Chart-Chronology Singles and Albums
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Harem Fantasies and Music Videos: Contemporary Orientalist Representation
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2007 Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the Music Commons Recommended Citation Johnson, Maya Ayana, "Harem Fantasies and Music Videos: Contemporary Orientalist Representation" (2007). Dissertations, Theses, and Masters Projects. Paper 1539626527. https://dx.doi.org/doi:10.21220/s2-nf9f-6h02 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Harem Fantasies and Music Videos: Contemporary Orientalist Representation Maya Ayana Johnson Richmond, Virginia Master of Arts, Georgetown University, 2004 Bachelor of Arts, George Mason University, 2002 A Thesis presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Master of Arts American Studies Program The College of William and Mary August 2007 APPROVAL PAGE This Thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Maya Ayana Johnson Approved by the Committee, February 2007 y - W ^ ' _■■■■■■ Committee Chair Associate ssor/Grey Gundaker, American Studies William and Mary Associate Professor/Arthur Krrtght, American Studies Cpllege of William and Mary Associate Professor K im b erly Phillips, American Studies College of William and Mary ABSTRACT In recent years, a number of young female pop singers have incorporated into their music video performances dance, costuming, and musical motifs that suggest references to dance, costume, and musical forms from the Orient. -
Scream & Shout Deconstructed
Hit Songs Deconstructed Deconstructing Today's Hits for Songwriting Success http://reports.hitsongsdeconstructed.com Scream & Shout Deconstructed Skip to: Audio/Video At a Glance Introduction Structural Analysis Momentum/Tension/Intensity (MTI) Lyrics & Harmonic Progression The Music The Vocal Melody Compositional Assessment Hit Factor Assessment Conclusion Why it’s a Hit Songwriter/Producer Take Aways Audio/Video Back to Top At a Glance Back to Top Artist: Wil.i.am featuring Britney Spears Song/Album: Scream & Shout / #willpower Songwriters: Will Adams, Jean Baptiste Kouame, Jef Martens Producers: Will Adams, Jef Martens Genre: Pop Sub Genre: Straight-Up Electro Pop, Dance Length: 4:44 Structure: A-B-IB/VB-A-A-B-IB/VB-C-B Tempo: 130 BPM First Chorus: 0:44 (15% into the song) Intro Length: 0:14 Outro Length: 0:18 Electric vs. Acoustic: Electric Primary Instrumentation: Synth Lyrical Theme: Partying/Clubbing (primary), Love/Relationships (secondary) Title Occurrences: Scream & Shout occurs 14 times within the song Lyrical P.O.V: 1st, 2nd & 3rd Introduction Back to Top Futuristic, egotistic, repetitive, dark, evocative, generic, clever, cliché, unique, familiar, ultra- 1 / 77 Hit Songs Deconstructed Deconstructing Today's Hits for Songwriting Success http://reports.hitsongsdeconstructed.com infectious, fun and of course, “Britney bitch!” These are just some of the terms that describe Will.i.am’s collaboration with Britney Spears on the third single from his forthcoming album, #willpower. To-date Scream & Shout has hit #1 in 21 countries on 23 charts throughout the world, so suffice it to say that the song contains a host of hit factors that enabled it to rise to the top, which we’ll be exploring in depth throughout the report. -
Interpreting in the Zone
3 The Interpreter in the Zone (and Other Zones) Interpreting requires a high degree of concentration and engagement in the moment, and the results of the two studies indicate that this type of intense attention can lead to an in-the-zone experience. As introduced in Chapter 1, being “in the zone” is an exhilarating experience in which people are completely absorbed in what they are doing and are perform- ing at their best. Their skills and judgment rise to the challenges before them, and they experience a state of euphoria. Being in the Zone Professionals, artists, performers, athletes, and others report having in- the-zone (flow) experiences. Csikszentmihalyi1 clarifies what allows for this type of experience to occur by explaining, The optimal state of inner experience . [is one] in which there is order to consciousness. This happens when psychic energy—or attention—is invested in realistic goals, and when skills match the opportunities for action. The pursuit of a goal brings order in awareness because a person must concen- trate attention on the task at hand and momentarily forget everything else. These periods of struggling to overcome challenges are what people find to be the most enjoyable times of their lives.2 In-the-zone experiences are characterized by intense attention and the suc- cessful application of skills, expertise, and decision-making, which allow one to overcome challenges and to feel good about that accomplishment. Csikszentmihalyi explains that there are three primary characteristics of flow: the complexity of the experience, the pleasure of the experience, and its contribution to one’s ability to grow and develop. -
