Paul Harvey: America's Biggest Voice Ruth Laredo Will Grace Chapel Tonight T?

Total Page:16

File Type:pdf, Size:1020Kb

Paul Harvey: America's Biggest Voice Ruth Laredo Will Grace Chapel Tonight T? à ««Gs.) r \nr ? L THE LAWRENTIAN Vol. XCVII—No. 14 Lawrence University, Appleton, Wisconsin 54911 Friday, 20 January 1978 Paul Harvey: America’s biggest voice by Jeff Hawley say: devastatingly more important. listen to the real Paul Harvey The “Biggest Voice in “I consider myself a Like: everyday until you go crazy, like America” visited our campus professional parade watcher who “Did you see Star Wars?” we had hoped to hear. yesterday, good Lawrentians. can’t wait to get up every mor­ “Yes.” Harvey touched upon very few Paul Harvey, the man behind the ning and watch the parade.” “How many times’ ” political issues (perhaps because voice that broadcasts to litterally “ I never worked a day in my “Only once.” the audience did not ask that millions each day, spoke at life. Except when I was a And . many political questions) Riverview yesterday to a crowd teenager and mowed lawns for a “ How do you pronounce your although he did offer his own of 150 righteous, and upstanding dime.” last name?” version of the late Senator Joseph citizens. “Journalism and broadcasting “Do you mena the way my McCarthy and former President Mr. Harvey did not rant and are great careers. I can’t think of Dutch relatives do or the way my Richard Nixon. rave about those welfare a better way I ’d want to spend my son does?” First of all, he thought Mc- cheaters who are just lying on time.” “The way your son does.” Carthism was something their butts and doubt watching Some of the more serious *!$+-$!” basically good for this country in some mindless TV programs day minded students (i.e. serious Page two. Harvey did, that it helped keep the after day, week after week. Nor about broadcasting) asked Mr. however, offer some very policiticans more honest. And he did he take any pot-shots at Penn Harvey questions about the specific advice for a person who still thinks that Richard Nixon is Ritter for appointing himself on future of broadcasting and is starting out in broadcasting. not a crook. the self-appointee’s committee. journalism in our highly “Le&rn as many things as you With all this aside, Harvey’s Yes, good Americans, Mr. specialized society, whether his can about everything. And learn punctuated style with its well Harvey spoke sincerely and political views influence his as much as you can about one calculated pauses held honestly about some of the things selection of some news stories thing in particular.” everydoby’s interest - something P A U L H A R V E Y in Riverview. that are both good and bad about over others, or whether he sees He did not, however, advise the not any schomoe can do. And yes — Photo by Chet Hoskins this great country of ours. But he the media as playing too great a next “Paul Harvey” to drop out he does sound exactly the same also spoke quite a bit about role in their coverage of political of college, start reading as many way “live” as he does when he is himself. These are some of the events. Others asked him newspapers as possible, (in­ on the radio. Good day. more memorable things he had to question which seemed cluding the Lawrentian) and Smith explains Ruth Laredo will grace Chapel Tonight T?¿“íThe Analytical Studies í eto Com­ mittee did not propose a balanced One of the most exciting and ready to go out into the concert budget because President accomplished classical pianists world, but at Curtis she met Thomas Smith requested that of our time, Ruth Laredo, will violinist Laredo and they were they not even consider balancing present the second concert of the married shortly after her the budget. He explained in an 1977-78 Lawrence University graduation. There followed 14 interview on Tuesday that a Artist Series Fridav. Jan. 20. The years as “the accompanist,” balanced budget would mean a concert will be presented at before breaking out on her own. retrenchment in faculty and 8 p.m. in the Memorial Chapel. The pianist’s recording history administration. Laredo, who played for 14 has been as remarkable as her “I think that it would be totally years in duo concerts with her career as a soloist. While still inappropriate to ask a faculty husband, violinist Jaime Laredo, married she recorded the committee to recommend a launched her solo career in 1974 complete piano sonatas of specific plan for retrenchment” . after the break-up of their Alexander Scriabin, and is now in He continued, “I have received marriage. Her debut concert with the process of recording the letters from two trustees who are the New York Philharmonic drew complete solo piano works of concerned about budget deficits. rave reviews. Ever since she has Serge Rachmaninoff. She has We must have a plan to eliminate been considered to be in the won awards and high critical the University’s deficit.” upper echelon of the world’s praise for both series, including Before a balanced budget can concert pianists. “Record of the Year” honors be outlined, Smith believes that Laredo grew up in Detroit, from several publications and a the administration should know studying piano with her mother Grammy Award nomination in how quickly the deficits must be until she was 11. She made her 1976. eliminated and how much deficit debut with the Detroit Symphony Her Friday night Fox Valley the University can endure at that year, and then studied with concert will include Scriabin’s present. Without knowing the Edward Bredshall. She met “Poem of Ecstasy” Sonata No. 5, answers to these questions, the Rudolf Serkin at a summer camp Rachm aninoff’s Six Preludes administration can not move on when she was 16, and he invited from Opus 32, Franz Liszt’s to the next step in the budget her to study with him at the “Mephisto Waltz,” Maurice process. Curtis Institute of Music, stating Ravel’s Sonatine, and Claude Smith anticipates eliminating that she played “like a tiger.” Debussy’s “Bruyeres,” “Reflets the deficit through a four point After six years of study with dans l ’Eau” and “Feux d’Ar- program. First, he would like to Serkin at Curtis, Laredo was tifices.” maintain the curriculum, all RUTH LAREDO existing majors and departments and increase the freshmen Who are the Trustees? seminars and interdisciplinary Out of the Mudd and into the snow areas. Second, retrenchment in by Molly Wyman which is initially outlined through personel would be involved. Lawrence trustees have a process involving the Analytic by Tom Watson Third, Smith would hope to in­ ultimate power over the im ­ lim ited to 2-5 people. Studies Committee and President The theme for Lawrence Registration for the ice-sculptur crease enrollment by efforts in plementation of decisions made Smith. The Board can make any University’s 1978 Winter Carnival contest will be held on Friday the admissions and campus life. by the faculty, students and changes it likes in the format of to be held on Saturday, January 27th, from 12:00-1:00 in the lob­ Finally, Smith would hope to administration in all matters the budget. 28, is “Snowflake Fantasy.” The bies of Colman and Downer. The increase income from the en­ from operation of the LUCC to the Wrolstad states that he deals dowment and gift giving. budget. theme represents the fantastic ice blocks and ice-picks will be with the Board as an agent for winter fun available in this year’s provided, but sculptors may use The President’s Planning Their most important function President Smith. He handles the carnival. Traditional events such their own ice-instruments. A Team intends to prepare its is hiring the President ; they also budget, the hiring of personnel, as broom-ball and cross country propane torch will be provided to report after the Trustee meeting assist in raising money for the and resource distribution, but ski racing have been expanded to glaze the rough edges of the ice on campus this week. school. The Trustees control an carries out the objectives of his include women’s divisions. In sculptures after they have been endowment of funds accumulated superiors. addition, new events have been chopped out. The ice-sculptures over 130 years, donations made Wrolstad admits that students added. will be left on display in front of Trustees meet for specific purposes, and often complain of the way money oversee the allocation of New this year is the Snow Bowl, the Union for all to see. They will is allocated, such as the which is being sponsored by the be judged on the originality and resources. Only the earnings renovation of Main Hall. He this weekend from the endowment are spent. Explorer’s Club. Football in the the form of the finished product. explains that money is donated to The Trustees will hold their The adm inistration com­ snow can be rather cold busniess, There will be musical en­ Lawrence for specific purposed, annual winter meeting on municates the interests of the so all potential participants are tertainment all afternoon in both and cannot legally be spent for campus this weekend. They will campus to the 38 Trustees who warned to be in “spirits” in order the Viking Room and Sage anything else. He feels that it be considering several proposals meet three times a year. The to stay warm. A pie eating Lounge. The LU Jazz Band will would be counter-productive to from the administration in­ annual presentation of the budget contest and a backgammon and be playing in the Union, and Sage try to interpret the workings of cluding the Analytical Studies will be held at Lawrence this cribbage tournament will also be will present a variety of student the total budget.
