Celebrating Translation As a Bridge Between Knowledges and Cultures*
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Power, Identity and Antiquarian Approaches in Modern Chinese Art
Power, identity and antiquarian approaches in modern Chinese art Chia-Ling Yang Within China, nationalistic sentiments notably inhibit objective analysis of Sino- Japanese and Sino-Western cultural exchanges during the end of the Qing dynasty and throughout the Republican period: the fact that China was occupied by external and internal powers, including foreign countries and Chinese warlords, ensured that China at this time was not governed or united by one political body. The contemporary concept of ‘China’ as ‘one nation’ has been subject to debate, and as such, it is also difficult to define what the term ‘Chinese painting’ means.1 The term, guohua 國畫 or maobihua 毛筆畫 (brush painting) has traditionally been translated as ‘Chinese national painting’. 2 While investigating the formation of the concept of guohua, one might question what guo 國 actually means in the context of guohua. It could refer to ‘Nationalist painting’ as in the Nationalist Party, Guomindang 國民黨, which was in power in early 20th century China. It could also be translated as ‘Republican painting’, named after minguo 民國 (Republic of China). These political sentiments had a direct impact on guoxue 國學 (National Learning) and guocui 國粹 (National Essence), textual evidence and antiquarian studies on the development of Chinese history and art history. With great concern over the direction that modern Chinese painting should take, many prolific artists and intellectuals sought inspiration from jinshixue 金石學 (metal and stone studies/epigraphy) as a way to revitalise the Chinese -
A Comparative Approach to Early Chinese Buddhist Translations
JIABS Journal of the International Association of Buddhist Studies Volume 31 Number 1–2 2008 (2010) The Journal of the International Association of Buddhist Studies (ISSN 0193-600XX) is the organ of the International Association of Buddhist Studies, Inc. As a peer-reviewed journal, it welcomes scholarly contributions pertaining to all facets of Buddhist EDITORIAL BOARD Studies. JIABS is published twice yearly. KELLNER Birgit Manuscripts should preferably be sub- KRASSER Helmut mitted as e-mail attachments to: [email protected] as one single fi le, Joint Editors complete with footnotes and references, in two diff erent formats: in PDF-format, BUSWELL Robert and in Rich-Text-Format (RTF) or Open- Document-Format (created e.g. by Open CHEN Jinhua Offi ce). COLLINS Steven Address books for review to: COX Collet JIABS Editors, Institut für Kultur- und GÓMEZ Luis O. Geistesgeschichte Asiens, Prinz-Eugen- HARRISON Paul Strasse 8–10, A-1040 Wien, AUSTRIA VON HINÜBER Oskar Address subscription orders and dues, changes of address, and business corre- JACKSON Roger spondence (including advertising orders) JAINI Padmanabh S. to: KATSURA Shōryū Dr Jérôme Ducor, IABS Treasurer Dept of Oriental Languages and Cultures KUO Li-ying Anthropole LOPEZ, Jr. Donald S. University of Lausanne MACDONALD Alexander CH-1015 Lausanne, Switzerland email: [email protected] SCHERRER-SCHAUB Cristina Web: http://www.iabsinfo.net SEYFORT RUEGG David Fax: +41 21 692 29 35 SHARF Robert Subscriptions to JIABS are USD 55 per STEINKELLNER Ernst year for individuals and USD 90 per year for libraries and other institutions. For TILLEMANS Tom informations on membership in IABS, see back cover. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction k dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversee materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6* x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 WU CHANGSHI AND THE SHANGHAI ART WORLD IN THE LATE NINETEENTH AND EARLY TWENTIETH CENTURIES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Kuiyi Shen, M.A. ***** The Ohio State University 2000 Dissertation Committee: Approved by Professor John C. -
Review of the Great Awakening
