Stereotypes on the Screen
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Well, Actually
CHAPTER 5 WELL, ACTUALLY Cyber Sexism and Racism within Online Settings and the Enabling Discourse of E-Libertarianism INTRODUCTION Since its inception, the Internet has been hailed as a great equalizer, promoter of progress and democracy with unlimited potential and reach. What propels this mythology is the concept of the Internet as a neutral site, where identity is irrelevant other than the persona one chooses to create and share. Social life on the Internet is presented as an idealized, random collection of atomized individuals who happen to come together to interact over shared interests, with collectivity stopping there. Of course, this mythology has always been attractive to a certain segment of the population, who has always been able to utilize the Internet and shape society as they wished: Straight white men, often considered the default Internet user, see the Internet as a neutral tool because it conforms so exactly to their expectations, everyone else had to make adjustments and look for loopholes in order to use the Internet in the way they wanted. (Poland, 2016, p. 213) Indeed, for the women and minorities who are constantly harassed on the Internet, they are met with the dismissive (if not hostile) attitude that this is the price to pay for having the nerve to disrupt the “wide, open cyberspaces” that they are violating because of their unwillingness to no longer let racism, sexism, and homophobia go unnoticed. This can take the form of name calling, threats, and a blurring of online and offline stalking and violence. Far from being a neutral, idealized space, what the Internet reveals is “a story of how the deepest prejudices in a society can take purchase in new settings due to technology” which has been in the process of “transforming not only online spaces but real lives and potentially even the trajectory of our politics” for some time now (Beauchamp, 2019, para. -
Public Politics/Personal Authenticity
PUBLIC POLITICS/PERSONAL AUTHENTICITY: A TALE OF TWO SIXTIES IN HOLLYWOOD CINEMA, 1986- 1994 Oliver Gruner Thesis submitted for the degree of Ph.D. University of East Anglia School of Film and Television Studies August, 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author’s prior, written consent. 1 TABLE OF CONTENTS Introduction 5 Chapter One “The Enemy was in US”: Platoon and Sixties Commemoration 62 Platoon in Production, 1976-1982 65 Public Politics/Personal Authenticity: Platoon from Script to Screen 73 From Vietnam to the Sixties: Promotion and Reception 88 Conclusion 101 Chapter Two “There are a lot of things about me that aren’t what you thought”: Dirty Dancing and Women’s Liberation 103 Dirty Dancing in Production, 1980-1987 106 Public Politics/Personal Authenticity: Dirty Dancing from Script to Screen 114 “Have the Time of Your Life”: Promotion and Reception 131 Conclusion 144 Chapter Three Bad Sixties/ Good Sixties: JFK and the Sixties Generation 146 Lost Innocence/Lost Ignorance: Kennedy Commemoration and the Sixties 149 Innocence Lost: Adaptation and Script Development, 1988-1991 155 In Search of Authenticity: JFK ’s “Good Sixties” 164 Through the Looking Glass: Promotion and Reception 173 Conclusion 185 Chapter Four “Out of the Prison of Your Mind”: Framing Malcolm X 188 A Civil Rights Sixties 191 A Change -
It's Not Funny Anymore
