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A New Fantasy of Crusade : Sarras in the Vulgate Cycle. Christopher Michael Herde University of Louisville
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2019 A new fantasy of crusade : Sarras in the vulgate cycle. Christopher Michael Herde University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Arts and Humanities Commons Recommended Citation Herde, Christopher Michael, "A new fantasy of crusade : Sarras in the vulgate cycle." (2019). Electronic Theses and Dissertations. Paper 3226. https://doi.org/10.18297/etd/3226 This Master's Thesis is brought to you for free and open access by ThinkIR: The nivU ersity of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The nivU ersity of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. A NEW FANTASY OF CRUSADE: SARRAS IN THE VULGATE CYCLE By Christopher Michael Herde B.A., University of Louisville, 2016 A Thesis Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Master of Arts in History Department of History University of Louisville Louisville, Kentucky May 2019 Copyright 2019 by Christopher Michael Herde All Rights Reserved A NEW FANTASY OF CRUSADE: SARRAS IN THE VUGLATE CYCLE By Christopher Michael Herde B.A., University of -
Religion and Religious Symbolism in the Tale of the Grail by Three Authors
Faculty of Arts English and German Philology and Translation & Interpretation COMPARATIVE LITERATURE: RELIGION AND RELIGIOUS SYMBOLISM IN THE TALE OF THE GRAIL BY THREE AUTHORS by ASIER LANCHO DIEGO DEGREE IN ENGLISH STUDIES TUTOR: CRISTINA JARILLOT RODAL JUNE 2017 ABSTRACT: The myth of the Grail has long been recognised as the cornerstone of Arthurian literature. Many studies have been conducted on the subject of Christian symbolism in the major Grail romances. However, the aim of the present paper is to prove that the 15th-century “Tale of the Sangrail”, found in Le Morte d’Arthur, by Thomas Malory, presents a greater degree of Christian coloration than 12th-century Chrétien de Troyes’ Perceval and Wolfram von Eschenbach’s Parzival. In order to evaluate this claim, the origin and function of the main elements at the Grail Ceremony were compared in the first place. Secondly, the main characters’ roles were examined to determine variations concerning religious beliefs and overall character development. The findings demonstrated that the main elements at the Grail Ceremony in Thomas Malory’s “The Tale of the Sangrail” are more closely linked to Christian motifs and that Perceval’s psychological development in the same work conflicts with that of a stereotypical Bildungsroman, in contrast with the previous 12th-century versions of the tale. Keywords: The Tale of the Grail, Grail Ceremony, Holy Grail, Christian symbolism INDEX 1. Introduction ....................................................................................................................................... -
THE MANY FACES of MERLIN in MODERN FICTION Author(S): Christopher Dean Source: Arthurian Interpretations, Vol
THE MANY FACES OF MERLIN IN MODERN FICTION Author(s): Christopher Dean Source: Arthurian Interpretations, Vol. 3, No. 1 (Fall 1988), pp. 61-78 Published by: Scriptorium Press Stable URL: http://www.jstor.org/stable/27868651 . Accessed: 09/06/2014 19:11 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Scriptorium Press is collaborating with JSTOR to digitize, preserve and extend access to Arthurian Interpretations. http://www.jstor.org This content downloaded from 130.212.18.200 on Mon, 9 Jun 2014 19:11:41 PM All use subject to JSTOR Terms and Conditions THE MANY FACES OF MERLIN IN MODERN FICTION1 Merlin, Arthur's enchanter and prophet, a figure ofmystery, ofmagic, and of awesome power, is a name that has been part of our literature formore than eight centuries. But the same creature is never conjured, for, as Jane Yolen says, was he not "a shape-shifter, a man of shadows, a son of an incubus, a creature of the mists" (xii)? Or, to quote Nikolai Tolstoy, as a "trickster, illusionist, philosopher and sorcerer, he represents an archetype to which the race turns for guidance and protection" (20). -
The Logic of the Grail in Old French and Middle English Arthurian Romance
