MACKENZIE ART GALLERY ANNUAL REPORT 2018/19 01 3 PRESIDENT’S MESSAGE 4 EXECUTIVE DIRECTOR AND CEO’S MESSAGE 5 YEAR IN REVIEW 7 EXHIBITIONS 31 EDUCATION AND PUBLIC PROGRAMS 35 NEW PROGRAM SPACE AND CAFÉ 37 DONORS & SPONSORS 41 PERMANENT COLLECTION ACQUISITIONS 63 COMMUNITY SUPPORT 64 MEMBERS & VOLUNTEERS 69 BOARD OF TRUSTEES & STAFF 71 FINANCIAL STATEMENTS

CORE FUNDING PROVIDED BY:

Image: Joane Cardinal-Schubert (Canadian [Káínawa], 1942–2009), My Mother’s Vision: The Warshirt Series — I am Yelling for All Things on Earth — I am Screaming!, 1986, acrylic, oil pastel, and 01 conte on paper. Collection of the MacKenzie Art Gallery, gift of Thomas Druyan and Alice Ladner, the Kampelmacher Memorial Collection of Indigenous Art. 02 Message from the President The MacKenzie was thrilled to be the recipient of the Message from the Executive Director and CEO Kampelmacher Memorial Collection of Indigenous Artwork As President of the MacKenzie this year, donated by Thomas Druyan and Alice Ladner. This Recently the MacKenzie has been These changes, as well as the incredible exhibitions and Art Gallery’s Board of Trustees, I donation of more than 1,000 artworks not only fills in gaps in talking about re-imagining what an programming we have developed over the past year, have am pleased to share with you the our permanent collection, but also allows the Gallery to offer art museum in the 21st century can helped us get even closer to realizing the goals of our achievements of the past year. In educational resources for researchers, scholars and students. be. We have accomplished many Strategic Plan for 2018-23, which were threefold: to Create 2018/19, the MacKenzie advanced its things in the past year that move us Outstanding Visitor and Participant Experiences, Strengthen vision to become an immersive centre Thank you to the many individuals and businesses who towards this ambitious and timely Organizational Resilience, and Foster our Core Identity. A vital for art focusing on visitors and artists, sustain the MacKenzie through donations and participation transformation. art museum is at the core of democratic societies and most Indigenous culture and diversity in fundraising events. Together, we raised over $120,000 in business leaders agree that a vibrant arts and culture sector while remaining grounded in history, support of the Gallery through fundraising events such as I believe that the Gallery is a meeting creates a healthier, more productive, and more innovative education, and sustainability. Bazaart, Holiday Bazaart, and the MacKenzie Gala. We also place, to explore new ideas, and economy and higher quality of life. We are committed to extend deep gratitude to our members, donors, and corporate to foster creativity through visitor ensuring we are able to deliver this for generations to come. Over 88,000 visitors experienced the sponsors for their ongoing support. interactions. An art gallery or museum is not exclusively MacKenzie’s innovative public programs and exhibitions in a place to passively observe objects hanging on a wall. We are entering the new year by gaining momentum through 2018/19. This year, we were thrilled to reveal new projects Lastly, I extend a personal thanks to staff and volunteers More and more we are inviting visitors to explore their own planned artwork commissions, exhibitions and programs, that had been in the works for a few years: notably, the public for their passion and dedication to the Gallery, making it an creativity through hands on making opportunities and other facility and technological enhancements and organizational artwork on the outside of the building by Duane Linklater, exciting space for new experiences. interactive activities. We want the Gallery to be an immersive development. Come visit and you will soon see a further Kakike/Forever, that was installed in May 2018, and our new experience where you can stimulate all your senses, and renovation of the front of the gallery and welcome area. We café and programming space, Craft Services, which opened It is all of these people – staff, volunteers, donors, supporters, go away re-invigorated, inspired, challenged, informed and will also soon launch a completely re-designed website—an in November 2018. This report details how these projects, and visitors – who animate the Gallery as a vital community hopefully transformed. information portal directly linked to the above strategic in addition to our new and distinctive exhibitions and hub where encounters with art enrich the lives of everyone. objectives. programming, help foster transformative experiences of the To prepare ourselves to offer these new and expanded world through art. It is rewarding to look back on all that we have accomplished opportunities, we set a number of short-term goals. These I want to take this opportunity to thank our Board, staff and this past year, and equally as exciting to look forward to included launching a new brand and visual identity to volunteers for their dedication and passion for the MacKenzie! The MacKenzie acted as a creative hub for youth in 2018/19 what is to come. We continue to develop what will become communicate what is changing, the installation of a new café The MacKenzie is full of potential in the coming year with both inside and outside the Gallery. We serve 8,000 youth a robust welcome centre that you will soon see, and have and program space to facilitate new and more community further exciting announcements and developments. Don’t per year through gallery tours and hands-on workshops, and launched a new membership program and admissions model interactions and opportunities, and to mount a new major miss a thing by purchasing or renewing your membership we reached an additional 6,000 youth across the province with the aim of continuing to build strong visitor engagement public artwork on the façade of our building by artist Duane today. We look forward to sharing with you and hearing from through our Provincial Touring program. The BMO Learning and experience, while also strengthening the MacKenzie Art Linklater. I am gratified we have achieved all these goals and you! Centre bustled with parents and children creating art together Gallery’s sustainability for generations to come. more, and we have received enthusiastic responses. At the on Studio Sundays, thanks to the generous sponsorship of time of writing, we have just launched our new membership Great West Life, Canada Life, and London Life. program, and are about to embark on a new admissions model for the Gallery. These changes will allow us to expand our Gallery visitors of all ages discovered major exhibitions during programming, including new and diverse exhibitions, and to Thursday Night Lates, and the REALI (Recreation, Life Skills, invest in a better visitor experience, with expanded front-line Story Telling and Art Activity) program, which was presented Johanna Salloum staff and volunteers and information sharing, and allowing us Anthony Kiendl in partnership with the Regina Immigrant Women Centre, President, MacKenzie Art Gallery Board of Trustees to implement a more customized experience delivered in part Executive Director and CEO served immigrant and refugee women and their children through an enhanced level of visitor services. Saturday morning. 03 Photos: Don Hall 04 YEAR IN REVIEW 2018/19 Attendance Exhibition Openings In-House 73,915 Number of Openings 8 Out-of-House 14,731 Attendance 913 Total 88,646 Development Highlights Attendance Highlights Cash and in-kind contributions Special Events 7,868 from organizations $1,318,392 Facility Rentals 14,218 Cash and in-kind contributions from individuals $1,001,660 School and Youth Project Net result of three fundraising events $168,409 Tours 230 Gallery Shop net proceeds $18,178 Attendance 3,607 Total $2,506,639

Provincial Touring Artists and Exhibition Membership Program Program Membership proceeds (minus donation portion) $21,563 Tours 233 Active Gallery Memberships 571 Communities Visited 20 Attendance 6,788 Volunteers Volunteers 147 REALI Program (Recreation, life skills, Hours donated by Volunteers 2,591 storytelling and art activities) Workshops 47 Attendance 843

Community and Public Tours and Programs Tours and Programs 263 Attendance 9,424

05 Image: Germaine Arnaktauyok (Canadian [Inuit, Igloolik], born 1946), The Sun and the Moon, 2003, etching on paper, edition a/p 4/6. Collection of the MacKenzie Art Gallery, gift of Thomas 05 Druyan and Alice Ladner, the Kampelmacher Memorial Collection of Indigenous Art. 06 EXHIBITIONS Mixing Stars and Sand: The Art & Legacy of Sarain Stump March 3 to June 24, 2018

Mixing Stars and Sand: The Art & Legacy of ranch hand in southern Alberta. His rapid Sarain Stump was a multi-faceted project acquisition of languages — including English that made a major contribution to the art and Cree — and extensive knowledge of history of the Canadian prairies. It focused Indigenous art, as well as his unmistakable on the art and legacy of Sarain Stump (1945 charisma — all led to a celebrated volume of –1974), Italian-born Plains Cree autodidact “image-poems” There is my people sleeping and polymath artist, writer, musician, actor (1970); a role in the Hollywood movie Alien and educator. He was hugely influential in Thunder (1974) alongside Donald Sutherland, Saskatchewan and internationally, particularly Chief Dan George, and Gordon Tootoosis; and from 1970 to 1974, but has been largely ultimately his assimilation into Plains Cree overlooked by the mainstream art world. culture. Stump worked with curator Gerald McMaster and later led the Saskatchewan Indian Co-curated by Gerald McMaster and Anthony Cultural College’s nascent Indart program, Kiendl, the exhibition featured a new, with notable students such as Edward Poitras, commissioned video installation by Edward Harry Lafond, and Raymond McCallum, Poitras; over two hundred works by Stump among others. in a variety of media, documentation, and ephemera, including the un-edited manuscript Propelled by the spirit of the times, including for a new book of image-poems never

the activism of the American Indian before seen in public. A bilingual, hardcover Movement, Red Power, and the influence of publication will feature essays by numerous late-sixties youth culture, in a few short years contributors who delve into Stump’s life and Stump was instrumental in a renaissance work for the first time, discovering clues of Indigenous art and artists in the region. the artist left about his past, as well as His life was cut short when he drowned off intimations of his future influence among the coast of Oaxaca, Mexico at the age of subsequent generations. twenty-nine. His death left many unanswered questions including his transition from This project was made possible in part by the childhood in Venice, Italy, to his work as a Government of Canada.

Top: Mixing Stars and Sand: The Art & Legacy of Sarain Stump opening reception, MacKenzie Art Gallery, 2018. Bottom, left to right: Installation view of Mixing Stars and Sand: The Art & Legacy of Sarain Stump, MacKenzie Art Gallery, 2018. Photo: Don Hall. Sarain Stump, Untitled, no date, Marking pen on paper. Collection of Linda Jaine © 07 Linda Jaine. Edward Poitras (Canadian, born 1953) Chinvat Bridge, 2018, installation detail, MacKenzie Art Gallery, 2018. 08 Revolutionaries and Ghosts: Memory, Witness and Justice in a Global Canadian Context Duane Linklater: Kâkikê / Forever May 26 to September 9, 2018 Installed on the façade of the MacKenzie Art Gallery, May 2018

Works from the Collections of the MacKenzie Art Gallery and The MacKenzie Art Gallery presented a newly commissioned University of Regina artwork, Kâkikê / Forever by Omaskêko Ininiwak (Cree) artist Duane Linklater. The artwork was installed on the façade of the In her award winning novel Do Not Say We Have Nothing, T.C. Douglas building in May 2018. Kâkikê / Forever is a text- Canadian author Madeleine Thien uses the figure of a book based, site-specific work that responds to various aspects of its within a book to gently assert the power of stories to preserve location. Drawing from unattributed Indigenous words spoken memories even as changing political tides threaten to sweep during the making of treaties: “As long as the sun shines, the them away. By hiding the true names of lost loved ones amid river flows, and the grass grows,” Kâkikê / Forever poetically the fictional Book of Records, her protagonists keep alive the reflects Canada’s conflicted past, charged present, and future dream of art, beauty, and freedom amidst China’s repressive (post) colonial imaginary. political regimes. Thien’s novel demonstrates the important role that Canadian authors have played in recent years in attesting “What is suggested in this phrase is the passage of time, or the to violence on the world stage while exploring its impacts at duration of how long these treaty agreements and relationships home. The presence created by the names of lost loved ones will last,” says the artist. “These words act as an entrance into Diversities,” a topic which honours the history of the area as a are, in the words of one of her characters, “as dangerous as the conceptual frameworks Indigenous people were, and are, spanning 5,000 years. Kâkikê / Forever complements other traditional place of gathering, evoked in Regina’s original name, revolutionaries but as intangible as ghosts.” Similarly, the twelve using when articulating a new and potentially mutually beneficial outdoor artworks on the grounds of the Gallery, and has Wascana, or oskana kâ-asastêki — where the bones are gathered. Canadian artists in this exhibition — Ed Burtynsky, Ruth Cuthand, relationship with settlers.” Linklater continues, “I hope this work transformed the skyline of Regina. Diversity in local and global contexts requires a willingness to Wally Dion, Sherry Farrell-Racette, Huang Zhong-Yang, Marie can speak this way, and more to the audiences of the MacKenzie share histories, acknowledge inequities, and work toward justice Lannoo, Grant McConnell, Gerald McMaster, Ann Newdigate, Ed Art Gallery.” Duane Linklater is Omaskêko Cree, from the Moose Cree First and reconciliation. The selections for this permanent collection Pien, William J. Rodgers, and Jeff Wall — embed memories that Nation and was born in Moose Factory, Ontario. Winner of exhibition grew out of this desire and addressed a broad range of connect the present to the past, and trouble the narratives of The artwork was one of three shortlisted works in a selection Canada’s highly prestigious Sobey Art Award (2013), Linklater topics, from the Cultural Revolution to the Holocaust, from 9/11 to erasure and injustice which have marked the histories that tie process for the MacKenzie’s Transformative Landscapes project is an internationally renowned multidisciplinary artist working the mistreatment of Canada’s Indigenous peoples. Together, the Canada to the wider world. — a series of programs presented over the summer of 2017 on across film and video, sculpture, installation, and performance. works point to the important role of Canadian artists in asking the occasion of Canada’s 150th anniversary of Confederation. The He recently participated in documenta 13 and 14, and the hard questions of ourselves, our histories, and the global power The exhibition toured to the Nickle Gallery, in Calgary, stories series included panel discussions, artist talks, film screenings, Liverpool Biennale. His work speaks to problems of cultural loss structures in which we are all enmeshed. were added from the collection of Nickle Galleries, through works an in-gallery engagement space, and workshops focused on the and revitalization as well as issues of legitimacy, authorship and by Bill Rodgers, William MacDonnell, Dominique Blain, John Will, themes of public art, reconciliation, inter-cultural relations, and appropriation. His collaborative projects bring critical awareness The exhibition was organized by the MacKenzie Art Gallery, Garry Neill Kennedy and Faye Heavyshield. national commemoration. The public was invited throughout to issues of cultural exchange, ownership, and language, which curated by Timothy Long. these events to reflect and comment upon the proposed works extend far beyond the artworks themselves, making this artist a From May 26 to June 1, Regina welcomed scholars from across of art. This artwork is a welcome addition to the MacKenzie’s key figure in contemporary art both at home, and abroad. Canada and abroad to Congress 2018 at the University of Regina. permanent collection which includes over 5,000 works of art, The theme of this multi-disciplinary conference was “Gathering

09 Installation view of Revolutionaries and Ghosts: Memory, Witness and Justice in a Global Canadian Context, MacKenzie Art Gallery, 2018. Photo: Don Hall. Duane Linklater, Kâkikê / Forever, acrylic, aluminum and LEDs, MacKenzie Art Gallery, 2018. 10 Brenda Francis Pelkey: A Retrospective June 23 to September 29, 2018

Brenda Francis Pelkey: A Retrospective opened on June 23 collections including the MacKenzie Art Gallery and several at the MacKenzie. This career-review exhibition, organized of those listed above, as well as: Canada Council Art Bank, by the Art Gallery of Windsor, is the first since Pelkey moved Ottawa; Winnipeg Art Gallery; Confederation Centre for the Arts, from Saskatoon to take up the position of Director of the Charlottetown; University of Saskatchewan; and the National School of Visual Arts at the University of Windsor (2003–2012). Gallery of Canada, Ottawa. Today, she continues an active role The exhibition addressed her ongoing contributions to an as professor and an established artist working in Canadian innovative kind of social geography, one which moves beyond contemporary art. documentation to ask deeper questions about our connection to private and public spaces. The works invite viewers to imagine The exhibition was organized by the Art Gallery of Windsor. outcomes of events past, present, and future which may have Curated by Catharine M. Mastin, PhD, Director and Exhibition happened, be happening, and could happen in those spaces. Curator, Art Gallery of Windsor.

Over the past three decades, Pelkey’s works have been the subject of many solo and group-artist exhibitions in Canada and northwestern Europe, including: Museum of Photography, Helsinki, Finland; London Guildhall University, UK; Remai Modern (Mendel Art Gallery), Saskatoon; MacKenzie Art Gallery, Regina; Thames Art Gallery, Chatham; and the Dunlop Art Gallery, Regina, among others. Her works are held in major public

Top: Brenda Pelkey, detail view of Forest III (from the series Haunts), 2001, Ilfochrome on aluminum with audio. Collection of the MacKenzie Art Gallery, gift of the artist. 11 Bottom: Installation views of Brenda Francis Pelkey: A Retrospective, MacKenzie Art Gallery, 2018. Photos: Don Hall. 12 Road Construction: Perspectives on Driving Through Saskatchewan June 30 to September 9, 2018

Works from the Collections of the MacKenzie Art Gallery and In more recent years, artists have looked at those same roads University of Regina through a critical lens. David Garneau and Cheryl L’Hirondelle uncover colonial narratives of erasure and displacement in Saskatchewan is rich in roads. With 228,200 kilometres of paved their exploration of the impact of roads on Métis and First and unpaved public roads, this province has a larger network Nations peoples. Other works demonstrate how the highways than any other in Canada. It is small wonder that roads feature of this province are embedded in memory, personal narrative, prominently in the work of so many Saskatchewan artists. and imagination. Whether in the visions of self-taught painters such as Ann Harbuz, Eva Dennis and W.C. McCargar, or in the A wide range of perspectives opened up with this exhibition. contemporary work of Richard Gorenko, Richard Holden, and The development of an early network of roads allowed Rachelle Viader Knowles, this exhibition showed us that roads Saskatchewan’s first professional artists to visit the Qu’Appelle define much of life in this expansive province. Valley and other sites of scenic beauty and cultural significance. Fred Moulding’s sculpture Road Building Outfit recalls the horse The exhibition was organized by the MacKenzie Art Gallery, teams which were used to build many of these vital arteries. curated by Timothy Long. A post-war vision of progress is found is in the photographs of George Hunter and in the designs for modern roadside shelters by Regina architect Clifford Wiens.

Top: Ann Harbuz, It’s Busy Busy, 1983, acrylic and ink on board. MacKenzie Art Gallery, University of Regina Collection. Bottom: Installation views of Road Construction: 13 Perspectives on Driving Through Saskatchewan, MacKenzie Art Gallery, 2018. Photos: Don Hall. 14 Boarder X July 7 to October 21, 2018

Boarder X was a new initiative for the MacKenzie, and a good As part of the opening on July 6, an eight-foot quarter pipe was example of the new direction the Gallery embarked on in 2018/19, constructed in the Gallery with a free skate and demos scheduled allowing visitors to truly interact with the artwork and the from local businesses, including Tiki Room and Colonialism exhibition. Boarder X brought together new work by Indigenous Skateboard, along with the supporting sponsor, Vans. artists who use snowboarding, skateboarding and surfing to Over the summer, the MacKenzie offered a series of screenings exhibit knowledge and relationship to the land and to celebrate that enhanced the exhibition and boarding experience with the intersection of culture, art and boarding practices. ground-breaking films such as Afterglow, Riding Giants, and Northern Grease. Through painting, mixed media, carving, weaving, photography, performance, and video, the artists reflect cultural, political, As curator Jaimie Issaac notes, Boarder X presented cultural environmental, and social perspectives, as well as critiques about thrivence of active presence — creating a space for active the territories we occupy. This interdisciplinary contemporary art engagement through art, culture and boarding at the MacKenzie. form acts as a vehicle to challenge conformity and status quo, It was an affirmation and transmission of cultural resilience and as well as presenting narratives and observations of traditions, acknowledgement of ongoing respect and reverence for the land. movement, balance, and entanglements of space, place, and belonging. Boarder X was organized and circulated by the Winnipeg Art Gallery, curated by Jaimie Isaac, the WAG’s recently appointed Curator of Indigenous and Contemporary Art.

