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Article-Cobra-Art-Movement.Pdf ,a:iïlla.í\ .::'§* I fl# +t_.\.J rl;i$ir Ë r f Ë The Experimental Group Group Holland'together u.ith his friends Corneille, A Constant Nlessage Holland that later evolved Tht Constant (Nieurvenhuijs) into the Cobra movement and a number of other young Soon the originaliy Danish, Belgian and Dutch group int Dutch artists. These men wanted to distance them- expanded u.ith British, German, French and Sr.ved- inI seh.es from the r.vay art was traditionaliy taught. As ish members. Forget Expressionism and Surrealism, \1-i. Corneille put it, he didn't see the point in learning to Experimentalism \vas the nerv rvord. One of the Cobra ofc copy others: "We are experimental painters, it rvas ex- members to propagate this message most clearly r,vas Cc,b perimentation that mattered, not the beautifull1. sleek, Constant Nieur'venhuijs. scI-1, carefully done painting." His painting'Barricade'rvas featured prominentlv at the tior. Apparently it \,vas indeed time for art to change, entrànce of Cobra s famous debut exhibition at Amster- because numerous young European r.isual artists felt dam s Stedelijk Museum. It s a ke1, Cobra rvork because it Thr the same u,'ay. A group of them carne together for an communicates the movement's strong belief in the need It g' international Surrealists meeting in Paris Iate 194,8 and to rer..olutionize art. On it you can see monster heads, a boa you could sal'Cobra$'as founded on the spot. Cobra, moon symboi and a fist. Despite these serious sounding pos a contraction of the movement's leading cities Co- features, the n ork is quite r-ibrant due to the smiling dur-: penhagen, Brussels and Amsterdam, believed that art faces and bright reds and blues. chil should be made intuitively - in harmon-u- with mankind mos ancl emotion. The Cobra-artists drer,v inspiration Íiom tr'ile Colrrir anrt tlic 5er.' -\s t non-Western'primitive' art, children's drar.vings and art Temporarilv on loan Íiom the Stedelijk Museum, rvhich bu1 produced by the mentally ill. In short: Cobra repre- is stiil undergoing massive renovation, 'Barricade'is cur- peri sented primarv expression according to the motto 'art rently exhibited at the Cobra Museum of Modern Art in the , by and for everyone'. Amstelveen. Arld rightfully so, because Constant's lvork ona is perfectly in place surrounded by that ofhis contempo- Àpp rari es- er o: ó4 I Rush on Amsterdam Summer 2o1f 59 | uePralsrv uo tlsnà 0L0z rèuuns 'uotlxqlqra s,uosDas sxql roJ.alryIn) cà slrq uozlcas aql aas . s,iepe,,ro1q'luaurlsrqrnJal JaUE orlsrq aql aprslno ra " -ureluor ? ur s?Àrr?c jo alpunq plo 3rI1 punol pzq leddy perl ll lselcl 1"q,r\ tng 'pe:rdxe per{ ts€lq e^r} '?J"J u€rsrJ€d urorJ uaï"1 ra.Loc 8ur1ac acard e uo luaaq " " 3.o -r?aJJ rraql pe^orlaq sJaqruau ErqoC erll 1g§1 u1 'srea,{ aperu aq Surlurrd e.;o ruroJ aql ur urnasntrAJ €rqoC eql aarrp JoJ pa1se1 Í1uo paads 1ar1co.r 1e dluelndod pue 1r ,{eldsrp uo ill"ralil sr uaq+ {Jeq.