Easy-Med. Play two contrasting duets from arr. Meredith 8 Album of Flute Duets pgs. 47-72 Sueta Play two contrasting mvts. from any one ed. Voxman 10 Belwin Master Duets Flute-Easy Vol. I duet, except play all of Scherzo (last Rub-HL Play any three duets/mvts. (In multi- duet) movement pieces, each movement is arr. Moyse 9 Bon March considered a separate duet.) GS-HL DeFries PEL 720-1 ed. Snell 9 Melodic Suite Op. 281 WB Play Sonatina plus 2 other mvts. 10 Belwin Master Duets Vol. I Int. SC Student Composition Popp, W. Play pgs. 6-9, 14-15, or 18-20 EdMus EM200 arr. Snell WB SC Student Composition 2008 - 2009 WSMA Event 721 - Bb Clarinet Duet Music Festival List Teacher Online Data Entry: Enter EventClassSelection, i.e., 721C2. Allotted Performance Time: All Classes = 8 min. 1. A REGULAR Ensemble. A regular ensemble may not be conducted. 2. No Permission or Transfer -This layout 3. Play two contrasting movements on all multi-movement selections unless other instructions are specified. 4. If the length of the music exceeds 3/4 of the allotted performance time, the music may be cut to stay within the time limits. 5. A member of the ensemble is expected to introduce the performance at WSMA District and State Festivals, including performer and accompanist names, name of school, title and composer of piece (and if appropriate, movements being performed), and (Continued) briefly describe a significant aspect of style, form, technique, harmony, rhythm, or melody in the piece. Please go to www.wsmamusic.org for the most accurate Festival Music List and to view recent updates. 721A 721B 721C 1 Airs and Waltzes from 1 Selected Duets Vol. 1 Easy-Med. 1 Easy Six for Two The Magic Flute Play pgs. 33-35; Play any one Play any two contrasting mvts. except OR play two from 66-69, 72 arr. Stouffer Nos. 8, 9, and 11 ed. Voxman Kendor Mozart/Fuchs Rub-HL 2 The Pagoda of Six Harmonies UnEd (Import) 2 Belwin Master Duets Int. Vol. I Play all repeats 2 J. S. Bach Clarinet Duos Play one duet with repeats from Edelson Play one duet from Nos. 2, 3, 6, 8, 9, 10, 11, pgs. 5-32 C&E 14, 15, 16, 17, 18, 19, 21 ed. Snell 3 Raining Cats and Dogs Bach/Langenus WB Play any two CF 3 Copycat Polka DiBlasio, Denis 3 Sonate in Bb KV: 292 Braatz Roncorp Play two contrasting mvts. PEL 721-7 4 Duetist Folio for Clarinet Easy-Med. Mozart/Luhring 4 Three Variations Play one from Nos. 16, 17, 38 PEL 721-6 Omit repeats ed. Voxman 4 Carillon from L’ Arlesienne arr. Kistler, Vera Rub-HL Bizet/Smim Alliance AP-249 5 Easy Classics for Two EdMus 5 Five Easy Russian Duets Play one from Nos. 1, 2, 3, 4, 5 5 Six Duets Op. 74 Play Elegiac Mood plus two others arr. Stouffer Play No. 1 or 6 Miaskovsky/Barvinsky/Schmidt/Davis Kendor Devienne/Kirkbride WestInt WIM850 6 Learn to Play Clarinet Duets Book 1 Int 6 Nine Duets from Concerti Grossi Op. 6 Play pgs. 34-35 or 36-37 6 Six Concertante Duets Play any one except pg. 1 or 10 arr. Eisenhauer Play any one Handel/Dishinger Alf ed. Ayres Medici 7 Spanish Dancers SP 7 Twelve Classical Duets Harris 7 Variations on a Theme of Prokofieff Play one from Nos. 1, 2, 3, 4, 9, 10, 11 Ludwig Prokofieff/Schmidt Mancinelli/Yates 8 Gavotte WestInt WIM404 Kendor Harris, Floyd 8 Twelve Duets (Mozart) KV.487 8 Little Suite Ludwig D-B39 Play Nos. 1 and 6 with repeats Play any two 9 Les Plaintes D’Une Poupée (A Doll’s Mozart/Dishinger Kraft Lament) Medici TP Franck/Schmidt 9 Eight Concert Duets 9 Twelve Duets from Anna Magdalena WestInt WIM880 Play one from Nos. 1, 3, 6, 8 Bach Notebook 10 Belwin Master Duets Vol. I Easy Cragun Play any two Play any two except pgs. 4, 6, 8, 28; OR Rub-HL Bach/Dishinger play two contrasting dances on pgs. 10 10 Allegro and Minuet Medici -13 Beethoven/Maganini 10 Rondo Op. 8 No. 2 ed. Snell EdMus EM408 Pleyel/Frost WB SC Student Composition GreatWorks 00556 SC Student Composition SC Student Composition 2008 - 2009 WSMA Event 722 - Saxophone Duet Music Festival List Teacher Online Data Entry: Enter EventClassSelection, i.e., 722B2. Allotted Performance Time: All Classes = 8 min. 1. A REGULAR Ensemble. A regular ensemble may not be conducted. 