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Best Practices for Color Management What You Need to Know About Color on OS X and Ios
Best Practices for Color Management What you need to know about color on OS X and iOS Session 523 Ken Greenebaum and Luke Wallis Graphics and Imaging These are confidential sessions—please refrain from streaming, blogging, or taking pictures Introduction to Color Management What You Will Learn • How color is managed on iOS and Mac OS X ■ Implication for your applications • How to ■ Control color using high and low-level frameworks ■ Create and modify video/image content ■ Verify the results Introduction Introduction • Apple color manages video, still image, graphics ■ Consistent high quality results ■ Across devices and environments ■ Preserves ‘author’s intent’ ■ Not just for pros ■ Great for content authoring and consumption Introduction • Apple color manages video, still image, graphics ■ Consistent high quality results ■ Across devices and environments ■ Preserves ‘author’s intent’ ■ Not just for pros ■ Great for content authoring and consumption • The rest of the industry largely does not ■ Some high end drawing or photo packages ■ Video industry instead relies on ‘Broadcast’ displays in consistent environments Color Management Philosophy • Film, images, media are creative endeavors ■ Camera != Colorimeter ■ Not scene referred • We attempt to reproduce ‘author’s intent’ ■ What is proofed ■ Output (display) referred • Content is reproduced on different devices and environments ■ Requiring color matching, gamma conversion, etc. Creative Endeavor Creative Endeavor Creative Endeavor Bright sunlit environment Creative Endeavor Bright sunlit -
Pro Admin User Manual 1
Pro Admin User Manual 1 Pro Admin User Manual Pro Admin extends Pro Maintenance Tools to allow tasks to be performed simultaneously over a network. The Pro Admin interface gives system administrators all the tools they need to manage, maintain and troubleshoot Final Cut Studio systems on their network. With just one button press, administrators can repair Compressor, clean caches, analyze crash logs, synchronize plugins, troubleshoot problems and much more - saving time and allowing them to get on with more important tasks. The software consists of a Pro Client that is installed on every computer on the network and a Pro Admin tool to manage and perform tasks. Pro Admin also requires Pro Maintenance Tools to be installed on each client computer, which can be downloaded and installed remotely from within the admin tool. Features • Perform maintenance tasks across the network simultaneously • Sync plugins, preferences, user paths and scheduled tasks between computers • Use the Difference Finder tool to find the differences in specification between computers on the network, allowing you to determine why a particular system isn't working correctly when others are fine • View aggregate crash statistics including the number of crashes across the network per day, week or month, the most common cause of crashes, and the most and least stable machines • Maintenance tasks can be scheduled to run automatically Last updated Sep 24, 2014 Pro Admin User Manual 2 Quick Start 1. Use the provided installer to install and setup Pro Client. Install this on every computer on your network. If a firewall message pops up asking you to allow incoming connections, click Allow. -
FCS Remover User Manual 1
FCS Remover User Manual 1 FCS Remover User Manual FCS Remover enables you to completely remove Final Cut Studio, Final Cut Pro X, Final Cut Express and Final Cut Server from your system. This is essential as a troubleshooting aid or when upgrading to a major new version of the software. Last updated 09/15/14 FCS Remover User Manual 2 Quick Start 1. You will be presented with the following screen upon launching the application: 2. If you wish to uninstall all components of Final Cut Studio and you have no other Apple Pro Apps such as Logic or Shake on your system, skip to Step 4. 