Journal of Buddhist Ethics ISSN 1076-9005 http://jbe.gold.ac.uk/ Bodhisattva Precepts in the Ming Society: Factors behind their Success and Propagation William Chu University of California, Los Angeles Email: [email protected] Copyright Notice: Digital copies of this work may be made and dis- tributed provided no change is made and no alteration is made to the content. Reproduction in any other format, with the exception of a single copy for private study, requires the written permission of the au- thor. All enquiries to: [email protected] Bodhisattva Precepts in the Ming Society: Factors behind their Success and Propagation William Chu University of California, Los Angeles Email: [email protected] Abstract The wide popularization of versions of Bodhisattva precepts that were based on apocrypha coincided with certain medieval developments in technology and social/political developments. All these changes facilitated a much more pervasive “Confucianization” of Chinese society, notably during the Song dynasty (960-1279), and were accentuated in the Ming (1368-1643). Riding on these trends, it was only natural that the apocryphal Bodhisattva precepts that were so much tailored to Confucian ethical norms found a much greater popular basis at the same time. This paper also takes a cultural comparativist perspective and analyzes the propagation of the same apocryphal precepts in Japan, which could also be explained by comparable conditions in political and technological infrastructure. Apocryphal scriptures played a crucial role in transforming and redefin- ing Buddhism for its Chinese recipients. The attempts to acclimatize Bud- dhism to the new environment by means of composing and promoting indigenous texts were not just about doctrinal reconfiguration; they were also carried out in earnest to rewrite moral injunctions that would govern both Buddhist individual and institutional life. -
Buddhism and the Dynamics of Transculturality Religion and Society
Buddhism and the Dynamics of Transculturality Religion and Society Edited by Gustavo Benavides, Frank J. Korom, Karen Ruffle and Kocku von Stuckrad Volume 64 Buddhism and the Dynamics of Transculturality New Approaches Edited by Birgit Kellner ISBN 978-3-11-041153-9 e-ISBN (PDF) 978-3-11-041308-3 e-ISBN (EPUB) 978-3-11-041314-4 ISSN 1437-5370 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. For details go to: https://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2019941312 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Birgit Kellner, published by Walter de Gruyter GmbH, Berlin/Boston This book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and binding: CPI books GmbH, Leck www.degruyter.com Contents Birgit Kellner 1 Introduction 1 Ingo Strauch 2 Buddhism in the West? Buddhist Indian Sailors on Socotra (Yemen) and the Role of Trade Contacts in the Spread of Buddhism 15 Anna Filigenzi 3 Non-Buddhist Customs of Buddhist People: Visual and Archaeological Evidence from North-West Pakistan 53 Toru Funayama 4 Translation, Transcription, and What Else? Some Basic Characteristics of Chinese Buddhist Translation as a Cultural Contact between India and China, with Special Reference to Sanskrit ārya and Chinese sheng 85 Lothar Ledderose 5 Stone Hymn – The Buddhist Colophon of 579 Engraved on Mount Tie, Shandong 101 Anna Andreeva 6 “To Overcome the Tyranny of Time”: Stars, Buddhas, and the Arts of Perfect Memory at Mt. -
The Problem of the Authorship of the Mahāprajñāpāramitopadeśa: a Re-Examination
臺大歷史學報第34期 BIBLID1012-8514(2004)34p.281-327 2004年12月,頁281~327 2004.10.19收稿,2004.12.21通過刊登 The Problem of the Authorship of the Mahāprajñāpāramitopadeśa: A Re-examination Chou, Po-kan* Abstract This paper accounts for why Chinese Buddhists believe that Nāgārjuna is the author of the Mahāprajñāparamitodeśa, the commentary on the Pañcavim%śatisāhasrikā Prajñāpāramitā Sūtra. It refutes past theories on the authorship of the text which proceed from the perspective of Indian Buddhism, and proposes a new theory which ascribes the authorship to Sengrui’s editorship that reflects the intellectual situation of Chinese Buddhism of the early fifth century. The authorship issue is actually of a historical event rather than a personal identity. For this new theory, the paper investigates the intellectual activities of Kumārajīva and Sengrui, the translation process, and compares terminological differences and textual variations between the old and new translations of the Sūtra and accompanied doctrinal explanations in the commentary. Keywords: Mahāprajñāparamitodeśa, Pañcavim%śatisāhasrikā Prajñāpāramitā Sūtra, Kumārajīva, Sengrui, Nāgārjuna, translation of Buddhist scritpures. * Associate Professor, Department of History, National Taiwan University. 