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Jazz Concert
Artist Series Andrew Cooperstock, piano Friday, February 15, 2019 at 8pm Lagerquist Concert Hall, Mary Baker Russell Music Center Pacific Lutheran University School of Arts and Communication / Department of Music presents Artist Series Andrew Cooperstock, piano Music of Leonard Bernstein (1918-1990) A Centennial Tribute Friday, February 15, 2019 at 8pm Lagerquist Concert Hall, Mary Baker Russell Music Center Welcome to Lagerquist Concert Hall. Please disable the audible signal on all watches and cellular phones for the duration of the concert. Use of cameras, recording equipment and all digital devices is not permitted in the concert hall. PROGRAM El Salón Mexico ........................................................................................................ (1936, orig. pub. 1939/arr. pub. 1941) Sonata for the Piano ................................................................................................................................... (1938, pub. 1979) I. Presto. Molto moderato. Presto. Scherzando II. Largo. Moderato. Molto moderato Selections from Anniversaries ................................................................................................................................ (1942-88) For Aaron Copland For Sergei Koussevitzky In Memoriam: Nathalie Koussevitzky For Felicia Montealgre For Susanna Kyle For Stephen Sondheim In Memoriam: William Kapell In Memoriam: Helen Coates Four Sabras ............................................................................................................................................. -
Music for Viola and Piano, September 30, 2018 Lawrence University
Lawrence University Lux Conservatory of Music Concert Programs Conservatory of Music 9-30-2018 12:00 AM Music for Viola and Piano, September 30, 2018 Lawrence University Follow this and additional works at: https://lux.lawrence.edu/concertprograms Part of the Music Performance Commons © Copyright is owned by the author of this document. Recommended Citation Lawrence University, "Music for Viola and Piano, September 30, 2018" (2018). Conservatory of Music Concert Programs. Program 311. https://lux.lawrence.edu/concertprograms/311 This Concert Program is brought to you for free and open access by the Conservatory of Music at Lux. It has been accepted for inclusion in Conservatory of Music Concert Programs by an authorized administrator of Lux. For more information, please contact [email protected]. Guest Recital Music for Viola and Piano Sheila Browne, viola Julie Nishimura, piano Sunday, September 30, 2018 6:00 p.m. Harper Hall Sonatensatz from the F-A-E Sonata, WoO posth. 2 Johannes Brahms (1833-1897) Sonata for Viola and Piano (1979) George Rochberg Allegro moderato (1918-2005) Adagio lamentoso Fantasia: Epilogue INTERMISSION Convergence (2009) Andrea Clearfield (b. 1960) Sonata for Viola and Piano (1919) Rebecca Clarke Impetuoso (1886-1979) Vivace Adagio PERFORMER BIOS Hailed by the New York Times as a “stylish player” for a concerto performance in Carnegie Hall’s Stern Auditorium, violist Sheila Browne is an accomplished international soloist, chamber musician and professor. Honored to be named the William Primrose Memorial Recitalist of 2016, Ms. Browne has performed in major halls on six continents, including solo performances with the Juilliard Orchestra, Kiev Philharmonic, New World Symphony, in Carnegie Hall with the New York Women’s Ensemble, South African International Viola Congress Festival Orchestra, and the Viva Vivaldi!, Reina Sofia and German French chamber orchestras, and with the Highland Mountain Correctional Center Women’s String Orchestra in Alaska. -
01-31-21-Dewire-Fac-Piano-Rec