3. If you only wish to remove certain components, use the check boxes to select and deselect them or use the Preset dropdown menu at the top of the window. Last updated 09/15/14 FCS Remover User Manual 3 The following presets are available: All – Selects all components. All Final Cut Studio / Express – This selects all Final Cut Studio / Express components and not Final Cut Server. All Final Cut Server – This selects all Final Cut Server components and not Final Cut Studio. Compressor and Qmaster Only – This selects only Compressor and Qmaster, as these are the most commonly reinstalled applications. Maximum Compatibility – This removes Final Cut Studio but does not remove Final Cut Studio components that are shared by other Apple ProApps such as Logic and Shake. This allows you to remove Final Cut Studio without harming your other ProApp installations. Receipts only – This only removes receipts. Receipts are used by the Final Cut Studio installer to keep track of what has been installed, so removing only receipts is a way of causing the installer to overwrite the original files on the disk without actually removing them. -
Shake User Manual
Shake Homepage.qxp 5/20/05 6:25 PM Page 1 Shake 4 User Manual To view the user manual, click a topic in the drawer on the side. Otherwise, click a link below. m Late-Breaking News m New Features m Tutorials m Cookbook m Keyboard Shortcuts m Shake Support m Shake on the Web m Apple Training Centers Apple Computer, Inc. FilmLight Limited (Truelight): Portions of this software © 2005 Apple Computer, Inc. All rights reserved. are licensed from FilmLight Limited. © 2002-2005 FilmLight Limited. All rights reserved. Under the copyright laws, this manual may not be copied, in whole or in part, without the written consent FLEXlm 9.2 © Globetrotter Software 2004. Globetrotter of Apple. Your rights to the software are governed by and FLEXlm are registered trademarks of Macrovision the accompanying software license agreement. Corporation. The Apple logo is a trademark of Apple Computer, Inc., Framestore Limited (Keylight): FS-C Keylight v1.4 32 bit registered in the U.S. and other countries. Use of the version © Framestore Limited 1986-2002. keyboard Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple Industrial Light & Magic, a division of Lucas Digital Ltd. may constitute trademark infringement and unfair LLC (OpenEXR): Copyright © 2002 All rights reserved. competition in violation of federal and state laws. Redistribution and use in source and binary forms, with or without modification, are permitted provided that Every effort has been made to ensure that the the following conditions are met: information in this manual is accurate. Apple Computer, Inc. is not responsible for printing or clerical errors. -
Iwork '08 Getting Started (Manual)
Overview of iWork Tools All three iWork applications share many of the same tools. The Toolbar and Format Bar At the top of each application window, the toolbar provides controls for common tasks. Each toolbar is described in detail in the appropriate chapter in this book. You can customize the toolbar so that it contains the tools you use most often. To customize the toolbar: m Choose View > Customize Toolbar. The toolbar at the top of each window provides controls for common tasks. The Format Bar provides additional formatting tools. The Format Bar provides quick access to commonly used tools for formatting objects. If the Format Bar isn’t visible beneath the toolbar, click View in the toolbar and choose Show Format Bar to show it. 16 Preface Welcome to iWork ’08 The Inspector Window You can format all elements of your document using the panes of the Inspector window. The Inspector panes are described in detail in the user’s guides. To open the Inspector window: m Click Inspector (a blue i) in the toolbar. Click the buttons along the top to see the different Inspector panes. You can have more than one Inspector window open at a time. To open another Inspector window: m Choose View > New Inspector, or Option-click one of the buttons at the top of the Inspector window. Preface Welcome to iWork ’08 17 To see what a control does, rest the pointer over it until its help tag appears. The Media Browser This window provides quick access to all the files in your iTunes library, your iPhoto library, your Aperture library, and your Movies folder. -