15 Top: Mason Mashon, digital photograph. Bottom, left to right: Boarder X opening reception, MacKenzie Art Gallery, 2018. Installation view of Boarder X, MacKenzie Art 16 Gallery, 2018. Photos: Don Hall. Home Economics: 150 Years of Canadian Hooked Rugs September 29, 2018 to January 6, 2019

Home Economics: 150 Years of Canadian Hooked Rugs explored The hooked rugs that comprised Home Economics represented the evolution of hooked rugs, a uniquely Canadian folk art. For generations of social entrepreneurship, women’s domestic and over 150 years, as long as Canada is old, the craft and commerce collective work, as well as community and rural development in of rug hooking has been an intimate part of the lives of many Canada. Then, as now, craft consistently combined the ethic and Canadians. A form of personal artistic expression, reuse and philosophy of the handmade to support sustainable and inclusive recycling, as well as a means of earning a livelihood, hooked rugs growth. Spotlighting the tremendous variation in this Canadian are widely recognizable expressions of community and regional folk art from coast to coast, Home Economics examined how identity in Canada. memory, imagination and place infused this creative expression as well as the rugs’ relationship to domestic production Home Economics spotlighted 86 hooked rugs from the Textile and cottage industries and insights relevant to women’s Museum of Canada’s rich archive of material culture as well as organizations, social enterprise and community development in from public and private collections, exploring the creative and Canada today. social dimensions of this unique Canadian expression and its evolution. For two centuries, the craft and commerce of rug Documenting 150 years of creative experimentation and hooking have been deeply entwined. It is a personal artistic the evolution of historical tradition, Home Economics was form integrating practical techniques of reuse and recycling, emblematic of the Museum’s approach to the thought leadership while also offering a reliable means of earning a livelihood as required of cultural institutions for 21st century impact and highly recognizable form of community and regional material relevance. 1 expression. Presented in conjunction with the Textile Museum of Canada’s 40th anniversary and offered for circulation through The exhibition was organized and circulated by the Textile 2016–2018, this exhibition highlighted a core dimension of Museum of Canada. Curated by Shauna McCabe, Natalia the Museum’s unique collections, focusing on the stories and Nekrassova, Sarah Quinton and Roxane Shaughnessy. communities reflected in rug hooking traditions and the iconic images that pervade this folk expression.

Left: Detail of Marjorie Yuzicappi, Tapestry (Tah-hah-sheena), circa 1970, Wool and linen, University of Regina President’s Collection. Photo: Don Hall. Right, top to bottom: Hooked rug, Grenfell Mission, Newfoundland and Labrador, 1935 – 1945, Silk or rayon, cotton, burlap, hooked. Gift of Heather Bryan. Installation views of Home Economics: 1. From the Textile Museum of Canada 17 150 Years of Canadian Hooked Rugs, MacKenzie Art Gallery, 2018. Photos: Don Hall. 18 Garry Neill Kennedy: Ya Ummi, Ya Ummi ... October 20, 2018 to January 27, 2019

For over three decades acclaimed Canadian artist Garry Neill On display for the first time, his most recent work, Ya Ummi, Kennedy has targeted institutional structures of power through Ya Ummi… (2017), considers the extra-judicial detainment his large-scale wall texts. Using fonts such as “Superstar and interrogation of another Canadian citizen, Omar Khadr. Shadow” and “Chisel,” Kennedy transforms simple phrases into Accused as a fifteen year old of killing a U.S. soldier and monumental statements that bring into question the ethics of wounding another in Afghanistan, he was held from 2002 to government, business, and society at large. 2012 in the Guantanamo Bay detention camp. In a video of an interrogation conducted by CSIS agents at the camp, Khadr is Curated by Timothy Long, this exhibition featured three works heard exclaiming, “ya ummi, ya ummi,” meaning “oh mother, that grow out of Kennedy’s longstanding concerns about the oh mother” in Arabic. Khadr’s heart wrenching cry, rendered violation of human rights during the global war on terrorism. by Kennedy in solemn greys and black, echoes throughout the Introducing the exhibition were a screenprint version of Quid Pro gallery, demanding a response from those who would put the Quo (2012) and a recent iteration of An Eye for an Eye (2014), interests of national security before basic human rights. In 2017 works based on the illegal detention of Syrian-Canadian Maher the Canadian government issued an official apology to Khadr and Arar in 2002–2003. Kennedy alludes in these works to the provided him with a financial settlement in compensation for the exchange of information between the RCMP and the CIA that violation of his rights as a detained youth suspect. led to Maher Arar’s mistaken identification as a terrorist, and his subsequent rendition to Syria by the CIA where he was tortured The exhibition was organized by the MacKenzie Art Gallery at the hands of the Syrian government. The colours of the works and curated by Timothy Long. are based on Arar’s description of his ordeal as posted on his website: fluorescent orange (recalling the jump-suit which the CIA forced Arar to wear); black (referring to the electrical cable which his Syrian captors used to beat him); and red, blue, and yellow (the colours of the bruises produced by the beatings).

Top: Garry Neill Kennedy in front of his installation Ya Ummi, Ya Ummi . . ., MacKenzie Art Gallery, 2018. Bottom, left to right: Installation views of Garry Neill Kennedy: Ya 19 Ummi, Ya Ummi . . ., MacKenzie Art Gallery, 2018. Photos: Don Hall. 20 Punk Orientalism November 10, 2018 to February 17, 2019

Punk Orientalism brought together diverse artistic voices that of imperialism, which was explored through architecture and actively embrace non-conformity and resistance. Curated by Sara monumentality, language and text, fiction and reality, recreation Raza for the MacKenzie Art Gallery, this exhibition focused on and sport and overt and covert forms of protest against the the spaces and places associated with the former Soviet Union, status quo. Reflecting on a number of important historical which officially dissolved in 1991. It presented 15 artists hailing events from the 20th century such as the Cold War, the invasion from Central Asia, the Caucasus, and the Middle East long seen of Afghanistan, the establishment of a proxy war in the region, either as societies subsumed by the former Soviet Union, or coups and revolutions and an ongoing competition to establish serving as its “client” states. The exhibition used the theme of dominance in space exploration, Punk Orientalism examined non-conformity — the “punk” rejection of state authority — to history as both a conduit for revisionist thinking and revolt. By investigate and explore a changing society and its evolving doing so, Punk Orientalism shed light on recent political events in norms in the post-Soviet period. the region and beyond, providing resonance and insight to life in the early 21st century. The idea of “punk” is coupled with a critical study of “orientalism” and its historical association with imperialist Sara Raza is an independent curator and writer on global art, assumptions of knowledge concerning the “East.” Revisiting and was the winner of the ArtTable New Leadership Award for ideas that were meticulously put forward by the late writer Women in the Arts (2016). Sara was the Guggenheim UBS MAP and intellectual Edward Said within his literary masterpiece curator for the Middle East and North Africa and curated But a Orientalism (1978), Punk Orientalism expanded the territory of Storm Is Blowing from Paradise at the Solomon R. Guggenheim the Near East, upon which Said’s thesis was based, to explore Museum in New York, (2016), which travelled to the Galleria the regions of former Soviet possessions in Central Asia and the d’Arte Moderna, Milan in 2018. Sara is the West and Central Asia Caucasus, as well as the USSR’s complex relationship with the editor for ArtAsiaPacific. Arab world, Iran and Turkey. The exhibition was organized by the MacKenzie Art Gallery and The exhibition was organized as intersecting ideas that converge curated by Sara Raza. to create alternative pathways for accessing social and political history and knowledge from a post-Soviet standpoint. Within the works on view, artists challenged history and the resonant impact

Top: Installation view of Punk Orientalism, MacKenzie Art Gallery, 2019. Photo: Don Hall. Bottom: Punk Orientalism Opening Reception, MacKenzie Art Gallery, 2019. Installation view of Punk Orientalism, MacKenzie Art Gallery, 2019. Photo: Don Hall. Artist Shahpour Pouyan, guest curator Sara Raza and artist Babi Badalov engage in 21 the Punk Orientalism exhibition, MacKenzie Art Gallery, 2019. 22 Bill Burns: Bird Radio and the Eames Chair Lounge Agnes Martin: The mind knows what the eye has not seen Installed in MacKenzie Café, Craft Services, January 2019 January 26 to April 28, 2019

Bird Radio, which began in 2007, continues the artist’s The MacKenzie Art Gallery was pleased to bring the work of investigation of cultural codes of knowledge, preservation and internationally recognized artist Agnes Martin to her home protection which mediate our connection to nature. Bird Radio province of Saskatchewan with the opening of Agnes Martin: The and the Eames Chair Lounge is a multi-dimensional artwork by mind knows what the eye has not seen. Bill Burns which is installed in the MacKenzie’s new café, Craft Services. Agnes Martin is one of the most revered abstract artists of the 20th century, celebrated for her serene, reductive paintings that Central to this multimedia installation is a chandelier-like device reveal her ongoing meditation on line, stripes, and the grid; for with jerry-rigged birdcalls surrounded by a selection of modern her poetic, spiritual, and sometimes obtuse writing; and for her Eames chairs. The birdcalls are two-fold reproductions: not only ascetically solitary approach to artmaking. This exhibition was are the devices designed to mimic the sounds of birds that have conceived as an opportunity to bring together all 46 of Martin’s been exiled from most of our urban environments, but they are print works, and to bring renewed emphasis to this compara- also rebuilt versions of pre-existing devices. tively under-examined facet of her practice. Shown alongside the prints are three of Martin’s paintings, two of which have never Born in Regina, Saskatchewan, Bill Burns lives in Toronto. His The exhibition featured the entire portfolio of On a Clear Day, a The work includes a radio transmitter, a set of bespoke hand been shown publicly in Canada, to provide a more complete work concerning animals and safety has been published and selection of screenprints created in 1973 at the invitation of print manipulated birdcall apparatuses and a radio receiver, and a set picture of her corpus of work and to establish a dialogue between exhibited widely in North America and Europe. His drawings, publisher Robert Feldman of Parasol Press, a project that marked of chairs designed by Ray and Charles Eames in the middle of the prints and the medium for which Martin is best known. books, multiples and photographs are included in numerous Martin’s return to artistic practice. It represents an idealized the 20th century. Bird Radio and the Eames Chair Lounge serves collections, including the Tate Britain in London, the MoMA exploration of the potential vocabulary of the grid, Martin’s as a meeting place for artists, scholars, educators, young people Curated by Bruce Hugh Russell and Naomi Potter, with Elizabeth in New York, the Getty Center in Los Angeles, and the Remai chosen subject for much of her painting career. and viewers to share ideas, hopes and concerns about ecology, Diggon, Agnes Martin: The mind knows what the eye has not seen Modern. children, birds and art, and more. opened on January 26 at the MacKenzie. This exhibition offered Co-produced by the MacKenzie with the Esker Foundation in an unprecedented focus on Martin’s print works, in addition to Calgary, the exhibition included complementary screenings in selected paintings that exist in dialogue with the prints. A parallel the Gallery’s Shumiatcher Theatre of two films: Gabriel (Agnes collection of ephemera and source material introduced Martin’s Martin, 1976) and With My Back to the World (Mary Lance, 2007). life and work, focused on her on-going relationship to Canada — her childhood in Saskatchewan, Alberta, and British Columbia, as well as her later travels in Canada.

23 Installation view of Bill Burns: Bird Radio and the Eames Chair Lounge, MacKenzie Art Gallery, 2018. Photo: Don Hall. Image: Agnes Martin, 1988, Galisteo, NM. ©Donald Woodman (ARS New York). www.donaldwoodman.com 24 SakKijâjuk: Art and Craft from Nunatsiavut February 16 to May 20, 2019

The MacKenzie Art Gallery was pleased to be part of a following a famously sold-out show at the Canadian Handicrafts cross-Canada exhibition exploring the art of the Labrador Guild in Montreal, and Newfoundland and Labrador joined Inuit: SakKijâjuk: Art and Craft from Nunatsiavut. The opening Canada, the new province’s “Terms of Union” omitted any reception, presented in collaboration with the Sâkêwêwak mention of federal jurisdiction over the province’s Aboriginal Storytellers Festival, included a walkthrough of the exhibition peoples. This decision made Labrador Inuit artists ineligible for alongside guest curator Heather Igloliorte and visiting artists any of the federally funded Inuit arts initiatives that developed Chantelle Andersen and Sophie Pamak. during the following decades. Carving studios, print shops, and the cooperative movement soon took form throughout what SakKijâjuk — meaning “to be visible” in the Nunatsiavut dialect is now Nunavut and Nunavik. There was no similar activity in of Inuktitut — is the first major exhibition of its kind. It presented Labrador. a critical opportunity to introduce Nunatsiavummiut artists and craftspeople to the world. Through the work of four generations As time passed, Canadian Inuit art grew into a rich and varied of artists — Elders, Trailblazers, Fire Keepers, and the Next practice, a respected field of study and a multimillion-dollar Generation — this exhibition reveals the vital yet long-hidden art industry. Meanwhile Labrador Inuit artists remained nearly history of Nunatsiavut, highlighting the enduring resilience of its invisible. A handful of artists did find critical and commercial artists. Organized by The Rooms Provincial Art Gallery Division success on their own. But understanding and recognition of in St. John’s, NL, the exhibition included a diverse range of work Labrador Inuit art as a whole remained unseen. by 47 artists across four generations, including works on paper, painting, photography, sculpture, textile works, and video. In The exhibition was accompanied by a series of circumpolar film recent decades, artists from the territory have produced work screenings. It featured stories from across the Artic polar region, in a variety of contemporary art media while also working with with an emphasis on Labrador, and was accompanied by periodic traditional materials in new and unexpected ways. artist talks. These films ran every Thursday evening in March in the MacKenzie’s Shumiatcher Theatre. Nunatsiavut, the Inuit region of Canada that achieved self- government in 2005, produces art that is distinct within the This project has been made possible in part by the Government world of Canadian and circumpolar Inuit art. In 1949, when of Canada and by the Nunatsiavut Government. modern Inuit art exploded onto the international art scene

Top: Chesley Flowers, The George River Herd (1995-1996), Wood and antler. The Rooms Provincial Art Gallery, Memorial University Collection. Photo: Ned Pratt Photography. Bottom, left to right: SakKijâjuk: Art and Craft from Nunatsiavut, opening reception, MacKenzie Art Gallery, 2019. Installation view of SakKijâjuk: Art and 25 Craft from Nunatsiavut, MacKenzie Art Gallery, 2019. SakKijâjuk: Art and Craft from Nunatsiavut, opening reception, MacKenzie Art Gallery, 2019. Photos: Don Hall. 26 Superscreen: The Making of an Artist-Run Counterculture and the Grand Western Canadian Screen Shop March 9 to May 20, 2019

Superscreen: The Making of an Artist-Run Counterculture and In addition to the establishment of artist-run centres, artist the Grand Western Canadian Screen Shop looked at the activities culture experienced a dramatic shift during this period. Highly- and legacy of the Screen Shop, the Prairies’ first artist-run mobilized artists, many associated with the Screen Shop, centre. Returning to the Canada of the sixties and seventies, campaigned for the formal establishment of artist’s rights. The Superscreen contextualized the Screen Shop within a time isolation felt by Prairie artists also gave rise to an appetite for characterized by personal and political consciousness-raising and greater connection through arts networks. dynamic change within the arts. What resulted was artwork that captures a sense of Canadian True to its long history as a site of convergence, Winnipeg was cultural production from the 1960s to 1980s, from playful a city of both conservative attitudes and liberal activism. It was psychedelia and the influence of Pop Art, to a serious here that the Screen Shop operated for twenty years under engagement with conceptual questioning, political reflection, the direction of artist and provocateur William (Bill) Lobchuk regional discourses, Indigenous pride, and feminist practices. (b. 1942). In 1968, Lobchuk opened the doors of what was to Bringing together prints, sculpture, posters, and ephemera from become a colourful hub of artistic engagement, education, in and around the Screen Shop, this exhibition celebrates the experimentation, and production. At its core was a youthful spirit of a rebellious, fertile, and overlooked chapter in Canadian group of artists critical of modernism, Eurocentrism, and art history. American imperialism. More specifically, there was a desire to create space for a contemporary art dialogue that had not been Co-produced by MacKenzie Art Gallery and School of Art Gallery, reflected in either the local art establishment or the national University of Manitoba. Curated by Alex King and Timothy Long. arts media.

Left: Detail of General Idea, Humpty Dumpty, For Example, 1972, MacKenzie Art Gallery. Photo: Don Hall. Right, top to bottom: Installation views of Superscreen: The Making of an Artist-run Counterculture and the Grand Western Canadian Screen Shop, MacKenzie Art Gallery, 2019. Superscreen: The Making of an Artist-run Counterculture and the 27 Grand Western Canadian Screen Shop, opening reception, MacKenzie Art Gallery, 2019. Photos: Don Hall. 28 Exhibitions Organized by Hosted Exhibitions Across the Turtle’s Back 2: Worldview the MacKenzie Brenda Francis Pelkey: A Retrospective and Story Telling October 2, 2018 to August 31, 2020 All exhibitions organized by the MacKenzie Art Gallery June 23 to September 29, 2018 A Canadian Dream are supported by the South Saskatchewan Community Organized and circulated by the Art Gallery of October 30, 2018 to February 15, 2019 Foundation, Canada Council for the Arts, SaskCulture, Windsor. This project has been made possible in part City of Regina, University of Regina, and Saskatchewan by the Government of Canada. Curated by Catherine Inscriptions Arts Board. H. Mastin, PhD, Director and Exhibition Curator, Art Gallery of Windsor. February 5, 2019 to June 30, 2020 Mixing Stars and Sand: The Art & Legacy of Sarain Stump Boarder X MacKenzie Touring Exhibitions March 3 to June 24, 2018 July 7, 2018 to October 21, 2018 Mixing Stars and Sand: The Art & Legacy of Sarain Co-curated by Gerald McMaster and Anthony Kiendl. Boarder X has been organized and circulated by the Stump This project has been made possible in part by the Winnipeg Art Gallery, curated by Jaimie Isaac. Organized and circulated by the MacKenzie Art Government of Canada. The MacKenzie Art Gallery Gallery. This project has been made possible in part acknowledges with appreciation the support of Home Economics: 150 Years of Canadian by the Government of Canada. The MacKenzie Art the Department of Canadian Heritage, the South Hooked Rugs Gallery acknowledges with appreciation the support Saskatchewan Community Foundation, the University September 29, 2018 to January 6, 2019 of the Department of Canadian Heritage, the South of Regina, SaskCulture, the City of Regina, and the Organized and circulated by the Textile Museum Saskatchewan Community Foundation, the University Saskatchewan Arts Board. of Canada. Curated by Shauna McCabe, Natalia of Regina, Sask Culture, the City of Regina, and the Nekrassova, Sarah Quinton and Roxane Shaughnessy. Saskatchewan Arts Board. Revolutionaries and Ghosts: Memory, Witness and Home Economics is made possible through the lead Justice in a Global Canadian Context support of the William R. and Shirley Beatty Charitable Kenderdine Art Gallery, University of Saskatchewan, May 26 to September 9, 2018 Foundation. The exhibition tour is supported by the Saskatoon, SK Curated by Timothy Long Museum Assistance Program of the Department of October 19 to December 15, 2019 Canadian Heritage. The full colour exhibition catalogue Road Construction: Perspectives on Driving Through is made possible through the support of Carole and Revolutionaries and Ghosts: Memory, Witness, and Saskatchewan Howard Tanenbaum. Justice in a Global Canadian Context June 30 to September 9, 2018 Works from the Collections of Nickle Galleries and the Curated by Timothy Long SakKijâjuk: Art and Craft from Nunatsiavut MacKenzie Art Gallery, curated by Timothy Long and February 16 to May 20, 2019 Christine Sowiak. Co-produced by Nickle Galleries, Garry Neill Kennedy: Ya Ummi, Ya Ummi ... Organized by The Rooms Provincial Art Gallery University of Calgary and MacKenzie Art Gallery. The October 20, 2018 to January 27, 2019 Division, St. John’s, NL. This project has been made MacKenzie Art Gallery acknowledges with appreciation Curated by Timothy Long possible in part by the Government of Canada and the support of the Department of Canadian Heritage, by the Nunatsiavut Government. Curated by Heather the South Saskatchewan Community Foundation, the Punk Orientalism Igloliorte. University of Regina, Sask Culture, the City of Regina, November 10, 2018 to February 17, 2019 and the Saskatchewan Arts Board. Organized by the MacKenzie Art Gallery and curated University of Regina Faculty and by Sara Raza. Student Exhibitions Nickle Galleries, University of Calgary, Calgary, AB Exhibitions produced in partnership between the January 31 to May 3, 2019 Agnes Martin: The mind knows what the eye has not MacKenzie Art Gallery and the Faculty of Media, Art, seen and Performance at the University of Regina. January 26 to April 28, 2019 Co-produced by Esker Foundation and MacKenzie Art Brenda Danbrook: A Way of Knowing Gallery. Curated by Bruce Hugh Russell and Naomi MFA Graduating Exhibition Potter, with Elizabeth Diggon. December 1 to December 9, 2018

Superscreen: The Making of an Artist-Run Counterculture and the Grand Western Canadian MacKenzie Touring Exhibitions — Screen Shop Provincial Outreach March 9 to May 20, 2019 Each year, a MacKenzie Educator takes exhibitions Co-produced by MacKenzie Art Gallery and School of from the Permanent Collection on tour to schools, Art Gallery, University of Manitoba. Curated by Alex community centres, and local galleries across the King and Timothy Long. province.