FROSTBURG STATE UNIVERSITY DEPARTMENT OF MUSIC SPRING 2021 EVENTS DEPARTMENT OF MUSIC STREAMING ONLINE Follow the link at www.frostburg.edu/concerts FACULTY ARTIST SERIES FEBRUARY 21 West Shore Piano Trio Faculty-Guest Artist Series – 3pm 26 Scott Rieker, composition Faculty Artist Series – 7:30pm JAY DeWIRE, PIANO MARCH 3 FSU Percussion Ensemble – 7:30pm 26 Spring Choral Concert – 7:30pm “L’chaim! A Jewish Composers Showcase” APRIL 4 Joseph Yungen, piano Faculty Artist Series – 3pm 9 FSU Wind Ensemble – 7pm Outdoor performance – Open to the public 11 President’s Concert – 3pm 18 FSU Piano Ensemble – 3pm 19 FSU Opera Theatre – 7:30pm 20 FSU Opera Theatre – 7:30pm 24 FSU Jazz Orchestra & Jazz Combos – 3pm Outdoor performance – Open to the public 28 FSU String Ensemble – 7:30pm 30 FSU Chamber Singers & University Chorale FSU Percussion Ensemble Joint Recital – 7:30pm Concerts subject to change. Info & updates: 301-687-4109, www.frostburg.edu/concerts View our recital recordings on YouTube: Frostburg Music Department Sunday January 31, 2021 Pealer Performing Arts Center 3:00 p.m. Pealer Recital Hall PROGRAM BIOGRAPHY Italian Concerto, BWV 971 Johann Sebastian Bach JAY DEWIRE, piano, has performed across the I. Allegro (1685-1750) United States as a soloist, collaborator, and II. Andante member of the West Shore Trio. Highlights include III. Presto two performances as soloist with the Prince George’s Philharmonic, concerts in Chautauqua, Los Angeles and New Mexico. with the West Shore Humoreske, Op. 20 Robert Schumann Piano Trio, a performance at the North American I. Einfach (1810-1856) Saxophone Alliance in Lubbock, Texas, with Dr. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Americanensemble
6971.american ensemble 6/14/07 2:02 PM Page 12 AmericanEnsemble Peter Serkin and the Orion String Quartet, Tishman Auditorium, April 2007 Forever Trivia question: Where Julius Levine, Isidore Cohen, Walter Trampler and David Oppenheim performed did the 12-year-old with an array of then-youngsters, including Richard Goode, Richard Stoltzman, Young Peter Serkin make his Ruth Laredo, Lee Luvisi, Murray Perahia, Jaime Laredo and Paula Robison. New York debut? The long-term viability of the New School’s low-budget, high-star-power series (Hint: The Guarneri, is due to several factors: an endowment seeded by music-loving philanthropists Cleveland, Lenox and such as Alice and Jacob Kaplan; the willingness of the participants to accept modest Vermeer string quartets made their first fees; and, of course, the New School’s ongoing generosity in providing a venue, New York appearances in the same venue.) gratis. In addition, Salomon reports, “Sasha never accepted a dime” during his 36 No, not Carnegie Recital Hall. Not the years of labor as music director or as a performer (he played in most of the 92nd Street Y, and certainly not Alice Tully concerts until 1991, two years before his death). In fact, Sasha never stopped Hall (which isn’t old enough). New Yorkers giving—the bulk of his estate went to the Schneider Foundation, which continues first heard the above-named artists in to help support the New School’s chamber music series and Schneider’s other youth- Tishman Auditorium on West 12th Street, at oriented project, the New York String Orchestra Seminar. -
Fall 2003-Spring 2004)