Recommended publications
  • OKLAHOMA BOARD of NURSING 2915 North Classen Boulevard, Suite 524 Oklahoma City, OK 73106 405/962-1800 Third
    Board Minutes November 16 & 17, 2005 Page 1 of 33 OKLAHOMA BOARD OF NURSING 2915 North Classen Boulevard, Suite 524 Oklahoma City, OK 73106 www.ok.gov/nursing 405/962-1800 Third Regular Meeting – November 16 & 17, 2005 FY2006 The Oklahoma Board of Nursing held its third regular meeting of FY2006 on November 16 & 17, 2005. Notice of the meeting was filed with the Secretary of State’s Office and notice/agenda was posted on the Oklahoma Board of Nursing web site. A notice/agenda was also posted on the Cameron Building front entrance at 2915 N. Classen, Oklahoma City, as well as the Board office, 2915 N. Classen, Suite 524, 24 hours prior to the meeting. Members present: Cynthia Foust, PhD, RN, President Jackye Ward, MS, RN, Vice-President Heather Sharp, LPN, Secretary-Treasurer Deborah Booton-Hiser, PhD, RN, ARNP Linda Coyer, LPN Teresa Frazier, MS, RN Lee Kirk, Public Member Melinda Laird, MS, RN Jan O’Fields, LPN Louise Talley, PhD, RN Roy Watson, PhD, Public Member Members absent: None Staff Present: Kim Glazier, MEd, RN, Executive Director Gayle McNish, EdD, MS, RN, Deputy Director of Regulatory Services Deborah J. Bruce, JD, Deputy Director of Investigative Division Laura Clarkson, RN, Peer Assistance Program Coordinator Darlene McCullock, CPM, Business Manager L. Louise Drake, MHR, RN, Associate Director of Nursing Practice Deborah Ball, RN, Nurse Investigator Lajuana Crossland, RN, Nurse Investigator Sandra Ellis, Executive Secretary Teena Jackson, Legal Secretary Shelley Rasco, Legal Secretary Andrea Story, Legal Secretary Legal Counsel Present: Charles C. Green, Attorney-at-Law Debbie McKinney, Attorney-at-Law Sue Wycoff, Attorney-at-Law Court Reporter: Susan Narvaez Word for Word Reporting, LLC 1 Board Minutes November 16 & 17, 2005 Page 2 of 33 1.0 Preliminary Activities The third regular meeting of FY2006 was called to order by Cynthia Foust, RN, PhD, Board President, at 8:00 a.m., on Wednesday, November 16, 2005, in the Holiday Inn Conference Center, 2101 S.
    [Show full text]
  • Music for Viola and Piano, September 30, 2018 Lawrence University
    Lawrence University Lux Conservatory of Music Concert Programs Conservatory of Music 9-30-2018 12:00 AM Music for Viola and Piano, September 30, 2018 Lawrence University Follow this and additional works at: https://lux.lawrence.edu/concertprograms Part of the Music Performance Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "Music for Viola and Piano, September 30, 2018" (2018). Conservatory of Music Concert Programs. Program 311. https://lux.lawrence.edu/concertprograms/311 This Concert Program is brought to you for free and open access by the Conservatory of Music at Lux. It has been accepted for inclusion in Conservatory of Music Concert Programs by an authorized administrator of Lux. For more information, please contact [email protected]. Guest Recital Music for Viola and Piano Sheila Browne, viola Julie Nishimura, piano Sunday, September 30, 2018 6:00 p.m. Harper Hall Sonatensatz from the F-A-E Sonata, WoO posth. 2 Johannes Brahms (1833-1897) Sonata for Viola and Piano (1979) George Rochberg Allegro moderato (1918-2005) Adagio lamentoso Fantasia: Epilogue INTERMISSION Convergence (2009) Andrea Clearfield (b. 1960) Sonata for Viola and Piano (1919) Rebecca Clarke Impetuoso (1886-1979) Vivace Adagio PERFORMER BIOS Hailed by the New York Times as a “stylish player” for a concerto performance in Carnegie Hall’s Stern Auditorium, violist Sheila Browne is an accomplished international soloist, chamber musician and professor. Honored to be named the William Primrose Memorial Recitalist of 2016, Ms. Browne has performed in major halls on six continents, including solo performances with the Juilliard Orchestra, Kiev Philharmonic, New World Symphony, in Carnegie Hall with the New York Women’s Ensemble, South African International Viola Congress Festival Orchestra, and the Viva Vivaldi!, Reina Sofia and German French chamber orchestras, and with the Highland Mountain Correctional Center Women’s String Orchestra in Alaska.