2. No Permission or Transfer -This layout 3. Music may be transposed to accommodate any combination of two saxophones. 4. Play two contrasting movements on all multi-movement selections unless other instructions are specified. 5. If the length of the music exceeds 3/4 of the allotted performance time, the music may be cut to stay within the time limits. 6. A member of the ensemble is expected to introduce the performance at WSMA District and State Festivals, including performer (Continued) and accompanist names, name of school, title and composer of piece (and if appropriate, movements being performed), and briefly describe a significant aspect of style, form, technique, harmony, rhythm, or melody in the piece. Please go to www.wsmamusic.org for the most accurate Festival Music List and to view recent updates. 722A 722B 722C 1 Belwin Master Duets Adv. Vol. 2 1 Pryor’s Foxtrot 1 Two Buckaroos (AA) Play one from pgs. 3-5, 8-10, 23-25, Pryor/Luhring Harris 28-30, 31-32 PEL 722-7 Ludwig arr. Snell 2 Twelve Classical Duets (AA, TT) 2 Selected Duets Vol. I Easy-Med. WB Play any two (8 and 8A are one duet) Play one from Nos. 3, 4, 11, 15, 25 2 Selected Duets Vol. II Adv. Mancinelli/Yates ed. Voxman Play one from Nos. 4, 6, 10, 17, 18 Kendor Rub-HL ed. Voxman 3 Twelve Duets (Mozart) KV.487 3 Twelve Duets (Bach) Rub-HL Play two contrasting mvts. from Play one from pgs. 4, 9, 10, 11 3 Eight Concert Duets for Two Saxophones Nos. 3, 4, 6,12 Bach/Dishinger Play one from Nos. 1, 6, 8 Mozart/Dishinger Medici Cragun Medici 4 Belwin Master Duets Easy Vol.
Load more

Recommended publications
  • Yesterday for Saxophone Sextet Sheet Music
    Yesterday For Saxophone Sextet Sheet Music Download yesterday for saxophone sextet sheet music pdf now available in our library. We give you 6 pages partial preview of yesterday for saxophone sextet sheet music that you can try for free. This music notes has been read 2740 times and last read at 2021-09-27 05:41:01. In order to continue read the entire sheet music of yesterday for saxophone sextet you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone Ensemble: Mixed Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music Yesterday For String Sextet Yesterday For String Sextet sheet music has been read 3103 times. Yesterday for string sextet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-28 08:51:49. [ Read More ] Jrme Savari Sextet For Ssaatb Saxophone Sextet Jrme Savari Sextet For Ssaatb Saxophone Sextet sheet music has been read 3917 times. Jrme savari sextet for ssaatb saxophone sextet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-27 13:06:51. [ Read More ] Yesterday Beatles Classic Saxophone Quartet Yesterday Beatles Classic Saxophone Quartet sheet music has been read 3763 times. Yesterday beatles classic saxophone quartet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-27 22:41:31. [ Read More ] Yesterday For Saxophone Quartet Yesterday For Saxophone Quartet sheet music has been read 2597 times. Yesterday for saxophone quartet arrangement is for Beginning level.