282 周 伯 戡 I. Sengrui (352?-436?) II. Kumārajīva (344-413) III. The Translation Process IV. Literary Form V. A Terminological Examination VI. Textual Variations VII. Sengrui as Editor of the Text VIII. The Borderland Phobia IX. Conclusion This paper is an attempt to resolve a protracted dispute over the authorship of the Mahāprajñāpāramitopadeśa (Dazhidu Lun 大智度論, abbreviated as DZDL hereafter) --whether or not it is the work of the great Indian Mādhyamika philosopher, Nāgārjuna. The DZDL is a commentary on the Pañcavim%śatisāhasrikā Prajñāpāramitā Sūtra (The Sūtra of Transcendental Wisdom in Twenty-five Thousand Lines, or, in Chinese, Dapin Jing 大品經, the Large Version of the Prajñāpāramitā Sūtra, abbreviated hereafter LPP). -
Rel. 313: Early Mahayana Texts – “To Live As a Lotus Among the Flames”
Rel. 313: Early Mahayana texts – K.E. Brashier “To live as a lotus among the flames” Office hours: M 1-3 p.m., W 9 a.m. Fall 2011 Words are bound up with discrimination and are the carrier of transmigration. Meaning, Mahamati, is attained from much learning, and this much learning, Mahamati, means to be conversant with meaning and not words. – Lankavatara sutra, p. 169 (unabridged ed.). Therefore, each time Huiman spoke Dharma, he said, “The Buddhas speak of mind in order to enable us to realize that mental conceptualization is unreal. Now you are re-adding mental conceptualization. It is in deep contradiction to the Buddhas’ intention, and to add discussion to it is to pervert the great principle.” – The Bodhidharma anthology, p. 63. If you hold various attachments to study the practice and this [Great Dharma], you will not learn anything. – Zhuan falun, p. 2. Ironically, the very issue as to whether Buddhist sutras should be studied is a point of contention within the Buddhist sutras being studied. Is enlightenment to be gained through experience that transcends all doctrines, symbols and words? Or is it accessed through a strictly Buddhist interpretation of reality, a conveyed creed that shapes and molds perception itself? Does the addition of our Western scholarly approach that demands definitions and taxonomies in fact hinder the spreading of an Eastern dharma? The friction between conveyed and experiential knowledge has become a rather hot topic in modern religious studies East and West, but these arguments have flared up many times within the history of Chinese Buddhism. -
The Funerary Buddha: Material Culture and Religious Change In
THE FUNERARY BUDDHA: MATERIAL CULTURE AND RELIGIOUS CHANGE IN “THE INTRODUCTION OF BUDDHISM TO CHINA” by Margarita Angelica Delgado Creamer B.A. in Philosophy, Catholic University of Peru, Lima, 1996 M.A. in Religious Studies, Queen’s University, Kingston, 2008 Submitted to the Graduate Faculty of The Dietrich School of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 UNIVERSITY OF PITTSBURGH The Dietrich School of Arts & Sciences This dissertation was presented by MARGARITA ANGELICA DELGADO CREAMER It was defended on March 30, 2016 and approved by Clark Chilson, PhD, Associate Professor Katheryn Linduff, PhD, Professor Adam Shear, PhD, Associate Professor Dissertation Advisor: Linda Penkower, PhD, Associate Professor ii Copyright © by Margarita Angelica Delgado Creamer 2016 iii THE FUNERARY BUDDHA: MATERIAL CULTURE AND RELIGIOUS CHANGE IN “THE INTRODUCTION OF BUDDHISM TO CHINA” Margarita Angelica Delgado Creamer, Ph.D. University of Pittsburgh, 2016 How could Buddhism gain initial acceptance in China? This question has