Lesser-known Saskatchewan Landscapes October 25, 2016 to May 31, 2018

Across the Turtle’s Back Series: The Kampelmacher Memorial Collection of Indigenous Art September 26, 2017 to June 14, 2018

29 Duane Linklater, Kâkikê / Forever, acrylic, aluminum and LEDs, MacKenzie Art Gallery, 2018. Photo: Don Hall. 30 EDUCATION

AND PUBLIC PROGRAMS Partnership with Saskatchewan Abilities Council

The MacKenzie in partnership with Working closely with the Saskatchewan Saskatchewan Abilities Council engaged SAC Abilities Council to guide this work and volunteers as gallery hosts in the context in consideration of the strengths of each of the Re: Celebrating the Body exhibition volunteer, the gallery has continued to offer in January 2018. The mission of the SAC is a series of tailored training sessions for to build inclusive communities for people volunteers both as an independent group, as of all abilities. SAC offers support and well as a part of the gallery education team. services for individuals with intellectual and Training sessions have included an overview physical special needs in the areas of daily of gallery interpretation strategies, exhibition living and rehabilitation services, quality of descriptions, artist and artwork information, life, and employment. Both organizations and a focus on relationship building with the worked torwards the goal of developing gallery education team. SAC also plays a key and sustaining relationships that would last role in providing professional development beyond Re: Celebrating the Body and continue to Gallery Facilitators through presentations through future exhibition development and on engagement with audiences with varying programming. abilities.

Initially, volunteers worked directly with Thanks to this partnership and the Gallery Facilitators to greet and engage generosity of dedicated volunteers, the visitors with exhibition themes and artworks, Gallery is furthering our vision of providing offering a diversity of perspectives and transformative experiences of the world interpretive strategies for viewers of all through art. We are grateful for rich and ages and abilities. Through taking time meaningful relationships that inform our to build relationships with our Gallery path and help us continue to learn and grow Hosts to understand their interests and in the fields of community engagement and unique strengths, we have expanded public education. engagement with general visitors to include our Studio Sunday family program, public program, and school tour program.

31 Photo credit MacKenzie Art Gallery 32 Community Programs and June 21, 2018: National Indigenous August 11-12, 2018: Interactive Community November 10, 2018: Punk Orientalism January 25, 2019: Opening Reception of Agnes March 9, 2019: Superscreen: The Making of Interdisciplinary Presentations Day Screening of Skateboarder Pants, Workshop at the Regina Folk Festival, featuring walkthrough with curator Sara Raza and guest Martin: The mind knows what the eye has not an Artist-Run Counterculture and the Grand Skateboarding In Pine Ridge, and Afterglow artist Michael Langan artists Shahpour Pouyan, and Babi Badalov seen, featuring curator Bruce Hugh Russell with Western Canadian Screen Shop panel discussion April 5, 2018: Curator in Conversation featuring a brief exhibition introduction in the theatre featuring Bill Lobchuk and guests, moderated by Anthony Kiendl for Mixing Stars and Sand: The July 12, 2018: Boarder X Summer Screening September 13, 2018: Interactive Gallery tour of November 15, 2018: Interactive Gallery Tour Patricia Bovey Art & Legacy of Sarain Stump Program film screening of Riding Giants Boarder X of Home Economics: 150 Years of Canadian January 26, 2019: Curator Talk featuring Bruce directed by Stacy Peralta Hooked Rugs and Garry Neill Kennedy: Ya Hugh Russell who conducted a walkthrough of March 10, 2019: International Women’s Day April 12 and May 10, 2018: Living Performance September 20, 2018: Educator Workshop Ummi, Ya Ummi . . . the exhibition Agnes Martin: The mind knows Program Course Workshop in conjunction with July 19, 2018: Boarder X Summer Screening with Artist Michael Langan who shared his what the eye has not seen Re: Celebrating the Body exhibition Program film screening of Northern Grease knowledge and pedagogy for teaching history November 17, 2018: Drop-in gallery tours and March 14, 2019: Circumpolar Film Screening of through skateboards in the Boarder X exhibition conversation of Punk Orientalism presented January 27, 2019: Silkscreen workshop Shaman, Directed by Echo Henoche, and Lament April 14, 2018: Sask Gymnastics Showcase in July 26, 2018: Boarder X Summer Screening with Russian translation for families for the Land, directed by Ashelee Consolo Willox conjunction with Re: Celebrating the Body Program film screening of 180 South, directed September 30, 2018: Artist Workshop for exhibition through an afternoon of gymnastics by Chris Malloy hooked rugs, featuring Hooked on the Prairies November 22, 2018: Interactive gallery tour February 1, 2019: Launch for Black History March 21, 2019: Circumpolar Film Screening of performances and audience participation artist Shelly Nicolle-Philips of Punk Orientalism Month featuring performances and Angry Inuk, directed by Alethea Arnaquq-Baril June 22, 2018: Opening Reception for Brenda presentations, presented in partnership with April 19, 2018: Artist Ingrid Baxter presented Francis Pelkey: A Retrospective, including an October 18, 2018: Boarder X artist talk by November 29, 2108: Vertigo Series the Saskatchewan African Canadian Heritage March 28, 2019: Circumpolar Film Screening of an artist talk in the University of Regina pool artist talk with Brenda Pelkey Meghan O’Brien and film screening of The Museum and Regina Civic Museum The Last Walk, directors: Anna Hoover, Pipaluk in conjunction with Re: Celebrating the Body Radicals December 1, 2018: Drop-in gallery tours and K. Jørgensen, Mikisoq Lynge, Jerri Thrasher exhibition. July 1, 2018: Interactive Community Workshop conversation of Punk Orientalism presented February 7, 2019: Curator Talk featuring Bruce located at Wascana Park for Canada Day October 28, 2018: Artist Workshop for hooked with French translation Hugh Russell who conducted a walkthrough of April 19 to June 1, 2018: New Dance Horizons Celebrations rugs, featuring Hooked on the Prairies artist the exhibition Agnes Martin: The mind knows Stream of Dance Festival in conjunction with Re: Shelly Nicolle-Philips December 1, 2018: Artist Trading Cards Holiday what the eye has not seen Celebrating the Body exhibition July 6, 2018: Boarder X Open Skate and Make and Trade-In partnership with the Regina Opening Reception. Open skates included youth, November 1, 2018: Artist Workshop for hooked Trading Card Collective February 15, 2019: Opening Reception for April 28, 2018: Artist Trading Cards Anniversary women’s open skates as well as demos from Tiki rugs, featuring Hooked on the Prairies artist SakKijâjuk: Art and Craft from Nunatsiavut and Reception Room and Colonialism Skateboards Shelly Nicolle-Philips December 9, 2018: Holiday Celebration walkthrough with curator Heather Igloliorte

May 24, 2018: Listen to Dis Community Arts July 7, 2018: Boarder X artist talk featuring a November 8, 2018: Educator Workshop for December 21, 2018: Winter Solstice Celebration February 23, 2019: Artist Trading Cards Organization performance of Neither Heroes walkthrough with Jaimie Isaac, Micheal Langan teachers led by Punk Orientalism curator to launch the public artwork by Duane Linklater Make and Trade Session Nor Ordinary People and Mark Igloliorte Sara Raza entitled Kâkikê / Forever March 3, 2019: Storytelling Sunday June 7, 2018: Interactive Gallery Tour of July 20, 2018: Buffalo Festival Celebration and November 9, 2018: Fall Premiere & Reception January 10, 2019: Bill Burns artist talk of Bird Family Film Screening of Shaman, Mixing Stars and Sand: The Art & Legacy Fashion Show, in collaboration with the Buffalo featuring Punk Orientalism, Garry Neill Radio and the Eames Chair Lounge and official directed by Echo Henoche of Sarain Stump Peoples Arts Institute Kennedy, and Café Launch. Included artist opening of the Craft Services Café walkthrough with Garry Neill Kennedy, Home March 8, 2019,: Opening Reception for June 9, 2018: Artist Trading Cards Make Economics, art{outside}, and celebration of January 25, 2019: Art For Lunch at University Superscreen: The Making of an Artist-Run and Trade Session Punk Orientalism of Regina featuring curator Bruce Hugh Russell Counterculture and the Grand Western who introduced the exhibition Agnes Martin: The Canadian Screen Shop mind knows what the eye has not seen 33 34 NEW PROGRAM SPACE AND CAFÉ

In November 2018, the MacKenzie’s new The new space prominently features artwork program space and café opened. The space by local artist Bill Burns. Bird Radio and the can host groups of over 150 people, with two Eames Chair Lounge is a multi-dimensional new meeting rooms that can be configured artwork, which continues the artist’s to accomodate a variety of different Gallery investigation of cultural codes of knowledge, programs and receptions. The new area has preservation and protection which mediate been a welcome addition to the main floor of our connection to nature. the MacKenzie. View page 21 for more information on Bill Led by the successful team behind 33 Burns: Bird Radio and the Eames Chair 1/3 Coffee Roasters, Craft Services offers Lounge. breakfast, lunch, and, on Thursday evenings, creative dinner specials. Taking it’s name from the center of a film set’s social scene, where the area is the great equalizer, the space has become a meeting hub for staff and visitors, new programming, and receptions.

This is how we see our café; and we celebrate this tradition with the name Craft Services — a place where people meet, where all are equal, the food is nourishing, sustaining and flavourful. It is the creative engine for the creative industries, where visual art, food, music, poetry, film, movement and more will intermingle and create transformative experiences.

35 36 DONATIONS Escape Manor Michael Kelsey Tania Nault, Artist Brittany Gogel Evan Quick Michael Langan, The Canadian Brewhouse Brittany Yang Through their vital support of the MacKenzie’s renowned GIFTS $1,000-$1,999 GIFTS $100-$499 Colonialism Skateboards Grasslands FLY Fitness & Aerial Arts Bushwakker Brewing exhibitions and innovative public programs, donors impact Andrea Wagner & Don Hall Aaron & Lenore Fox Mo Bundon Tiki Room Company Ltd. the lives of countless individuals throughout our province. George Maier Anne Parker AfterGlow Sunless Tanning Nancy E. Croll Timothy Long and Carolyn Fay Eros Gerri Ann Siwek Thank you to our donors! Brenda Beckman-Long Barbara Keirnes-Young Alex MacDonald & Catherine Natalie Whelpton Carolyn Harris Gina Fafard Arthur MacDonald Trent Meyer Ben & Johanna Salloum Nicolle Nugent, Bath Poetry Charley Farrero, Globe Theatre Arthur & Mary Opseth Tyler Willox Danielle Cutts Ntasha Frehlich Farrero Clayworks Golden Mile Bowling Centre Auralee & Murdoch Ukrainian National GIFTS $2,000-$4,999 Dorothy Perehudoff Nu Image Medical Esthetics Chris Yang DONATIONS OF MacPherson Gordon Wicijowski Federation Regina Christine Ramsay and Albert Gatin Dr. George Chami P3Architecture ART – PERMANENT Bailey Kasko, Rogue Heavy Gym Wheelhouse Cycle Club, Ken Wilson Bill & Gaye Taylor Dr. Jacqui Shumiatcher Jewelry Designs Peter Flynn Linden Wilcock COLLECTION Ian & Elaine Hill Cicely Pritchard Jan M. Campbell Beauty House Hair Boutique Practical Art, Steve Pietens & Betty Trout David & Veronica Thauberger Italian Star Deli Anonymous (2) Michael McNell Cindy & Don Ogilvie Drs. E.P. & L.W. Brandt Fund Leanne Sumners Beavercreek Ranch David & Veronica Thauberger J. Arthur McInnis and Cloudesley Rook-Hobbs and at the South PRIM Brow Bar & Skin Studio Donald & Claire Kramer Marie Lannoo Best Food Forward Debora Chatwin GIFTS UP TO $99 Leah Cojocar Ken & Bette Sexton R. Bradley & Michelle Hunter Aaron Davis, Davis & Davis Donnalu Wigmore Gunn Mary & Chris Ference Brenda Smith Jackie Martin Cory Furman Ralph Goodale and Woodworking Muveddet Al-Katib Namerind Housing Corporation Brice Photography Jane Bellman Gesa & Bob Arscott Pamela Kendel-Goodale Danny Casey, Forge Creations Neil G. Devitt & Lynn Crook Ahmed Malik Patti Bolen Nancy Hipperson Charles & Sharon Eisbrenner Jeremy & Mary Weimer Debbie Lee Jewellery Designs Regina Beach Yacht Club Al Fitzpatrick and Robert Perry P3Architecture Charles Baldock & Erika Jackle Jill K Davidson Terry Sefton Regina Little Theatre Louis Trichard Deborah Rush Saskatchewan Community Performance & UR Thomas Druyan & Alice Ladner Chris & Karen Pasterfield John & Tessa Whyte Alana Kilmury Delee Cameron and Ted Quade Foundation International Regina Symphony Orchestra Wanda Koop Crocus & Ivy Judith Veresuk Alexander Dyck Denise Werker Tom Bradley and University of Regina Faculty Robyn Barclay Dawn Redmond-Bradley of Media, Art Dale Folstad and Judy Wallace Amanda Baker Donnie Parker Denise Jenkins Folstad Rod Balkwill GIFTS $25,000+ Ken Rasmussen Vera Saltzman Rod Tyler and Amy Groothuis E. Magee Enbridge Pipelines Inc. Dana Rogochewsky Kevin Punshon Mary Ann Czekansi Angus & Devona Juckes Elaine Keating South Saskatchewan Dave & Marilyn Hedlund Leasa Gibbons Ryan Suri Anthony Kiendl and Eleanor Cardoza and Community Foundation GIFTS $500-$999 David & Anne Millar Lloyd Dubois Artist Salon Haze Joanne Bristol Jeremy Morgan Cristian Barreno Dean Renwick Design Asma Gehlen Ev Mazurkie GIFTS $5,000+ Studio Inc Lorne Beug Samantha Duffy, Douglas & Cindy Johnson Samantha Ring Artist Barb Quinney Fat Badger Estate of John Mollard Denise Werker Lorraine Young and Don Laing Gerald & Vivian Norbraten Sandra Stretten Barbara Young Flatland Artists Studios Inc. Leslie B. Lasby & Helen Timm Don Pell, Wingnut Enterprizes Lynne Bayne Gerald Kraus Sinfully Sweet Ben and Stephanie Tingley Friends of the Museum Lynn and Jim Tomkins Donnie Parker Malcolm and Ellen Lindeburgh John & Linda Nilson Cathedral Bakery Foundation Fund at the South Margaret Wigmore Bernard Zaharik, Gord and Laurie Webster Dr. Diana Monea Steve Yang Saskatchewan Community Lyall & Eileen Moore ZZ Colored Porcelains Gregory and Dianne Swanson Foundation E. Christine Fraser Pottery Marion Chase SEED Sustainable Style Studio MDHR Beverly O’Shea Marjorie Badham Heather Salloum MacKenzie Gallery Volunteers Earls South Studio S Fashion House Slate Fine Art Gallery Bonnie Gilmour Pottery Hotel Saskatchewan ElinMae Mary and Cliff Baylak Studio 306 Susan and Bryce Schurr Brian Carr Radisson Plaza Ella Denzin Mary Neufeld and Dave Evans Thelfa Yee-Toi Susan Wiebe Brianne Urzada Jackie Schmidt Melody Armstrong Jewellery Elsie Toupich Susan Zmetana Brigitte Hagues

37 38 Jamie Lavalley, Rich and Bernadette McIntyre TRIBUTE DONATIONS CORPORATE Mister PrintWest Amber Rayne Designs Robert and Jane Braun Donnie Parker in memory of SPONSORS Moxie’s Grill & Bar Jan Besse Roland Daum Artist June Whitney Gold $10,000 - $24,999 Nokomis Craft Ales Jason Ziegler Sandee Moore Great-West Life, London Life Olson Goldsmiths Elaine Keating in memory of Jaymin Stewart, ShadesofJay Sarah Wyatt, and Canada Life Mary Frances Ramsay Parks Canada Jennifer Matotek serendipity bead co. ISC Pro AV Ltd. Jerry Flegel Shaun Leach Ev Mazurkie in memory of SaskTel Queen City Cakes Joan & Douglas Osborne Sheila and Joseph Roberts Scott Beck Skye Café & Bistro Helen Timm in memory of John A. Davies Stephanie Yang Silver $5,000 - $9,999 Leslie B. Lasby Slate Fine Art Gallery JoJo Beads, Jolene Dusyk Steve Karch and MLT Aikins LLP Gerri-Ann Siwek Sleek Signs Jonathon Di Stasi J. Arthur McInnis and SUDS Full Service Car Wash Susan Whitney Art Appraisals Inc. Karen Pozniak Deborah Chatwin in memory of Bronze $1,400 - $4,999 Susan and Neil Mack Tourism Saskatchewan Kathie Maher-Wolbaum, Patricia Elizabeth Wiens 1080 Architecture Handcrafted Home Comforts Tara Garratt, Rock’n Jewellery Wascana Flower Shoppe Jane Bellman and the Conexus Credit Union Just for You The Benevity Community PEN team in memory of Woodbridge by Robert Mondavi Kelly Welder Impact Fund Harvard Developments Inc. Mary Frances Ramsay Khurrum Awan The Grid VR Arcade MAACO Collision Repair Joan and Douglas Osborne Lauren McKim and Thomas Bredohl and & Auto Painting MEDIA PARTNERS Eric Galbraith Elizabeth Toporowski in memory of Mary Frances PFM Capital Inc. Leader-Post Lena Woolley Tina Svedahl Ramsay Sherwood Co-op Pattison Outdoor Lise Lundlie Trudi Griffin, Elemental Kevin Punshon in memory of Prairie Dog Magazine Quiltworks Mary Frances Ramsay Lorraine Weidner IN-KIND SUPPORTERS Winnifred Barber Rawlco Radio Louise Hoffert Tom Bradley and A1 Rent-Alls Wyatt Heiberg, FLAT Clothing Lynne Erickson Dawn Redmond-Bradley Advantage Sign & Display Yingcai Wang Malty National in memory of Joe Fafard, Zoraida Quinones-Wissel Assiniboia Gallery Mamun Kazi Elizabeth Wiens and Anonymous (16) June Whitney Balloon Bar YQR Maria Trebuss Chop Steakhouse & Bar Marilyn Syrota, Birch Creek Pottery PLANNED GIVING Conexus Arts Centre Crave Kitchen & Wine Bar Michelle Austin, Perch Albert Gatin Mr. and Mrs. Gordon Neill Creative Touch Wedding & Mark & Janice Stefan Nancy Farrell Event Designs Patricia Elizabeth Wiens Deloitte Patricia Sinclair Don Hall Photography Patrick Markle Double Tree by Hilton Paul Whitney Hillman AV

Gala 2019 39 40 PERMANENT CLETO ACQUISITIONS COLLECTION The Kampelmacher Memorial Collection of Indigenous Art

The MacKenzie Art Gallery announced that A key objective for Thomas Druyan and it received a pledged gift of more than 1,000 Alice Ladner in entrusting this collection to works of art by contemporary Indigenous the MacKenzie is to create an educational and Inuit artists from Edmonton-based resource for current and future generations collectors, Thomas Druyan and Alice Ladner. of students and scholars — many of whom The Kampelmacher Memorial Collection of are also members of Canada’s Indigenous Indigenous Art, named in honour of Druyan’s communities. In addition to future exhibitions grandparents Wolf and Sala Kampelmacher, and programs at its location in Regina, the began in 1992 and is the product of the Gallery also expects to become an important couple’s commitment to engaging with resource for loans of art to institutions across artists and galleries that reflect the myriad Canada and internationally. of artistic expressions of Indigenous art from across North America. For the MacKenzie, The Kampelmacher Memorial Collection fills Indigenous art has long been a core area gaps in the Gallery’s existing holdings of of activity. With this gift, the Gallery can Indigenous art, with the addition of previously strengthen this capacity, developing an unrepresented artists, including: Joane expanded array of exhibitions and programs Cardinal-Schubert, Blake Debassige, Eddy for current and future audiences and, Cobiness, Allen Angeconeb, Pitalousie Saila, especially, students, scholars, and members of and Germaine Arnaktauyok, among others. the community. Furthermore, the MacKenzie will supplement the collection with important early works As a whole, the Kampelmacher Memorial already in its possession, by a number of Collection is reflective of artistic leading contemporary artists, including: experimentation, with many artists whose Robert Houle, Carl Beam, and Helen Kalvak. work combines Indigenous customs as well as art-making traditions with present-day innovations in materials or form.