    [Show full text]
  • Wind, String, & Mixed Chamber Groups
    WIND, STRING, & MIXED CHAMBER GROUPS - SPRING 2019 (v 2.1) - including piano, harp, and percussion - PLEASE read the “Rules of the Road” for chamber music on the “performance” section of INSIDE MUSIC on the School of Music website: https://www.cmu.edu/cfa/music/current-students/ensembles/chamber-music.html Each group should select/elect/draft a “contact person” and submit that person’s name to the chamber music Graduate Assistant, Yalyen Savignon: [email protected] Please note that this is the second draft of the roster. All registered students have been placed, and all requests have been fulfilled. We hope that few if any further changes will need to be made. Remember, other students’ education depends on your being a reliable member of your group! IF YOU SPOT MISTAKES ON THIS LIST, PLEASE CONTACT PROF. WHIPPLE. RJW and CW, February 6, 2019 57-228 OR 57-928 SEXTETS sec A - WIND & PIANO SEXTET Alisa Smith, flute Elizabeth Mountz, oboe Elizabeth Carney, clarinet Ji Won Song, horn Andrew Hahn, bassoon Winfred Wang, piano coaches: R. James Whipple QUINTETS sec B - GRADUATE WIND QUINTET Theresa Abalos, flute Evan Tegley, oboe Alex Athitakas, clarinet Diana McLaughlin, horn Nicholas Evans, bassoon coach: Thomas Thompson sec C - “VENTUS FERRO” TBA, flute Alicia Smith, oboe Zack Neville, clarinet Ziming Zhu, horn Dreya Cherry, bassoon coach: James Gorton sec D - PROKOFIEV: Quintet in g minor Christian Bernard, oboe Bryce Kyle, clarinet TBA, violin Angela-Maureen Zollman, viola Mark Stroud, bass coach: James Gorton STRING QUARTETS 57-226 OR 57-926 1. Jasper Rogal, violin Noah Steinbaum, violin Angela Rubin,viola Kyle Johnson, cello coach: Cyrus Forough 2.
    [Show full text]
  • New and Lesser Known Works for Saxophone Quartet: a Recording
    New and Lesser Known Works for Saxophone Quartet: A Recording, Performance Guide, and Composer Interviews by Woodrow Chenoweth A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved April 2019 by the Graduate Supervisory Committee: Christopher Creviston, Chair Joshua Gardner Michael Kocour Ted Solis ARIZONA STATE UNIVERSITY May 2019 ABSTRACT This project includes composer biographies, program notes, performance guides, composer questionnaires, and recordings of five new and lesser known works for saxophone quartet. Three of the compositions are new pieces commissioned by Woody Chenoweth for the Midwest-based saxophone quartet, The Shredtet. The other two pieces include a newer work for saxophone quartet never recorded in its final version, as well as an unpublished arrangement of a progressive rock masterpiece. The members of The Shredtet include saxophonists Woody Chenoweth, Jonathan Brink, Samuel Lana, and Austin Atkinson. The principal component of this project is a recording of each work, featuring the author and The Shredtet. The first piece, Sax Quartet No. 2 (2018), was commissioned for The Shredtet and written by Frank Nawrot (b. 1989). The second piece, also commissioned for The Shredtet, was written by Dan Puccio (b. 1980) and titled, Scherzos for Saxophone Quartet (2018). The third original work for The Shredtet, Rhythm and Tone Study No. 3 (2018), was composed by Josh Bennett (b. 1982). The fourth piece, Fragments of a Narrative , was written by Ben Stevenson (b. 1979) in 2014 and revised in 2016, and was selected as runner-up in the Donald Sinta Quartet’s 2016 National Composition Competition.
    [Show full text]
  • FRIDAY the 13TH: the MICROS PLAY MONK (Cuneiform Rune 310)
    Bio information: THE MICROSCOPIC SEPTET Title: FRIDAY THE 13TH: THE MICROS PLAY MONK (Cuneiform Rune 310) Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) http://www.cuneiformrecords.com FILE UNDER: JAZZ / THELONIOUS MONK / THE MICROSCOPIC SEPTET “If the Micros have a spiritual beacon, it’s Thelonious Monk. Like the maverick bebop pianist, they persevere... Their expanding core audience thrives on the group’s impeccable arrangements, terse, angular solos, and devil-may-care attitude. But Monk and the Micros have something else in common as well. Johnston tells a story: “Someone once walked up to Monk and said, “You know, Monk, people are laughing at your music.’ Monk replied, ‘Let ‘em laugh. People need to laugh a little more.” – Richard Gehr, Newsday, New York 1989 “There is immense power and careful logic in the music of Thelonious Sphere Monk. But you might have such a good time listening to it that you might not even notice. …His tunes… warmed the heart with their odd angles and bright colors. …he knew exactly how to make you feel good… The groove was paramount: When you’re swinging, swing some more,” he’d say...” – Vijay Iyer, “Ode to a Sphere,” JazzTimes, 2010 “When I replace Letterman… The band I'm considering…is the Microscopic Septet, a New York saxophone-quartet-plus-rhythm whose riffs do what riffs are supposed to do: set your pulse racing and lodge in your skull for days on end. … their humor is difficult to resist.
    [Show full text]
  • Music and Combinations
    Tom Johnson Music and Combinations Lecture presented Dec. 13, 2003 in a colloquium on Arts and Sciences sponsored by the association La Métive in La Creuse (France) Combinations for String Quartet (2003) contains five movements, and each of these contains all the combinations of something. As usual, I wanted the music to know what it was doing, to be correct and complete in a rigorous sense, and this is one way of achieving this. The theory of combinations is a totally explored mathematical discipline, as we have known for more than a century how to calculate all kinds of combinations and probabilities, and how to prove all of this. So what I say about my composition can not have fundamental significance for mathematics. I can, however, demonstrate that new questions arrive when one wants to go inside some set of combinations, to see how they come together, to observe the many symmetries within them, to find the best sequence for them, to consider how they might sound, to turn them into music. Combinations of ABCD Permutations The first movement had to do with the permutations of four notes (A,B,C,D). I wanted to use all 24 permutations, but I also wanted to find how the permutations could be combined so that all four notes would be present in four instruments at every moment. The most obvious solution was to let the four musicians all play the same thing starting at different points. Of course, one may change the sequence of the lines and still have the same four permutations: ABCD BCDA CDAB DABC This was not musically very interesting, since everyone was essentially playing the same rising scale, so I looked for other possibilities.
    [Show full text]
  • An Arthur Berger
    AN ARTHUR BERGER New World Records 80360 RETROSPECTIVE with GILBERT KALISH, piano JOEL KROSNICK, cello CHRISTOPHER OLDFATHER, piano JOEL SMIRNOFF, violin DAVID STAROBIN, guitar Members of the Boehm Quintette Arthur Berger is a stalwart of the American concert tradition. No popularizer, he has for some fifty years been producing sturdily crafted pieces that spring from the mixed lineage of Stravinsky, Schoenberg, and Copland. Yet the style is all his own. At times it readily appeals. Always it challenges. Born in 1912 and raised in the Bronx, Berger first studied at City College and New York University, later at the Longy School of Music and at Harvard. He completed his formal education with Nadia Boulanger in Paris. From 1939 to 1943 he taught at Mills College and Brooklyn College, then began writing music criticism for the New York Sun and, principally, the New York Herald-Tribune. In 1953 Berger joined the faculty of Brandeis University; he has also taught at Harvard and the Juilliard School, and is currently on the faculty of the New England Conservatory. Like many of his composer contemporaries, Berger has been an important and prolific writer. In addition to his stints as a journalist, he founded two quite different periodicals, each an outgrowth of the notion of a "little magazine" directed to a special public. The first, The Musical Mercury, was started in 1934 by Berger and Bernard Herrmann--the man later famous as a Hollywood film composer. Although The Musical Mercury included some articles about new works, it mostly explored European compositions of the past. The journal with which Berger is most closely identified, however, is Perspectives of New Music, begun with Benjamin Boretz in 1962.