The Logic of the Grail in Old French and Middle English Arthurian Romance Submitted in part fulfilment of the degree of Doctor of Philosophy Martha Claire Baldon September 2017 Table of Contents Introduction ................................................................................................................................ 8 Introducing the Grail Quest ................................................................................................................ 9 The Grail Narratives ......................................................................................................................... 15 Grail Logic ........................................................................................................................................ 30 Medieval Forms of Argumentation .................................................................................................. 35 Literature Review ............................................................................................................................. 44 Narrative Structure and the Grail Texts ............................................................................................ 52 Conceptualising and Interpreting the Grail Quest ............................................................................ 64 Chapter I: Hermeneutic Progression: Sight, Knowledge, and Perception ............................... 78 Introduction ..................................................................................................................................... -
King Arthur Was an Elf! an Imaginary, Composite, Inklings Arthuriad
Mythmoot II: Back Again Proceedings of the 2nd Mythgard Institute Mythmoot Conference Center at the Maritime Institute, Linthicum, Maryland December 13-15, 2013 King Arthur Was an Elf! An Imaginary, Composite, Inklings Arthuriad Sørina Higgins The recent publication of The Fall of Arthur, an unfinished poem by J.R.R. Tolkien, revealed a startling, previously-unknown aspect of Tolkien’s legendarium. The key is found in notes Tolkien left about how he intended the fragmentary Fall of Arthur to continue. Christopher Tolkien includes the following details in his editorial matter about how the story could have connected up to the larger Legendarium. First, Gawain's ship was perhaps going to be named Wingelot (The Fall of Arthur 129, 158); Wingelot or Vingilot is the name of Earendel's ship in The Silmarillion (304). Second, in the final confrontation, Mordred would fatally wound Arthur, Arthur would kill Mordred, and Arthur would be carried away to the West for healing. Lancelot, arriving too late, would set sail into the West, searching for his king, never to return. Tolkien left notes saying: “Lancelot gets a boat and sails west and never returns. Eärendel passage” (Fall of Arthur 136) and “Lancelot parts from Guinevere and sets sail for Benwick but turns west and follows after Arthur. And never returns from the sea. Whether he found him in Avalon and will return no one knows” (Fall of Arthur 137). In other words, Lancelot functions somewhat like Higgins—“King Arthur Was an Elf!” Eärendel—the half-elven mariner who used the silmaril to sail into the Uttermost West and reach the Undying Lands. -
Merlin and His Prophecies in the Modern Historical Novel Author(S): RAYMOND H
Rationalizing the Irrational: Merlin and His Prophecies in the Modern Historical Novel Author(s): RAYMOND H. THOMPSON Source: Arthuriana, Vol. 10, No. 1, ESSAYS ON MERLIN (SPRING 2000), pp. 116-126 Published by: Scriptorium Press Stable URL: http://www.jstor.org/stable/27869524 . Accessed: 09/06/2014 19:09 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Scriptorium Press is collaborating with JSTOR to digitize, preserve and extend access to Arthuriana. http://www.jstor.org This content downloaded from 130.212.18.200 on Mon, 9 Jun 2014 19:09:16 PM All use subject to JSTOR Terms and Conditions Rationalizing the Irrational: Merlin and His Prophecies in theModern Historical Novel RAYMOND H. THOMPSON are Merlin's magical powers usually rationalized in modern historical fiction. His visions of the remain even future, however, prophetic, when are aided his own events. they by inspired guesswork and intervention in so That Merlin's prophecies should stubbornly resist the conventions a core of the genre suggests they have become element in Arthurian tradition. (RHT) as a modern fascination with Merlin worker of magic sometimes us to a The leads forget that he has talents other than weaving spells.1 To extent a current as a large this is consequence of the popularity of fantasy ease can literary genre, and it is reinforced by the with which special effects be created in films, to say nothing of cartoons. -
The Persistence of Myth