Image: Allen (Ahmoo) Angeconeb (Canadian [Anishinaabe/Ojibway], born 1955), Wolves Looking Out of Den, 1984, screenprint on paper, edition 57/93. Collection of the MacKenzie Art 41 Gallery, gift of Thomas Druyan and Alice Ladner, the Kampelmacher Memorial Collection of Indigenous Art. 42 Purchases Four Part Invention, 1972 Dallas Road in Greys, 1985 Imaginary Artifact, 1986 Memory of Corfu, 1988 Head Ornament for Buddha, 1989 Bill Burns enamel on linen oil and enamel on linen carved modeling paste, gesso, acrylic, bone, oil and enamel on linen ivory, antique Chinese silk, nails, gold inlay on Canadian, born 1956 76.2 x 91.4 cm (framed) 76.2 x 76.2 cm gold leaf and gold foil on walnut wood 86.4 x 86.4 cm (framed) wood base Barcode of Life Wallpaper, 2006 Collection of the MacKenzie Art Gallery Collection of the MacKenzie Art Gallery 25.4 x 20.3 cm (framed) Collection of the MacKenzie Art Gallery 25.4 x 20.3 cm (framed) digital file for custom-printed wallpaper Collection of the MacKenzie Art Gallery Collection of the MacKenzie Art Gallery Collection of the MacKenzie Art Gallery Charles Street Incident / The Green Room, 1974 Homage to Icarus, 1985 Red Geraniums / Window, 1988 oil and enamel on canvas gilded glass and lead, ivory, modeling paste, Fern in Oval Mirror II, 1987 oil, acrylic, wood, gold leaf, metal leaf on canvas Magic Room, 1989 Duane Linklater 106.7 x 106.7 cm wood (mahogany, walnut, and cedar), gesso, oil on canvas and linen acrylic, gold leaf, modelling paste, Chinese silk Canadian [Omaskêko Cree], born 1976 Collection of the MacKenzie Art Gallery acrylic, 23K gold leaf, bone, jade, eggshell, silver 76.2 x 71.1 cm (framed) 50.8 x 61 cm on board Kâkikê / Forever, 2018 on masonite Collection of the MacKenzie Art Gallery Collection of the MacKenzie Art Gallery 35.6 x 35.6 cm (framed) aluminum, acrylic, LED lights Hidden Rose, 1974 43.2 x 20.3 cm (framed) Collection of the MacKenzie Art Gallery Collection of the MacKenzie Art Gallery oil and enamel on linen Collection of the MacKenzie Art Gallery Golden Figures on Red Ground, 1987 Rododendron / White Gold Ground, 1988 76.2 x 76.2 cm carved gesso, acrylic, fabric, and 23K gold leaf oil, enamel, and 16K and 24K gold leaf on Mechanical Men, 1989 Allen Sapp Collection of the MacKenzie Art Gallery Jacob’s Dream, 1985 on masonite canvas Chinese ink and watercolor on paper Canadian, 1928–2015 enamel and 24K gold leaf on canvas 25.4 x 20.3 cm (framed) 50.8 x 50.8 cm (framed) 27.9 x 35.6 cm (framed) Recess at Onion Lake School, 1988 Netsuke, 1981 86.4 x 71.1 cm Collection of the MacKenzie Art Gallery Collection of the MacKenzie Art Gallery Collection of the MacKenzie Art Gallery acrylic on canvas carved polychrome, modeling paste, gesso, Collection of the MacKenzie Art Gallery 61 x 76.2 cm acrylic, and oil on masonite Ronin, 1987 A Chinese Ghost, 1989 The World Above, The World Below, 1989 Collection of the MacKenzie Art Gallery 7.6 x 5.1 cm (framed) Labrys (Cretan Double Axe), 1985 carved gesso, eggshell, ivory, bone, hardwood, carved gesso, acrylic, gold leaf (23K and lemon carved gesso, jade, ivory, 10K gold, 23K gold Collection of the MacKenzie Art Gallery carved modeling paste, gesso, acrylic, 22K gold acrylic, 23K gold leaf, tiger iron electroplated gold) leaf on masonite Anthony Thorn leaf, bone, ivory, epoxy with gold dust, silver, with gold, linen and velour matboard on 17.8 x 17.8 cm (framed) 20.3 x 15.2 cm (framed) Canadian, 1927–2014 Parade II, 1981 eggshell mosaic, jade, gold inlay, aromatic masonite Collection of the MacKenzie Art Gallery Collection of the MacKenzie Art Gallery Sketch of Kathy, 1961 oil on masonite cedarwood with black stain, walnut wood on 45.7 x 29.2 cm (framed) crayon or oil pastel on paper 30.5 x 40.6 cm masonite Collection of the MacKenzie Art Gallery A Mighty Fortress, 1989 West Coast, 1989 50.8 x 43.2 cm (framed) Collection of the MacKenzie Art Gallery 50.8 x 17.8 cm (framed) jade, ivory, mastodon bone, mahogany, cedar, oil on mounted linen Collection of the MacKenzie Art Gallery Collection of the MacKenzie Art Gallery Structure, 1987 linen, 24K gold pigment 33 x 50.8 cm (framed) Urban Focus, 1982 sumi ink on rag matboard 10.2 x 19 cm (framed) Collection of the MacKenzie Art Gallery Harbour on Lesbos, 1963 gesso, modeling paste, acrylic, and oil on Shamans’ Ride, 1985 31.8 x 35.6 cm (framed) Collection of the MacKenzie Art Gallery enamel on linen masonite oil and enamel on mounted linen Collection of the MacKenzie Art Gallery Donations 63.5 x 43.2 cm 25.4 x 28 cm (framed) 35.6 x 45.7 cm (framed) A Sword for Arthur, 1989 Kalai Adla Collection of the MacKenzie Art Gallery Collection of the MacKenzie Art Gallery Collection of the MacKenzie Art Gallery Winged Guardian, 1987 carved gesso, acrylic, white and gold leaf, Canadian [Inuit, Cape Dorset], born 1927 oil on linen mahogany Untitled, 1970 Portrait of Miss Q, 1963 Mandala, 1983 Vertical View — Dallas Road, 1985 101.6 x 61 cm (framed) 55.9 x 20.3 cm (framed) stone enamel on masonite carved bone and modeling paste, gesso, acrylic, oil and enamel on linen Collection of the MacKenzie Art Gallery Collection of the MacKenzie Art Gallery 12.7 x 5.1 x 5.1 cm 35.6 x 27.9 cm (framed) 22K gold leaf, eggshell mosaic, wood (walnut 86.4 x 40.6 cm (framed) Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery and mahogany) on masonite Collection of the MacKenzie Art Gallery Birth of a Dragon, 1988 Angel with Shrine, 1989 gift of Thomas Druyan and Alice Ladner, 11.4 x 11.4 cm (framed) oil on canvas ink on paper the Kampelmacher Memorial Collection of Witches’ Meeting, 1964 Collection of the MacKenzie Art Gallery An Irish Saint, 1986 76.2 x 91.4 cm 30.5 x 30.5 cm (framed) Indigenous Art enamel on masonite mastadon and elephant ivory, bone, carved Collection of the MacKenzie Art Gallery Collection of the MacKenzie Art Gallery 30.5 x 43.2 cm (framed) Shrine for Astarte, 1984 gesso, acrylic, 23K gold leaf, walnut and yew Malaya Akulukjuk Collection of the MacKenzie Art Gallery carved gesso, ivory, jade, bone, glass, lead/tin, wood Double Geranium, 1988 Composition with Lapis, 1989 Canadian [Inuit, Pangnirtung], 1915–1995 wood (walnut and cedar), 23K gold leaf, acrylic, 40.6 x 17.8 cm (framed) oil on linen on board carved gesso, acrylic, carved bone, epoxy, 23K Killer Whale, 1978 Fishing Boats at Sunset, Cape Cod, 1966 oil on masonite Collection of the MacKenzie Art Gallery 35.6 x 45.7 cm gold leaf, lapis lazuli, textile wool and cotton oil and enamel on canvas 40.6 x 17.8 cm (framed) Collection of the MacKenzie Art Gallery 35.6 x 27.9 cm (framed) 96.5 x 124.5 cm 61 x 91.4 cm (framed) Collection of the MacKenzie Art Gallery Design for Gilded Bronze, 1986 Collection of the MacKenzie Art Gallery Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery carved gesso, acrylic, 23K gold leaf Geraniums / Red Ground, 1988 gift of Thomas Druyan and Alice Ladner, Three Great Fragments, 1984 25.4 x 20.3 cm (framed) oil on canvas Fantasia, 1989 the Kampelmacher Memorial Collection of Seated Nude, 1969 carved modeling paste, gesso, acrylic, gold leaf, Collection of the MacKenzie Art Gallery 61 x 91.4 cm (framed) oil, 24K gold leaf on board Indigenous Art enamel on canvas agate, oil on masonite Collection of the MacKenzie Art Gallery 17.8 x 15.2 cm (framed) 76.2 x 50.8 cm (framed) 38.1 x 45.7 cm (framed) Garden in Paradise Triptych, 1986 Collection of the MacKenzie Art Gallery Collection of the MacKenzie Art Gallery Collection of the MacKenzie Art Gallery oil on mounted linen Golden Door / Carnelian Door, 1988 40.6 x 66 cm (framed) carved gesso, acrylic, oil, 23K gold leaf on wood Collection of the MacKenzie Art Gallery 28 x 35.6 cm (framed) Collection of the MacKenzie Art Gallery 43 44 Monster with Four Birds, 1979 the Kampelmacher Memorial Collection of Wolves Looking Out of Den, 1984 the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, stone (soapstone) wool and cotton, edition 2/60 Indigenous Art screenprint on paper, edition 57/93 Indigenous Art gift of Thomas Druyan and Alice Ladner, 25.4 x 12.7 x 10.2 cm 77.6 x 83 cm 29 x 41 cm (sight) the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Untitled, 1993 Collection of the MacKenzie Art Gallery, When Houses Were Alive, 1996 Indigenous Art gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, stone gift of Thomas Druyan and Alice Ladner, lithograph on paper, edition 101/300 the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of 15.2 x 8.9 x 10.2 cm the Kampelmacher Memorial Collection of 38 x 42 cm (sight) Untitled (Avataq), no date Indigenous Art Indigenous Art Collection of the MacKenzie Art Gallery, Indigenous Art Collection of the MacKenzie Art Gallery, stone gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, 10.2 x 27.9 x 10.2 cm Rick Bartow Teetalie, 1983 the Kampelmacher Memorial Collection of Johnny Angnatuk the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, American [Yurok/Wiyot], born 1946 stencil on paper, edition 50/50 Indigenous Art Canadian [Inuit, Killinik], 1940–2001 Indigenous Art gift of Thomas Druyan and Alice Ladner, Untitled (pendant), no date 40.6 x 55.9 cm Untitled, 1978 the Kampelmacher Memorial Collection of ivory (scrimshaw), silver Collection of the MacKenzie Art Gallery, Alurd stone (soapstone), ivory inserts When There was No Light, 2005 Indigenous Art 6.5 x 2.8 x 0.8 cm gift of Thomas Druyan and Alice Ladner, Canadian [Inuit, Rankin Inlet] 30.5 x 16.5 x 17.8 cm etching on paper, edition A/P 5/6 Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of Untitled, no date Collection of the MacKenzie Art Gallery, 65 x 73 cm Shuvinai Ashoona gift of Thomas Druyan and Alice Ladner, Indigenous Art applique on felt gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, Canadian [Inuit, Cape Dorset], born 1961 the Kampelmacher Memorial Collection of 84 x 131 cm the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, In the Tent, 2007 Indigenous Art Olassie Akulukjuk Collection of the MacKenzie Art Gallery, Indigenous Art the Kampelmacher Memorial Collection of ink and coloured pencil on paper Canadian [Inuit, Pangnirtung], born 1951 gift of Thomas Druyan and Alice Ladner, Indigenous Art 50.8 x 66 cm Carl Beam Wolf and Man, 1975 the Kampelmacher Memorial Collection of Simeona Arnakretuar Angutingornerk Collection of the MacKenzie Art Gallery, Canadian [Anishinaabe/Ojibway], 1943–2005 wool and cotton Indigenous Art Canadian [Inuit, Kugaaruk (Pelly Bay)], Arnaqu Ashevak gift of Thomas Druyan and Alice Ladner, Co-orp, no date 92.5 x 106.5 cm 1924–1997 Canadian [Inuit, Cape Dorset], 1956–2009 the Kampelmacher Memorial Collection of mixed media on rag paper Collection of the MacKenzie Art Gallery, Joe Andoe Woman Breastfeeding, 1970 In the Wake of the Whale, 2002 Indigenous Art 27 x 18 cm gift of Thomas Druyan and Alice Ladner, American, born 1955 wool, hair, yarn, fleece stonecut on paper, edition 37/50 Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of Four Horses — 1, 1994 56 x 47.7 cm 61 x 55.9 cm Scary Dreams, 2006 gift of Thomas Druyan and Alice Ladner, Indigenous Art screenprint on paper, edition 41/75 Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, stonecut on paper, edition 48/50 the Kampelmacher Memorial Collection of 61 x 48.2 cm gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, 73.7 x 71.1 cm Indigenous Art Adamie Alariaq Collection of the MacKenzie Art Gallery, gift of the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, Canadian [Inuit, Cape Dorset], 1930–1990 Veronica and David Thauberger Indigenous Art Indigenous Art gift of Thomas Druyan and Alice Ladner, Messenger, 1980 Untitled, no date the Kampelmacher Memorial Collection of etching on paper, edition A/P stone (serpentine) Allen (Ahmoo) Angeconeb Perpetua Anituq Delmer Ashkewe Indigenous Art 35 x 26.5 cm (sight) 38.1 x 22.9 x 19.1 cm Canadian [Anishinaabe/Ojibway], born 1955 Canadian [Inuit, Kugaaruk (Pelly Bay)] Canadian [Potawatomi], born 1947 Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Ahneesheenahpay Myth of Creation, 1986 Untitled, 1970 Kineu (war eagle), 1977 Iola Audlakiak gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, etching on paper, edition 21/30 yarn, fleece, musk ox screenprint on paper, edition 14/77 Canadian [Inuit, Clyde River], born 1967 the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of 27 x 63 cm (sight) 51 x 44.5 cm 53.25 x 35.5 cm (sight) Untitled (Qilupilak), no date Indigenous Art Indigenous Art Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, antler gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, 1.3 x 10.2 x 12.7 cm Safe Removal, no date Adam Alaruk the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, mixed media on rag paper Canadian [Inuit] Indigenous Art Indigenous Art Indigenous Art gift of Thomas Druyan and Alice Ladner, 46 x 38 cm (sight) Untitled, no date the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, antler Three Worlds of the Ahneesheenahpay, 1986 Germaine Arnaktauyok Kumwartok Ashoona Indigenous Art gift of Thomas Druyan and Alice Ladner, 26.7 x 5.1 x 2.5 cm etching on paper, edition 22/30 Canadian [Inuit, Igloolik], born 1946 Canadian [Inuit, Cape Dorset], born 1975 the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, 50.8 x 86.4 cm The Sun and the Moon, 2003 Angels Beckon, 2002 Dale Auger Indigenous Art gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, etching on paper, edition A/P 4/6 etching on paper, edition 19/50 Canadian [Cree], 1958–2008 the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, 60 x 75 cm 89.6 x 67.2 cm Untitled, no date West Coast Transformation, #2, 1983 Indigenous Art the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, acrylic on canvas lithograph on paper, edition 8/114 Indigenous Art gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, 92 x 40.8 cm 52.5 x 76 cm Thomasie Alikatuktuk the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Canadian [Inuit, Pangnirtung], 1953–2009 Wiwikop, 1982 Indigenous Art Indigenous Art gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, Joyful Morning, 1992 lithograph on paper, edition 10/50 the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of stonecut on paper, edition 28/50 56 x 30 cm Uluiit, 1997 Qaqak (Kaka) Ashoona Indigenous Art Indigenous Art 37.5 x 37 cm (sight) Collection of the MacKenzie Art Gallery, etching on paper, edition 32/100 Canadian [Inuit, Cape Dorset], 1928–1996 Collection of the MacKenzie Art Gallery, gift of gift of Thomas Druyan and Alice Ladner, 20.5 x 21.5 cm (sight) Untitled (Avataq), no date George Auqsaq Thomas Druyan and Alice Ladner, the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, stone Canadian [Inuit, Igloolik], born 1963 Indigenous Art gift of Thomas Druyan and Alice Ladner, 15.2 x 27.9 x 12.7 cm Untitled, no date 45 46 Jackson Beardy the Kampelmacher Memorial Collection of screenprint on paper, edition 201/500 Collection of the MacKenzie Art Gallery, gift of 40.6 x 50.8 cm the Kampelmacher Memorial Collection of Canadian [Cree], 1944–1984 Indigenous Art 71.1 x 83.8 cm Veronica and David Thauberger Collection of the MacKenzie Art Gallery, Indigenous Art Untitled, 1970 Collection of the MacKenzie Art Gallery, gift of gift of Thomas Druyan and Alice Ladner, gouache on paper Bob Boyer Veronica and David Thauberger It Ain’t Done Yet, 2015 the Kampelmacher Memorial Collection of Norman Ekoomiak 37 x 48.3 cm (sight) Canadian [Métis], 1948–2004 resin sculpture, edition 1/15 Indigenous Art Canadian [Inuit], 1948–2009 Collection of the MacKenzie Art Gallery, The Great Pass and the Black Hill, 2000 Don Chase 16.4 x 13 x 10.5 cm Untitled (Sednas, geese and sun), no date gift of Thomas Druyan and Alice Ladner, oil and fresco on canvas Canadian [Anishinaabe/Ojibway], born 1938 Collection of the MacKenzie Art Gallery, gift of Preparing to Leave, 1996 applique on duffel the Kampelmacher Memorial Collection of 39 x 49 cm (sight) Mother and Child, no date Veronica and David Thauberger acrylic on canvas 87 x 134 cm Indigenous Art Collection of the MacKenzie Art Gallery, mixed media on paper 76 x 61 cm Collection of the MacKenzie Art Gallery, gift of Thomas Druyan and Alice Ladner, 71 x 52 cm Tony Cragg Collection of the MacKenzie Art Gallery, gift of Thomas Druyan and Alice Ladner, Leland Bell the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, British, born 1949 gift of Thomas Druyan and Alice Ladner, the Kampelmacher Memorial Collection of Canadian [Anishinaabe/Ojibway], born 1953 Indigenous Art gift of Thomas Druyan and Alice Ladner, Suburbs I, 1990 the Kampelmacher Memorial Collection of Indigenous Art Thoughts in the Void, 1975 the Kampelmacher Memorial Collection of spit bite and aquatint etching on paper, edition Indigenous Art acrylic on canvas Roger Brown Indigenous Art 24/35 Joe Emiqutailaq 59 x 49 cm American, 1941–1997 71.1 x 66 cm The Path of Life (Study for), 1981 Canadian [Inuit, Sanikiluaq (Belcher Islands)], Collection of the MacKenzie Art Gallery, Fear No Evil, 1991 Louisa Chase Collection of the MacKenzie Art Gallery, acrylic on paper 1918–1991 gift of Thomas Druyan and Alice Ladner, lithograph on paper, edition 50/50 American, 1951–2016 gift of Veronica and David Thauberger 82 x 59 cm (each) Untitled, 1970 the Kampelmacher Memorial Collection of 91.4 x 91.4 cm Dawn, 1982 Collection of the MacKenzie Art Gallery, stone (soapstone) Indigenous Art Collection of the MacKenzie Art Gallery, gift of woodcut on paper, edition A/P Suburbs II, 1990 gift of Thomas Druyan and Alice Ladner, 40.6 x 15.2 x 7.6 cm Veronica and David Thauberger 73.6 x 132 cm spit bite and aquatint etching on paper, edition the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, Untitled, 1975 Collection of the MacKenzie Art Gallery, gift of 15/35 Indigenous Art gift of Thomas Druyan and Alice Ladner, acrylic on canvas John Buck Veronica and David Thauberger 71.1 x 66 cm the Kampelmacher Memorial Collection of 45.5 x 51 cm (sight) American, born 1946 Collection of the MacKenzie Art Gallery, Roy DeForest Indigenous Art Collection of the MacKenzie Art Gallery, Fireweed, 1992 Eddy Cobiness gift of Veronica and David Thauberger American, 1930–2007 gift of Thomas Druyan and Alice Ladner, woodcut and etching on paper, edition JBP 4/4 Canadian [Anishinaabe/Ojibway], 1933–2001 Untitled (Mt. Rushmore), 1985 Isaacie Etidlui the Kampelmacher Memorial Collection of 170 x 101.6 cm Beaver Spirits, 1975 Allan D’Arcangelo lithograph on paper, edition 7/20 Canadian [Inuit, Cape Dorset], 1972–2014 Indigenous Art Collection of the MacKenzie Art Gallery, gift of acrylic on paper American, 1930–1998 66.7 x 95 cm Untitled (High Kick), 1995 Veronica and David Thauberger 40 x 54 cm (sight) Untitled, 1966 Collection of the MacKenzie Art Gallery, gift of stone (soapstone), antler, sinew Frederick Marlett Bell-Smith Collection of the MacKenzie Art Gallery, lithograph on paper, edition 7/60 Veronica and David Thauberger 20.3 x 10.2 x 7.6 cm Canadian, 1846–1923 Joane Cardinal-Schubert gift of Thomas Druyan and Alice Ladner, 66 x 66 cm Collection of the MacKenzie Art Gallery, Untitled, no date Canadian [Káínawa], 1942–2009 the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, Eva A. Dennis gift of Thomas Druyan and Alice Ladner, watercolour on paper Chronicle of the Crocus, 1983 Indigenous Art gift of Veronica and David Thauberger Canadian, 1904–1995 the Kampelmacher Memorial Collection of 36.7 x 26.6 cm acrylic, oil pastel, and conte on paper Teacher’s Mishap, 1970 Indigenous Art Collection of the MacKenzie Art Gallery, gift of 87 x 106 cm Robert Cottingham Blake Debassige oil on canvasboard Mr. and Mrs. Donald Kramer Collection of the MacKenzie Art Gallery, American, born 1935 Canadian [Anishinaabe/Ojibway], born 1956 40.6 x 50.8 cm Tivi Etok gift of Thomas Druyan and Alice Ladner, C & O, 1989 Bear Walker, 2000 Collection of the MacKenzie Art Gallery, gift of Canadian [Inuit, Kangiqsualujjuaq], born 1928 Lorne Beug the Kampelmacher Memorial Collection of lithograph on paper, edition 28/50 acrylic on canvas Veronica and David Thauberger Defending the Boat, 1974 Canadian, born 1948 Indigenous Art 75 x 96 cm 55.5 x 66.5 cm stonecut on paper, edition 44/50 Antico Regina, 1992 Collection of the MacKenzie Art Gallery, gift of Collection of the MacKenzie Art Gallery, Lesley Dill 42 x 61 cm (sight) hand-coloured photograph on paper, edition My Mother’s Vision: The Warshirt Series – I Veronica and David Thauberger gift of Thomas Druyan and Alice Ladner, American, born 1950 Collection of the MacKenzie Art Gallery, 1/25 am Yelling for All Things on Earth – I am the Kampelmacher Memorial Collection of Arid Pleasure, 2007 gift of Thomas Druyan and Alice Ladner, 92 x 44.45 cm Screaming!, 1986 Troy Coulterman Indigenous Art etching and lithograph on paper, edition 7/10 the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, gift of acrylic, oil pastel, and conte on paper Canadian, born 1983 44.5 x 44.5 cm Indigenous Art Veronica and David Thauberger 102 x 66.8 cm Attuned to Madness, 2015 Israel Neebeesh, 1980 Collection of the MacKenzie Art Gallery, gift of Collection of the MacKenzie Art Gallery, resin sculpture, edition 2/15 acrylic on canvas Veronica and David Thauberger Untitled, 1974 Earl Biss gift of Thomas Druyan and Alice Ladner, 13.5 x 8.8 x 8.7 cm 83 x 62 cm stonecut on paper, edition 42/45 American [Crow], 1947–1998 the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, gift of Collection of the MacKenzie Art Gallery, Clyde Drew 44 x 61 cm (sight) Round Dance, 1974 Indigenous Art Veronica and David Thauberger gift of Thomas Druyan and Alice Ladner, Canadian [Mi’kmaw], born 1953 Collection of the MacKenzie Art Gallery, oil on canvas the Kampelmacher Memorial Collection of Untitled, no date gift of Thomas Druyan and Alice Ladner, 98 x 76 cm Patrick Caulfield Feel It in Your Veins to the Brain, 2015 Indigenous Art antler (moose) on wood base the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, British, 1936–2005 resin sculpture, edition 1/15 39.4 x 12.7 x 10.2 cm Indigenous Art gift of Thomas Druyan and Alice Ladner, Occasional Table, 1972 11.9 x 5.6 x 9.7 cm Little People, 1978 Collection of the MacKenzie Art Gallery, acrylic on canvas gift of Thomas Druyan and Alice Ladner, 47 48 Jerry Evans Kyle Herranen stone (soapstone) Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, Canadian [Mi’kmaw], born 1961 Canadian, born 1977 22.9 x 12.7 x 7.6 cm gift of Thomas Druyan and Alice Ladner, Indigenous Art the Kampelmacher Memorial Collection of Migration Cycle, 2002 Untitled (Yellow), 2015 Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of Indigenous Art etching on paper, edition 1/20 acrylic, bird’s eye maple and resin gift of Thomas Druyan and Alice Ladner, Indigenous Art Skunk, 1977 Untitled (Trap), no date 76 x 77 cm 101.6 x 101.6 cm the Kampelmacher Memorial Collection of screenprint on paper, edition 8/75 antler, stone (baleen) Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Indigenous Art Ann James 35 x 49 cm (sight) 7 x 4.3 x 3.5 cm gift of Thomas Druyan and Alice Ladner, gift of Veronica and David Thauberger Canadian [British], 1928–2009 Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of Samwillie Iqaluq Naughty, Naughty Black Sheep, 1974 gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, Indigenous Art Jeff Hill Canadian [Inuit, Sanikiluaq], 1925–1993 ceramic the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of Canadian [Kanyen’kehaka (Mohawk)] Untitled (Bear Attacking Shaman), no date 30 x 23.5 x 23.5 cm Indigenous Art Indigenous Art Sanford Fisher Forest Dancer, 1995 stone (soapstone), ivory inserts Collection of the MacKenzie Art Gallery, Canadian [Cree], 1927–1988 photo on paper, edition 1/25 38.1 x 20.3 x 10.2 cm gift of the Estate of Delia Johnston Helen Kalvak Ross Kayotak Bow River Vista, 1958 43.3 x 28 cm (sight) Collection of the MacKenzie Art Gallery, Canadian [Inuit, Ulukhaktok], 1901–1984 Canadian [Inuit, Igloolik], born 1969 oil on board Collection of the MacKenzie Art Gallery, gift of Thomas Druyan and Alice Ladner, Luis Jiménez Short of Food, 1975 Untitled, no date 44 x 59.5 cm (sight) gift of Thomas Druyan and Alice Ladner, the Kampelmacher Memorial Collection of American, 1940–2006 stonecut on paper, edition 36/50 ivory Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of Indigenous Art Sodbuster, 1983 34 x 49 cm (sight) 0.8 x 8.4 x 2.3 cm gift of Thomas Druyan and Alice Ladner, Indigenous Art lithograph on paper, edition HC Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of Agnes Iqqugaqtuq 81 x 114 cm gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, Indigenous Art Forest Walker, 1995 Canadian [Inuit, Kugaaruk (Pelly Bay)], 1930– Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of photo on paper, edition 1/25 2006 gift of Veronica and David Thauberger Indigenous Art Indigenous Art Maria Gakovic 42.3 x 28.8 cm (sight) Inuk in Kayak Hunting Swimming Caribou, 1970 Canadian [Yugoslavia], 1913–1999 Collection of the MacKenzie Art Gallery, qiviut (muskox wool) embroidery on felt backing Allen Jones The Sea Dwellers, 1968 Roland Keevil Untitled, no date gift of Thomas Druyan and Alice Ladner, 61.4 cm (diameter) British, born 1937 stonecut on paper, edition 7/50 Canadian [British], 1884–1963 ceramic, glaze the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, On the Spot (from the portfolio Para Adultos), 39 x 57 cm (sight) Ranch Scene, Foothills, 1957 70 x 30.1 x 30.1 cm Indigenous Art gift of Thomas Druyan and Alice Ladner, 1985 Collection of the MacKenzie Art Gallery, oil on canvasboard Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of lithograph on paper, edition 13/75 gift of Thomas Druyan and Alice Ladner, 55.9 x 76.2 cm gift of Gesa and Bob Arscott in memory of Robert Houle Indigenous Art 108 x 87.6 cm the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, gift of Bessie Midmore Canadian [Anishinaabe/Ojibway], born 1947 Collection of the MacKenzie Art Gallery, Indigenous Art Veronica and David Thauberger Ojibway Purple Leaves, #1, 1972 Jaco Ishulutaq gift of Veronica and David Thauberger Jody Greenman-Barber acrylic on canvas Canadian [Inuit, Pangnirtung], born 1951 Kangaamiut School Andrew Kilabuk Canadian 130.5 x 56 cm Untitled (Camel), no date Party Time (from the portfolio Para Adultos), Untitled (Tupilak), no date Canadian [Inuit, Pangnirtung], born 1972 In the Presence of Absence, 2012 Collection of the MacKenzie Art Gallery, stone (soapstone) 1985 stone (soapstone), ivory Untitled, no date soda fired ceramic gift of Thomas Druyan and Alice Ladner, 25.4 x 35.6 x 10.2 cm lithograph on paper, edition 13/75 15.2 x 30.5 x 10.2 cm antler on base 88.9 x 31.8 x 28 cm the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, 108 x 87.6 cm Collection of the MacKenzie Art Gallery, 15.2 x 30.2 x 2.5 cm Collection of the MacKenzie Art Gallery, Indigenous Art gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, gift of Veronica and David Thauberger the Kampelmacher Memorial Collection of gift of Veronica and David Thauberger the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, Robert Indiana Indigenous Art Indigenous Art the Kampelmacher Memorial Collection of Reg Hamilton American, 1928–2018 Itualuk Naluiyuk Kadyulik Indigenous Art Canadian, born 1963 Eternal Hexagon, 1964 Davidee Itulu Canadian [Inuit, Salluit], born 1938 Pauloosie Karpik Executable, 1998 screenprint on paper, edition of 500 Canadian [Inuit, Kimmirut], 1929–2006 Untitled (Avataq), no date Canadian [Inuit, Pangnirtung], 1911–1988 Annie Kilabuk oil on canvas 60.9 x 50.8 cm Hunting by Kayak from Floe Edge, 1982 stone and ivory on stone base Untitled (Sedna), no date Canadian [Inuit, Pangnirtung], 1932–2005 121.9 x 121.9 cm Collection of the MacKenzie Art Gallery, etching/aquatint on paper, edition 26/50 17.8 x 25.4 x 12.7 cm stone Captured, 2009 Collection of the MacKenzie Art Gallery, gift of Veronica and David Thauberger 59 x 75.5 cm (sight) Collection of the MacKenzie Art Gallery, 35.6 x 34.3 x 33 cm wool and cotton, edition 3/10 gift of Veronica and David Thauberger Collection of the MacKenzie Art Gallery, gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, 98 x 113.7 cm Number (2), 1968 gift of Thomas Druyan and Alice Ladner, the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, Julia Healy screenprint on paper, edition of 2500 the Kampelmacher Memorial Collection of Indigenous Art the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, American, born 1947 25.4 x 20.3 cm Indigenous Art Indigenous Art the Kampelmacher Memorial Collection of Major Surgery No. 10, 1980 Collection of the MacKenzie Art Gallery, Joshim Kakegamic Indigenous Art wax crayon on paper gift of Veronica and David Thauberger Arnold Jacobs Canadian [Cree], 1953–1994 Silas Kayakjuak 30.5 x 15.2 cm Canadian [Onondaga], born 1942 Early Bird, 1977 Canadian [Inuit, Qikiqtarjuak], born 1956 Frightened Owl, 1979 Collection of the MacKenzie Art Gallery, Jimmy Iqaluq Eagle Dancer, 1979 screenprint on paper, edition 8/65 Untitled (necklace), no date wool and cotton, edition 4/10 gift of Veronica and David Thauberger Canadian [Inuit, Sanikiluaq], born 1947 acrylic on paper 61 x 76.2 cm ivory or antler and sinew 142.2 x 139.7 cm Untitled (Sedna Holding Fish), no date 32.5 x 50 cm (sight) Collection of the MacKenzie Art Gallery, 28.2 x 5 x 1.2 cm (overall) Collection of the MacKenzie Art Gallery, gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, gift of Thomas Druyan and Alice Ladner, 49 50 the Kampelmacher Memorial Collection of after Life for the Most Part), soapstone the Kampelmacher Memorial Collection of Morning Melody, 2009 Untitled, 1965 Indigenous Art screenprint on paper, edition 31/150 17.8 x 15.2 x 10.2 cm Indigenous Art etching/aquatint on paper, edition 18/50 mixed media on paper 78.7 x 55.9 cm Collection of the MacKenzie Art Gallery, 76.2 x 55.9 cm 20.6 x 25.9 cm Qalupalik, 1997 Collection of the MacKenzie Art Gallery, gift of gift of Thomas Druyan and Alice Ladner, Molly Lenhardt Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, stencil on paper, edition 4/40 Veronica and David Thauberger the Kampelmacher Memorial Collection of Canadian, 1920–1995 gift of Thomas Druyan and Alice Ladner, gift of Veronica and David Thauberger 61 x 45.7 cm Indigenous Art A Vision at Camelot, 1976 the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, Intelligence Bulletin (from the suite of prints In oil on canvasboard Indigenous Art Harvey A. McInnes gift of Thomas Druyan and Alice Ladner, Our Time: Covers for a Small Library after Life Karl Egeae Kristensen (attributed to) 61 x 45.7 cm Canadian, 1904–2002 the Kampelmacher Memorial Collection of for the Most Part), Untitled, no date Collection of the MacKenzie Art Gallery, Untitled (Sedna), 2010 Summer Camp, 1977 Indigenous Art screenprint on paper, edition 31/150 stone on pink stone base gift of Veronica and David Thauberge coloured pencil and ink on paper coloured pencil on paper 78.7 x 55.9 cm 15 x 3.5 x 3.5 cm The Ordered Mind, 1976 30.5 x 45.7 cm 22.2 x 47.5 cm Qalupalik, 1999 Collection of the MacKenzie Art Gallery, gift of Collection of the MacKenzie Art Gallery, oil on canvasboard Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, wool and cotton, edition 3/10 (commissioned) Veronica and David Thauberger gift of Thomas Druyan and Alice Ladner, 40.6 x 50.8 cm gift of Thomas Druyan and Alice Ladner, gift of Veronica and David Thauberger 64.5 x 87.7 cm the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, Maxim Gorky (from the suite of prints In Our Indigenous Art gift of Veronica and David Thauberger Indigenous Art R. Gary Miller gift of Thomas Druyan and Alice Ladner, Time: Covers for a Small Library after Life for Canadian [Kanyen’kehaka (Mohawk)], born 1950 the Kampelmacher Memorial Collection of the Most Part), 1969 Untitled, no date Jefferson Little Clifford Maracle Portrait of Young Girl, 1980 Indigenous Art screenprint on paper, edition 31/150 soapstone on black stone base Canadian, born 1972 Canadian [Kanyen’kehaka (Mohawk)], oil on canvas 78.7 x 55.9 cm 15.2 x 2.9 x 3.6 cm Burn For You, 1996 1944–1996 75 x 59 cm (sight) Abraham Kingmiaqtuq Collection of the MacKenzie Art Gallery, gift of Collection of the MacKenzie Art Gallery, oil and acrylic on canvas House Coat Indian, no date Collection of the MacKenzie Art Gallery, Canadian [Inuit, Taloyoak], 1933–1990 Veronica and David Thauberger gift of Thomas Druyan and Alice Ladner, 58.4 