    [Show full text]
  • 01-31-21-Dewire-Fac-Piano-Rec
    FROSTBURG STATE UNIVERSITY DEPARTMENT OF MUSIC SPRING 2021 EVENTS DEPARTMENT OF MUSIC STREAMING ONLINE Follow the link at www.frostburg.edu/concerts FACULTY ARTIST SERIES FEBRUARY 21 West Shore Piano Trio Faculty-Guest Artist Series – 3pm 26 Scott Rieker, composition Faculty Artist Series – 7:30pm JAY DeWIRE, PIANO MARCH 3 FSU Percussion Ensemble – 7:30pm 26 Spring Choral Concert – 7:30pm “L’chaim! A Jewish Composers Showcase” APRIL 4 Joseph Yungen, piano Faculty Artist Series – 3pm 9 FSU Wind Ensemble – 7pm Outdoor performance – Open to the public 11 President’s Concert – 3pm 18 FSU Piano Ensemble – 3pm 19 FSU Opera Theatre – 7:30pm 20 FSU Opera Theatre – 7:30pm 24 FSU Jazz Orchestra & Jazz Combos – 3pm Outdoor performance – Open to the public 28 FSU String Ensemble – 7:30pm 30 FSU Chamber Singers & University Chorale FSU Percussion Ensemble Joint Recital – 7:30pm Concerts subject to change. Info & updates: 301-687-4109, www.frostburg.edu/concerts View our recital recordings on YouTube: Frostburg Music Department Sunday January 31, 2021 Pealer Performing Arts Center 3:00 p.m. Pealer Recital Hall PROGRAM BIOGRAPHY Italian Concerto, BWV 971 Johann Sebastian Bach JAY DEWIRE, piano, has performed across the I. Allegro (1685-1750) United States as a soloist, collaborator, and II. Andante member of the West Shore Trio. Highlights include III. Presto two performances as soloist with the Prince George’s Philharmonic, concerts in Chautauqua, Los Angeles and New Mexico. with the West Shore Humoreske, Op. 20 Robert Schumann Piano Trio, a performance at the North American I. Einfach (1810-1856) Saxophone Alliance in Lubbock, Texas, with Dr.
    [Show full text]
  • View PDF Online
    MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951.
    [Show full text]
  • Station Ownership and Programming in Radio
    FCC Media Ownership Study #5: Station Ownership and Programming in Radio By Tasneem Chipty CRA International, Inc. June 24, 2007 * CRA International, Inc., 200 Clarendon Street, T-33, Boston, MA 02116. I would like to thank Rashmi Melgiri, Matt List, and Caterina Nelson for helpful discussions and valuable assistance. The opinions expressed here are my own and do not necessarily reflect those of CRA International, Inc., or any of its other employees. Station Ownership and Programming in Radio by Tasneem Chipty, CRA International, June, 2007 I. Introduction Out of concern that common ownership of media may stifle diversity of voices and viewpoints, the Federal Communications Commission (“FCC”) has historically placed limits on the degree of common ownership of local radio stations, as well as on cross-ownership among radio stations, television stations, and newspapers serving the same local area. The 1996 Telecommunications Act loosened local radio station ownership restrictions, to different degrees across markets of different sizes, and it lifted all limits on radio station ownership at the national level. Subsequent FCC rule changes permitted common ownership of television and radio stations in the same market and also permitted a certain degree of cross-ownership between radio stations and newspapers. These changes have resulted in a wave of radio station mergers as well as a number of cross-media acquisitions, shifting control over programming content to fewer hands. For example, the number of radio stations owned or operated by Clear Channel Communications increased from about 196 stations in 1997 to 1,183 stations in 2005; the number of stations owned or operated by CBS (formerly known as Infinity) increased from 160 in 1997 to 178 in 2005; and the number of stations owned or operated by ABC increased from 29 in 1997 to 71 in 2005.
    [Show full text]
  • Seattle a Digital Community Still in Transition Jessica Durkin, Tom Glaisyer, and Kara Hadge, Media Policy Initiative June 2010, Release 2.0
    New America Foundation An Information Community Case Study: Seattle A digital community still in transition Jessica Durkin, Tom Glaisyer, and Kara Hadge, Media Policy Initiative June 2010, Release 2.0 Seattle, Washington, could be considered a city singularly suited to develop a healthy democracy in the digital age. The city government, citizens and business have created a productive environment for the next generation of information-sharing and community engagement. Years of economic growth and relative prosperity have fostered new, superior practices in news and information. Yet, losing a major print newspaper, as Seattle did when The Seattle Post-Intelligencer closed, adversely affects a community, by leaving it with one less place to provide public service journalism, stories about people and general community updates. In parallel, Seattle has been at the center of an explosion of alternative news outlets, especially online, which has created a critical mass of information portals for geographic and social communities. As the Knight Report, Informing Communities: Sustaining Democracy in a Digital Age, highlights, it is important to understand that there are three important elements to be considered as we analyze media and democracy in the 21st century: • availability of relevant and credible information to all Americans and their communities; • capacity of individuals to engage with information; and • individual engagement with information and the public life of the community. However, despite the relative vibrancy of the media scene, and even with all its demographic and other advantages, it is unclear how much of this innovation is sustainable. The local web is littered with websites that are no longer updated, and few of the startups boast anything like the journalistic firepower or profitability of the papers of the past.
    [Show full text]
  • Americanensemble
    6971.american ensemble 6/14/07 2:02 PM Page 12 AmericanEnsemble Peter Serkin and the Orion String Quartet, Tishman Auditorium, April 2007 Forever Trivia question: Where Julius Levine, Isidore Cohen, Walter Trampler and David Oppenheim performed did the 12-year-old with an array of then-youngsters, including Richard Goode, Richard Stoltzman, Young Peter Serkin make his Ruth Laredo, Lee Luvisi, Murray Perahia, Jaime Laredo and Paula Robison. New York debut? The long-term viability of the New School’s low-budget, high-star-power series (Hint: The Guarneri, is due to several factors: an endowment seeded by music-loving philanthropists Cleveland, Lenox and such as Alice and Jacob Kaplan; the willingness of the participants to accept modest Vermeer string quartets made their first fees; and, of course, the New School’s ongoing generosity in providing a venue, New York appearances in the same venue.) gratis. In addition, Salomon reports, “Sasha never accepted a dime” during his 36 No, not Carnegie Recital Hall. Not the years of labor as music director or as a performer (he played in most of the 92nd Street Y, and certainly not Alice Tully concerts until 1991, two years before his death). In fact, Sasha never stopped Hall (which isn’t old enough). New Yorkers giving—the bulk of his estate went to the Schneider Foundation, which continues first heard the above-named artists in to help support the New School’s chamber music series and Schneider’s other youth- Tishman Auditorium on West 12th Street, at oriented project, the New York String Orchestra Seminar.
    [Show full text]
  • Carmel Music Society
    Musical Excellence Since 1927 carmel music society PERFORMANCE HISTORY 1927-2013 with support from the Monterey County Board of Supervisors Carmel Music Society Post Office Box 22783 Carmel, California 93922 831-625-9938 831-625-6823 FAX www.carmelmusic.org [email protected] printed on recycled paper 2008-09 2011-12 The Romeros Guitar Quartet Nobuyuki Tsujii, Pianist Adaskin Trio & Gryphon Trio Carmel Music Society Tom Gallant, Oboist Astrid Schween, Cellist & Board of Directors Takâcs Quartet Gary Hammond, Pianist Hans Boepple, Pianist Frederica von Stade, Mezzo-Soprano & Voices of London Kristin Pankonin, Pianist Anne Thorp, President Bennewitz String Quartet Israeli Chamber Project Victoria Davis, First Vice President Triple Helix & Garrick Ohlsson, Pianist Rudolf Schroeter, Second Vice President Paul Hersh, Violist Nadja Salerno-Sonnenberg, Violinist & Yefim Bronfman, Pianist Anne-Marie McDermott, Pianist Larry Davidson, Third Vice President Dana Booher, Saxophonist* Pavel Haas Quartet Peter Thorp, Treasurer Jae-in Shin, Violinist* Greta Alexander, Secretary 2009-10 Academy of Saint Martin in the Fields Chamber Ensemble Tim Brown Kate Kluetmeier Alexander Quartet & Eli Eban, Clarinetist Doris Cobb Jim Rotter Susan Graham, Beverly Dekker-Davidson Barbara Ruzicka Mezzo-Soprano & Erik Dyar Kumi Uyeda Malcolm Martineau, Pianist Menachem Pressler, Pianist & American String Quartet Gustavo Romero, Pianist Advisors Albers String Trio David Gordon, Renée Bronson Timothy Fain, Violinist & Cory Smythe, Pianist Bert Ihlenfeld, Ginna
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1983
    . ^ 5^^ mar9 E^ ^"l^Hifi imSSii^*^^ ' •H-.-..-. 1 '1 i 1^ «^^«i»^^^m^ ^ "^^^^^. Llii:^^^ %^?W. ^ltm-''^4 j;4W»HH|K,tf.''if :**.. .^l^^- ^-?«^g?^5?,^^^^ _ '^ ** '.' *^*'^V^ - 1 jV^^ii 5 '|>5|. * .««8W!g^4sMi^^ -\.J1L Majestic pine lined drives, rambling elegant mfenor h^^, meandering lawns and gardens, velvet green mountain *4%ta! canoeing ponds and Laurel Lake. Two -hundred acres of the and present tastefully mingled. Afulfillment of every vacation delight . executive conference fancy . and elegant home dream. A choice for a day ... a month . a year. Savor the cuisine, entertainment in the lounges, horseback, sleigh, and carriage rides, health spa, tennis, swimming, fishing, skiing, golf The great estate tradition is at your fingertips, and we await you graciously with information on how to be part of the Foxhollow experience. Foxhollow . an tver growing select family. Offerings in: Vacation Homes, Time- Shared Villas, Conference Center. Route 7, Lenox, Massachusetts 01240 413-637-2000 Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundred and Second Season, 1982-83 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Mrs. John H. Fitzpatrick William J. Poorvu J. P. Barger Mrs. John L. Grandin Irving W. Rabb Mrs. John M. Bradley David G. Mugar Mrs. George R. Rowland Mrs. Norman L. Cahners Albert L. Nickerson Mrs. George Lee Sargent George H.A.
    [Show full text]
  • The Performing Style of Alexander Scriabin
    Performance Practice Review Volume 18 | Number 1 Article 4 "The eP rforming Style of Alexander Scriabin" by Anatole Leikin Lincoln M. Ballard Follow this and additional works at: http://scholarship.claremont.edu/ppr Ballard, Lincoln M. (2013) ""The eP rforming Style of Alexander Scriabin" by Anatole Leikin," Performance Practice Review: Vol. 18: No. 1, Article 4. DOI: 10.5642/perfpr.201318.01.04 Available at: http://scholarship.claremont.edu/ppr/vol18/iss1/4 This Book Review is brought to you for free and open access by the Journals at Claremont at Scholarship @ Claremont. It has been accepted for inclusion in Performance Practice Review by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Book review: Leikin, Anatole. The Performing Style of Alexander Scriabin. Burlington, VT: Ashgate, 2011. ISBN 978-0-7546-6021-7. Lincoln M. Ballard Nearly a century after the death of Russian pianist-composer Alexander Scriabin (1872–1915), his music remains as enigmatic as it was during his lifetime. His output is dominated by solo piano music that surpasses most amateurs’ capabilities, yet even among concert artists his works languish on the fringes of the standard repertory. Since the 1980s, Scriabin has enjoyed renewed attention from scholars who have contributed two types of studies aside from examinations of his cultural context: theoretical analyses and performance guides. The former group considers Scriabin as an innovative harmoni- cist who paralleled the Second Viennese School’s development of post-tonal procedures, while the latter elucidates the interpretive and technical demands required to deliver compelling performances of his music.
