Syriana Once Again: Speculations on the Future of OPEC
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Re-Examining Discourses of Muslim Terrorism in Hollywood Beyond
Reid • 95 Te Age of Sympathy: Re-examining discourses of Muslim terrorism in Hollywood beyond the ‘pre-’ and ‘post-9/11’ dichotomy Jay Reid – University of Adelaide [email protected] Te events of September 11 did not herald a new age of terrorism, for terrorism had been primarily fuelled by religion since the 1980s; however, the 9/11 attacks did herald changes in the representation of terrorism in Hollywood cinema, with an increased frequency of Muslim antagonists, more sinister and deadly than their pre-9/11 compatriots. While pre- and post-9/11 images have been investigated in previous studies, the continued evolution of Middle Eastern characters in the decade since the attacks has rarely been discussed. Tis paper examines six Hollywood action flms released between 1991 and 2011 (a decade prior to and after the attacks) through an Orientalism critique, investigating how representations of Muslim terrorists in Western popular culture have evolved. Te fndings support earlier research on a discursive shift immediately post-9/11, but also reveal a second shift in representation, occurring approximately half a decade after the attacks. Cinematic representations immediately after the attacks positioned Muslim terrorists as sympathetic individuals seduced to commit acts of terrorism by religious fundamentalism. However, from 2007 onwards, representations again change, framing onscreen Muslim terrorists as willing participants in violent activities motivated by Islamic fundamentalism, with an absence of the earlier sympathetic positioning. Tis research builds on existing studies into cinematic representations of terrorism and extends our knowledge of the cinematic discourses of the Hollywood Muslim terrorist, a subject to which continued media and public attention is directed. -
Nick Davis Film Discussion Group December 2015
Nick Davis Film Discussion Group December 2015 Spotlight (dir. Thomas McCarthy, 2015) On Camera Spotlight Team Robby Robinson Michael Keaton: Mr. Mom (83), Beetlejuice (88), Birdman (14) Mike Rezendes Mark Ruffalo: You Can Count on Me (00), The Kids Are All Right (10) Sacha Pfeiffer Rachel McAdams: Mean Girls (04), The Notebook (04), Southpaw (15) Matt Carroll Brian d’Arcy James: mostly Broadway: Shrek (08), Something Rotten (15) At the Globe Marty Baron Liev Schreiber: A Walk on the Moon (99), The Manchurian Candidate (04) Ben Bradlee, Jr. John Slattery: The Station Agent (03), Bluebird (13), TV’s Mad Men (07-15) The Lawyers Mitchell Garabedian Stanley Tucci: Big Night (96), The Devil Wears Prada (06), Julie & Julia (09) Eric Macleish Billy Crudup: Jesus’ Son (99), Almost Famous (00), Waking the Dead (00) Jim Sullivan Jamey Sheridan: The Ice Storm (97), Syriana (05), TV’s Homeland (11-12) The Victims Phil Saviano (SNAP) Neal Huff: The Wedding Banquet (93), TV’s Show Me a Hero (15) Joe Crowley Michael Cyril Creighton: Star and writer of web series Jack in a Box (09-12) Patrick McSorley Jimmy LeBlanc: Gone Baby Gone (07), and that’s his only other credit! Off Camera Director-Writer Tom McCarthy: See below; co-wrote Pixar’s Up (09), frequently acts Co-Screenwriter Josh Singer: writer, West Wing (05-06), producer, Law & Order: SVU (07-08) Cinematography Masanobu Takayanagi: Silver Linings Playbook (12), Black Mass (15) Original Score Howard Shore: The Lord of the Rings Trilogy (01-03), nearly 100 credits Previous features from writer-director -
Digital Oilfield Outlook Report-JWN
Digital Oilfield Outlook Report Opportunities and challenges for Digital Oilfield transformation B:9” T:8.5” S:8” Redefining Pipeline Operations. Identifying issues early is the key to making proactive decisions regarding pipeline safety, integrity and effi ciency. The Intelligent Pipeline Solution, with Pipeline Management from GE software and Accenture’s digital technology, business process and systems integration capabilities, works across your pipeline system to turn big data into actionable insights in near real-time. When GE and Accenture speak the language of analytics and change management, managers can make better decisions with more peace of mind. intelligentpipelinesolution.com B:11.5” S:10.5” T:11” This advertisement was prepared by BBDO New York Filename: P55430_GE_ITL_V2.indd CLIENT: General Electric Proof #: 2 Path: Studio:Volumes:Studio:MECHANIC..._ Created: 10-9-2015 1:29 PM PRODUCT: Predictivity Trade Ads - Oil and Gas Mechanicals:P55430_GE_ITL_V2.indd Saved: 10-9-2015 1:29 PM JOB#: P55430 Operators: Sekulovski, Jovan / Sekulovski, Jovan Printed: 10-9-2015 1:30 PM SPACE: Full Page 4/C Print Scale: None BLEED: 9” x 11.5” TRIM: 8.5” x 11” Fonts Ink Names SAFETY: 8” x 10.5” GE Inspira (ExtraBold, Regular), Arial Black (Regular) Cyan GUTTER: None Graphic Name Color Space Eff. Res. Magenta PUBS: CDN Energy Form IOT Report 140926_GE_Data_Pipelines_Final_4_CMYK_V2.psd (CMYK; 355 ppi), Yellow Black ISSUE: 10/28/15 GE_GreyCircles_LogoOnLeft_Horiz.ai, ACC_hpd_logo_.75x_white_ TRAFFIC: Mary Cook cmyk.eps ART BUYER: None ACCOUNT: Elizabeth Jacobs RETOUCH: None PRODUCTION: Michael Musano ART DIRECTOR: None COPYWRITER: None X1A Key insights New research from JuneWarren-Nickle’s Energy Group, with partners GE and Accenture, shows that Canadian oil and gas professionals see a great deal of potential in adopting Digital Oilfield technology across industry verticals. -