The Persistence of Myth Mythic Sources and Evolution of the Character of Guinevere in Arthurian Tradition i Dedication This thesis is dedicated to my husband, without whose help and support it would never have been written. Copyright © 1996 by Kathleen Flanagan Alper CONTENTS The Origins and Growth of the Arthurian Literary Tradition .................................... 1 The Reasons for Diversity........................................................................................ 2 A Reexamination of Guinevere ................................................................................ 7 The Persistence of Myth........................................................................................... 8 Overview ................................................................................................................. 12 The Sources of Arthurian Legend ............................................................................... 16 The Stories and Legends........................................................................................ 16 Core Myths ............................................................................................................. 20 The Myth of the White Goddess.................................................................................. 26 The Function of Myth in an Arthurian Tale ......................................................... 27 The Mythic Origins of the Character of Guinevere .............................................. 32 Guinevere as The Celtic Goddess ......................................................................... -
The Legends of King Arthur and His Knights by James Knowles 1
The Legends Of King Arthur And His Knights by James Knowles 1 CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V CHAPTER VI CHAPTER VII CHAPTER VIII CHAPTER IX CHAPTER X CHAPTER XI CHAPTER XII CHAPTER XIII CHAPTER XIV The Legends Of King Arthur And His Knights by James Knowles The Project Gutenberg EBook of The Legends Of King Arthur And His Knights by James Knowles This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Legends Of King Arthur And His Knights Author: James Knowles Release Date: June 28, 2004 [EBook #12753] Language: English Character set encoding: ISO-8859-1 The Legends Of King Arthur And His Knights by James Knowles 2 *** START OF THIS PROJECT GUTENBERG EBOOK KING ARTHUR AND HIS KNIGHTS *** Produced by Zoran Stefanovic, GF Untermeyer and Distributed Proofreaders Europe, http://dp.rastko.net. The Legends of KING ARTHUR and his KNIGHTS Sir James Knowles Illustrated by Lancelot Speed TO ALFRED TENNYSON, D.C.L. POET LAUREATE THIS ATTEMPT AT A POPULAR VERSION OF THE ARTHUR LEGENDS IS BY HIS PERMISSION DEDICATED AS A TRIBUTE OF THE SINCEREST AND WARMEST RESPECT 1862 PREFACE TO THE EIGHTH EDITION The Publishers have asked me to authorise a new edition, in my own name, of this little book--now long out of print--which was written by me thirty-five years ago under the initials J.T.K. -
The Holy Grail in T. S. Eliot's the Waste Land
University Of Anbar College of Education for Humanities Department of English The Holy Grail in T. S. Eliot's The Waste Land Submitted by: Iman Khider Salman Supervised By: Dr. Suhair Nafii 2018 Abstract T.S. Eliot is one of the greatest authors of modern age. His literary works that deal with the aftermath of the war enabled him to get the noble prize in literature since they embody the reality of modern society after the war. This paper contains two sections. The first section consists of an introduction about the Holy Grail, the quest for the Holy Grail through history and literary adaptation of the Holy Grail. Section two consists of T.S.Eliot‘s life and work , an introduction to Eliot‘s The Waste Land, the sources of the legend story of the Holy Grail, and the Grail quest in T.S. Eliot‘s The Waste Land in which shows how Eliot uses this underlying myth as a salvation. The quest for the Holy Grail has been found in the Arthurian stories. These stories belong to the time before the appearance of Christianity in Europe. Eliot invites this legend to give the reader a key to link the story of the Holy Grail with the wasteland in post- world war I. The conclusion sums up the finding of the study where the essential connection between the significance of the legend and T. S. Eliot‘s theme of the poem. I Contents Abstract .............................................................................................................. I Section One........................................................................................................ 2 1.1 Introduction ........................................................................................... 2 1.2 The Quest for the Holy Grail ................................................................ -
The Project Gutenberg Ebook, Stories of King Arthur and His Knights, by U. Waldo Cutler This Ebook Is for the Use of Anyone Anyw