    [Show full text]
  • Alexander String Quartet Zakarias Grafilo | Violin Frederick Lifsitz | Violin Paul Yarbrough | Viola Sandy Wilson | Cello
    presents… Alexander String Quartet Zakarias Grafilo | Violin Frederick Lifsitz | Violin Paul Yarbrough | Viola Sandy Wilson | Cello Eli Eban | Clarinet Recorded at St. Stephen’s Episcopal Church, Belvedere, CA, June 10–14, 2019 BRAHMS Andantino—Presto non assai, ma con sentimento from Quintet in B minor for Clarinet and Strings, Op. 115 Track from the upcoming Foghorn Classics release: Brahms & Mozart Clarinet Quintets Produced, engineered and mastered by Matt Carr Instruments: Clarinet: Handmade by Luis Rossi, Chile Quartet: Ellen M. Quartet, all by Francis Kuttner, 1987 Bows by Arcus ABOUT THE ARTISTS Having celebrated its 35th Anniversary in 2016, the Alex- where they are members of the string faculty in the School ander String Quartet has performed in the major music of Music and instructional faculty at the Morrison Cham- capitals of five continents, securing its standing among ber Music Center. the world’s premier ensembles. Widely admired for its in- Among the fine musicians with whom ASQ has col- terpretations of Beethoven, Mozart, Shostakovich, and laborated are pianists Roger Woodward, Anne-Marie Mc- Brahms, the quartet’s recordings of the Beethoven cycle Dermott, Menachem Pressler, Marc-André Hamelin, and (twice), Bartók and Shostakovich cycles have won interna- Jeremy Menuhin; clarinetists Eli Eban, Joan Enric Lluna, tional critical acclaim. The quartet has also established it- David Shifrin, and Richard Stoltzman; soprano Elly Amel- self as an important advocate of new music through more ing; mezzo-soprano Joyce DiDonato; violinist Midori; cel- than 30 commissions from such composers as Jake Heggie, lists Lynn Harrell, Sadao Harada, and David Requiro; vio- Cindy Cox, Augusta Read Thomas, Robert Greenberg, Mar- list Toby Appel; and jazz greats Branford Marsalis, David tin Bresnick, Cesar Cano, and Pulitzer Prize–winner Wayne Sanchez, and Andrew Speight.
    [Show full text]
  • Faculty Woodwind Quartet Flyer Earl Boyd Eastern Illinois University
    Eastern Illinois University The Keep Music Programs The Earl Boyd Collection 2015 Faculty Woodwind Quartet Flyer Earl Boyd Eastern Illinois University Follow this and additional works at: http://thekeep.eiu.edu/earl_boyd_programs Part of the Music Commons Recommended Citation Boyd, Earl, "Faculty Woodwind Quartet Flyer" (2015). Music Programs. 29. http://thekeep.eiu.edu/earl_boyd_programs/29 This Book is brought to you for free and open access by the The Earl Boyd Collection at The Keep. It has been accepted for inclusion in Music Programs by an authorized administrator of The Keep. For more information, please contact [email protected]. 0 €astenn 1tt1nols Un1vens1ty w oo0w1n0 Quintet Dear Music Director: Your flutist, oboist, clarinetist, bassoonists, and hornists will welcome the opportunity to hear and work personally with the fine performers in the Eastern Illinois University Woodwind Quintet You are invited to write or call Rhoderick Key, Chairman, Music Department, Eastern Illinois University, Charleston, Illinois, 61920 Phone 217-581-2917 Scheduled to suit your program FLUTE - Robert C. Snyder, flutist, frequent recitalist in Illinois and recent performer at Carnegie Recital Hall in New York, clinician, · writer, and band direetor, graduated from Indiana University with a Masters Degree in Woodwinds and complet~ his doctorate in History and Literature at University of Missouri at Kansas City. He has studied with Vallie Kirk at Washburn University of Topeka, James Pellerite at Indiana University, and William Kincaid. OBOE -Joseph Martin, oboist, double-reed specialist, recitalist, and clinician, graduated with his Masters Degree in Education from East Carolina University in North Carolina. Mr. Martin directs a University stage band and assists in the Symphony Orchestra program.
