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The Experimental Group Group Holland'together u.ith his friends Corneille, A Constant Nlessage Holland that later evolved Tht Constant (Nieurvenhuijs) into the Cobra movement and a number of other young Soon the originaliy Danish, Belgian and Dutch group int Dutch artists. These men wanted to distance them- expanded u.ith British, German, French and Sr.ved- inI seh.es from the r.vay art was traditionaliy taught. As ish members. Forget Expressionism and Surrealism, \1-i. Corneille put it, he didn't see the point in learning to Experimentalism \vas the nerv rvord. One of the Cobra ofc copy others: "We are experimental painters, it rvas ex- members to propagate this message most clearly r,vas Cc,b perimentation that mattered, not the beautifull1. sleek, Constant Nieur'venhuijs. scI-1, carefully done painting." His painting'Barricade'rvas featured prominentlv at the tior. Apparently it \,vas indeed time for art to change, entrànce of Cobra s famous debut exhibition at Amster- because numerous young European r.isual artists felt dam s Stedelijk Museum. It s a ke1, Cobra rvork because it Thr the same u,'ay. A group of them carne together for an communicates the movement's strong belief in the need It g' international Surrealists meeting in Paris Iate 194,8 and to rer..olutionize art. On it you can see monster heads, a boa you could sal'Cobra$'as founded on the spot. Cobra, moon symboi and a fist. Despite these serious sounding pos a contraction of the movement's leading cities Co- features, the n ork is quite r-ibrant due to the smiling dur-: penhagen, Brussels and Amsterdam, believed that art faces and bright reds and blues. chil should be made intuitively - in harmon-u- with mankind mos ancl emotion. The Cobra-artists drer,v inspiration Íiom tr'ile Colrrir anrt tlic 5er.' -\s t non-Western'primitive' art, children's drar.vings and art Temporarilv on loan Íiom the Stedelijk Museum, rvhich bu1 produced by the mentally ill. In short: Cobra repre- is stiil undergoing massive renovation, 'Barricade'is cur- peri sented primarv expression according to the motto 'art rently exhibited at the Cobra Museum of Modern Art in the , by and for everyone'. Amstelveen. Arld rightfully so, because Constant's lvork ona is perfectly in place surrounded by that ofhis contempo- Àpp rari es- er o:

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