x 35.6 cm acrylic on canvas gift of Thomas Druyan and Alice Ladner, Untitled, no date the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, 118 x 87.6 cm the Kampelmacher Memorial Collection of soapstone and ivory The Tower (from the suite of prints In Our Time: Indigenous Art gift of Veronica and David Thauberger Collection of the MacKenzie Art Gallery, Indigenous Art 22.9 x 15.2 x 10.2 cm Covers for a Small Library after Life for the gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, Most Part), 1969 Billy Kuksuk Charles Lovato the Kampelmacher Memorial Collection of Sioux Warrior, 1980 gift of Thomas Druyan and Alice Ladner, screenprint on paper, edition 31/150 Canadian [Inuit, Arviat], born 1962 American [Pueblo], 1937–1987 Indigenous Art watercolour on paper the Kampelmacher Memorial Collection of 78.7 x 55.9 cm Untitled, no date Silhouettes in Harmony, 1980 76.3 x 58.5 cm Indigenous Art Collection of the MacKenzie Art Gallery, gift of antler and whalebone lithograph on paper, edition 31/100 W. C. McCargar Collection of the MacKenzie Art Gallery, Veronica and David Thauberger 17.8 x 12.7 x 5.1 cm 38.5 x 57 cm Canadian, 1906–1980 gift of Thomas Druyan and Alice Ladner, Iyola Kingwatsiuk Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Not. Now!, 1962 the Kampelmacher Memorial Collection of Canadian [Inuit, Cape Dorset], 1922–2000 The Wording of Police Charges (from the suite gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, oil and graphite pencil on masonite Indigenous Art Untitled (Sedna), no date of prints In Our Time: Covers for a Small Library the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of 30.1 x 40.6 cm soapstone after Life for the Most Part), 1969 Indigenous Art Indigenous Art Collection of the MacKenzie Art Gallery, Roy Morris 50.8 x 38.1 x 20.3 cm screenprint on paper, edition 31/150 gift of Veronica and David Thauberger Canadian [Anishinaabe/Ojibway], born 1948 Collection of the MacKenzie Art Gallery, 78.7 x 55.9 cm Ashevak Kullualik Dennis Manernaluk Untitled, 1978 gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, gift of Canadian [Inuit, Pangnirtung], deceased Canadian [Inuit, Rankin Inlet], born 1964 Sunrise Express, 1963 acrylic on paper the Kampelmacher Memorial Collection of Veronica and David Thauberger Untitled (Sedna), no date Untitled, 2007 mixed media on paper 45.7 x 61 cm Indigenous Art soapstone ceramic and terrasigillato 19.4 x 25.3 cm Collection of the MacKenzie Art Gallery, Bob Konana 7.6 x 30.5 x 7.6 cm 35.6 x 22.9 x 17.8 cm Collection of the MacKenzie Art Gallery, gift of Thomas Druyan and Alice Ladner, Ronald B. Kitaj Canadian [Inuit, Gjoa Haven], 1938–2013 Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, gift of Veronica and David Thauberger the Kampelmacher Memorial Collection of American, 1932–2007 Untitled, no date gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, Indigenous Art Edward Weston (from the suite of prints In Our soapstone on acrylic base the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of The Morn After Nite B4, 1963 Time: Covers for a Small Library after Life for 30.5 x 17.8 x 5.1 cm Indigenous Art Indigenous Art oil and enamel on masonite David Morrisseau the Most Part), 1969 Collection of the MacKenzie Art Gallery, 45.7 x 61 cm Canadian [Anishinaabe/Ojibway], born 1961 screenprint on paper, edition 31/150 gift of Thomas Druyan and Alice Ladner, Floyd Kuptana Qavavau Manumie Collection of the MacKenzie Art Gallery, Native Madonna and Child, 1998 78.7 x 55.9 cm the Kampelmacher Memorial Collection of Canadian [Inuit, Paulatuk], born 1964 Canadian [Inuit, Cape Dorset], born 1958 gift of Veronica and David Thauberger acrylic on canvas Collection of the MacKenzie Art Gallery, Indigenous Art Untitled, no date Dark Fantasy, 2008 61 x 50.5 cm gift of Veronica and David Thauberger soapstone etching/aquatint on paper, edition 36/50 This Work is 9th Dimensional, 1963 Collection of the MacKenzie Art Gallery, Noah Koughajuke 20.3 x 15.2 x 7.6 cm 81.3 x 96.5 cm mixed media on paper gift of Thomas Druyan and Alice Ladner, Industrial Camouflage Material (from the suite Canadian [Inuit, Kimmirut], 1899–1976 Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, 25.6 x 20.3 cm the Kampelmacher Memorial Collection of of prints In Our Time: Covers for a Small Library Untitled (Mother and Child), 1969 gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, Indigenous Art the Kampelmacher Memorial Collection of gift of Veronica and David Thauberger Indigenous Art 51 52 Norval Morrisseau Samson Nastapoka gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, Indigenous Art Edward F. Paschke Canadian [Anishinaabe/Ojibway], 1932–2007 Canadian [Inuit, Inukjuak], born 1931 the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of David Chethlahe Paladin American, 1939–2004 Moose and Wolves, 1976 Untitled, 1979 Indigenous Art Indigenous Art American [Navajo], 1926–1984 Kontata, 1984 screenprint on paper, edition 81/98 stone Little Mothers (Childhood Memories Series), Bird of Life (Symbol of the Creative Force), lithograph on paper, edition 8/45 47 x 57 cm (sight) 15.2 x 17.8 x 15.2 cm Guy Nutarak 1981 no date 76.2 x 50.8 cm Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Canadian [Inuit, Igloolik] screenprint on paper, edition 98/125 sand painting on board Collection of the MacKenzie Art Gallery, gift of gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, Untitled, no date 53 x 47 cm (sight) 38 x 42 cm (sight) Veronica and David Thauberger the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of antler Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Indigenous Art Indigenous Art 12.7 x 10.2 x 5.1 cm gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, Kontato, 1984 Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of lithograph on paper, edition 1/45 Serpent Must Be Tamed, 1980 David Neel gift of Thomas Druyan and Alice Ladner, Indigenous Art Indigenous Art 76.2 x 50.8 cm pencil on paper Canadian [Kwakiutl], born 1960 the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, gift of 35.6 x 58.4 cm A Strong Law Bids Us Dance, 1992 Indigenous Art Old Swimming Hole (Childhood Memories Mimmo Paladino Veronica and David Thauberger Collection of the MacKenzie Art Gallery, photo-engraving on paper, edition 15/30 Series), 1981 Italian, born 1948 gift of Thomas Druyan and Alice Ladner, 28 x 33 cm (sight) Daphne Odjig screenprint on paper, edition 98/125 Tra gli ulivi (Among the Olive Trees), 1984 Brenda Francis Pelkey the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, Canadian [Potawatomi/Odawa], 1928–2016 53 x 47 cm (sight) etching on paper, edition 22/35 Canadian, born 1950 Indigenous Art gift of Thomas Druyan and Alice Ladner, Bath Time (Childhood Memories Series), 1981 Collection of the MacKenzie Art Gallery, 132.7 x 97 cm Bush (from the series Oblivion), 1997–99 the Kampelmacher Memorial Collection of screenprint on paper, edition 98/125 gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, Ilfochrome on aluminum, edition of 3 Fred Moulding Indigenous Art 53 x 47 cm (sight) the Kampelmacher Memorial Collection of gift of Veronica and David Thauberger 101.6 x 127 cm Canadian, 1897–1993 Collection of the MacKenzie Art Gallery, Indigenous Art Collection of the MacKenzie Art Gallery, gift of Untitled (harvest scene), no date Just Say No, 1991 gift of Thomas Druyan and Alice Ladner, Joseph Palluq the artist paint on wood ink on paper, edition 60/135 the Kampelmacher Memorial Collection of Piggy Back (Childhood Memories Series), 1981 Canadian [Inuit, Igloolik], born 1943 24.1 x 49.5 cm 66 x 54 cm Indigenous Art screenprint on paper, edition 98/125 Untitled, 2000 Forest III (from the series Haunts), 2001 Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, 53 x 47 cm (sight) ivory Ilfochrome on aluminum with audio gift of Luanne and Evan Quick gift of Thomas Druyan and Alice Ladner, Donald’s Outing (Childhood Memories Series), Collection of the MacKenzie Art Gallery, 5 x 3.3 x 3.5 cm 101.6 x 610 cm the Kampelmacher Memorial Collection of 1981 gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, gift of Wynona Mulcaster Indigenous Art screenprint on paper, edition 98/125 the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, the artist Canadian, 1915–2016 53.5 x 47 cm (sight) Indigenous Art the Kampelmacher Memorial Collection of Reflections, 1980 Peter Ningeoseak Collection of the MacKenzie Art Gallery, Indigenous Art Tree (from the series dreams of life and death), acrylic on paper Canadian [Inuit, Cape Dorset], born 1937 gift of Thomas Druyan and Alice Ladner, Playing School (Childhood Memories Series), 1994 72.2 x 52 cm Untitled, 1974 the Kampelmacher Memorial Collection of 1981 Romeo Palluq Ilfochrome on Sintra/Lustex laminate, text Collection of the MacKenzie Art Gallery, stone (soapstone) Indigenous Art screenprint on paper, edition 98/125 Canadian [Inuit, Clyde River] panel, shelf gift of Gesa and Bob Arscott 38.1 x 40.6 x 15.2 cm 53.5 x 46.5 cm (sight) Wererabbit, no date 91.4 x 245.1 cm Collection of the MacKenzie Art Gallery, Fetching Water (Childhood Memories Series), Collection of the MacKenzie Art Gallery, stone and ivory Collection of the MacKenzie Art Gallery, gift of Dan Namingha gift of Thomas Druyan and Alice Ladner, 1981 gift of Thomas Druyan and Alice Ladner, 7.6 x 2.5 x 2.5 cm the artist American [Hopi], born 1950 the Kampelmacher Memorial Collection of screenprint on paper, edition 98/125 the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, Abstract Cityscape, 1978 Indigenous Art 53 x 47 cm (sight) Indigenous Art gift of Thomas Druyan and Alice Ladner, Soren Pipps acrylic on canvas Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of Greenlandic, born 1945 122 x 97 cm William Noah gift of Thomas Druyan and Alice Ladner, Tree Climbing (Childhood Memories Series), 1981 Indigenous Art Untitled (Tupilak), 2005 Collection of the MacKenzie Art Gallery, Canadian [Inuit, Iqaluit], born 1943 the Kampelmacher Memorial Collection of ink on paper, edition 98/125 antler gift of Thomas Druyan and Alice Ladner, Untitled (Angel), 2001 Indigenous Art 53 x 46.5 cm (sight) Flossie Pappidluk 13.5 x 2.8 x 9.8 cm the Kampelmacher Memorial Collection of ivory Collection of the MacKenzie Art Gallery, Canadian [Inuit, Ulukhaktok (Holman Island)], Collection of the MacKenzie Art Gallery, Indigenous Art 11.7 x 5.7 x 3.8 cm Hide n’ Seek (Childhood Memories Series), 1981 gift of Thomas Druyan and Alice Ladner, 1904–1994 gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, screenprint on paper, edition 98/125 the Kampelmacher Memorial Collection of Exhausted Bear, 1968 the Kampelmacher Memorial Collection of Abraham Nastapoka gift of Thomas Druyan and Alice Ladner, 53 x 46.5 cm (sight) Indigenous Art stonecut on paper, edition 25/48 Indigenous Art Canadian [Inuit], 1900–1981 the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, 51 x 76 cm Untitled, 1960 Indigenous Art gift of Thomas Druyan and Alice Ladner, The Rhythm of the Drum (Pow Wow Collection of the MacKenzie Art Gallery, Aggeok Pitseolak stone (soapstone) the Kampelmacher Memorial Collection of Series), 1977 gift of Thomas Druyan and Alice Ladner, Canadian [Inuit, Cape Dorset], 1906–1977 15.2 x 10.2 x 15.2 cm Josiah Nuilaalik Indigenous Art screenprint on paper, edition 47/75 the Kampelmacher Memorial Collection of Man with Three Fishes, 1965 Collection of the MacKenzie Art Gallery, Canadian [Inuit, Baker Lake], 1928–2005 64 x 53 cm (sight) Indigenous Art stonecut on paper, edition 13/50 gift of Thomas Druyan and Alice Ladner, Untitled (Shaman), no date Husking Corn (Childhood Memories Series), 1981 Collection of the MacKenzie Art Gallery, 50 x 63 cm the Kampelmacher Memorial Collection of soapstone and antler screenprint on paper, edition 98/125 gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, Indigenous Art 26.7 x 20.3 x 8.9 cm 53 x 47 cm (sight) the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, 53 54 the Kampelmacher Memorial Collection of Kananginak Pootoogook 51 x 66 cm the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of Indigenous Art Canadian [Inuit, Cape Dorset], 1935–2010 Collection of the MacKenzie Art Gallery, Indigenous Art gift of Thomas Druyan and Alice Ladner, Indigenous Art Skinned Caribou, 1973 gift of Thomas Druyan and Alice Ladner, Hunter’s Dream, 1992 the Kampelmacher Memorial Collection of Josie Pitseolak stonecut on paper, edition 11/50 the Kampelmacher Memorial Collection of etching on paper, edition 18/50 Indigenous Art The Fourth Hunter, no date Canadian [Inuit, Pond Inlet], born 1964 62.5 x 86 cm Indigenous Art 46 x 38 cm Robert Rauschenburg etching on paper, edition 84/99 Untitled, 2008 Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, American, 1925–2008 45.7 x 30.5 cm ivory, stone (baleen) gift of Thomas Druyan and Alice Ladner, Pudlo Pudlat gift of Thomas Druyan and Alice Ladner, Untitled (Quarry), 1968 Collection of the MacKenzie Art Gallery, 3 x 3.8 x 4.2 cm the Kampelmacher Memorial Collection of Canadian [Inuit, Cape Dorset], 1916–1992 the Kampelmacher Memorial Collection of lithograph on paper, edition 28/300 gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, Indigenous Art Hunter with Heavy Load, 1984 Indigenous Art 87.6 x 66 cm the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, stonecut on paper, edition 36/50 Collection of the MacKenzie Art Gallery, gift of Indigenous Art the Kampelmacher Memorial Collection of Ralph Porter Sr. 63.5 x 81.3 cm Magic Caribou, 1985 Veronica and David Thauberger Barbara Rossi Indigenous Art Canadian [Inuit, Gjoa Haven], born 1942 Collection of the MacKenzie Art Gallery, burnt sienna etching on paper, edition 32/50 American, born 1940 Untitled (Drum Dancer), no date gift of Thomas Druyan and Alice Ladner, 59 x 40 cm (sight) Carl Ray Z-Zone, 1975 Lypa Pitsiulak soapstone, ivory, and bone(?) the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, Canadian [Cree], 1943–1978 lithograph on paper, edition 38/50 Canadian [Inuit, Pangnirtung], 1943–2010 34 x 34 x 16 cm Indigenous Art gift of Thomas Druyan and Alice Ladner, Medicine Man, 1972 25.4 x 33 cm Tikeraq, 1984 Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of gouache on paper Collection of the MacKenzie Art Gallery, gift of stonecut on paper, edition 29/50 gift of Thomas Druyan and Alice Ladner, Paniluk Qamanirq Indigenous Art 48 x 62.5 cm Veronica and David Thauberger 45.7 x 76.2 cm the Kampelmacher Memorial Collection of Canadian [Inuit, Arctic Bay], born 1935 Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Indigenous Art Untitled, no date Davidee Qaqasilq gift of Thomas Druyan and Alice Ladner, Abraham (Apakark) Anghik Ruben gift of Thomas Druyan and Alice Ladner, stone Canadian [Inuit, Pangnirtung], born 1954 the Kampelmacher Memorial Collection of Canadian [Inuit, Paulatuk], born 1951 the Kampelmacher Memorial Collection of Bill Powless 17.8 x 7.6 x 5.1 cm Untitled, 1989 Indigenous Art Medicine Owl, 1980 Indigenous Art Canadian [Kanyen’kehaka (Mohawk)], born 1952 Collection of the MacKenzie Art Gallery, stone, ivory (narwhal tooth) screenprint on paper, edition 67/100 Culture Clash, 1983 gift of Thomas Druyan and Alice Ladner, 22.9 x 20.3 x 2.5 cm Michael Robinson 55 x 59.5 cm (sight) Jane Ash Poitras watercolour on paper the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, Canadian [Métis], 1948–2010 Collection of the MacKenzie Art Gallery, Canadian [Cree], born 1951 39 x 49.5 cm (sight) Indigenous Art gift of Thomas Druyan and Alice Ladner, Last Camp, First Song, 1982 gift of Thomas Druyan and Alice Ladner, Constitutional Rights, 1986 Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of etching on paper, edition 94/100 the Kampelmacher Memorial Collection of etching on paper, edition A/P gift of Thomas Druyan and Alice Ladner, Isapie Qanguk Indigenous Art 61 x 45.7 cm Indigenous Art 62.3 x 47 cm (sight) the Kampelmacher Memorial Collection of Canadian [Inuit, Pond Inlet], deceased Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Indigenous Art Untitled, no date Eli Sallualu Qinuajua gift of Thomas Druyan and Alice Ladner, Pitalousie Saila gift of Thomas Druyan and Alice Ladner, soapstone Canadian [Inuit, Puvirnituq], 1937–2004 the Kampelmacher Memorial Collection of Canadian [Inuit, Cape Dorset], born 1942 the Kampelmacher Memorial Collection of Aoudla Pudlat 15.2 x 10.2 x 7.6 cm Untitled, no date Indigenous Art Empress of the Sea, 1991 Indigenous Art Canadian [Inuit, Cape Dorset], 1951–2006 Collection of the MacKenzie Art Gallery, stone stonecut on paper, edition 12/50 Mother with Child in Amautiq, 1989 gift of Thomas Druyan and Alice Ladner, 5.1 x 28 x 17.8 cm Sky People and Stone Builders, no date 61 x 91.4 cm Spirits in the Forest, early 1980s coloured pencil on paper the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, intaglio on paper, edition 13/99 Collection of the MacKenzie Art Gallery, acrylic on board 49.3 x 31.3 cm (sight) Indigenous Art gift of Thomas Druyan and Alice Ladner, 76.2 x 55.9 cm gift of Thomas Druyan and Alice Ladner, 36.5 x 35.5 cm Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, gift of Thomas Druyan and Alice Ladner, Andrew Qappik Indigenous Art gift of Thomas Druyan and Alice Ladner, Indigenous Art gift of Thomas Druyan and Alice Ladner, the Kampelmacher Memorial Collection of Canadian [Inuit, Pangnirtung], born 1964 the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of Indigenous Art Andrew and Annie, 2010 Ragee Quppapik (Kopapik) Indigenous Art Shaman’s Dogs, 1985 Indigenous Art etching and aquatint on Arches Natural paper, Canadian [Inuit, Cape Dorset], 1931–1995 stonecut on paper, edition 19/50 Untitled, no date edition 15/35 Untitled (Transformation), 1970 Survival’s Misuse of Fear (fish), no date 66 x 71.1 cm Aoudla Kananginak Pootoogook coloured pencil on paper 40.6 x 50.8 cm soapstone etching on paper, edition 47/95 Collection of the MacKenzie Art Gallery, Canadian [Inuit, Cape Dorset], 1935–2010 81.3 x 61 cm Collection of the MacKenzie Art Gallery, 12.7 x 7.6 x 15.2 cm 43.3 x 63.5 cm (sight) gift of Thomas Druyan and Alice Ladner, Talilajuq/Sedna posing, 1995 Collection of the MacKenzie Art Gallery, gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of coloured pencil, ink on paper gift of Thomas Druyan and Alice Ladner, the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, Indigenous Art 50.8 x 61 cm the Kampelmacher Memorial Collection of Indigenous Art the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, Indigenous Art Indigenous Art Indigenous Art Spring Morning, 2000 gift of Thomas Druyan and Alice Ladner, Caribou Chase, 1988 lithograph on paper, edition 14/50 the Kampelmacher Memorial Collection of Mary Pudlat etching on paper, edition 2/35 Eegyvudluk Ragee The Apprentice and the Stranger, no date 39 x 57 cm Indigenous Art Canadian [Inuit, Cape Dorset], 1923–2001 34 x 56 cm Canadian [Inuit, Cape Dorset], 1920–1983 etching on paper, edition 7/99 Collection of the MacKenzie Art Gallery, Sedna (with helper), 1992 Collection of the MacKenzie Art Gallery, Town Scene, no date 43 x 27.5 cm (sight) gift of Thomas Druyan and Alice Ladner, coloured pencil on paper gift of Thomas Druyan and Alice Ladner, watercolour on paper Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of 56.5 x 76 cm gift of Thomas Druyan and Alice Ladner, Indigenous Art 55 56 30.5 x 30.5 x 27.9 cm Collection of the MacKenzie Art Gallery, 20.3 x 22.9 x 12.7 cm Indigenous Art Collection of the MacKenzie Art Gallery, Tallelayo, 1974 Collection of the MacKenzie Art Gallery, gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, Mildred Valley Thornton gift of Thomas Druyan and Alice Ladner, stonecut on paper, edition 43/50 gift of Thomas Druyan and Alice Ladner, the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, Canadian, 1890–1967 the Kampelmacher Memorial Collection of 62 x 85 cm (sight) the Kampelmacher Memorial Collection of Indigenous Art the Kampelmacher Memorial Collection of The Bunkhouse, no date Indigenous Art Collection of the MacKenzie Art Gallery, Indigenous Art Indigenous Art oil on panel gift of Thomas Druyan and Alice Ladner, Isah Qumalu Sivuarapik 26.7 x 21.6 cm Oviloo Tunnillie the Kampelmacher Memorial Collection of Untitled (Abductor of Children), no date Canadian [Inuit, Puvirnituq], deceased Imaruituq Taqtu Collection of the MacKenzie Art Gallery, in Canadian [Inuit, Cape Dorset], 1949–2014 Indigenous Art soapstone with ivory inserts Untitled (Bear), no date Canadian [Inuit, Arctic Bay], born 1934 memory of Gary Thomas Ardelan, 1948–2012 Untitled, 1990 25.4 x 17.8 x 12.7 cm stone Untitled, no date marble Pudlo Samayualie Collection of the MacKenzie Art Gallery, 43.2 x 20.3 x 29.2 cm soapstone Untitled – Valley Hills in Winter, no date 22.9 x 12.7 x 10.2 cm Canadian [Inuit, Cape Dorset], born 1977 gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, 7.6 x 5.1 x 2.5 cm oil on panel Collection of the MacKenzie Art Gallery, Sedna (with kelp), 2015 the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, 21.6 x 26.7 cm gift of Thomas Druyan and Alice Ladner, coloured pencil on paper Indigenous Art the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, in the Kampelmacher Memorial Collection of 48 x 63.5 cm (sight) Indigenous Art the Kampelmacher Memorial Collection of memory of William Roy Penny, 1946–1967 Indigenous Art Collection of the MacKenzie Art Gallery, Suzie Silook Indigenous Art gift of Thomas Druyan and Alice Ladner, American [Yupik], born 1960 Jack Sures Wheatfield (valley meadow with stooks), no date Jane Turnbull Evans the Kampelmacher Memorial Collection of Untitled (Devil), no date Canadian, 1934–2018 Untitled (Family), 1960 oil on panel Canadian, 1947–1998 Indigenous Art ivory Plate, 2007 soapstone and sinew on stone base 20.3 x 25.4 cm Isabelline Gazelle, 1989 6.4 x 6.4 x 2.5 cm ceramic 20.3 x 10.2 x 7.6 cm Collection of the MacKenzie Art Gallery, in spackle and dyes on panel Jim Schoppert Collection of the MacKenzie Art Gallery, 39.9 x 39.9 x 5.2 cm 20.3 x 10.2 x 7.6 cm memory of Phyllis Mary I. Schmidt, 1938–2016 91.5 x 106.7 cm American [Tlingit], 1947–1992 gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, gift of 15.2 x 10.2 x 7.6 cm Collection of the MacKenzie Art Gallery, gift of Untitled, no date the Kampelmacher Memorial Collection of Veronica and David Thauberger 12.7 x 7.6 x 5.1 cm Winter Landscape, no date Veronica and David Thauberger ivory (scrimshaw on whale tooth) Indigenous Art Collection of the MacKenzie Art Gallery, oil on panel 8.5 x 4 x 2 cm Rev. Armand Tagoona gift of Thomas Druyan and Alice Ladner, 20.3 x 25.4 cm Judas Ullulaq Collection of the MacKenzie Art Gallery, Untitled (Family), 1987 Canadian [Inuit, Baker Lake], 1926–1991 the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, in Canadian [Inuit, Gjoa Haven], 1937–1999 gift of Thomas Druyan and Alice Ladner, ivory Inuk and His Sister Who Went to the Moon, 1975 Indigenous Art memory of Gloria June Munro, 1949–1989 Untitled (Drum Dancer), 1997 the Kampelmacher Memorial Collection of 25.4 x 25.4 x 5.1 cm coloured pencil on paper soapstone and baleen with ivory insets Indigenous Art Collection of the MacKenzie Art Gallery, 56 x 86 cm (sight) Ningeokuluk Teevee Solomonie Tigullaraq 25.4 x 27.9 x 17.8 cm gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, Canadian [Inuit, Cape Dorset], born 1963 Canadian [Inuit, Clyde River], 1924–2000 Collection of the MacKenzie Art Gallery, Aqjangajuk Shaa the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, Legend of Qalupalik, 2011 Untitled, no date gift of Thomas Druyan and Alice Ladner, Canadian [Inuit, Cape Dorset], born 1937 Indigenous Art the Kampelmacher Memorial Collection of lithograph on paper, edition 21/50 stone the Kampelmacher Memorial Collection of Untitled, no date Indigenous Art 50.8 x 61 cm 25.4 x 12.7 x 25.4 cm Indigenous Art soapstone Roger Simon Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, 12.7 x 7.6 x 15.2 cm Canadian [Mi’kmaw], 1954–2000 Nelson Takkiruq gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, Unidentified (Inuit) Collection of the MacKenzie Art Gallery, Grandma, 1990 Canadian [Inuit, Gjoa Haven], 1930–1999 the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of Untitled, no date gift of Thomas Druyan and Alice Ladner, gouache on paper Unip Kari, 1992 Indigenous Art Indigenous Art antler with inset the Kampelmacher Memorial Collection of 50.5 x 40 cm (sight) soapstone and baleen with ivory insets 8 x 3.5 x 2.5 cm Indigenous Art Collection of the MacKenzie Art Gallery, 33 x 28 x 17.8 cm Roy Thomas Brian D. Tripp Collection of the MacKenzie Art Gallery, gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, Canadian [Anishinaabe/Ojibway], 1949–2004 American [Kurok], born 1945 gift of Thomas Druyan and Alice Ladner, Toonoo Sharky the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, Cherishing Relatives, 1990 Dancing Together…for the Strength that it the Kampelmacher Memorial Collection of Canadian [Inuit, Cape Dorset], born 1970 Indigenous Art the Kampelmacher Memorial Collection of acrylic on paper Brings, no date Indigenous Art Untitled (Shamanic Bird), no date Indigenous Art 39 x 15 cm mixed media on board soapstone Grandpa, 1990 Collection of the MacKenzie Art Gallery, 28 x 31.5 cm Untitled, no date 21.6 x 7.6 x 15.2 cm gouache on paper Untitled (Drum Dancer), no date gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, ivory Collection of the MacKenzie Art Gallery, 50.5 x 40 cm (sight) soapstone and antler the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, 13.5 x 4 x 7.5 cm gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, 17.8 x 15.2 x 10.2 cm Indigenous Art the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, Collection of the MacKenzie Art Gallery, Indigenous Art gift of Thomas Druyan and Alice Ladner, Indigenous Art the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, Turtle Island: Anishnabee People, 1995 the Kampelmacher Memorial Collection of Indigenous Art the Kampelmacher Memorial Collection of etching on paper, edition 12/16 Therese Paolak Tugumiar Indigenous Art Joseph Shuqslak Indigenous Art 20 x 25.3 cm (sight) Canadian [Inuit, Repulse Bay], born 1944 Canadian [Inuit, Gjoa Haven], born 1958 Revelation, 1999 Collection of the MacKenzie Art Gallery, Untitled, 1979 Untitled, no date Untitled, 2000 oil on canvas Untitled (Drum Dancer), no date gift of Thomas Druyan and Alice Ladner, stone, ivory, and antler on stone base ivory soapstone, ivory inserts, and sinew 75.3 x 75.3 cm soapstone, antler, horn, and skin the Kampelmacher Memorial Collection of 22.9 x 25.4 x 11.4 cm 9.3 x 2.2 x 6.8 cm 57 58 Collection of the MacKenzie Art Gallery, Untitled (Tupalik with Seal in Mouth), no date Untitled, no date Untitled, no date Utye Duffy Wilson gift of Thomas Druyan and Alice Ladner, antler ivory bone (walrus jawbone) Canadian [Inuit], born 1924 American [Tuscorora], 1925–2002 the Kampelmacher Memorial Collection of 16.3 x 6.3 x 3.8 cm 13.4 x 6.6 x 3.6 cm 17.8 x 12.7 x 15.2 cm Untitled (Breastfeeding Mother), 1960 Assimilation, 1974 Indigenous Art Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, stone (soapstone) stone gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, 11.4 x 10.2 x 7.6 cm 22.9 x 10.2 x 7.6 cm Untitled, no date the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, ivory Indigenous Art Indigenous Art Indigenous Art gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, 10.2 x 3.7 x 3.8 cm the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, Untitled (Tupilak), no date Untitled, no date Untitled, no date Indigenous Art Indigenous Art gift of Thomas Druyan and Alice Ladner, ivory antler antler the Kampelmacher Memorial Collection of 12.7 x 4.2 x 3.6 cm 25.4 x 22.9 x 5.1 cm 4 x 4.8 x 2.6 cm Renée van Halm Linus Woods Indigenous Art Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Canadian, born 1949 Canadian [Dakota/Ojibway], born 1967 gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, Residence/Hawaii, 2004 Untitled (Geronimo’s Altar), 1999 Untitled, no date the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of gouache on paper mixed media on board ivory Indigenous Art Indigenous Art Indigenous Art 20.3 x 29.2 cm 109.6 x 62.2 cm 9.6 x 4.5 x 3.7 cm Collection of the MacKenzie Art Gallery, gift of Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Untitled (Tupilak), no date Untitled, no date Untitled (Avataq and Seal), no date Veronica and David Thauberger gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, ivory (narwhal) ivory on stone base stone (soapstone), bone, and sinew the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of 11 x 3.4 x 2 cm 4 x 4.9 x 3.9 cm 15.2 x 10.2 x 10.2 cm Margreet van Walsem Indigenous Art Indigenous Art Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Canadian [Dutch], 1923–1979 gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, Untitled, 1974 Wayne Yerxa Untitled, no date the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of wool, warp and weft carded, handspun dyed Canadian [Anishinaabe/Ojibway], born 1945 ivory Indigenous Art Indigenous Art Indigenous Art with natural dyes, Navaho loom Untitled, 1979 13 x 3.9 x 3.6 cm 114.3 x 76.2 cm acrylic on paper Collection of the MacKenzie Art Gallery, Untitled (Tupilak), no date Untitled, no date Untitled (necklace), no date Collection of the MacKenzie Art Gallery, gift of 72 x 53 cm (sight) gift of Thomas Druyan and Alice Ladner, ivory stone (soapstone) sinew, antler (?) Albert and Shirley Sefton Collection of the MacKenzie Art Gallery, the Kampelmacher Memorial Collection of 14 x 3.7 x 2 cm 12.7 x 5.1 x 10.2 cm 32.2 x 6 x 1.5 cm (overall) gift of Thomas Druyan and Alice Ladner, Indigenous Art Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Robert Vincent the Kampelmacher Memorial Collection of gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, Canadian, 1908–1984 Indigenous Art Untitled, no date the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of Flooded Out, High River, Alberta #23, 1975 ivory Indigenous Art Indigenous Art Indigenous Art watercolour on paper Yougayougaosee 8.5 x 3.2 x 4 cm 22.8 x 30.5 cm Canadian [Inuit], deceased Collection of the MacKenzie Art Gallery, Untitled, 1970 Untitled, no date Simeonie Uppik Collection of the MacKenzie Art Gallery, Untitled (Mother and Child), 1960 gift of Thomas Druyan and Alice Ladner, stone (soapstone) stone Canadian [Inuit, Sanikiluaq], deceased gift of Veronica and David Thauberger stone the Kampelmacher Memorial Collection of 28 x 10.2 x 10.2 cm 5.1 x 10.2 x 6.4 cm Untitled (Hunter), no date 25.4 x 17.8 x 10.2 cm Indigenous Art Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, stone (soapstone) William T. Wiley Collection of the MacKenzie Art Gallery, gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, 27.9 x 20.3 x 15.2 cm American, born 1937 gift of Thomas Druyan and Alice Ladner, Untitled, no date the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, Coast Reverse – Super Hide, 1975 the Kampelmacher Memorial Collection of ivory (whale tooth/molar) Indigenous Art Indigenous Art gift of Thomas Druyan and Alice Ladner, chamois and lithograph on paper, edition 19/35 Indigenous Art 6 x 3.2 x 3.7 cm the Kampelmacher Memorial Collection of Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Untitled, 20th century Untitled, no date Indigenous Art gift of Veronica and David Thauberger gift of Thomas Druyan and Alice Ladner, ivory applique on felt the Kampelmacher Memorial Collection of 6.9 x 10.2 x 7.6 cm 54 x 63.5 cm Tom Uttech Saul Williams Indigenous Art Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, American, born 1942 Canadian [Anishinaabe/Ojibway], born 1954 gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, Kasakogawog, 1990 Bear with Cubs, no date Untitled (Kikituk), 1970 the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of lithograph on paper, edition 17/25 acrylic on paper whalebone, ivory Indigenous Art Indigenous Art 91.4 x 103.5 cm 67 x 46 cm 2.5 x 7.6 x 2.5 cm Collection of the MacKenzie Art Gallery, gift of Collection of the MacKenzie Art Gallery, Collection of the MacKenzie Art Gallery, Veronica and David Thauberger gift of Thomas Druyan and Alice Ladner, gift of Thomas Druyan and Alice Ladner, the Kampelmacher Memorial Collection of the Kampelmacher Memorial Collection of Indigenous Art Indigenous Art