David Korevaar, Helen and Peter Weil Professor of Piano 1 Updated: July 2018 David Korevaar University of Colorado at Boulder, College of Music 301 UCB, Boulder, CO 80309-0301 303-492-6256, [email protected] www.davidkorevaar.com http://spot.colorado.edu/~korevaar Curriculum Vitae Educational Background: Doctor of Musical Arts, Piano, The Juilliard School, 2000. Doctoral Document: “Ravel’s Mirrors.” DMA Document. New York: The Juilliard School, 2000. xi + 196 pp. Awarded Richard French prize for best DMA Document, The Juilliard School, 2000. Committee: L. Michael Griffel, Robert Bailey, Jerome Lowenthal. Piano studies with Abbey Simon. Related area studies with Jonathan Dawe, Jane Gottlieb, L. Michael Griffel, David Hamilton, Joel Sachs, Maynard Solomon, Claudio Spies. Master of Music, Piano, The Juilliard School, 1983. Bachelor of Music, Piano, The Juilliard School, 1982. Piano studies with Earl Wild. Composition studies with David Diamond. Chamber music studies with Claus Adam, Paul Doktor, Felix Galimir, Leonard Rose, Harvey Shapiro. Independent piano studies: Paul Doguereau (1985-1998). Earl Wild (1976-1984). Sherman Storr (1969-1976). Andrew Watts (2013) Richard Goode (2013) Summer programs: Johannesen International School of the Arts, Victoria, B. C. (1980). Piano studies with John Ogdon, Robin McCabe, Joseph Bloch, Bela Siki. Bowdoin Summer Music Program (1981). Piano studies with Martin Canin. Aspen (1985). Piano studies with Claude Frank. David Korevaar, Helen and Peter Weil Professor of Piano 2 Teaching Affiliations: Academic year appointments: Current: Professor of Piano at the University of Colorado at Boulder (2011-); Associate Professor with tenure (2006-2011); appointed as Assistant Professor in 2000. Former: University of Bridgeport, Bridgeport, Connecticut (Adjunct position, “Head of Piano Studies”; 1995-2000). -
Carmel Music Society
Musical Excellence Since 1927 carmel music society PERFORMANCE HISTORY 1927-2013 with support from the Monterey County Board of Supervisors Carmel Music Society Post Office Box 22783 Carmel, California 93922 831-625-9938 831-625-6823 FAX www.carmelmusic.org [email protected] printed on recycled paper 2008-09 2011-12 The Romeros Guitar Quartet Nobuyuki Tsujii, Pianist Adaskin Trio & Gryphon Trio Carmel Music Society Tom Gallant, Oboist Astrid Schween, Cellist & Board of Directors Takâcs Quartet Gary Hammond, Pianist Hans Boepple, Pianist Frederica von Stade, Mezzo-Soprano & Voices of London Kristin Pankonin, Pianist Anne Thorp, President Bennewitz String Quartet Israeli Chamber Project Victoria Davis, First Vice President Triple Helix & Garrick Ohlsson, Pianist Rudolf Schroeter, Second Vice President Paul Hersh, Violist Nadja Salerno-Sonnenberg, Violinist & Yefim Bronfman, Pianist Anne-Marie McDermott, Pianist Larry Davidson, Third Vice President Dana Booher, Saxophonist* Pavel Haas Quartet Peter Thorp, Treasurer Jae-in Shin, Violinist* Greta Alexander, Secretary 2009-10 Academy of Saint Martin in the Fields Chamber Ensemble Tim Brown Kate Kluetmeier Alexander Quartet & Eli Eban, Clarinetist Doris Cobb Jim Rotter Susan Graham, Beverly Dekker-Davidson Barbara Ruzicka Mezzo-Soprano & Erik Dyar Kumi Uyeda Malcolm Martineau, Pianist Menachem Pressler, Pianist & American String Quartet Gustavo Romero, Pianist Advisors Albers String Trio David Gordon, Renée Bronson Timothy Fain, Violinist & Cory Smythe, Pianist Bert Ihlenfeld, Ginna -
Boston Symphony Orchestra Concert Programs, Summer, 1983
. ^ 5^^ mar9 E^ ^"l^Hifi imSSii^*^^ ' •H-.-..-. 1 '1 i 1^ «^^«i»^^^m^ ^ "^^^^^. Llii:^^^ %^?W. ^ltm-''^4 j;4W»HH|K,tf.''if :**.. .^l^^- ^-?«^g?^5?,^^^^ _ '^ ** '.' *^*'^V^ - 1 jV^^ii 5 '|>5|. * .««8W!g^4sMi^^ -\.J1L Majestic pine lined drives, rambling elegant mfenor h^^, meandering lawns and gardens, velvet green mountain *4%ta! canoeing ponds and Laurel Lake. Two -hundred acres of the and present tastefully mingled. Afulfillment of every vacation delight . executive conference fancy . and elegant home dream. A choice for a day ... a month . a year. Savor the cuisine, entertainment in the lounges, horseback, sleigh, and carriage rides, health spa, tennis, swimming, fishing, skiing, golf The great estate tradition is at your fingertips, and we await you graciously with information on how to be part of the Foxhollow experience. Foxhollow . an tver growing select family. Offerings in: Vacation Homes, Time- Shared Villas, Conference Center. Route 7, Lenox, Massachusetts 01240 413-637-2000 Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundred and Second Season, 1982-83 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Mrs. John H. Fitzpatrick William J. Poorvu J. P. Barger Mrs. John L. Grandin Irving W. Rabb Mrs. John M. Bradley David G. Mugar Mrs. George R. Rowland Mrs. Norman L. Cahners Albert L. Nickerson Mrs. George Lee Sargent George H.A. -