William B. Kaplan CAS
Career Achievement Award Recipient William B. Kaplan CAS CAS Filmmaker Award Recipient George SPRING Clooney 2021 Overcoming Atmos Anxiety • Playing Well with Other Departments • RF in the 21st Century Remote Mixing in the Time of COVID • Return to the Golden Age of Booming Sound Ergonomics for a Long Career • The Evolution of Noise Reduction FOR YOUR CONSIDERATION CINEMA AUDIO SOCIETY AWARDS NOMINEE MOTION PICTURE LIVE ACTION PRODUCTION MIXER DREW KUNIN RERECORDING MIXERS REN KLYCE, DAVID PARKER, NATHAN NANCE SCORING MIXER ALAN MEYERSON, CAS ADR MIXER CHARLEEN RICHARDSSTEEVES FOLEY MIXER SCOTT CURTIS “★★★★★. THE FILM LOOKS AND SOUNDS GORGEOUS.” THE GUARDIAN “A WORK OF DAZZLING CRAFTSMANSHIP.” THE HOLLYWOOD REPORTER “A stunning and technically marvelous portrait of Golden Era Hollywood that boasts MASTERFUL SOUND DESIGN.” MIRROR CAS QUARTERLY, COVER 2 REVISION 1 NETFLIX: MANK PUB DATE: 03/15/21 BLEED: 8.625” X 11.125” TRIM: 8.375” X 10.875” INSIDE THIS ISSUE SPRING 2021 CAREER ACHIEVEMENT AWARD RECIPIENT WILLIAM B. KAPLAN CAS | 20 DEPARTMENTS The President’s Letter | 4 From the Editor | 6 Collaborators | 8 Learn about the authors of your stories 26 34 Announcements | 10 In Remembrance | 58 Been There Done That |59 CAS members check in The Lighter Side | 61 See what your colleagues are up to 38 52 FEATURES A Brief History of Noise Reduction | 15 Remote Mixing in the Time of COVID: User Experiences | 38 RF in the Twenty-First Century |18 When mix teams and clients are apart Filmmaker Award: George Clooney | 26 Overcoming Atmos Anxiety | 42 Insight to get you on your way The 57th Annual CAS Awards Nominees for Outstanding Achievement Playing Well with Other Production in Sound Mixing for 2020 | 28 Departments | 48 The collaborative art of entertainment Outstanding Product Award Nominees| 32 Sound Ergonomics for a Long Career| 52 Return to the Golden Age Staying physically sound on the job Cover: Career Achievement Award of Booming | 34 recipient William B. -
The Oil Boom After Spindletop
425 11/18/02 10:41 AM Page 420 Why It Matters Now The Oil Boom Petroleum refining became the 2 leading Texas industry, and oil remains important in the Texas After Spindletop economy today. TERMS & NAMES OBJECTIVES MAIN IDEA boomtown, refinery, Humble 1. Analyze the effects of scientific discov- After Spindletop, the race was on to Oil and Refining Company, eries and technological advances on the discover oil in other parts of Texas. wildcatter, oil strike, oil and gas industry. In just 30 years, wells in all regions Columbus M. “Dad” Joiner, 2. Explain how C. M. “Dad” Joiner’s work of the state made Texas the world hot oil affected Texas. leader in oil production. 3. Trace the boom-and-bust cycle of oil and gas during the 1920s and 1930s. With the discovery of oil at Spindletop, thousands of fortune seekers flooded into Texas, turning small towns into overcrowded cities almost overnight. An oil worker’s wife described life in East Texas in 1931. There were people living in tents with children. There were a lot of them that had these great big old cardboard boxes draped around trees, living under the trees. And any- and everywhere in the world they could live, they lived. Some were just living in their cars, and a truck if they had a truck. And I tell you, that was bad. Just no place to stay whatsoever. Mary Rogers, interview in Life in the Oil Fields Oil, Oil Everywhere The oil boom of the 1920s and 1930s caused sudden, tremendous growth in Texas. -
Feature Films
Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243 -
The Impact of the Fracking Boom on Arab Oil Producers
The Impact of the Fracking Boom on Arab Oil Producers April 4, 2016 Lutz Kilian University of Michigan CEPR Abstract: This article contributes to the debate about the impact of the U.S. fracking boom on U.S. oil imports, on Arab oil exports, and on the global price of crude oil. First, I investigate the extent to which this oil boom has caused Arab oil exports to the United States to decline since late 2008. Second, I examine to what extent increased U.S. exports of refined products made from domestically produced crude oil have caused Arab oil exports to the rest of the world to decline. Third, the article quantifies by how much increased U.S. tight oil production has lowered the global price of oil. Using a novel econometric methodology, it is shown that