DID YOU KNOW WE CAN HIDE ADS FOR YOU? HOME POLITICS CULTURAL CAVIAR COMMERCE GREATEST HITS CONTRIBUTORS ABOUT US Search MOST POPULAR MODERN WEAPONS RELATED ENTRIES 1. 10 Things I Like About It’s Not Funny Anymore 1. What the Zuck?! White Guys by Taki by Gavin McInnes by Gavin McInnes December 15, 2016 2. When Jilted Lovers Commit 2. The Battle of Milo Hate-Crime Hoaxes by Gavin McInnes Tweet 11 View as Single Page by Jim Goad 3. Ghost Inside Your 3. The Week That Perished Haunted Head I thought the leftist by Takimag by David Cole obsession with getting people fired would die 4. Taking Out the Rubbish 4. What’s So Bad About down after Trump won, by Theodore Dalrymple Globalism? but it’s still “alive and 5. A Radical Thought by Jim Goad well.” They just got a by Allan Massie 5. ‘Get Out’? Get Your sketch-comedy show Money Back called World Peace by Steve Sailer canceled because some photo credit: Bigstock of the contributors like open in browser PRO version Are you a developer? Try out the HTML to PDF API pdfcrowd.com Trump. Instead of realizing their irritating behavior has ostracized them from the rest of the country, the alt-left have decided they weren’t annoying enough and are harassing employers, getting people fired, and making death threats in a futile attempt to turn back time and force America to be #WithHer. There was nothing racist or sexist or anything-ist about the show. Its detractors never really said there was. -
National History Bowl National Championships Playoff Round 3
National History Bowl National Championships Playoff Round 3 Round: Supergroup Group Room: Reader: Scorekeep: Team Names, including letter designation if needed, go in the large boxes to the right. TU# Bonus Bonus Points Cumulative Score Bonus Points Cumulative Score 1 Quarter 1 2 Tossups Only 3 4 Put a "10" in the 5 column of the team 6 that answers correctly. 7 Otherwise leave box 8 blank. 9 10 1 Quarter 2 2 Tossups and bonuses 3 Put "10" in the team's 4 column. Otherwise, 5 leave box blank. 6 For bonuses, put "0" or 7 Substitutions allowed between Qtrs all "10" in the bonus 8 column. 9 10 Quarter 3 points points 60 sec. rds - trailing team Lightning Lightning goes first. 10 pts each. Bounceback Bounceback 20 pt bonus for sweep! Total Total 1 Quarter 4 2 Tossups worth 30, 20, or 3 10 points each 4 Put the appropriate 5 number in the column of 6 the team that answers 7 correctly. Otherwise leave 8 box blank. 9 10 Tiebreakers 1 Tiebreak questions Tie Breaker (Sudden are only used 2 have no point value Victory) to determine winner! 3 at all! Final Score NHBB Nationals Bowl 2017-2018 Bowl Playoff Packet 3 Bowl Playoff Packet 3 First Quarter (1) This organization's creation was built on a \risk theory" that its rival would allow it to become a superpower rather than risk a pitched battle. This organization was expanded under three Novelles, the first of which ordered the creation of four Nassau class ships. This force was expanded by Alfred von Tirpitz, which responded to the Great Britain's Dreadnought with an arms race prior to WWI. -
Alan Silvestri
ALAN SILVESTRI AWARDS/NOMINATIONS EMMY NOMINATION (2014) COSMOS: A SPACETIME ODYSSEY Outstanding Music Composition for a Series / Original Dramatic Score and Outstanding Original Main Title Music WORLD SOUNDTRACK NOMINATION (2008) “A Hero Comes Home” from BEOWULF Best Original Song Written for Film* INTERNATIONAL FILM MUSIC CRITICS BEOWULF ASSOCIATION NOMINATION (2007) Best Original Score-Animated Feature GRAMMY AWARD (20 05) “Believe” from THE POLAR EXPRESS Best Song Written for a Motion Picture* ACADEMY AWARD NOMINATION (2005) “Believe” from THE POLAR EXPRESS Best Original Song* GOLDEN GLOBE NOMINATION (2005) “Believe” from THE POLAR EXPRESS Best Original Song* BRO ADCAST FILM CRITICS CHOICE “Believe” from THE POLAR EXPRESS NOMINATION (2004) Best Song* GRAMMY AWARD (2001) End Credits from CAST AWAY Best Instrumental Composition