59 60 Works on Loan Esker Foundation National Gallery of Canada Calgary, Alberta Ottawa, Ontario Beaverbrook Art Gallery Fredericton, New Brunswick Agnes Martin: The mind knows what the eye The Governor General’s Awards in Visual and has not seen Media Arts 2018 Tour Schedule: Esker Foundation (Calgary, AB), National Gallery of Canada (Ottawa, ON), Marlene Creates: Places, Paths, and Pauses September 22 — December 21, 2018; March 29 — August 5, 2018 Tour Schedule: MacKenzie Art Gallery (Regina, SK), Beaverbrook Art Gallery (Fredericton, NB), January 26 — April 28, 2019. Jack Sures (Canadian, born 1934) September 23, 2017 — January 21, 2018; Untitled, 1985 Dalhousie Art Gallery (Halifax, NS), Agnes Martin (American [Canadian], 1912– February 15 — May 9, 2018; 2004) Confederation Centre Art Gallery Untitled, 1998 (Charlottetown, PE), June 9 — September 30, Ottawa Art Gallery Untitled, 1998 Ottawa, Ontario 2018; Untitled, 1998 The Rooms Provincial Art Gallery (St. Johns, Untitled, 1998 NL), October 11, 2019 — January 19, 2020. We’ll all become stories: A Survey of Art of the Ottawa-Gatineau Region Marlene Creates (Canadian, born 1952) Glenbow Ottawa Art Gallery (Ottawa, ON), Chesley Webb, Labrador, from the series The Calgary, Alberta April 28 — September 16, 2018 Distance Between Two Points is Measured in One New Work: John Will: Photography R.I.P. Ron Noganosh (Canadian, born 1949) Memories, 1988 Glenbow (Calgary, AB), February 3 — May 21, Anon Among Us, 1999 Rosie Webb, Labrador 1988, from the series The 2018 Distance Between Two Points is Measured in Memories, 1988 Remai Modern John Will (Canadian [American], born 1939) Saskatoon, Saskatchewan Untitled (Prayer - Hot Line), 1987 Buhler Gallery III: HeavyShield, Knowles, Cameron-Weir Winnipeg, Manitoba Kenderdine Art Gallery | College Art Remai Modern (Saskatoon, SK), Galleries August 31, 2018 — January 20, 2019 Screening the 70s: Celebrating the 50th Saskatoon, Saskatchewan Anniversary of The Grand Western Canadian Dorothy Knowles (Canadian, born 1927) Screen Shop The Shadow of the Sun: Zachari Logan The Island, 1963 Buhler Gallery (Winnipeg, MB), and Ross Bleckner May 3 — August 26, 2018 College Art Galleries (Saskatoon, SK), Vancouver Art Gallery October 5 — December 15, 2018 Jack Butler (Canadian [American], born 1937) Vancouver, British Columbia Eskimo, 1973 Zachari Logan (Canadian, born 1980) Dana Claxton: Fringing the Cube Moon Flowers (My Father’s Skin), 2017 Vancouver Art Gallery (Vancouver, BC), Dulwich Picture Gallery October 27, 2018 — February 3, 2019 Dulwich, London La Biennale d’art Contemporain autochtone (BACA) Dana Claxton (Canadian, born 1959) David Milne: Modern Painting (formerly titled Buffalo Bone China, 1997 Aftermath: War and Peace in the Art of David níchiwamiskwém | nimidet | my sister | ma soeur Milne) Art Mûr (Montreal, QC), May 3 — June 16, 2018 Tour Schedule: Dulwich Picture Gallery (London, UK), Skeena Reece (Canadian) February 14 — May 7, 2018; Touch Me, 2013 Vancouver Art Gallery (Vancouver, BC), June 16 — September 9, 2018; McMichael Canadian Art Collection (Kleinburg, ON), October 5, 2018 — January 13, 2019.