in mid-2014, for example, the Brent price of crude oil was lower by $10 than it would have been in the absence of the fracking boom. I find no evidence that fracking was a major cause of the $64 decline in the Brent price of oil from July 2014 to January 2015, however. Fourth, I provide evidence that the decline in Saudi foreign exchange reserves between mid-2014 and August 2015 would have been reduced by 27 percent in the absence of the fracking boom. Finally, I discuss the policy implications of my findings for Saudi Arabia and for other Arab oil producers. JEL Code: Q43, Q33, F14 Key Words: Arab oil producers; Saudi Arabia; shale oil; tight oil; oil price; oil imports; oil exports; refined product exports; oil revenue; foreign exchange reserves; oil supply shock. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
Hollywood and Terrorism
Hollywood and Terrorism James Harrison A Thesis Submitted to the Faculty of Graduate Studies In Partial Fulfillment of the Requirements For the Degree of Master's of Arts Communications & Culture York University May 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-45940-9 Our file Notre reference ISBN: 978-0-494-45940-9 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. reproduced without the author's permission. -
Industrial Development and Growth in Nigeria: Lessons and Challenges
Working Paper No. 8 Industrial development and growth in Nigeria: Lessons and challenges L. N. Chete, J. O. Adeoti, F. M. Adeyinka, and O. Ogundele* Abstract The structure of the Nigerian economy is typical of an underdeveloped country. The primary sector, in particular, the oil and gas sector, dominates the gross domestic product accounting for over 95 per cent of export earnings and about 85 per cent of government revenue between 2011 and 2012. The industrial sector accounts for 6 per cent of economic activity while the manufacturing sector contributed only 4 per cent to GDP in 2011. The economic transformation agenda, otherwise known as Nigeria Vision 20: 2020, sets the direction for the current industrial policy in Nigeria. The industrialization strategy aims at achieving greater global competitiveness in the production of processed and manufactured goods by linking industrial activity with primary sector activity, domestic and foreign trade, and service activity. Keywords: industrialization, mixed economy, cooperative, garment sector, Cambodia JEL classification: L2, L52 1 *Nigerian Institute of Social and Economic Research (NISER), Ibadan, corresponding author email: [email protected] The Brookings Institution is a private non-profit organization. Its mission is to conduct high-quality, independent research and, based on that research, to provide innovative, practical recommendations for policymakers and the public. Brookings recognizes that the value it provides is in its absolute commitment to quality, independence and impact. Activities supported by its donors reflect this commitment and the analysis and recommendations are not determined or influenced by any donation. Learning to Compete (L2C) is a collaborative research program of the Africa Growth Initiative at Brookings (AGI), the African Development Bank, (AfDB), and the United Nations University World Institute for Development Economics Research (UNU-WIDER) on industrial development in Africa. -
Effects of the Oil Boom Main Ideas Key Terms 1
DO NOT EDIT--Changes must be made through “File info” CorrectionKey=TX-A Section 3 Effects of the Oil Boom Main Ideas Key Terms 1. The oil boom caused Texas towns to grow rapidly. • boomtowns 2. New technologies fueled the growth of the oil industry. • internal combustion 3. The oil industry affected the politics, economy, and engines social life of Texas. • Texas Railroad Why It Matters Today C o m m i s s i o n • Permanent University During the early 1900s oil production created Fund boomtowns. Use current events sources to learn about • philanthropy how industry affects city growth today. TEKS: 6A, 7B, 9A, 9B, 12A, 12B, 13B, 13C, 15B, 15C, 17C, 20A, 20C, 20D, 21B, 21C, 21E, 22A, 22D The Story Continues Lured into the Texas oil business by the dramatic events at myNotebook Spindletop, Howard Hughes Sr. encountered a problem faced Use the annotation by all oil producers. Drill bits could not cut through hard tools in your eBook to take notes on the rock. Unlike others, though, Hughes came up with a solu- effects of the Texas tion. He outlined the basic design of the Hughes Rock Bit, Bleed Art Guide: oil boom. All bleeding art should be extended fully to the which could cut through rock 10 times faster than other bits. bleed guide. Boomtowns Like Hughes, thousands of people were drawn to Texas by the promise of spectacular fortunes to be made in the oil business. Before Spindletop, Beaumont had 9,000 residents. Within two years it had swelled to a city Art and Non-Teaching Text Guide: 50,000. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything.