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April 2014 Jilla Burgess-Allen Specialty Registrar in Public Health, Derbyshire County Council
April 2014 Jilla Burgess-Allen Specialty Registrar in Public Health, Derbyshire County Council 1 Executive Summary Health Needs Glossopdale is characterised by its proximity to Manchester to the West and to rural Derbyshire to the East. The boundary issues, geographical location and relative lower level of need compared with the rest of Tameside and Glossop, has impacted on historical service provision within Glossop. Compared with the rest of Derbyshire, Glossop has a relatively high level of substance misuse-related health need. For example, both alcohol related and attributable mortality have, between 2007 and 2011, been higher in Glossopdale than in Derbyshire as a whole, and for alcohol attributable deaths the trend has been increasing in Glossopdale whilst it decreased county wide. Alcohol specific and attributable hospital admissions for men have also been increasing in Glossopdale. Alcohol-related community safety issues have improved in the area over recent years though the area still has a higher rate of alcohol-related violent crime than average for the police division. Class A drug use is seen as relatively low by service providers and agencies working in the area, but interviews with service users suggest there may be a greater problem than agencies are aware of. While service providers report declining prevalence, service users perceive a local increase and report that class A drugs are more available in the area than before. Cannabis use is reported to be high in the area and is perceived to be socially normalised. However, cannabis related offending rates are low. Substance misuse issues are less visible in the area compared to neighbouring Tameside & Greater Manchester, and stigma may play a role in this alongside less visible and accessible service provision. -
Gregg Nestor, William Kanengiser
Gregg Nestor, Guitar William Kanengiser, Guitar Jessica Pierce, Flute Francisco Castillo, Oboe Kevan Torfeh, Cello David McKelvy, Harmonica Anna Bartos, Soprano Executive Album Producers for BSX Records: Ford A. Thaxton and Mark Banning Album Produced by Gregg Nestor Guitar Arrangements by Gregg Nestor Tracks 1-5 and 12-16 Recorded at Penguin Recording, Eagle Rock, CA Engineer: John Strother Tracks 6-11 Recorded at Villa di Fontani, Lake View Terrace, CA Engineers: Jonathan Marcus, Benjamin Maas Digitally Edited and Mastered by Jonathan Marcus, Orpharian Recordings Album Art Direction: Mark Banning Mr. Nestor’s Guitars by Martin Fleeson, 1981 José Ramirez, 1984 & Sérgio Abreu, 1993 Mr. Kanengiser’s Guitar by Miguel Rodriguez, 1977 Special Thanks to the composer’s estates for access to the original scores for this project. BSX Records wishes to thank Gregg Nestor, Jon Burlingame, Mike Joffe and Frank K. DeWald for his invaluable contribution and oversight to the accuracy of the CD booklet. For Ilaine Pollack well-tempered instrument - cannot be tuned for all keys assuredness of its melody foreshadow the seriousness simultaneously, each key change was recorded by the with which this “concert composer” would approach duo sectionally, then combined. Virtuosic glissando and film. pizzicato effects complement Gold's main theme, a jaunty, kaleidoscopic waltz whose suggestion of a Like Korngold, Miklós Rózsa found inspiration in later merry-go-round is purely intentional. years by uniting both sides of his “Double Life” – the title of his autobiography – in a concert work inspired by his The fanfare-like opening of Alfred Newman’s ALL film music. Just as Korngold had incorporated themes ABOUT EVE (1950), adapted from the main title, pulls us from Warner Bros. -
Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr. -
Resilient Ukraine Resilient
Resilient Ukraine: Safeguarding Society from Russian Aggression Russian from Society Ukraine: Safeguarding Resilient Research Paper Mathieu Boulègue and Orysia Lutsevych Ukraine Forum | June 2020 Resilient Ukraine Safeguarding Society from Russian Aggression Mathieu Boulègue and OrysiaLutsevych Chatham House Contents Summary 2 1 Introduction 3 2 The Impact of the Armed Conflict 13 3 Creating Resilience Dividends: Case Studies 27 4 Recommendations 33 5 Conclusion 37 About the Authors 38 Acknowledgments 39 1 | Chatham House Resilient Ukraine: Safeguarding Society from Russian Aggression Summary • Despite military conflict and an increasingly adversarial relationship with Russia, Ukraine has largely maintained its democratic reforms thanks to its resilience and determination to decide its own future. The country is gradually developing the capacity of its state institutions and civil society to address the political and social consequences of Russian aggression. • Russia’s three main levers of influence in Ukraine include the ongoing armed conflict, corruption, and the poor quality of the political sphere. The Kremlin seeks to exploit these vulnerabilities to promote polarization and encourage a clash between Ukraine’s citizens and its governing elite by taking military action, manipulating the corruption narrative, supporting pro-Russia parties, and fuelling religious tensions through the Russian Orthodox Church (ROC). • The ramifications of the military operation in Donbas reverberate strongly across the country and domestic politics. The most prominent spillover effects include the circulation of firearms and the weakened capacity of authorities to reintegrate internally displaced people (IDPs) and war veterans. • With no clear way to end the armed conflict, there is a growing risk of societal polarization. This could have negative consequences for any prospective peace agreement. -
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v8n4 covers.qxd 5/13/03 1:58 PM Page c1 Volume 8, Number 4 Original Music Soundtracks for Movies & Television Action Back In Bond!? pg. 18 MeetTHE Folks GUFFMAN Arrives! WIND Howls! SPINAL’s Tapped! Names Dropped! PLUS The Blue Planet GEORGE FENTON Babes & Brits ED SHEARMUR Celebrity Studded Interviews! The Way It Was Harry Shearer, Michael McKean, MARVIN HAMLISCH Annette O’Toole, Christopher Guest, Eugene Levy, Parker Posey, David L. Lander, Bob Balaban, Rob Reiner, JaneJane Lynch,Lynch, JohnJohn MichaelMichael Higgins,Higgins, 04> Catherine O’Hara, Martin Short, Steve Martin, Tom Hanks, Barbra Streisand, Diane Keaton, Anthony Newley, Woody Allen, Robert Redford, Jamie Lee Curtis, 7225274 93704 Tony Curtis, Janet Leigh, Wolfman Jack, $4.95 U.S. • $5.95 Canada JoeJoe DiMaggio,DiMaggio, OliverOliver North,North, Fawn Hall, Nick Nolte, Nastassja Kinski all mentioned inside! v8n4 covers.qxd 5/13/03 1:58 PM Page c2 On August 19th, all of Hollywood will be reading music. spotting editing composing orchestration contracting dubbing sync licensing music marketing publishing re-scoring prepping clearance music supervising musicians recording studios Summer Film & TV Music Special Issue. August 19, 2003 Music adds emotional resonance to moving pictures. And music creation is a vital part of Hollywood’s economy. Our Summer Film & TV Music Issue is the definitive guide to the music of movies and TV. It’s part 3 of our 4 part series, featuring “Who Scores Primetime,” “Calling Emmy,” upcoming fall films by distributor, director, music credits and much more. It’s the place to advertise your talent, product or service to the people who create the moving pictures. -
Wordsearch - Q Christmas TV Specials a Seek out the TV Seasonal Offerings in the Grid
Wordsearch - q Christmas TV specials a Seek out the TV seasonal offerings in the grid. Words go up down, diagonally – and forwards and backwards T P B N D S S G I B S L Q U A L E Q L N E M S S R A G D R I D M H T N L S G O T L C M G D E H L U E R A E D C N W B B S O M K C J J H C T L P U X O V U O S H U L L N Q A A J R N E A V E E T V O M M E C G I A W H G D Z X W I M G O D M H Q R T C U E F I A I D W I P B I T T Z A W A T A P T A V B G O S W Q B H D K L J O J B J G I H Y K R T S W I H S H C D E W Y t S H H E O S E E T S G C H E F A B I R D I N T H E H A N D O F T S W T D C T P D E Y A O S T R E A L R E R H H I Y Q H S Z Q U S U F I Q T N C L F P W R H A O I O E Y J Y P B N N S U P E D X R S S F M E R T G B A Z N Z H F W F Z D R K W L X E E M O T O P R M O S X M K A N I Z C U M E T I L O D H R D B L T U G U K B Y G I K S X S E W T F U G S E L I S Y E E M N G Z J D S B V W R I R E C A W B L J L C E S C F Y K C H K A E S U B F S V Z S A O R G T O R J K G K T D E E P E F A T P T O D C D G U J Z G O S X N D E I S Y O A E T O M O R D S O E R U I S S B I N E E S S D E R U Z A K K R W G Q S R J D U K R C L N M S H M T V Y I I j L P C Q N K G P I N E K A C G D I E V I H J G D Z J A M G T T C H H L O T A E E S L C R R L S F Z R R O V T N N L O C H N O U T Z Y N J F Z M S Z P C Y H C R I S S H O N I K H T H A H M B W E M I M J M E U F E R I N Q S G Q K K V C M Z Y J F R E I S A I O F B R F R R C B P A P G G V D C P E E R Y M I I D K A I Z Y H B Y Q M R T R I H S E E R H F E H L I A A D S F M J A M H C E Y M N L N Y N S D E Y N J I X L A V F K E -
Lawrence Batley Theatre
WHAT’S ON Autumn/Winter 2017-18 BOX OFFICE 01484 430528 www.thelbt.org Hello and welcome. THE LBT PEOPLE DISCOUNTS SEASON PREVIEW THU 31 AUGUST This autumn you can see our long term relationships with artists and LYNDA HORNSBY, Executive Director of Dark Horse Theatre, UNDER 26s KIRKLEES PASSPORT HOLDERS an lbt resident company our commitment to bringing the best shows to you really paying off. Under 26s are entitled to tickets for just £8 and Kirklees Passport holders Join us for the unveiling of our Autumn / Winter season with Director of the can claim a discount of £3 off full price tickets for many shows in our lbt, Victoria Firth, and special guests from our forthcoming programme. We have a long standing commitment to And when we need something special and Autumn / Winter season.* James Beale from Proper Job Theatre joins us to talk about their new adaptation support companies in residence here at our unique to the lbt we’re making it here. In 2016 Look for the icons and call us on 01484 430528 or visit our website to book. of medusa; director Joyce Branagh returns to talk about the lbt’s traditional Queen Street premises and we are delighted we produced our first traditional pantomime *Ts & Cs apply. Please bring id as you may be asked for proof of age. Please remember to bring your Passport with pantomime jack & the beanstalk; creatives from the ruck discuss the lbt and to present some of their latest creations. Dark and first in-house production for 10 years, you to the performance as proof may be required. -
The Good Guys Tweed Heads South Celebrate Australia
.HHSLQJLWLQWKH THE TWEED )DPLO\ Volume 3 #20 Thursday, January 27, 2011 Advertising and news enquiries: Phone: (02) 6672 2280 [email protected] [email protected] The family behind the business www.tweedecho.com.au LOCAL & INDEPENDENT Page 8 Rose, Biosphere status Young urged for Tweed Achiever Murray Simpson the McPherson and Border ranges and possibly even the marine reserve A grand plan to have the Tweed Val- off Byron Bay. ley declared a ‘biosphere reserve’ has It will spill from Tweed shire to By- using her been launched by the Caldera Envi- ron, Lismore, Kyogle and Northern ronment Centre. Rivers shire councils and will link But it has nothing to do with Dis- with Queensland’s scenic rim scheme brains neyland-type glass bubbles, says co- which runs down to the border. ordinator Edward ‘Hop. e’ Hopkins. ‘It all centres on the biodiversity ‘We want to become part of a global hot-spot we have where the McPher- network of biospheres promoted by son and Border ranges meet roughly UNESCO,’ he said. at the head of the Limpinwood Valley,’ ‘There are 546 biospheres world- he said. wide in 109 countries and 15 in Aus- Rarest of the rare tralia. ‘We’re looking at biosphere status ‘We’ve got species there that exist Murray Simpson received a Year 12 Rotary prize for cit- Mr McDonald received recogni- for the Border Ranges and Noosa to nowhere else.’ izenship and the Defence Force Long tion for his services to the cattle in- provide a green belt, or lungs, at either The roots of the biosphere reserve The strange world of teenagers’ brains Tan leadership and teamwork award. -
University of California UNIVERSITY of CALIFORNIA
UCLA UCLA Electronic Theses and Dissertations Title Ukrainian Identity in Modern Chamber Music: A Performer's Perspective on Valentyn Silvestrov's Violin Sonata "Post Scriptum" and its Interpretation in the Context of Ukrainian Chamber Works. Permalink https://escholarship.org/uc/item/8874s0pn Author Khomik, Myroslava Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works A dissertation submitted in partial satisfaction Of the requirements for the degree Doctor of Musical Arts By Myroslava Khomik 2015 © Copyright by Myroslava Khomik 2015 ABSTRACT OF THE DISSERTATION Ukrainian Identity in Modern Chamber Music: A Performer’s Perspective on Valentyn Silvestrov’s Violin Sonata “Post Scriptum” and its Interpretation in the Context of Ukrainian Chamber Works. by Myroslava Khomik Doctor of Musical Arts University of California, Los Angeles, 2015 Professor Movses Pogossian, Chair Ukrainian cultural expression has gone through many years of inertia due to decades of Soviet repression and censorship. In the post-Soviet period, since the late 80s and early 90s, a number of composers have explored new directions in creative styles thanks to new political and cultural freedoms. This study focuses on Valentyn Silvestrov’s unique Sonata for Violin and Piano “Post Scriptum” (1990), investigating its musical details and their meaning in its post- Soviet compositional context. The purpose is to contribute to a broader overview of Ukraine’s classical music tradition, especially as it relates to national identity and the ii current cultural and political state of the country. -
Abstracts, Rocky Mountain Chapter of the American Musicological Society Rocky Mountain Music Scholars Conference University of Texas at El Paso, March 1-2, 2019
1 Abstracts, Rocky Mountain Chapter of the American Musicological Society Rocky Mountain Music Scholars Conference University of Texas at El Paso, March 1-2, 2019 Mahler, Bernstein, and Jewish Identity, Matthew Mugmon (University of Arizona) .............................. 3 Stephen Heller Composes Jean Paul: The Blumen-, Frucht-, und Dornenstücke, Op. 82., Nicholas Alexander (University of Northern Colorado) .............................................................................................. 3 Hidden Affectation in Liszt’s Prometheus, Neal Warner (University of Arizona) .................................. 3 Musicology in Exile: Adolfo Salazar and Mexican Hegemony, Adam Heyen (Arizona State University) ........................................................................................................................................................... 4 Blurring the Border: Chávez, Copland, and Pan Americanism, Candice Sierra (University of Arizona) ............................................................................................................................................................... 4 Shaping the Modern American Guitar Landscape: Vahdah Olcott-Bickford and the American Guitar Society, Kathy Acosta Zavala (University of Arizona) ................................................................................. 5 Johnnie Ray: 'The Father of Rock and Roll'? How and Why History Gets Written, Michael Broyles (Florida State University) ................................................................................................................................. -
Members' Charity Concert
Members ’ Charity Concert Tuesday 18 September 2018 7.30pm Celebrating 70 years of the NHS and raising funds for the ‘Little Linac’ project WELCOME Rosemary Cook CBE Claire de Lune, by Claude Debussy (piano) Mark Tooley Gnossienne No. 4, by Erik Satie (piano) Reverie, by Angela Morley (violin) Lydia Westhead Image, by Eugène Bozza (flute) Anna Gardiner Serenata, by Michael McLean (string trio) The Trueman Trio Csardas, by Michael McLean Traditional Welsh folk tunes: (flute, accordion, violin, guitar) Rachel Bidder & friends Reflections on science in the NHS Prof Dame Sue Hill OBE Round Midnight, by Thelonius Monk (alto sax) Robert Farley Misty, by Erroll Garner and Johnny Burke Ave Verum, by William Byrd IPEM Voices Bridge over Troubled Water, by Paul Simon INTERVAL WELCOME BACK Griselda Goldsbrough Poem to celebrate 70 years of the NHS Dave Jarman La cathédrale engloutie, by Claude Debussy (piano) Mark Tooley Gymnopedie No. 2, by Erik Satie (piano) Linden Lea, by Ralph Vaughan Williams IPEM Voices Long day closes, by Henry Chorley & Arthur Sullivan Tango “Chromatique”, by Michael McLean The Trueman Trio Córdoba from Contos de España Op. 232 no 4, by Isaac Albéniz (piano) Anna Gardiner Consolation No. 3, by Franz Liszt (piano) Richard Caley Waltz No. 15 Op.39, by Johannes Brahms (piano) A Scottish medley – (bagpipes) John Mills Highland Cathedral, by Ulrich Roever and Michael Korb Loch Lomond, traditional Scottish song Skye Boat Song, traditional Scottish song We're No' Awa' Tae Bide Awa', traditional Scottish song TBC Trainees’ band About the Little Linac project David Brettle Jerusalem, by William Blake & Sir Hubert Parry IPEM Voices The audience is warmly invited to join in with the singing of ‘Jerusalem’ in tribute to the UK’s National Health Service as it celebrates 70 years since its founding in 1948. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers I-P JOHN IRELAND (1879-1962) Born in Bowdon, Cheshire. He studied at the Royal College of Music with Stanford and simultaneously worked as a professional organist. He continued his career as an organist after graduation and also held a teaching position at the Royal College. Being also an excellent pianist he composed a lot of solo works for this instrument but in addition to the Piano Concerto he is best known for his for his orchestral pieces, especially the London Overture, and several choral works. Piano Concerto in E flat major (1930) Mark Bebbington (piano)/David Curti/Orchestra of the Swan ( + Bax: Piano Concertino) SOMM 093 (2009) Colin Horsley (piano)/Basil Cameron/Royal Philharmonic Orchestra EMI BRITISH COMPOSERS 352279-2 (2 CDs) (2006) (original LP release: HMV CLP1182) (1958) Eileen Joyce (piano)/Sir Adrian Boult/London Philharmonic Orchestra (rec. 1949) ( + The Forgotten Rite and These Things Shall Be) LONDON PHILHARMONIC ORCHESTRA LPO 0041 (2009) Eileen Joyce (piano)/Leslie Heward/Hallé Orchestra (rec. 1942) ( + Moeran: Symphony in G minor) DUTTON LABORATORIES CDBP 9807 (2011) (original LP release: HMV TREASURY EM290462-3 {2 LPs}) (1985) Piers Lane (piano)/David Lloyd-Jones/Ulster Orchestra ( + Legend and Delius: Piano Concerto) HYPERION CDA67296 (2006) John Lenehan (piano)/John Wilson/Royal Liverpool Philharmonic Orchestra ( + Legend, First Rhapsody, Pastoral, Indian Summer, A Sea Idyll and Three Dances) NAXOS 8572598 (2011) MusicWeb International Updated: August 2020 British & Commonwealth Concertos I-P Eric Parkin (piano)/Sir Adrian Boult/London Philharmonic Orchestra ( + These Things Shall Be, Legend, Satyricon Overture and 2 Symphonic Studies) LYRITA SRCD.241 (2007) (original LP release: LYRITA SRCS.36 (1968) Eric Parkin (piano)/Bryden Thomson/London Philharmonic Orchestra ( + Legend and Mai-Dun) CHANDOS CHAN 8461 (1986) Kathryn Stott (piano)/Sir Andrew Davis/BBC Symphony Orchestra (rec.