The Best Totally-Not-Planned 'Shockers'
Style Blog The best totally-not-planned ‘shockers’ in the history of the VMAs By Lavanya Ramanathan August 30 If you have watched a music video in the past decade, you probably did not watch it on MTV, a network now mostly stuck in a never-ending loop of episodes of “Teen Mom.” This fact does not stop MTV from continuing to hold the annual Video Music Awards, and it does not stop us from tuning in. Whereas this year’s Grammys were kind of depressing, we can count on the VMAs to be a slightly morally objectionable mess of good theater. (MTV has been boasting that it has pretty much handed over the keys to Miley Cyrus, this year’s host, after all.) [VMAs 2015 FAQ: Where to watch the show, who’s performing, red carpet details] Whether it’s “real” or not doesn’t matter. Each year, the VMAs deliver exactly one ugly, cringe-worthy and sometimes actually surprising event that imprints itself in our brains, never to be forgotten. Before Sunday’s show — and before Nicki Minaj probably delivers this year’s teachable moment — here are just a few of those memorable VMA shockers. 1984: Madonna sings about virginity in front of a blacktie audience It was the first VMAs, Bette Midler (who?) was co-hosting and the audience back then was a sea of tux-wearing stiffs. This is all-important scene-setting for a groundbreaking performance by young Madonna, who appeared on the top of an oversize wedding cake in what can only be described as head-to-toe Frederick’s of Hollywood. -
Us Against the Music 拍数: 32 墙数: 4 级数: 编舞者: Karen Katrea 音乐: Me Against the Music (Feat
Us Against The Music 拍数: 32 墙数: 4 级数: 编舞者: Karen Katrea 音乐: Me Against the Music (feat. Madonna) - Britney Spears LEFT COASTER STEP, FUNKY WALK, KICK AND KICK, STEP AND PIVOT ¼ LEFT 1&2 Step left behind, step right beside left, step left forward 3-4 (Funky) walk right-left 5&6& Kick right diagonally across left, step right beside left, kick left diagonally across right, step left beside right 7-8 Step right forward and pivot ¼ left turn (weight ending on left) CROSS, STEP, HEEL-JACK, CROSS, ¼ LEFT STEP BACK, LEFT COASTER STEP 1-2 Cross right over left, step left to the side 3&4& Rock back on right, recover on left, touch right heel diagonally forward, step right slightly behind left 5-6 Cross left over right, ¼ left turn stepping right back 7&8 Step left behind, step right beside left, step left forward DOROTHY STEPS, RIGHT FULL MONTEREY TURN, SIDE-ROCK-CROSS 1-2& Step right diagonally forward, step left lock behind right, step right diagonally forward 3-4& Step left diagonally forward, step right lock behind left, step left diagonally forward 5-6 Touch right to the side, full right turn on ball of left, step right beside left 7&8 Rock left to the side, recover on right, cross left over right ROCK HOLD STEP, ROCK, TOUCH, SLIDE A SQUARE TURNING ¾ RIGHT 1-2& Rock right to the side, hold, step left beside right 3-4 Rock right to the side, touch left beside right Roll your hips as you rock 5-6 Large left step to the side turning ¼ right, large right step to the side turning ¼ right 7-8 Large left step to the side turning ¼ right turn, large right step to the side On counts 5-8, slide your feet REPEAT. -
View of the Related Literature
72-4684 WALLDREN, Allan Wade, 1934- THE DEVELOPMENT OF AN INSTRUMENT TO ANALYZE STUDENT QUESTIONS DURING PROBLEM SOLVING. The Ohio State University, Ph.D., 1971 Education, general University Microfilms, A XEROX Company, Ann Arbor, Michigan Copyright by Allan Wade Walldren 1971 THE DEVELOPMENT OF AN INSTRUMENT TO ANALYZE STUDENT QUESTIONS DURING PROBLEM SOLVING DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Allan Wade Walldren, B.S., M.A.T * * it it it The Ohio State University 1971 Approved by ’~”1 Adviser Faculty■ of Curriculu and Foundations PLEASE NOTE: Some Pages have indistinct p rin t. Filmed as received. UNIVERSITY MICROFILMS ACKNOWLEDGEMENTS As author of this study I wish to publicly acknowledge