ACADEMY AWARD NOMINATION (1994) FORREST GUMP Best Original Score GRAMMY AWARD NOMINA TION (1994) “Feather” from FORREST GUMP Best Instrumental Performance GOLDEN GLOBE NOMINATION (1994) FORREST GUMP Best Original Score CABLE ACE AWARD (1990) TALES FROM THE CRYPT: ALL THROUGH Best Original Score THE HOUSE GRAMMY AWARD NOMINATION (1989) Suite from WHO FRAMED ROGER RABBIT? Best Instrumental Composition GRAMMY AWARD NOMINATION (1988) WHO FRAMED ROGER RABBIT? Best Album of Original Score Written for a Motion Picture GRAMMY AWARD NOMINATION (1985) BA CK TO THE FUTURE Best Instrumental Composition 1 The Gorfaine/Schwartz Agency (818) 260-8500 ALAN SILVESTRI GRAMMY AWARD NOMINATION (1985) BACK TO THE FUTURE Best Album of Original Score Written for a Motion Picture *shared nomination/award MOTION PICTURES RUN ALL NIGHT Roy Lee / Michael Tadross / Brooklyn Weaver, prods. Warner Brothers Jaume Collet-Serra, dir. RED 2 Lorenzo di Bonaventura / Mark Vahradian, prods. -
Bee Final Round Bee Final Round Bee Final Round
IHBB Alpha Asia MS Bee 2015-2016 Bee Final Round Bee Final Round Bee Final Round (1) This program refurbished the Cominco plant as part of its P-9 Project, and it absorbed the similar British \Tube Alloys" program under the direction of Leslie Groves. One of its facilities was built to take advantage of TVA hydroelectric dams at Oak Ridge, and it used a gun range at Alamogordo to carry out the July 16, 1945 Trinity test. For the point, name this program led by J. Robert Oppenheimer from Los Alamos National Labs, where the first nuclear weapons were produced. ANSWER: Manhattan Project (prompt on descriptions of the American nuclear weapons development program) (2) One man from this country led the first crossing of Greenland's interior, and was the namesake of a League of Nations passport for refugees; that man was Fridjof Nansen. Another explorer from this country disappeared in 1928, while leading a rescue attempt for the survivors of the airship Italia; that man had earlier led the first successful expedition to reach the South Pole. Roald Amundsen was from, for the point, what Scandinavian country whose capital is Oslo? ANSWER: Norway (3) One section of this work establishes solidarity with the Chartist and agrarian reform movements. This book advocates ten \planks," including a graduated income tax and universal free education, and its opening describes the opposition posed by a \holy alliance." This work claims that \a spectre is haunting Europe," and defines history in terms of class struggles. For the point, name this 1848 work that implores the \workers of the world [to] unite," written by Friedrich Engels and Karl Marx, which inspired a namesake political movement. -
Don Brochu, Ace Editor
DON BROCHU, ACE EDITOR FEATURES DANCE CAMP Awesomeness TV Prod: Brian Robbins Dir: Bert & Bertie A CHANGE OF HEART Surprise Film Prod: Emilio Estefan Jr. Dir: Kenny Ortega THIS IS IT Columbia Pictures Prod: Travis Payne, Randy Phillips Dir: Kenny Ortega HIGH SCHOOL MUSICAL 3 Walt Disney Pictures Prod: Todd Murata, Bill Borden Dir: Kenny Ortega THE CHRISTMAS COTTAGE LionsGate Films Prod: Marc Gordon, Jason Constantine, Dir: Michael Campus Donna Sloan, Michael Paseornek IN THE MIX LionsGate Films Prod: Bill Borden, Robert Ortiz Dir: Ron Underwood THE MEDALLION TriStar Pictures Prod: Rick Nathanson, Tim Kwok, Jackie Chan Dir: Gordon Chan THE FIRST $20 MILLION 20th Century Fox Prod: Michele Imperato, Harold Ramis, Dir: Mick Jackson IS ALWAYS THE HARDEST Trevor Albert BLAST FROM THE PAST New Line Cinema Prod: Amanda Stern, Renny Harlin Dir: Hugh Wilson DUDLEY DO-RIGHT Universal Pictures Prod: Warren Carr, Kathy Zimmer Dir: Hugh Wilson VOLCANO (Co-Editor) 20th Century Fox Prod: Neal Moritz, Scott Stuber, Andrew Davis Dir: Mick Jackson CHAIN REACTION 20th Century Fox Prod: Erwin Stoff, Richard Zanuck, Dir: Andrew Davis (Co-Editor) Andrew Davis, Maher Ahmad STEAL BIG, STEAL LITTLE 20th Century Fox Prod: Fred Caruso, Maher Ahmad, Dir: Andrew Davis (Co-Editor) Mel Pearl THE WALKING DEAD Savoy Pictures Prod: Bill Carraro, Lee Rafner Dir: Preston A. Whitmore III (Co-Editor) ON DEADLY GROUND Warner Brothers Prod: Jeffrey Robinov, Steven Seagal, Dir: Steven Seagal (Co-Editor) Robin D’Arcy THE FUGITIVE (Co-Editor) Warner Brothers Prod: Roy Huggins, Arnold Kopelson Dir: Andrew Davis UNDER SIEGE Warner Brothers Prod: Jack Bernstein, Steven Reuther, Dir: Andrew Davis (Co-Editor) J.F. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
'Vintage Black Cinema' Movie Poster Stamps
FOR IMMEDIATE RELEASE Media Contacts: Darlene Reid-Demeo July 15, 2008 (O) 732-819-4370 (C) 732-319-9779 [email protected] Mark Saunders (O) 202-268-6524 (C) 202-320-0782 [email protected] usps.com/news Release No. 08-074 ‘Vintage Black Cinema’ Movie Poster Stamps Highlight African- American Cultural Experience Stamps Depict Posters From the 1920s Through 1950s WASHINGTON, DC — Vintage movie posters highlighting various facets of the African-American cultural experience as represented in early film return on postage when the U.S. Postal Service issues the Vintage Black Cinema stamps. The 42-cent commemorative First-Class stamps will be dedicated July 16 at the Newark, NJ, Museum during the Black Film Festival and will go on sale nationwide that day. Explained U.S. Postal Service Vice President and Consumer Advocate Delores Killette: “Whether spotlighting the talents of entertainment icons Josephine Baker, Duke Ellington, Paul Laurence Dunbar, Fredi Washington, Louis Jordan, Daniel L. Haynes, Victoria Spivey or King Vidor, or documenting changing social attitudes and expectations—these posters now serve a greater purpose than publicity and promotion. They are invaluable pieces of history, preserving memories of cultural phenomena that otherwise might have been forgotten.” Scheduled to join Killette at the 10 a.m. dedication ceremony Wednesday are Emmy-Award winning Actress Lynn Whitfield who played the leading role in The Josephine Baker Story; Josephine Baker’s son Jean-Claude Baker and his brother, Jarry; Louis Jordan’s widow, Martha Jordan; Paul Ellington, grandson of Duke Ellington; Newark Mayor Cory A. Booker, and Gloria Hopkins Buck, chairwoman of the film festival. -
'God's Friend, the Whole World's Enemy'
This article from Netherlands Journal of Legal Philosophy is published by Eleven international publishing and made available to anonieme bezoeker ‘God’s Friend, the Whole World’s Enemy’ Reconsidering the role of piracy in the development of universal jurisdiction. Louis Sicking ‘And so if justice is left out, what are kingdoms except great robber bands? For what are robber bands except little kingdoms? The band also is a group of men gov- erned by the orders of a leader, bound by a social compact, and its booty is divided according to a law agreed upon. (…) Alexander the Great (…) [asked] a certain pirate whom he had captured (…) what he was thinking of, that he should molest the sea, he said with defiant independ- ence: “The same as you when you molest the world! Since I do this with a little ship I am called a pirate. You do it with a great fleet and are called an emperor.”’ Augustine, The City of God.1 1 Introduction Piracy, including the ways in which it was viewed over time, is predominantly considered the way David Luban does in his article with the telling title ‘The Enemy of All Humanity.’2 This common approach takes Cicero’s concept ‘enemy of all’ (communis hostis omnium) as a point of departure and ends with the special place piracy holds today within the field of international law because of the uni- versal jurisdiction that applies. In between legal scholars are mentioned who used or adapted Cicero’s expression, including the medieval jurist Bartolus Saxoferrato (1314-1357) and the early modern jurist Alberico Gentili (1552-1608) who con- nected piracy with the law of nations. -
Black Hollywood: the Stereotypes, Erasure, and Social Inclusivity of Black Entertainers in Hollywood, 1930-60S
Bard College Bard Digital Commons Senior Projects Fall 2015 Bard Undergraduate Senior Projects Fall 2015 Black Hollywood: The Stereotypes, Erasure, and Social Inclusivity of Black Entertainers in Hollywood, 1930-60s Jalen Thomas Robinson Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_f2015 Part of the American Film Studies Commons, and the Cultural History Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Robinson, Jalen Thomas, "Black Hollywood: The Stereotypes, Erasure, and Social Inclusivity of Black Entertainers in Hollywood, 1930-60s" (2015). Senior Projects Fall 2015. 27. https://digitalcommons.bard.edu/senproj_f2015/27 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. Robinson 1 Black Hollywood: The Stereotypes, Erasure, and Social Inclusivity of Black Entertainers in Hollywood, 1930-60s Senior Project submitted to the Division of Arts of Bard College By Jalen Robinson Annandale-on-Hudson, New York November 2015 Robinson 2 The period between the First and Second World Wars spurred a unique perspective on Hollywood and its output of white-dominated films. -
Medieval Warfare
VOL V, ISSUE 5 OM // KArwANSArAy PUbLIShErS KArwANSArAy OM // .c www.MEdIEVAL-wArfArE NOV / DEC 2015 US/CN $10.99 €7,50 05 fighting on the 3 high seas Naval warfare in the Middle Ages 25274 80639 7 Theme - The VicTual BroThers // roger of lauria saVes malTa // raid on Thessalonica specials - roBerT The Bruce’s ploT againsT The english queen // The firsT firearms mw_5-5.indd 1 17/09/15 18:24 mw_5-5.indd 2 17/09/15 18:24 mwMEDIEVAL WARFARE Publisher: Rolof van Hövell tot Westerflier Managing director: Jasper Oorthuys Editor: Erin van der Pijl Proofreaders: Christy Beall and Marc DeSantis Design & Media: Christy Beall Design © 2013 Karwansaray Publishers Contributors: Erich B. Anderson, Arnold Blumberg, theMe: Naval warfare and piracy in the middle ages Ian Brandt, Scott Forbes Crawford, Ronald Delval, Filippo Donvito, Robert Holmes, Sean McGlynn, The medieval era is not usually known for its naval battles, but the Vikings, Lucas McMahon, Alex Querengasser, Paul Walsh, William E. Welsh, Thomas Williams Byzantines and many others showed the value of taking to the waves. Illustrators: Shen Fei, Luke Forwoodson, Carlos García, Julia Lillo, Mirco Paganessi, Giuseppe Rava, Fabrice Weiss 6 Yesterday pirate, today privateer 24 aragon’s naval hero Print: Grafi Advies Historical introduction Roger of Lauria’s victory at Malta Editorial oce iron-studded dragons 29 Besieging an island-city PO Box 4082, 7200 BB Zutphen, The Netherlands 8 Phone: +31-575-776076 (NL), +44-20-8816281 The viking war-ship The Viking siege of Paris, 885-886 (Europe), +1-740-994-0091 (US) E-mail: [email protected] 13 The Victual Brothers 36 floating citadels Customer service: [email protected] Website: www.medieval-warfare.com God’s friends and the world’s enemies Medieval ship castles Contributions in the form of articles, letters, re- 18 The hand on the rudder 38 smoke on the water views, news and queries are welcomed.