The Performing Style of Alexander Scriabin
Performance Practice Review Volume 18 | Number 1 Article 4 "The eP rforming Style of Alexander Scriabin" by Anatole Leikin Lincoln M. Ballard Follow this and additional works at: http://scholarship.claremont.edu/ppr Ballard, Lincoln M. (2013) ""The eP rforming Style of Alexander Scriabin" by Anatole Leikin," Performance Practice Review: Vol. 18: No. 1, Article 4. DOI: 10.5642/perfpr.201318.01.04 Available at: http://scholarship.claremont.edu/ppr/vol18/iss1/4 This Book Review is brought to you for free and open access by the Journals at Claremont at Scholarship @ Claremont. It has been accepted for inclusion in Performance Practice Review by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Book review: Leikin, Anatole. The Performing Style of Alexander Scriabin. Burlington, VT: Ashgate, 2011. ISBN 978-0-7546-6021-7. Lincoln M. Ballard Nearly a century after the death of Russian pianist-composer Alexander Scriabin (1872–1915), his music remains as enigmatic as it was during his lifetime. His output is dominated by solo piano music that surpasses most amateurs’ capabilities, yet even among concert artists his works languish on the fringes of the standard repertory. Since the 1980s, Scriabin has enjoyed renewed attention from scholars who have contributed two types of studies aside from examinations of his cultural context: theoretical analyses and performance guides. The former group considers Scriabin as an innovative harmoni- cist who paralleled the Second Viennese School’s development of post-tonal procedures, while the latter elucidates the interpretive and technical demands required to deliver compelling performances of his music. -
RISA HOKAMURA, Violin
RISA HOKAMURA, violin Photo: Sho Yamada First Prize, 2018 Young Concert Artists International Auditions Tannery Pond Concerts Prize Ruth Laredo Award of YCA Ronald Asherson Prize of YCA YOUNG CONCERT ARTISTS, INC. 1776 Broadway, Suite 1500 New York, NY 10019 Telephone: (212) 307-6655 [email protected] www.yca.org Young Concert Artists, Inc. 1776 Broadway, Suite 1500, New York, NY 10019 telephone: (212) 307-6655 e-mail: [email protected] website: www.yca.org RISA HOKAMURA, violinist Japanese violinist Risa Hokamura won First Prize in the 2018 Young Concert Artists International Auditions at the age of seventeen, as well as the Tannery Pond Concerts Prize, the Ruth Laredo Award, and the Ronald Asherson Award of YCA. She follows in the distinguished footsteps of her two major violin teachers, who also began their careers with Young Concert Artists: Koichiro Harada (founding first violinist of the Tokyo String Quartet) and Mayuko Kamio. Ms. Hokamura began the violin at the age of three, and at the age of ten she began to capture top prizes in competitions in Japan. She first came to international attention when she won the Silver Medal at the 2018 International Violin Competition of Indianapolis, where she performed the Tchaikovsky Concerto with the Indianapolis Symphony conducted by Leonard Slatkin. In celebration of her medal, she will return to Indianapolis in March to perform a special “Gold, Silver and Bronze Medalists Debut” concert. Risa Hokamura is currently a student at the Tokyo College of Music High School, and will be featured on a benefit concert this season for the school at Tokyo’s Metropolitan Hall. -