Color Management with Mac OS X Tiger Technology Tour December 2005 Technology Tour 2 Color Management with Mac OS X Tiger
Color Management with Mac OS X Tiger Technology Tour December 2005 Technology Tour 2 Color Management with Mac OS X Tiger Contents Page 3 Introduction Page 4 The ColorSync Foundation ICC Color Profile Color Management Module Rendering Intent ColorSync Utility Page 12 Color Workflow: Capture Image Capture Images without Profiles Page 15 Color Workflow: Edit Calibrating and Profiling Your Display Communicating Consistent Color Converting to a Preferred Color Space Page 17 Color Workflow: Output Sharing Virtual Color Proofs Checking Color with Print Preview PDF and PostScript Support Using Quartz Filters Workflow Considerations for Output Page 23 Color Workflow: Automation Image Events Automating Color Management Tasks with AppleScript Simplifying Automation Using Automator Page 26 Summary Page 27 Resources Technology Tour 3 Color Management with Mac OS X Tiger Introduction Color has the ability to communicate, to please, to excite, and to engage. Color makes a difference—often a dramatic difference—in your photographs, your graphics, and your layouts. Getting color right early in the workflow, and keeping it right to the end, is increasingly critical in the fast-paced, deadline-driven digital world. Yet photographers and designers are frequently dismayed when they print an image and the color is wildly different from expectations. These disruptive surprises can cost time and money and cause delivery delays and disappointed clients. Color is an elusive phenomenon. Say “red,” and you’re describing a sensation that your eyes and brain associate with a certain wavelength of light. But exactly how “red” is the red? Computers use numbers to more precisely define color; for example, Red 255, Green 0, Blue 0 is a ratio of numbers that describes the maximum “red” in a digital file. -
Working with Wide Color Gamut in Final Cut Pro X New Workflows for Editing
Working with Wide Color Gamut in Final Cut Pro X New Workflows for Editing White Paper October 2016 Contents Page 3 Introduction Page 4 Background Page 6 Sources of Wide-Gamut Video Page 7 Wide Color Gamut in Final Cut Pro X Setting Up Rec. 2020 in Final Cut Pro Changing a Project’s Color Space Exporting a Wide-Gamut Project About Displays and ColorSync Monitoring a Wide-Gamut Project Page 12 Delivery to Multiple Color Spaces Matching colors in Rec. 2020 and Rec. 709 masters Preparing for Export Page 14 Key Takeaways Page 15 Conclusion Working with Wide Color Gamut in Final Cut Pro X | October 2016 2 Introduction In 2015, Apple began introducing devices that record and display more colors than ever before. Final Cut Pro X 10.3 supports not only these new cameras and displays, but also a new industry standard that delivers more colorful photo and video content across a wide range of professional devices. This white paper discusses the concepts behind these new capabilities, and describes recommended workflows. Working with Wide Color Gamut in Final Cut Pro X | October 2016 3 Background Since the introduction of high-definition television in the 1990s, HDTV displays have been limited to a standard range of colors defined by an industry specification for HDTV broadcasts called Rec. 709 (ITU-R Recommendation BT.709). This range of colors, or color gamut, is a subset of all the colors visible to the human eye. The Rec. 709 color gamut was based on the color characteristics of cathode-ray tube (CRT) displays in use around 1990. -
Apple Remote Desktop Administrator's Guide