The Project Gutenberg eBook, Stories of King Arthur and His Knights, by U. Waldo Cutler This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Stories of King Arthur and His Knights Retold from Malory's "Morte dArthur" Author: U. Waldo Cutler Release Date: July 12, 2007 [eBook #22053] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK STORIES OF KING ARTHUR AND HIS KNIGHTS*** E-text prepared by Al Haines Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 22053-h.htm or 22053-h.zip: (http://www.gutenberg.net/dirs/2/2/0/5/22053/22053-h/22053-h.htm) or (http://www.gutenberg.net/dirs/2/2/0/5/22053/22053-h.zip) STORIES OF KING ARTHUR AND HIS KNIGHTS Retold from Malory's "Morte dArthur" by U. WALDO CUTLER [Frontispiece: King Arthur] _The goodliest fellowship of famous knights_ _Whereof this world holds record._ TENNYSON George G. Harrap & Co. Ltd. London ---- Bombay ---- Sydney First published January 1905 by GEORGE G. HARRAP & COMPANY 39-41 Parker Street, Kingsway, London, W.C., Reprinted: December 1905; July 1906; May 1907; January 1909; September 1909; July 1910; July 1911; October 1912; October 1913; March 1915; February 1917; August 1917; May 1918; October 1919; June 1920; October 1921; October 1922; June 1923; January 1925; April 1936; September 1927; October 1928; January 1930; January 1931; April 1932 CONTENTS INTRODUCTION CHAPTER I. -
John Brahms Trinick and World War I Cathy Mulcahy
John Brahms Trinick and World War I Cathy Mulcahy As a student on a placement with drawings, some made on paper Documentary and photographic the Ian Potter Museum of Art in provided by Australian Red Cross, materials were given to the University 2014, I was asked to explore the reflect his courage, endurance of Melbourne Archives. In her effects of World War I on the life and and determination to continue comprehensive examination of the career of artist John Brahms Trinick to develop as an artist, despite life and art of John Trinick, Fiona (1890–1974), who served in the being transported to a challenging Moore observes the depth and scope Australian Imperial Force (AIF) from environment and having limited art of these resources: the John Trinick 1916 to 1919. The starting point materials available. They also reveal Study Collection at the University of for this research was an examination an Australian artist who became Melbourne is ‘a visual art collection of two sketchbooks dating to those more familiar with, and involved in, and the archive of a craftsman’, as well war years and recently presented to European artistic traditions through as providing an ‘invaluable insight the University of Melbourne Art war service. into Trinick’s creative process and the Collection in memory of Ms Ruth history of stained glass design’.2 The Trinick, a niece of the artist. The John Trinick Collection 2013 gift also contains many items The centenary of the Gallipoli at the University of conveying Trinick’s thoughts, feelings campaign has brought to light the Melbourne and artistic process while an enlisted personal stories of many of those We can research Trinick’s creative soldier in World War I. -
Tales from Camelotk 0 Pakistan to Defend the Right to Handsome He Wears Red Armour C 40 R 175 8 C 40 R 175 Education for Girls
Step Two A2/B1 KEYS TO THE ACTIVITIES Colore iniziali GreenVictoria Apple Heward CHAPTER 7 – THEColore QUEST iniziali FOR Green THE Apple 3 They fought for their HOLY GRAIL independence, they wanted an C 50 R 147 C 50 R 147 education and wanted to have Colore Life Skills M 0 G 192 Possible answer: M 0 G 192 more control over their own lives. Y 100 B 25 Important: 4 He can sit on theY 100 SiegeB 25 4 Because she bravely fought for K 0 C 0 R 239 K 0 Perilous 5 He must find the Holy girls’ right to an education, M 60 G 123 Grail 7 He has a special destiny Y 100 B 0 because she risked her life in Colore Green Apple Not important: 3 He Coloreis very Green Apple Tales from CamelotK 0 Pakistan to defend the right to handsome He wears red armour C 40 R 175 8 C 40 R 175 education for girls. M 0 G 202 M 0 G 202 King ArthurY 90 andB 0 the Knights CHAPTER 8 – AVALON Y 90 B 0 2 K 0 K 0 1 Open answer. Possible answer: 2 Open answer. of the Round Table 1 love, sadness, death 2 betrayal, 3 Open answer. Font utilizzati dishonesty, love, fearFont 3 utilizzatibetrayal, KEYS TO THE ACTIVITIES 4 Open answer. ambition, dishonesty, lies, death 4 Agenda Medium Before you read CHAPTER 3 – THE LADY OF THE dishonesty, sadness,Agenda lies Medium 3 LAKE 1 d 2 f 3 e 4 c 5 b 6 a 1 Dossier - King Arthur – magician knight beard Possible answer: Activities 1 2 3 Truth or Legend? 4 sword 5 armour 6 stone 1 a good soldier – He helped unite CHAPTER 1 – THE MAGICIAN AND 7 wedding 8 chapel 9 lake theGill kings Sans Std of ExtraBritain Bold 2 magician – 1 Gill Sans Std Extra