Paula Robison Ruth Laredo
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Paula Robison Flutist Ruth Laredo Pianist WEDNESDAY EVENING, JULY 22, 1981, AT 8:30 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Sonata ............... POULENC Allegro malincolico Cantilena Presto giocoso Selections from "The Bird Fancyer's Delight" for Solo Flute .... Orig. published by RICHARD MEARES, 1717 Rondo Capriccioso in G major (flute) ....... STAMITZ Four Piano Preludes from Op. 32 ....... RACHMANINOFF INTERMISSION Sonata in D major, Op. 94 ......... PROKOFIEV Moderate Allegretto scherzando Andante Allegro con brio Miss Robison: Vanguard and Musical Heritage Society Records. Miss Laredo: Columbia, Desto, and Connoisseur Society Records. Third Concert of the 103rd Season Summer Fare Series About the Artists Paula Robison, born in Nashville and raised in Los Angeles, is recognized as one of today's outstanding artists. Since becoming the first American to win first prize at the Geneva International Competition, she gives over one hundred performances annually, including appearances as soloist with the New York Philharmonic, San Francisco and Atlanta Symphonies, and Buffalo Philharmonic, as well as recitals in major halls throughout the country, among them Carnegie Hall and the Kennedy Center for the Performing Arts. She is a founding artist-member of the Chamber Music Society of Lincoln Center, with whom she appears regularly, including a performance at the White House in September 1979. Recently, in March 1981, she made her debut tour of Japan. A strong advocate for the expansion of the flute repertoire, Miss Robison has brought into the concert hall many undeservedly neglected works of the past. Her interest in contemporary composers has led her to premiere works by Pierre Boulez and Toru Takemitsu, and in 1978 Leon Kirchner's "Music for Flute and Orchestra," composed especially for her. -
JORGE BOLET Liszt | Chopin | Debussy | Moszkowski Vol
JORGE BOLET Liszt | Chopin | Debussy | Moszkowski Vol. I Saint-Saëns | Godowsky | Schumann Berlin, 1962-1973 FRANZ LISZT (1811-1886) Années de Pèlerinage. Première Année: Suisse, S. 160 (excerpts) I. La Chapelle de Guillaume Tell 6:44 II. Au lac de Wallenstadt 2:56 III. Pastorale 1:45 IV. Au bord d’une source 3:34 V. Orage 4:22 VI. Vallée d’Obermann 14:06 recording: March 15, 1963 • Siemensvilla, Berlin-Lankwitz Études d’exécution transcendante, S. 139 (excerpts) I. Preludio 1:00 II. Molto vivace 2:46 XI. Harmonies du soir 10:13 XII. Chasse neige 5:09 IX. Ricordanza 10:53 VIII. Wilde Jagd 5:44 recording: March 22, 1962 • RIAS Funkhaus, Berlin – Studio 7 Liebesträume. 3 Notturnos, S. 541 I. Hohe Liebe 6:44 II. Seliger Tod 4:40 III. O Lieb’, so lang du lieben kannst 5:03 recording: January 5, 1966 Siemensvilla, Berlin-Lankwitz Rhapsodie espagnole, S. 254 13:01 (Folies d’espagne et Jota aragonesa) recording: March, 9, 1964 • RIAS Funkhaus, Berlin – Studio 7 MORITZ MOSZKOWSKI (1854-1925) En automne, Op. 36/4 2:16 recording: March 22, 1962 • RIAS Funkhaus, Berlin – Studio 7 CAMILLE SAINT-SAËNS (1835-1921) Le cygne ‘The Swan’ / arr. Leopold Godowsky (1870-1938) 2:32 recording: March 22, 1962 • RIAS Funkhaus, Berlin – Studio 7 LEOPOLD GODOWSKY (1870-1938) Le Salon 2:49 recording: March 22, 1962 • RIAS Funkhaus, Berlin – Studio 7 ROBERT SCHUMANN (1810-1856) Liebeslied, S 266 (Widmung, Op. 25/1) arr. Franz Liszt 3:44 recording: March 22, 1962 • RIAS Funkhaus, Berlin – Studio 7 LEOPOLD GODOWSKY (1870-1938) Symphonic Metamorphosis on themes by Johann Strauss ‘Die Fledermaus’ (The Bat) 10:51 recording: March 9, 1964 • RIAS Funkhaus, Berlin – Studio 7 FRÉDÉRIC CHOPIN (1810-1849) Fantasia in F minor, Op.