and thank several people for their assistance, guidance and support in this investigation. First and foremost is Louise, my wife, who shared equally in all of the rigors and frustra tions of this investigation. She has been sounding board and colleague, critical editor and typist, and most of all an understanding and sensitive friend. I also wish to acknowledge Dr. Charles M. Galloway, who not only supported the study and assisted in its design, but also encouraged me to bring my past experiences into a new focus and to report them in a style that was comfortable. Dr. Paul R. Klohr not only supported the study but sensitively encouraged the investigator at the most appro priate times. Constructive criticism was always blended with a twinkle of humor. Both the study and the investigator were significantly strengthened by Dr. -
United States District Court for the Western District of Pennsylvania
Case 2:08-cv-01327-GLL Document 8 Filed 11/26/08 Page 1 of 3 UNITED STATES DISTRICT COURT FOR THE WESTERN DISTRICT OF PENNSYLVANIA ZOMBA RECORDING LLC, a Delaware limited liabiHty company; ELECTRONICALLY FILED BMG MUSIC, a New York general partnership; INTERSCOPE RECORDS, a Califorma general partnership; UMG CIVIL AcrION NO. 2:08-cv-01327-GLL RECORDINGS, INC., a Delaware corporation; and WARNER BROS. RECORDS INC., a Delaware corporation, Plaintiffs, vs. ClARA MICHELE SAURO, Defendant. DEFAULT .JUDGMENT AND PERMANENT IN,JUNCTION Based upon Plaintiffs' Motion For Default Judgment By The Court, and good cause appearing therefore, it is hereby Ordered and Adjudged that: 1. Plaintiffs seek the minimum statutory damages of $750 per infringed work, as authorized under the Copyright Act (17 U.S.c. § 504(c)(1», for each of the ten sound recordings listed in Exhibit A to the Complaint. Accordingly, having been adjudged to be in default, Defendant shall pay damages to Plaintiffs for infringement of Plaintiffs' copyrights in the sound recordings listed in Exhibit A to the Complaint, in the total principal sum of Seven Thousand Five Hundred Dollars ($7,500.00). 2. Defendant shall further pay Plaintiffs' costs of suit herein in the amount of Four Hundred Twenty Dollars ($420.00). Case 2:08-cv-01327-GLL Document 8 Filed 11/26/08 Page 2 of 3 3. Defendant shall be and hereby is enjoined from directly or indirectly infringing Plaintiffs' rights under federal or state law in the following copyrighted sound recordings: • "Cry Me a River," on album "Justified," -
Song Lyrics ©Marshall Mitchell All Rights Reserved
You Don’t Know - Song Lyrics ©Marshall Mitchell All Rights Reserved Freckled Face Girl - Marshall Mitchell © All Rights Reserved A freckled face girl in the front row of my class Headin’ Outta Wichita - Harvey Toalson/Marshall Mitchell On the playground she runs way too fast © All Rights Reserved And I can’t catch her so I can let her know I think she is pretty and I love her so Headin’ outta Wichita; we’re headed into Little Rock tonight And we could’ve had a bigger crowd but I think the band was sounding pretty tight She has pigtails and ribbons in her hair With three long weeks on this road there ain’t nothing left to do, you just listen to the radio When she smiles my heart jumps into the air And your mind keeps a’reachin’ back to find that old flat land you have the nerve to call your home And all through high school I wanted her to know That I thought she was pretty and I loved her so Now, you can’t take time setting up because before you know it’s time for you to play And you give until you’re giving blood then you realize they ain’t a’listenin’ anyway I could yell it in assembly And then you tell yourself that it can’t get worse and it does, and all you can think about is breaking down I could write it on the wall And then you find yourself back on the road following a dotted line to another town Because when I am around her I just cannot seem to speak at all I wanna see a starlit night and I wanna hold my baby tight again While in college I saw her now and then And I’m really tired of this grind and I’d sure like to see the face -
(Pdf) Download
Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
SMYC 2013 CD Booklet