    [Show full text]
  • RISA HOKAMURA, Violin
    RISA HOKAMURA, violin Photo: Sho Yamada First Prize, 2018 Young Concert Artists International Auditions Tannery Pond Concerts Prize Ruth Laredo Award of YCA Ronald Asherson Prize of YCA YOUNG CONCERT ARTISTS, INC. 1776 Broadway, Suite 1500 New York, NY 10019 Telephone: (212) 307-6655 [email protected] www.yca.org Young Concert Artists, Inc. 1776 Broadway, Suite 1500, New York, NY 10019 telephone: (212) 307-6655 e-mail: [email protected] website: www.yca.org RISA HOKAMURA, violinist Japanese violinist Risa Hokamura won First Prize in the 2018 Young Concert Artists International Auditions at the age of seventeen, as well as the Tannery Pond Concerts Prize, the Ruth Laredo Award, and the Ronald Asherson Award of YCA. She follows in the distinguished footsteps of her two major violin teachers, who also began their careers with Young Concert Artists: Koichiro Harada (founding first violinist of the Tokyo String Quartet) and Mayuko Kamio. Ms. Hokamura began the violin at the age of three, and at the age of ten she began to capture top prizes in competitions in Japan. She first came to international attention when she won the Silver Medal at the 2018 International Violin Competition of Indianapolis, where she performed the Tchaikovsky Concerto with the Indianapolis Symphony conducted by Leonard Slatkin. In celebration of her medal, she will return to Indianapolis in March to perform a special “Gold, Silver and Bronze Medalists Debut” concert. Risa Hokamura is currently a student at the Tokyo College of Music High School, and will be featured on a benefit concert this season for the school at Tokyo’s Metropolitan Hall.
    [Show full text]
  • Paula Robison Ruth Laredo
    THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Paula Robison Flutist Ruth Laredo Pianist WEDNESDAY EVENING, JULY 22, 1981, AT 8:30 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Sonata ............... POULENC Allegro malincolico Cantilena Presto giocoso Selections from "The Bird Fancyer's Delight" for Solo Flute .... Orig. published by RICHARD MEARES, 1717 Rondo Capriccioso in G major (flute) ....... STAMITZ Four Piano Preludes from Op. 32 ....... RACHMANINOFF INTERMISSION Sonata in D major, Op. 94 ......... PROKOFIEV Moderate Allegretto scherzando Andante Allegro con brio Miss Robison: Vanguard and Musical Heritage Society Records. Miss Laredo: Columbia, Desto, and Connoisseur Society Records. Third Concert of the 103rd Season Summer Fare Series About the Artists Paula Robison, born in Nashville and raised in Los Angeles, is recognized as one of today's outstanding artists. Since becoming the first American to win first prize at the Geneva International Competition, she gives over one hundred performances annually, including appearances as soloist with the New York Philharmonic, San Francisco and Atlanta Symphonies, and Buffalo Philharmonic, as well as recitals in major halls throughout the country, among them Carnegie Hall and the Kennedy Center for the Performing Arts. She is a founding artist-member of the Chamber Music Society of Lincoln Center, with whom she appears regularly, including a performance at the White House in September 1979. Recently, in March 1981, she made her debut tour of Japan. A strong advocate for the expansion of the flute repertoire, Miss Robison has brought into the concert hall many undeservedly neglected works of the past. Her interest in contemporary composers has led her to premiere works by Pierre Boulez and Toru Takemitsu, and in 1978 Leon Kirchner's "Music for Flute and Orchestra," composed especially for her.
    [Show full text]