long perplexed scholars of Chinese religions mainly on account of (1) the alleged deep ethnocentrism of Chinese civilization—that should have prevented the acceptance of a “barbarian” religion and god—and (2) the dearth of reliable relevant information for the period (first through fourth centuries CE). On the basis of the fragmentary textual sources available, the traditional narrative resolved the first problem by arguing that the initial misunderstanding or assimilation of Buddhism in terms of Daoism was pivotal in the initial acceptance of the foreign religion. The second problem has been partially ameliorated by the archaeological discovery in the last decades of dozens of objects bearing recognizably Buddhist motifs that have been dated to this period. -
World on 361 Points Understanding Chinese Culture Via the Board Game Go by Ze-Li Dou
Asian Philosophies and Religions World on 361 Points Understanding Chinese Culture via the Board Game Go By Ze-Li Dou Close-up of a Go player’s hand showing how to hold and place a stone on the crowded board. Source: ©123RF. Photo by Saran Poroong. culture may be likened to a river. While the collective history of the culture constitutes the main course of the river and defines its general direction, the philosophical, religious, and Aartistic traditions are major tributaries that greatly influence the river’s contour. And, just as the river is ever-flowing, religion and philosophy evolve, art forms develop, and history gets interpreted and reinterpreted. A comprehensive understanding of culture is as fascinating and rewarding as it is challenging. This essay is concerned with the ancient Chinese civilization. Its object of focus is a game—a board game called weiqi, or Go in English.1 The objective of the article, however, is to introduce Confucianism and Daoism, the two most prominent philosophical traditions in China, and to illustrate their influ- ence on the interpretation of history, as well as their own relative political dominance in history. We will achieve this by examining how philosophical attitudes are reflected in Go by literary means, which will also illustrate the interconnectedness of literature, philosophy, history, and art in China. In short, Go is The chessboard is a like a little stone found on the bank of our grand metaphoric river; a close inspection of its polish and patina may throw light on the nature and history of the river itself. -
Taoism: Critical Historiography of a Western Neologism, 1940S–2010S
ASIA 2017; aop Grégoire Espesset* The Invention of Buddho-Taoism: Critical Historiography of a Western Neologism, 1940s–2010s https://doi.org/10.1515/asia-2016-0061 Abstract: “Buddho-Taoism” is a neologism that appeared in Western academic writings during the late nineteen-forties, was put to various uses without ever being consensually defined, enjoyed a brief vogue around the turn of the twenty-first century, and began to fall from grace in recent years. Not only did this neologism implicitly create new epistemic repertoires derived from the names of two presumably known religions. Increasingly loaded with a hetero- geneous subtext pertaining to Western-centred representations of the non- European Other, it has become a highly versatile speech unit. By contextualis- ing the appearance of “Buddho-Taoism” and its attested variants in European- language writings and following their semantic evolution, this essay attempts to shed light on some of the problems raised by its retrospective implementa- tion in contemporary Western discourse on China. It also illustrates the power of seduction of trendy terms that academics tend to overuse without careful consideration for their meaning, thereby adding unnecessary problems to the intrinsic difficulties of their primary materials. Keywords: Sinology, historiography, hermeneutics, Chinese Buddhism, Taoism (Daoism) This is the historiography of a term that appeared in Western academic writ- ings during the late nineteen-forties, was put to various uses without ever being consensually defined, enjoyed a brief vogue around the turn of the twenty-first century, and began to fall from grace in recent years. This term is the substantive “Buddho-Taoism” andtherelatedform“Buddho-Taoist”, either as an adjective (as in “Buddho-Taoist interaction”)or,forpersons,a substantive (“the Buddho-Taoists”).1 The spread of this neologism in writings 1 The two forms also appear under the spelling “Buddho-Daoism” and “Buddho-Daoist” (see n. -