    [Show full text]
  • Solo List and Reccomended List for 02-03-04 Ver 3
    Please read this before using this recommended guide! The following pages are being uploaded to the OSSAA webpage STRICTLY AS A GUIDE TO SOLO AND ENSEMBLE LITERATURE. In 1999 there was a desire to have a required list of solo and ensemble literature, similar to the PML that large groups are required to perform. Many hours were spent creating the following document to provide “graded lists” of literature for every instrument and voice part. The theory was a student who made a superior rating on a solo would be required to move up the list the next year, to a more challenging solo. After 2 years of debating the issue, the music advisory committee voted NOT to continue with the solo/ensemble required list because there was simply too much music written to confine a person to perform from such a limited list. In 2001 the music advisor committee voted NOT to proceed with the required list, but rather use it as “Recommended Literature” for each instrument or voice part. Any reference to “required lists” or “no exceptions” in this document need to be ignored, as it has not been updated since 2001. If you have any questions as to the rules and regulations governing solo and ensemble events, please refer back to the OSSAA Rules and Regulation Manual for the current year, or contact the music administrator at the OSSAA. 105 SOLO ENSEMBLE REGULATIONS 1. Pianos - It is recommended that you use digital pianos when accoustic pianos are not available or if it is most cost effective to use a digital piano.
    [Show full text]
  • Jan 25 to 31.Txt
    CLASSIC CHOICES PLAYLIST January 25 - 31, 2021 PLAY DATE: Mon, 01/25/2021 6:02 AM Antonio Vivaldi Violin Concerto No. 10 "La Caccia" 6:11 AM Franz Joseph Haydn Symphony No. 22 6:30 AM Claudio Monteverdi Madrigals Book 6: Qui rise, o Tirso 6:39 AM Henry Purcell Sonata No. 9 6:48 AM Franz Ignaz Beck Sinfonia 7:02 AM Francois Francoeur Cello Sonata 7:13 AM Wolfgang Amadeus Mozart Twelve Variations on a Minuet by Fischer 7:33 AM Alessandro Scarlatti Sinfonia di Concerto Grosso No. 2 7:41 AM Franz Danzi Horn Concerto 8:02 AM Johann Sebastian Bach Lute Suite No. 1 8:17 AM William Boyce Concerto Grosso 8:30 AM Ludwig Van Beethoven Symphony No. 8 9:05 AM Lowell Liebermann Piano Concerto No. 2 9:34 AM Walter Piston Divertimento 9:49 AM Frank E. Churchill/Ann Ronell Medley From Snow White & the 7 Dwarfs 10:00 AM Wolfgang Amadeus Mozart Eight Variations on "Laat ons Juichen, 10:07 AM Wolfgang Amadeus Mozart Symphony No. 15 10:18 AM Wolfgang Amadeus Mozart Violin Sonata No. 17 10:35 AM Wolfgang Amadeus Mozart Divertimento No. 9 10:50 AM Wolfgang Amadeus Mozart Rondo for piano & orch 11:01 AM Louise Farrenc Quintet for piano, violin, viola, cello 11:31 AM John Alan Rose Piano Concerto, "Tolkien Tale" 12:00 PM Edward MacDowell Hamlet and Ophelia (1885) 12:15 PM Josef Strauss Music of the Spheres Waltz 12:26 PM Sir Paul McCartney A Leaf 12:39 PM Frank Bridge An Irish Melody, "The Londonderry Air" 12:49 PM Howard Shore The Return of the King: The Return of 1:01 PM Johannes Brahms Clarinet Quintet 1:41 PM Benjamin Britten Young Person's Guide to the Orchestra 2:00 PM Ferry Muhr Csardas No.