SPECIAL MULTISTAKE YOUTH CONFERENCE 2013 MUSIC SOUNDTRACK Audio CD_Booklet.indd 1 10/18/2013 9:04:08 AM Stand Chorus Chorus: Joy of Life Singer: Megan Sackett No, I can’t say that I know for certain, but, Singers: Savanna Liechty & Hayden Gillies Every choice, every step, I’m feelin’ somethin’ deep inside my heart Morning sun fill the earth, every moment, I wanna say that I know for certain, Sunlight breaking through the shadows fill the shadows, point my course, set my path but for now it’s a good start. stand lighting all we see fill my soul with light. make me ready. taking in each single moment Sacred light, holy house, I’ve been trying things out a bit, with the air we breath Steady flame, steady guide, loving Father, wanting to know what’s real still so much that lies before us steady voice of peace bind my heart, fill my life I don’t know what will come of it but still so much within our reach lead me through the night. with this promise to stand… if I keep it up I will. of life joy Chorus: Won’t give in, won’t give up And be not moved, together I know there’s someone who after all I can do Every day won’t give out at all Stand makes it all alright brings another moment ‘til my heart is right. In a holy place Then I hear a voice that whispers to me every time Stand… Oh Stand that I’ve known it all my life. -
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1 ZOË BRENNAN-KROHN (SBN 324912) [email protected] 2 SUSAN MIZNER (SBN 163452) [email protected] 3 AMERICAN CIVIL LIBERTIES UNION FOUNDATION 39 Drumm Street 4 San Francisco, CA 94111 Telephone: (415) 343-0769 5 Facsimile: (415) 343-0950 6 AMANDA GOAD (SBN 297131) [email protected] 7 ADITI FRUITWALA (SBN 300362) [email protected] 8 AMERICAN CIVIL LIBERTIES FOUNDATION OF SOUTHERN CALIFORNIA 1313 West 8th Street, Suite 200 9 Los Angeles, CA 90017 Telephone: (213) 977-9500 10 Facsimile: (213) 915-0219 11 Counsel for Petitioners Requesting Confidential Communication and Offering Supported 12 Decision-Making Services 13 SUPERIOR COURT FOR THE STATE OF CALIFORNIA FOR THE COUNTY OF LOS ANGELES, CENTRAL DISTRICT 14 15 Case No. BP1088790 In re the Conservatorship of the Person and 16 Estate of PETITION BY AMERICAN CIVIL LIBERTIES UNION FOR 17 BRITNEY JEAN SPEARS CONFIDENTIAL 18 COMMUNICATION WITH CONSERVATEE TO OFFER AND 19 PROVIDE SUPPORTED DECISION- MAKING SERVICES 20 REQUEST FOR ARGUMENT 21 22 Date: July 14, 2021 Time: 1:30PM 23 Department: 4 Judge: Hon. Brenda J. Penny 24 25 26 27 28 PETITION BY ACLU FOR CONFIDENTIAL COMMUNICATION AND TO OFFER SUPPORTED DECISION-MAKING SERVICES 1 PETITION FOR CONFIDENTIAL COMMUNICATION WITH CONSERVATEE TO 2 OFFER AND PROVIDE SUPPORTED DECISION-MAKING SERVICES 3 Petitioners American Civil Liberties Union Disability Rights Program and American Civil 4 Liberties Union of Southern California (collectively “ACLU”), respectfully petition this Court to 5 offer conservatee Britney Spears supported decision-making assistance in selecting her next 6 attorney. 7 This petition incorporates the arguments set forth in the proposed brief concurrently filed 8 by disability and civil rights organizations as amici curiae in this case. -
Britney Spears Circus Download Link
Britney spears circus download link Britney Spears Circus After The Circus. Artist: Vol 4. MB · Circus (diplo Circus Remix). Artist: Britney Spears. GO TO CIRCUS MP3. it's the acapella of circus hq with the download link here:?zactg78b6accith. Watch the video, get the download or listen to Britney Spears – Circus for free. Discover more music, gig and concert tickets, videos, lyrics, free downloads and. Britney Spears Circus free mp3 download and stream. Listen to Britney Spears - TCS:BS (Circus Tour) Megamix [Download Link Below] by GloriousBritney Fanmixes for free. Follow GloriousBritney Fanmixes to. After the wall-to-wall party album just a year prior ('s 'Blackout'), Spears returned in with an unexpected twist of an album: 'Circus'. From the. britney spears circus song free mp3 Download Link ?keyword=britney-spears-circus-song-free-mp3&charset=utf Circus refocuses Britney Spears' energies on what she does best: sexy, icy dance music. Every trance-inducing dancefloor beat invites its eager listeners to. “Circus” is the sixth studio album by Britney Spears that was released on November 28, It debuted at number one on the US Billboard with first-week. Official music video on "Vevo" on YouTube · Lyrics of this song at MetroLyrics. [hide]. v · t · e · Britney Spears songs · Discography. Lyrics to 'Circus' by Britney Spears: There's only two types of people in the world The ones that entertain, and the ones that observe. DOWNLOAD: Britney Spears - Circus (Deluxe Version). TRACKLIST: 01 - Womanizer 02 - Circus 03 - Out From Under 04 - Kill The Lights 05 - Shattered Glass. Switch browsers or download Spotify for your desktop.