David Milne (Canadian, 1882–1953) Lightning, 1936

Image: Pitalousie Saila (Canadian [Inuit, Cape Dorset], born 1942), Spring Morning, 2000, ink on paper, 39 x 57 cm. Collection of the MacKenzie Art Gallery, gift of Thomas Druyan 61 and Alice Ladner, the Kampelmacher Memorial Collection of Indigenous Art 62 Brian and Susan Haacke Dale Folstad Become a MacKenzie Member Brigitte Hagues and Denise Jenkins Folstad

COMMUNITY The MacKenzie is your gallery. Your membership is SUPPORT Bruce Rice Dan and Barbara de Vlieger Last year, the MacKenzie organized with new The MacKenzie is grateful for the ongoing an investment in art education, award-winning public Bryan Dimen and Melody Olson Daphne Murphy fundraising events, and created compelling support of our lead funder, the South programming and landmark exhibitions for all citizens of Bryce and Susan Schurr Darlene Armstrong updates to our current fundraisers, all with Saskatchewan Community Foundation. The Regina and beyond. Caitlin Mullan Dave and Joann Pettigrew David and Anne Millar great success! MacKenzie was bestowed a significant $25 Candace Caswell Carla Harris David and Elizabeth Calam million endowed gift from an anonymous MEMBERS This past MacKenzie Gala was elevated, Ashley Johnson Carol Gay Bell David and Marilyn Hedlund donor in 2017, the largest in the history of Aaron and Lenore Fox and Tom Perron Carol Klassen and Wendy Dean David and Sharol Evans as we welcomed guests into the second the Gallery. The donation will be preserved Ada Lou Watson Audrey Henderson Carol Tremblay David and Wilma Wessel floor Kenderdine Gallery for a one-night- in perpetuity by the South Saskatchewan Adeline Ullrich Barb Quinney Carolyn Fay Eros David Brock only unique experience in the heart of the Al Fitzpatrick and Community Foundation, who disburses the Barbara Anderson Carolyn Joyce David Gehl MacKenzie. From artwork installations by Louis Trichard earned income from the fund to the Gallery Barbara Barootes Carolyn Salloum David Gregory Albert Benoit Heather Benning, and dance performances annually. Barbara Keirnes-Young Caron and Elaine Hopfner David John and Alena Zubrzycka Twyla Dawn Owens from VIBESYQR x FAMILY BUSINESS, the Barbara Tomkins Catherine Robertson MacKenzie Gala allowed guests to experience Alex MacDonald and Dawn Butz The MacKenzie is grateful for the ongoing Catherine Arthur-MacDonald Barbara Willows Cathy Uhersky Barrie and Edie Cubbon Dawn Henry art of all kinds, creating a distinctive and support from our other core funders: the Alexander and Linda Paul Celeste York Ben and Stephanie Tingley Charlene Kaytor Dawn Redmond-Bradley unparalleled experience that allowed our Canada Council for the Arts, SaskCulture, Alice and Garth Parkinson and Tom Bradley Bernard Flaman guests to revel in and celebrate innovation City of Regina, University of Regina and the Alicia Szabo and Theo Litowski Charles and Sharon Eisbrenner Beth Babcock Daysha Shuya and creativity. Saskatchewan Arts Board. Allan and Shelley McDougall Cheryl and John Grant Beti Randall Deborah Jordan Allan East Cheryl Barber and David Stewart One of the high points to come out of the Thank you to our donors, volunteers and Betty Anne Chitra Sridhar Amber MacLeod and Douglas Sinclair Deborah Kupchanko Gala, was the auctioning not just of artwork members! Your support and presence is an Andrea Wagner and Don Hall Chris and Karen Pasterfield Bev Anderson Deborah Lee Andrew Raczynski Chris Stephens during the evening’s Live Auction, but of investment in the people of our community, Bev Kulack Deborah Rush Andy Churku Christine Ramsay Priceless Experiences, one of which was a creating transformative experiences of the Beverly O’Shea Debra Bean Angela Fornelli Christopher Gust private dinner inside of Wilf Perreault’s studio. world through art and ensuring that art is a Bill Bolstad Delee Cameron and Ted Quade Angus and DeVona Juckes Christopher Lee Proskie The fabulous event, which took place over valued form of communication in our society. Blaine and Beryl Ledingham Della Howe Anita Jadischke Cicely Pritchard Denise Babcock the winter, was catered by Crave Kitchen + Bob and Barb Ellard Ankit Kapur Cindy and Don Ogilvie Denise Werker Wine Bar. Bob and Jean Cameron Ann Gagnon Cindy Legrand Bob and Lee Rea Dennis Garreck Ann Grahame Cindy Newkirk Bob Croft Derek Anderson Ann Phillips Clara Cook Bonnie Chapman Derek Charles Maher Anne Brochu Lambert Clay and Kathy Winslow Brenda Brautigam Deryl Dangstorp Anne Campbell Cloudesley Rook-Hobbs Diana Adams Brenda Lynn Zinkewich and Leah Cojocar Anne Parker Diane Dickson Brenda Martin Colleen Murphy Anthony Kiendl and Henri Chabanole Dianne Stann and Joanne Bristol Brenda Saunders Brenda Smith Collette Robertson Don and Arlene Kuntz Anthony Soar Brenda Valiaho Cynthia Bates Don and Bonnie Johnston Arthur and Mary Opseth Brent Ghiglione Dale and Cathie Kryzanowski Don and Elaine Miller Ashlee Audrey Marion Langlois Brent Pylot Dale and Johanne Beck Don and Jill McDougall