Apple Remote Desktop Administrator’s Guide Version 3 K Apple Computer, Inc. © 2006 Apple Computer, Inc. All rights reserved. The owner or authorized user of a valid copy of Apple Remote Desktop software may reproduce this publication for the purpose of learning to use such software. No part of this publication may be reproduced or transmitted for commercial purposes, such as selling copies of this publication or for providing paid for support services. The Apple logo is a trademark of Apple Computer, Inc., registered in the U.S. and other countries. Use of the “keyboard” Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws. Apple, the Apple logo, AirPort, AppleScript, AppleTalk, AppleWorks, FireWire, iBook, iMac, iSight, Keychain, Mac, Macintosh, Mac OS, PowerBook, QuickTime, and Xserve are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Apple Remote Desktop, Bonjour, eMac, Finder, iCal, and Safari are trademarks of Apple Computer, Inc. Adobe and Acrobat are trademarks of Adobe Systems Incorporated. Java and all Java-based trademarks and logos are trademarks or registered trademarks of Sun Microsystems, Inc. in the U.S. and other countries. UNIX is a registered trademark in the United States and other countries, licensed exclusively through X/Open Company, Ltd. 019-0629/02-28-06 3 Contents Preface 9 About This Book 10 Using This Guide 10 Remote Desktop Help 10 Notation -
Copyrighted Material
15_387603-bindex.qxp 8/18/08 11:48 PM Page 238 Numbers Adobe Photoshop configuring as external editor, 32–33 3-Way Color Corrector filter, 185–187 Photoshop layers, 190–191 9-pin to USB serial adapters, 34–35 PSD files, 33 10-bit uncompressed codec, 202, 204 titles, 123–124 16x9 media, 205–206 AIFF file format, 53 A AJA I/O box, 35 alpha channels abort capture on dropped frames, 29 defined, 102 accounts drop shadows, 148 AutoSave vault, 28 graphic file formats, 102 login IDs, 26 Travel Matte – Alpha composite mode,140–141 multiple user accounts, 26 vector shapes, 195 accuracy of batch list file, 46 analyzing audio files, 98–99 activating Exposé, 5 anamorphic 16x9 media, 205–206 adapters, 34–35 Animation codec, 202, 204–205 Add composite mode, 139 animations Add Edit feature, 62–64 Flop filter, 181 Add Motion Keyframe button, 158 LiveFonts, 104–106, 108–109 adding buttons to button wells, 36–37 Apple Compressor adjusting Batch monitor window, 211–212 audio levels droplets, 213–214 Audio Mixer tool,COPYRIGHTED 83–84 MATERIAL frame controls, 212–213 multiple clips, 85 preset settings, 211–212 Pen tool, 84–85 QuickTime movies, 210–211 Soundtrack Pro, 94–95 sending sequences and clips to, 210 Viewer window, 85–86 Apple Jam Packs, 92 Double-Click speed, 7 Apple Web site, 214 parameters of video filters, 170–171 application launch, 28 sequence settings, 204 tracking speed, 7 238 15_387603-bindex.qxp 8/18/08 11:48 PM Page 239 Index applying audio levels filter packs, 178 adjusting filters Audio Mixer tool, 83–84 audio filters, 87 multiple clips, -
Larry Jordan's Final Cut Studio Newsletter
Sign up for Larry's FREE Monthly Newsletter! Editor: Larry Jordan Issue #71 - September, 2010 Welcome to the latest edition of my monthly Final Cut Studio newsletter for September, 2010. The goal of this newsletter is to provide information helpful to the interested user of Final Cut Pro. This newsletter publishes each month, past issues are available in my store. All software references are to Final Cut Studio (3) unless otherwise noted. Please invite your friends to visit my website -- www.larryjordan.biz. There you'll find daily tips, the latest industry news, and over 500 articles and tutorials to help you get the most out of Final Cut Studio! If you haven't done so already, each issue of this newsletter is FREE -- subscribe here. Then, follow us online. Larry's Final Cut Studio Forum Larry on Facebook Larry on Twitter Latest Industry News from the Digital Production Buzz Digital Production Buzz Weekly Podcast Larry Jordan's Blog Learn Visual Story-telling with 2 Reel Guys NEWSLETTER CONTENTS Welcome Apple Releases Updates to Final Cut Studio Digital Production Buzz Is The Official Podcast of Digital Video Expo 2010 Larry's Weekly Webinar Update Thoughts on Stereoscopic 3D Video Product Review: Drobo FS by Data Robotics Technique: Working With Subclips Thoughts on Teaching Technology Quick Note On PluralEyes Plug-In In Use: NewBlueFX Product Review: get Product Review: prEdit PASSING THOUGHTS Short mentions of interesting subjects. READER MAIL Closing The Gap Booking Work Questions on Transcoding Choosing a Graphics Card Timing Out and Spinning Beach Balls Is 60I The Same as 30P? Save My LiveType Converting HDV To DVD Sizing Graphics for DVD Text Is Text, Right? Missing Media In DVD Studio Pro's Palettes Confused About Data Rates Conforming Video Running Compressor From The Command Line Render Times And Filters Exporting Video Files From Keynote WRAP-UP WELCOME September seems to be flying by -- Digital Video Expo is rapidly approaching -- and there is so much I want to chat with you about. -