Copyrighted Material
INDEX Abbasid Caliphate (750–1258), “animal-style art,”54 Beijing, 182–183, 231, 233, 154, 207 Annam, 216, 231 236, 250, 252, 278, Abaoji (872–926), Emperor Anti-Rightist campaign, 361 317, 324, 356, 372, Taizu of Liao dynasty 182 Anyang, 15–16, 20 381–382, 393 economic policies, 182, 184 apsaras, 112 Beijing opera, 246 government structure Ardebil shrine, 235 Beijing Man (Sinanthropus and, 184 arhat, 107 pekinensis), 6 written script and, 182 Arigh Böke, 208 Beijing University, 310, Abu Said of Siraf, 157 Arrow, 283 324–327, 331–334, 337 Academia Sinica, 325 Autumn Harvest Beilitung discovery, 163–164 Afghanistan, U.S. invasion, 380 Uprising, 332, 337 Belt and Road Initiative, 384 agrarian reform, 346 Avalokitesvara (Guanyin), 108 Bencao gangmu (Compendium Aguda, Emperor Taizu of Jin of Materia Medica), 249 dynasty, 186 Ba Jin (1904–2005), 336, 361, bi ring, 19 Ahmad, 216 369, 373 Bilingsi, 112 Ai Qing (1910–1996), 388 backyard steel furnaces, birth control campaign, Ai Weiwei (1957–), 388 363, 366 361, 373–374 Aigun, Treaty of, 284, 297 baihua, 324–325 Blue Shirts, 337 Aksu, 393 Bakunin, Mikhail, 336 Bo Juyi (772–846), 161 Alexander II, Tsar of Russia, 296 Bamiyan, 101 Bo Xilai (1949–), 381 alfalfa, 72, 90 Ban Biao (3–54)86 Bo Yibo (1908–2007), 381 Alamut, 207 Ban Chao (32–102), 81 Bodhi tree, 106 Altan Khan, 250 Ban Gu (32–92), 81 Bodhidharma, 141–142 amban, 270 Ban Zhao (45-ca. bodhisattvas, 108–109, 112, Amitabha (Buddha of Infinite 116), 81, 91–92 140, 142, 144 Light, Buddha of WesternCOPYRIGHTED Han history, 86 MATERIALBogdo Gegen, 268, 270, 297 Paradise), 108, 142, 247 women and, 84 Bogue, Treaty of, 282 Amur River, 297 Bandung Conference, 360 Bohai Kingdom, 183, 185 An Lushan (703–757), 150 Bangkok, 393 Book of Documents Yan dynasty, 153, 158, 161 Banners, 259, 292 (Shujing), 52, 63 An Qingzu, 150 Banpo, 7–9 Book of Odes An Shigao (?-168), 109 barefoot doctors, 389 (Shujing), 51–53, 63 Analects (Lunyu), 42, 46 baojia, 176–177 daya and, 51 Andersson, J. -
Is There Really “Esoteric” Buddhism?
IS THERE REALLY “ESOTERIC” BUDDHISM? RICHARD D. MCBRIDE, II In his seminal book The Order of Things, Michel Foucault makes an important observation on a methodological problem associated with clas- sification: Historians want to write histories of biology in the eighteenth century; but they do not realize that biology did not exist then, and that the pattern of knowledge that has been familiar to us for a hundred and fifty years is not valid for a previous period. And that, if biology was unknown, there was a very simple reason for it: that life itself did not exist. All that existed was living beings, which were viewed through a grid of knowledge constituted by natural history.1 In contemporary Western scholarship, the concept of “Esoteric Bud- dhism” has become part of a three-fold grid of knowledge deployed to describe the history of Buddhism. For instance, The Encyclopedia of Reli- gion presents three general essays titled: “Hinayana,” “Mahayana,” and “Esoteric Buddhism.”2 In this case the classification “Esoteric Buddhism” is clearly a euphemism and replacement term for “Buddhist Tantrism” or “Tantric Buddhism,” a problematic classification repeatedly shown by scholars in recent years to be largely a product of nineteenth-century Western Orientalist imagination.3 For this reason, perhaps, many scholars now favor the category of “Esoteric Buddhism.” It also may be because 1 Michel Foucault, The Order of Things: An Archeology of the Human Sciences [A trans- lation of Les mots et les choses] (New York: Pantheon Books, 1970; rpt. New York: Van- tage Books, 1994), 127-128. 2 See the book Buddhism and Asian History, ed.