63 64 Don and Theresa Savaria Francine D’Aoust Heather Salloum Joanne Durst Kathleen Irwin and Linda Dewhirst Margot Walker Miranda Reid Donald and Janet Barber and Norm Pantel Helen Timm Joanne Felstrom Glenn Gordon Linda Guest Maria Hendirke Molly Moss and Donalda Parker Gail Chin Herb and Fran Haidl Joanne Yeo Kathryn White Linda Jean Karst Maria McCullough David Rosenbluth and David Anderson Gail Murton Irene Boss Jocelyn Amyotte Kathy & Randy Pearpoint Linda Lane Backman Maria Trebuss Monique Goffinet Miller Donna Alport Garry and Sheryl Simons Irene McDonald Jocelyn Duchek Kathy and Brent Hancock Linda Marchtaler Marianne Greer Munir Haque Donna Braun Gary and Laura Redhead Irene Olah Jody Novak Kathy Berriman Linda Miller-Wenman Marianne Wilkinson Murray and Debby Dollard Doreen Gallagher George Koutsoulis Iris Miller Dennis and Johanna and Ben Salloum Katrine McKenzie and Dean Wenman Marilyn I. Lee Nancy E. Croll Dorian Kristmanson Georgene McLeod Bryant Dennis John and Linda Nilson Keith and Rae Anne Moen Linda Smith Marina Cain Nancy Farrell Doug and Barbara Mader Georgina Sobchyshyn Isaac and Kathryn Sneath John and Margaret Gordon Kelly Kummerfield Lisa Brownstone Marj Weiss Nancy Hipperson Doug Faller Geri Berenbaum Isabel Dolman John and Susan Whittick Ken and Bette Sexton Lisa Rainville Marjorie Badham Nancy Martin Douglas and Cindy Johnson Gerri-Ann Siwek and Jack Ito and Janet Campbell John and Tessa Whyte Ken Bray Lise Lundlie Mark and Janice Stefan Nancy Talsness Hordern Steve Karch Dr. Lynn Tomkins Jackie Martin John Gary and Elizabeth Lane Ken McCaw Livia Castellanos Mark Hanley and Nathan Schissel and Alison Campbell Drs. Jim and Lynn Tomkins Gerry and Charlotte Rich Jackie Schmidt John Hampton and Ken Rasmussen Liz Dusyk Didi McCreary Duane and Lynn Chipley Gertrud Bessai Jacqueline Messer-Lepage Amber Christensen Kenneth and Patricia MacKay Lizabeth Nicholls Mark Wihak and Neil and Carol Gardner Duane Lavoy Gillian Bailey Jacqui Shumiatcher John Mowbray and Kevin Sanders Lois MacKenzie Wanda Schmockel Neil G. Devitt and Lynn Crook Dympna Gallet Gillian McCreary and Rick Ast Jan Besse Kerrie Strathy Kevin Tell and Donna Kabaluk Loraine Lysak Marlene Wirachowsky Norman Zepp and Judith Varga Edward Willett and Glendene Gray Jan Hetherington John Tsechelidis Kim & Loreen Mock Loranne Young and Don Laing Marnie Gladwell Olivia Brennan Margaret Anne Hodges Glenn Ollenberger Jan M. Campbell Jonathan Hines Kim and David Steele Lori Evert Martha Cole Pamela Allen Eileen and Lyall Moore Gord Barnes Jane Newton Jonathan Potts Kim Ryan Lorraine Weidner Mary and Chris Ference Pamela Olson Elaine Britton Gordon and Diane Neill Jane Scott Jonathan Simard Kimberley and James Fyfe Louise Hoffert Mary and Cliff Baylak Pamela Smith Elaine Hannah Gordon and Marlene Pullar Janet Jule and Robert Lane Josephine Brcic Kiran Kashyap Louise Kelly Mary and Duncan Wallace Pat and Mark Mulatz Elaine Hilsden Gordon and Rhonda Hipperson Janet McMurtry and Josh MacFadden Kris Parker Louise Tessier Mary Anderson Elayne Bennett Fox Gordon Wicijowski Ross MacNab Jossea Reynnard Kristin Gushuliak Louise Walker Mary Ann Globa Pat Sargent Elizabeth Kazymyra Graeme G. Mitchell and Janice Stratychuk Joyce A. Leier Ladd Fogarty Luc Tremblay Mary Anne McFadyen Patricia and Terry Simonson William Sgrazzutti Elizabeth Magee Jarol Boan Joyce Stadnick Larry and Elva Kyle Lucille Sirois-Donnelly Mary Degelman Patricia Bell Elizabeth Toporowski Grant and Donna Welke Jason Ziegler Judith McLennan Larry and Patricia Hesterman Luis Salgado and Mary Gibson Patricia Middleton Elizabeth Verrall Greg and Penny Plosz Jeanette and Eric Johansen Judy and Randy Dove Laura Matz Sandra Bassendowski Mary Hornung Patricia Sinclair Ella Denzin Greg Carr Jeffie Anderson Judy Bradley and Laura Stecyk Lydia Bramham Mary Leach Patti Pacholek Bernard Churko Ella Mikkola Greg Willner and Jenna Young Laura Ursu and Lyn Goldman Mary-Jane Potvin Paul Coulson Laurie Sampson Elsie Toupich Jera MacPherson Judy Luciuk Cameron McLellan Lynne Bayne Maureen and Glen Lee Paulete Poitras Emmaline Hill and Gregory and Dianne Swanson Jill Collins Judy Russell Doan Laurie Nenson Lynne Erickson Maureen Hawley and Paulette Brooks Allen Warren Gursh and David Barnard Jill Vaisey Judy Verbeke Laverne and Morgan Williams M.L. Frederick Rod McDonald Pearl Yuzicappi Erika Folnovic Hally Levesque Jim and Donna Holmes Julie Haywood Leah Conteh MacKenzie Hamon Maureen Kolot Peggy Wakeling Ernest and Jean Harach Hans and Merle Gaastra Jim and Virginia Warren Juliet Charko Leanne Fischer Madeleine Lepage Maureen Ottenbreit Penny and Ted Malone Ervin and Laureen Hudyma Harriet Ross Jim Nichols Justice Georgina Jackson Leanne Johns Mannie Amyotte Maurice and Janet Delage Peter Douglas and and Gerald Tegart Lynne Murphy Ethel Koh Hart Godden Jim Putz Lee Reid Marcelle leBlanc Mavis Tremblay Phillippa Sutherland Richards Evelynn Gaucher Harvey Linnen Joan A. E. Miller Karen Marchuk LeeAnn Croft Margaret and Robert Millar Melva Towne Phyllis McGinn Evie Schultz Hawker Jonsson Joan Dudley Karen Page and Don Chatwin Lena Woolley Margaret Baker Mervin and Diane Phillips Preschool Fine Arts Faye Rafter Heather Collins and Joan Gottselig Karen Pattison Leona Burkhart Margaret Bessai and Michele Howland Hugh Gabruch Cooperative Flora MacDonald Waller Joan Kruger Karin and Kirsten Jensen Leslie and Shirley Warden Gerald Saul Michelle Allard-Johnson Heather Phipps R. Bradley and Michelle Hunter Frances M. Haug Joan Patterson Karl Skierszkan and Leslie Quennell Margaret Hicks Michelle Krueger and Heather Quale and Shannon Hengen Brian Baker Frances Olson Jo-Anne Distasi Linda and Howie Alberts Margaret Wigmore Wayne Goranson Kate Cushon

65 66 Rae Reid and Russell and Lani Knaus Susan McKay Wayne Tunison and MacKenzie Volunteers Anna Crugnale-Reid Ruth and Bert Adema Susan Moore and Mark Novak Julia Krueger The energy, dedication, and talents of volunteers make the gallery the bustling hub of Ralph and Carol Skanes Ruth Blaser and Suzanne Mitten Wendee Kubik community and creativity that it is today. Volunteers give their time to everything from Ralph Goodale and Brenda MacLauchlan Sylvia Aitken Wendy Allard and Earl Bean fundraising and running the Gallery Shop to presenting the MacKenzie’s exceptional Pamela Kendel-Goodale Ruth Taylor Tammie Ashton-Morrison Willem and Sharon De Lint exhibitions, we thank you all! Randy Mackrill S. Gayl Hipperson Tanya Derksen William and Ellen Chapco Rani Bilkhu Sailaja Nair Tanya Harnett William and Gaye Taylor Rashmi Bhargava Sally Pasterfield Orr Terry and Louise Julé Winnifred Barber Rebecca Gibbons Samira McCarthy Thelfa Yee-Toi Yuleeann Procyk VOLUNTEERS Elaine Bennett Fox Justyn Rockthunder Pat Sargent Rebekah Chang Sandee Moore Theresa Girardin Adeline Ullrich Elaine Hopfner Katherine Stedwill Rae Staseson Renee and Garry Stephan Sandra Clarke Tim Maw & Martine Noël-Maw LIFE MEMBERS Adam Martin Elder Betty McKenna Leona Burkhart Rani Bilkhu Rhonda Batiuk Sandra Gunnlaugson Tim Novak All living artists with a work Aiden Lumbard Elizabeth Toporowski Linda Alberts Riley Munro Rhonda Farley Sandra Hertes Timothy Long and Richard and Sandra Stretten Brenda Beckman-Long of art in the Permanent Alex MacNeil Fran Clarke Lise Lundlie Riley Munro Bernadette McIntyre Sandy Baumgartner Tom and Joyce Ray Collection are Life Members of Amber MacLeod Frances Olson Lois MacKenzie Robert Perry Richard and Schelina Julé Sarina and Sheldon Clarke Tom Irvine and the MacKenzie Art Gallery. Ann Brochu Lambert Gavin Dargin Loraine Lysak Robert Steadwill Richard Bowokosky Seema Goyal Sharon Pratchler Anne Parker Gayl Hipperson Lynn Tomkins Sally Orr Richard Spafford Sharla Hordenchuk Traci Foster Ashlee Langlois Gayle Keple Maria Trebuss Samira McCarthy Riley Munro Tracy Fahlman Sharon and Jim Klemke Ava Ference Gerri Ann Siwek Marilyn Hedlund Sherry Farrell- Racette Robert and Jane Braun Sharon Bender Tracy Jacqueline Hamon Beryl Ledingham Haley Bolen Marilyn I. Lee Sherry Wolf Robert and Katherine Stedwill Sharron Labatt Trevor and Norma Quinn Beth Babcock Hannah Jennings Marjorie Badham Shirley Bonic Robert and Pat McEwen Shaun Leach Trina Sich Bette Sexton Heather Collins Mark Vacjner Shirley Higgs Robert and Sandra Johnson Shauna Young Trish Auser Heather McCaslin Mary Baylak Shirley Warden Robert Beug and Shawn Milligan and Whitney University of Regina Faculty of Bob Perry Brenda Schuster Media, Art, and Performance Schaefer Milligan Brenda Smith Inga Schlichtmann Mary Hipperson Shirly Bonic Robert Byers Shayleen Middelkoop Valereen Johnson Bruce Russell Ingeborg Schlichtmann Mary Hornung Sophia Easton Robert Grain Sheila and Joseph Roberts Valerie Paulson Carol Tremblay Irene Boss Mary Jane Potvin Stefanie Bobetis Robert Hawkins and Vera Wasiuta Marie-France Menc Sheila Leurer Catherine Arthur-Macdonald Isabel Dolman Mary Opseth Su Olson Vicky Gillies Shelley Pavlovsky Cicely Pritchard Jacee Kaczmar Maureen Hawley Tessa Whyte Robin Swales Vicky Kangles Sherry Klatt Jeannie Mah Maureen Ottenbreit Thelfa Yee-Toi Rod Tyler and Victor and Lesley Sawa Cindy Johnson Mary Ann Czekanski Sherry Wolf Jera MacPherson Melva Towne Vera Wasiuta Victoria R. Whitmore Cynthia Bates Roger and Jean Mitchell Shirley Bonic Violet Cooke Damon Badger Heit Joan Humphries Ms.Wanda Koop Vicky Gillies Roger Carriere Shirley Higgs Virginia Hendrickson Dave DeLaForest Jody Coles Nancy Hipperson Virginia Hendrickson Roger Lepage and Shirley Holt-Edmondson John Cody Nathan Schissel Vivian Norbraten Sylvie Bergeron Shirley Martin Vivian Norbraten Denise Jenkins Folstad Ron Okumura Shirley Sagan Vonda Tessier Doug Johnson John Reichert Nic Wilson Zachari Logan Ron W. Styles Sophia Raczynski W. F. and Fran Ready Dympna Gallet Josh McFadden Nicolle Nugent Ronald Gates and Stephen and Françoise Kenny Wanda Posehn Edie Cubbon Justine Eden-Balfour Norma Quinn Sherri Cybulski Stephen Powell and Pam Klein Ward Schell and Jennifer Ronald Holgerson Stephen Trott and Jan Purnis McRorie Curatorial Director, Rose Wynnyk Stuart Cameron Moose Jaw Museum & Art Rosemary Baumuller Sue Cherland Gallery Ross and Susan Keith Susan Dishaw Warren Markwart 67 68 OF TRUSTEES AND STAFF BOARD BOARD OF TRUSTEES

Members Governance Committee Robert Byers Bob Perry Anne Brochu Lambert Johanna Salloum Mary Ference Jacquie Messer-Lepage Munir Haque Ashlee Langlois Doug Johnson Robert Byers Ashlee Langlois Nathan Schissel Cindy Ogilvie Robert Perry (Past President) Johanna Salloum (President) Nathan Schissel (Vice President) Ben Tingley Nominating Committee Thelfa Yee-Toi Nathan Schissel

Johanna Salloum Bob Perry Photo: Don Hall

Audit & Finance Committee Administration Ken Duczek, Coordinator of Learning Initiatives Casual Staff Anthony Kiendl, Executive Director & CEO Nicolle Nugent, Coordinator of Public Rania Al-Harthi, Holly Aubichon, Colton Bates, Doug Johnson Jackie Martin, Director of Finance & Operations Programs and Community Engagement Michael Bird, Stephanie Bobetsis, Katrina Bray, Mary Ference Caitlin Mullan, Executive Administrator Janine Windolph, Curator of Public Programs Laura Buchan, Shane Crerar, Alya Dmytenko, Jeremy Swystun Jason Ziegler, Manager of Business and Lorraine Gosselin, Josh Goff, Madeleine Johanna Salloum Visitor Experience (to January 2019) Communications Greenway, Michael Hamann, Jan Hetherington, Cindy Ogilvie Krysta Mitchell, Administrative Assistant Deborah Rush, Director of Communications fiona Hwang, Jacee Kaczmar, Allyson Kew, Bob Perry Shane Grand, Accountant Kara Neuls, Graphic Designer Hally Levesque, Nicole Little, Mackenzie Gracie, Christy Ross, Events & Rentals Coordinator MacKenzie Hamon, Communications Coordinator Angela Marchtaler, Linda Marchtaler, Inga Jera MacPherson, Visitor Services Nodelstein, Arul Ross, Beata Rutkowska, Nicola Representative Development Saunders, Kayla Schmaus, Kennedy Semaliuk, Brittany Yang, Development Associate Erin Stankewich, Devon Stolz, Evan Tyler, Larissa Programs Sandee Moore, Development Associate Wahpooseyen, Nick Wilson John Hampton, Director of Programs (to October 31, 2018) Timothy Long, Head Curator Security Marie Olinik, Collections Coordinator Gallery Shop Marcia Dormuth Brenda Smith, Conservator Michael Fahlman, Gallery Shop Debbie Duck Leevon Delorme, Senior Preparator Assistant Manager Mel Gramchuk Larissa Berschley MacLellan, Preparator Lorraine Oleskiw John Cody, Preparator MacKenzie Gallery Volunteers Marianne Phillips Ishaq Sholi, Assistant Preparator Facilities Lynn Carter, Volunteer Coordinator Ken Russel (to March 2019) Susan Ackerman Lydia Miliokas, Curatorial Assistant Rita Schuck (to January 2019) Georgina Sobcshyshyn 69 70 SUMMARY Financial Statements Management Responsibility Report of the Independent Auditor on the Summary Financial Statements

Management of the MacKenzie Art Gallery is responsible for the integrity of the financial data To the Members of MacKenzie Art Gallery Incorporated reported by the Gallery. Copies of full audited financial statements are available by contacting Jackie Martin, Director of Finance & Operations at (306)584-4250 ext. 4275 or by visiting our website at mackenzieartgallery.ca. Opinion The summary financial statements, which comprise the summary balance sheet as at March 31, 2019, and the summary statements of revenue and expenses for the year then ended, and related notes, are derived from the audited financial statements of MacKenzie Art Gallery Incorporated (the “Gallery”) for the year ended March 31, 2019.

In our opinion, the accomanying summary financial statements are a fair summary of the audited financial statements, in accordance with the criteria disclosed in Note 1 to the summary financial statements. Anthony Kiendl Jackie Martin Executive Director & CEO Director of Finance & Operations June 27, 2019 June 27, 2019 Summary Financial Statements The summary financial statements do not contain all the disclosures required by Canadian accounting standards for not-for-profit organizations. Reading the summary financial statements and the auditor’s report thereon, therefore, is not a substitute for reading the Gallery’s audited financial statements and auditor’s report thereon.

Audited Financial Statements and Our Report Thereon In our report dated June 5, 2019, we expressed an unmodified audit opinion on the audited financial statements.

Management’s Responsibility for the Summary Financial Statements Management is reponsible for the preparation of the summary financial statements on the basis described in Note 1.

Auditor’s Responsibility Our responsibility is to express an opinion on whether the summary financial statements are a fair summary of the audited financial statements based on our procedures, which were conducted in accordance with the Canadian Auditing Standard (CAS) 810, Engagements to Report on Summary Financial Statements.

Chartered Professional Accountants Licensed Professional Accountants

June 5, 2019 Regina, Saskatchewan 71 72 MACKENZIE ART GALLERY SUMMARY STATEMENT OF REVENUES & EXPENSES MACKENZIE ART GALLERY SUMMARY BALANCE SHEET FOR THE YEAR ENDED MARCH 31, 2019 | IN CDN DOLLARS AS AT MARCH 31, 2019 | IN CDN DOLLARS

March 31, 2019 March 31, 2018 March 31, 2019 March 31, 2018 Assets Revenue Current assets Operating grants $ 1,499,949 $ 1,549,946 Cash $ 1,878,924 $ 1,747,110 Programming grants 284,219 466,419 Short-term investments 1,076,475 1,598,107 Fundraising 1,588,867 1,996,238 Accounts receivable 35,915 143,403 Earned 170,837 215,342 Government remittances receivable 25,439 21,317 Gallery shop 18,178 35,363 Grants receivable 135,959 417,616 Inventories 92,638 87,578 Prepaid expenses 20,750 6,642 $ 3,562,050 $ 4,243,308 3,266,100 Expenses 4,021,773 Administration Objects of art 1 1 Salaries and benefits $ 1,927,274 $ 1,540,281 Capital assets tangible 1,318,964 549,762 Administrative 453,856 280,842 Capital assets intangible 2,682 6,729 Amortization 197,795 96,392 Long-term investments 294,544 284,554 2,578,925 1,917,515 1,616,191 841,046 Marketing & Development Marketing and communications 94,070 56,506 $ 4,882,291 $ 4,862,819 Development 20,078 15,370 114,148 71,876 Liabilities Current liabilities Programming Accounts payable and accrued liabilities $ 676,823 $ 588,318 75,228 107,439 Education Deferred revenue 496,405 367,443 624,998 Exhibitions 683,309 19,294 16,456 Outreach program 1,173,228 955,761 777,831 748,893 Equity Unrestricted 58,187 73,702 Externally restricted in long-term investments 50,000 50,000 Internally restricted 3,600,876 Collection Management 3,783,356 32,126 General 38,898 19,392 3,709,063 Acquisition shipping and appraisal 13,224 3,907,058 286,646 Permanent collection 237,019 $ 4,882,291 $ 4,862,819 289,141 338,164

$ 3,760,045 $ 3,076,448 1. Basis of preparation The summary financial statements are derived from the audited financial statements for the year ended March 31, 2019 prepared in accordance with Canadian accounting standards for not-for-profits organizations.

(Deficiency) Excess of revenue over expenses before the following (197,995) 1,166,860 The preparation of the summary financial statements requires management to determine the information that needs to be reflected in the summary financial statements so that they are consistent, in all material respects, with or represent a fair summary of the audited financial statements. 884,925 228,845 Donations of Art The summary financial statements have been prepared by management using the following criteria: Permanent Collection Donations (884,925) (228,845) i) Whether information in the summary financial statements is in agreement with the related information in the audited statements, and ii) Whether, in all material respects, the summary financial statements contain the information necessary to avoid obscuring matters disclosed in the related financial statements, including (Deficiency) Excess of revenue over expenses for the year $ (197,995) $ 1,166,860 the notes thereto. 73 The audited financial statements of MacKenzie Art Gallery Incorporated are available at mackenzie.art 74 MacKenzie Art Gallery 3475 Albert Street | S4S 6X6 Regina, SK T: (306) 584-4250 F: (306) 569-8191

On The Cover: Edward Poitras (Canadian, born 1953) Chinvat mackenzie.art Bridge, 2018, installation detail, MacKenzie Art Gallery, 2018.