Apple Qmaster Distributed Processing Setup Guide Copyright © 2009 Apple Inc
Apple Qmaster Distributed Processing Setup Guide Copyright © 2009 Apple Inc. All rights reserved. Apple, the Apple logo, Bonjour, Final Cut, Final Cut Pro, Final Cut Studio, FireWire, Logic, Logic Studio, Mac, Mac OS, Your rights to the software are governed by the QuickTime, Shake, Xsan, and Xserve are trademarks of accompanying software license agreement. The owner or Apple Inc., registered in the U.S. and other countries. authorized user of a valid copy of Final Cut Studio or Logic Studio software may reproduce this publication for Apple Remote Desktop, Finder, and NetInfo are trademarks the purpose of learning to use such software. No part of of Apple Inc. this publication may be reproduced or transmitted for commercial purposes, such as selling copies of this AppleCare is a service mark of Apple Inc., registered in the publication or for providing paid for support services. U.S. and other countries. The Apple logo is a trademark of Apple Inc., registered in Adobe, the Adobe logo, Acrobat, the Acrobat logo, the U.S. and other countries. Use of the “keyboard” Apple Distiller, PostScript, and the PostScript logo are trademarks logo (Shift-Option-K) for commercial purposes without or registered trademarks of Adobe Systems Incorporated the prior written consent of Apple may constitute in the U.S. and/or other countries. trademark infringement and unfair competition in violation “Dolby,” “Pro Logic,” and the double-D symbol are of federal and state laws. trademarks of Dolby Laboratories. Confidential Every effort has been made to ensure that the information Unpublished Works, © 1992–1997 Dolby Laboratories, Inc. -
Final Cut Server 1.5 Product Overview July 2009 Product Overview 2 Final Cut Server 1.5
Final Cut Server 1.5 Product Overview July 2009 Product Overview 2 Final Cut Server 1.5 Contents Page 4 Final Cut Server Page 5 New in Final Cut Server 1.5 Page 7 Easy Asset Cataloging Asset Discovery Process Broad Format Support Automatic Proxy and Thumbnail Generation Simultaneous Metadata Capture Drag-and-Drop Uploads Automated Synchronization Page 11 Blazing-Fast Searches Powerful, Layered Searches Easy-to-Use Metadata Tools Versatile Production “Containers” Personalized Workspaces Time-Saving Previews Optimized Bandwidth Use Robust Access Controls Seamless Archiving and Retrieval Page 18 Point-and-Click Automation Event-Based Automation Modular Automation Tools Basic and Advanced Automation Options Convenient Workflow Templates Scripts to Control External Systems Page 21 Seamless Collaboration Check-In/Check-Out Protections Version Management Automated Notifications Integrated Review and Approval Tools Working with ProRes 422 (Proxy) Workflows with Final Cut Pro Workflows with Other Final Cut Studio Applications Product Overview 3 Final Cut Server 1.5 Page 25 Multiformat Delivery Pristine Encoding and Frame Conversions Industry-Standard Encoding Batch Processing Time-Saving Templates Distributed Encoding Delivery to External Systems Page 28 Flexible Configuration Scalable Server Software Cross-Platform Client Software Quick-Start Customer Profiles Easy Setups Advanced Administration Features Automated Backups Extensible Solutions Page 32 Workflow Examples Radical Media: Expediting a Global, End-to-End Workflow FRONTLINE/World: Streamlining Website Updates Page 36 Product Details Product Overview 4 Final Cut Server 1.5 Final Cut Server Maximum creativity. Minimum overhead. Final Cut Server 1.5 frees up even more time for creative work, with new features that make it exceptionally flexible and easy to use.