&re,rod srg 'porred aaqorro ut lepuhS tsel a.l] uorleluasa.rdal leuorleuJolur paureS leql luarua^oru u" ErqoC aqlJo lsour Suunp srr{ roJ s1zua1eu.,(nq lwn o9 ll Pue oo ll uoëal {Jo.r\ 'peï?rqoièc -eq noq ]pt1 tuaaa uedap u" lEr{l a[Q€Àreruoiur lsoruls s,]I qBrqoJ o1 dauoru due a^€q liuprp laddy '1srue ènrl € sluieq s]7 sue! uot]ets uèo\attuv aql sls?3J àrl1 ol sroJal sE.\u?J 'sourllno pu? ol uePtètswY u! uotters Ieurnlcou,(u?tu leq] rurg sruroJ InJ.reaqc 'e1drurs3.o a;aqdsour nauLeuuapeell aql uLo] lr1io[,(ra.r e sr 'uV urepotrtJo runasn1N €rqo3 er{l }E -1€ u€ ur palured,{1urqt - sroloc lu€rql\ ur s8uraq plqc suu ,ue4 wnesnu, (nup patlqlq\a secard s,allauro3 euo Í1re4, 'u.,to1 pu" srr{ ala.,tt s.read -p1o) ppeds e s,ícpung ug Jo ',fq8ru 1e I"ruruu lecrq1,{ur erqo3 aql Suunp 'unosnu aqt uo4,<e^e punorr sJ"q pue sqnlc Íuetu Jr{}Jo Juo ro solpn}s u"r ryo.n s,1eddy;o lecrd(a '1eddy larey '1srge rear-1sod stalau $nÍuo1lel5 sng aql -sr.r?d rlaql prp uago ,taq1 ra$ei eqa 'preq,{r1d pue snour".+ Jr{1.+o ]e do$ puÈ u.a^p$uv pue l? lsour íspuBIJaq]JN *po.n.{ueur slsroq uePtotsuv uaa^]aq utu lle prErl {ro-\\ o} pe{11 ollrauroJ 'laddy,eurr.rt ut rauped, osl€ rrnosntr I eql l?ql Suiles lnoqlle\ sèo8 1I atl' u.L'o4'írt.'z?t. sasnq "rqoo srq qll\\.leqlasoJ 'saruaql surrrncJoal srrl lspru? aqa :dots ,unqua) uèaqqsuv 1et{dyBrg '(uopelg p4ua2 uol ar? uauro-\\ puE sra-\\ou 'sprrg '$o.\\ srq ur JIqEJJrlou ofle) ts onèu :,]oquauulg \lJ€aIJ sr qJlrl-\\Jo aJuanu.ur aql plJo.{\ eq} re^o 'slsrg€ ureporu 3ur4rr1s pue Sursrrdrns uëa p]suv dots '(uol,els - IIr? lsoru arllJo suorl puual ueptetsuy uotJ) palJ-\€Jl oq-\\ ']sruu EJqoJ e^rlcnpord d.ra.r e s".&\ ellrau -rqrqxa ,{rrrodural o1 Í1el1ua rooU }sJg (sreleru a.renbs 9 ue4:|todsue441qn4 ',sIrÉd ur 'ïur1:o.\\ 'oozl -JoJ pu" ai\rl" Ilrls sr oq.r\ Jaqu]ou oozl) allss"ur sI salo^aP runosnru 3rl1'uorlcl\uoc Pue "rqoJ 69'11 uaangaq'slepuoyl uo E.rqoJ qrlng luaururord Íiuo aql sr (ZS) ai11euro3 eql qlur Surdaaï uI 'roog punor8 s1r uo {ro.r\ srqoJJo tdaxa llep uado st (6uttst1 slqEIN al[auro3 uorlJalloJ E serl runasnru arll Ja^o r{l.JÀ\ 'ërhqn) U sttv oës) yy uro 1s"^ 'sacard 9666 -poy'1 ]o unesnyl eqo1 aq1 '(tur:lrodur lsou ëqt sr qclq.ttJo) U" qrln(I ur "rqo3 'soJn; uorllllu punoJ€Jo anl€^ ecu?Jnsur uB sJuorua^oru unasnyl aq+ 6u1l!s!1 I oÀrlelouur:o3 uorlercardde èsrEJ 01 JepJo ur seq porrad ErqL)-) al{l uor; laddy Iq s€AueJ-uo-lro u€ 966I ul papunoJ s"^\ }.rv u.rapoI^IJo runasnl^J erlJ "rqoJ wnasnu otp u1 eta1d,(e7 V Ls6tu!PddY^qPaNÉd (sFurue'uilp1!\)'uëwol ) xneutue 'stueJua 'sëuuai . ail!auro) pue pddy'+uelsuo2 :talsntq qtla slèLpotg . 056t u! alyeuto3 19 patuled Qq6p ]e,hred) èunttou alejJ . 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