    [Show full text]
  • The Role of Clarinet in Op. 114 a Minor Trio Composed by Johannes Brahms for Clarinet, Cello and Piano
    Global Journal of Arts, Humanities and Social Sciences Vol.7, No. 3, pp.80-90, March 2019 Published by European Centre for Research Training and Development UK (www.eajournals.org) THE ROLE OF CLARINET IN OP. 114 A MINOR TRIO COMPOSED BY JOHANNES BRAHMS FOR CLARINET, CELLO AND PIANO *İlkay Ak Lecturer, Music Department, Anadolu University, Eskişehir, Turkey ABSTRACT: Sonatas and chamber music works written for clarinetist Richard Mühlfeld by Johannes Brahms, who was one of the most important composers of the second half of Romantic period, in the last years of his life are among the irreplaceable works of clarinet training repertoire. These works which enable the musical improvement for the player are also significant to transfer the stylistic properties of the time. Op. 114 A Minor Trio composed for Clarinet, Cello and Piano by Brahms is among the most important works of chamber music training repertoire and often appears in concerts. The work consists of four parts. The first part is Allegro, the second part is Adagio, the third one is Andantino grazioso and the fourth one is Allegro. In this study, the life and musical identity of Brahms are going to be discussed first and then solo and chamber music works with clarinet are going to be mentioned. Next, the parts which can create technical and musical difficulties for the clarinet performance in Op. 114 A Minor Trio of the composer are determined and the things to decrease these are going to be suggested. KEYWORDS: Romantic Period, Brahms, Mühlfeld, Clarinet, Trio INTRODUCTION: JOHANNES BRAHMS Johannes Brahms (1833-1897) German Johannes Brahms as one of the prominent composers of the second half of 19th century was born on 7 May 1833 as a son of a double bass player.
    [Show full text]
  • Solo and Ensemble Recognized Events
    RECOGNIZED SOLO AND ENSEMBLE EVENTS (The event number is to be used on the Solo and Ensemble entry form.) WOODWIND SOLO BRASS SOLO PERCUSSION SOLO PIANO SOLO 1. Piccolo 050. Cornet/Trumpet +099. Drum Set 150. Piano Solo 2. C Flute 051. Flugelhorn +100. Xylophone/Marimba/Vibraphone 3. Alto/Bass Flute 052. French Horn +101. Orch. bells 4. Oboe 053. Mellophone/Alto Horn (Group IV & V only) 5. English Horn 054. Trombone +102. Snare Drum VOCAL SOLO 6. Bassoon/Contrabassoon 055. Bass Trombone +103. Tympani 160. Vocal Solo 7. Eb Clarinet 056. Baritone/Euphonium (accompanied or unaccomp.) VOCAL ENSEMBLE 8. Bb Clarinet 057. Tuba/Sousaphone 104. Multiple Percussion 170. Barbershop Quartet 9. Alto Clarinet +105. Multi-Tenor (a cappella) 10. Bass Clarinet BRASS TRIO 175. Small Vocal Ensemble 11. Contra Bass/ 065. Cornet/Trumpet Trio + Refer to Percussion Manual (3 to 6 performers) Contra Alto Clarinet 066. French Horn Trio for additional requirements *180. Large Vocal Ensemble 12. Alto Sax 067. Trombone Trio PERCUSSION ENSEMBLE (7 to 20 performers) 13. Tenor Sax 068. Brass Trio (Tpt., Horn, 110. Percussion Ensemble *185. Madrigal 14. Baritone Sax Trombone) (3-6 performers) (4 to 20 performers) 15. Bass Sax 069. Misc. Brass Trio 111. Mallet Ensemble (a cappella) 16. Soprano Sax (Bb & Eb) (any combination of 3 brasses (3-6 performers) not previously listed) WOODWIND TRIO *112. Large Mallet Ensemble 025. Flute Trio. Like Inst. BRASS QUARTET (7-20 performers) 026. Clarinet Trio. Like Inst. 070. Cornet/Trumpet Quartet *113. Large Percussion Ens. 027. Sax Trio. Any 3 Sax 071. French Horn Quartet (7-20 percussion inst.
    [Show full text]