The Digital M Is Here P. 8

Total Page:16

File Type:pdf, Size:1020Kb

The Digital M Is Here P. 8 LWN 2006-02 E U1-U4 14.09.2006 16:55 Uhr Seite u1 91505 02/2006 LEICA M8 A dream comes true: the digital M is here_ p. 8 LEICA DIGILUX 3 Unique Leica digital camera system_ p. 16 LEICA V-LUX 1 New all-in-one class in the Leica portfolio_ p. 22 LEICA D-LUX 3 Digital compact camera for creative photography_ p. 26 LEICA LENSES New M high-performance lenses for wide-angle applications_ p. 14/15 LWN 2006-02 E U1-U4 14.09.2006 16:55 Uhr Seite u2 26 LEICA D-LUX 3 Versatile digital compact camera 22 LEICA V-LUX 1 New class in the Leica camera sector Dear Leica friends, These are the most exciting days for Leica since 04 INTERVIEW the introduction of the landmark Leica M series Leica goes digital: Dr. Ralph Nebe and Stefan Daniel over half a century ago. We are unveiling an on the Leica product strategy entire range of unique new products, each a classic in its own right. The new LEICA M8, the 06 DIGITAL CAMERAS centerpiece of the world’s first professional At a glance: All Leica digital cameras – their strengths, digital rangefinder system, is a bold statement their areas of application, their features destined to redefine the digital age. The new LEICA DIGILUX 3, our first stand-alone digital 08 LEICA M8 SLR and the first based on the optically effi- A big hit: At photokina, Leica presents the first digital Dr. Ralph Nebe, Director cient four-thirds format and interchangeable ranging viewfinder camera Marketing & Sales lens system is also a superb creative tool. The 12 INTERVIEW cool new LEICA D-LUX 3 is the connoisseur’s New from the ground up: Project Manager Otto Domes compact, an elegant, high-performance 10-megapixel compact capable of on the challenge of designing the digital M outstanding performance. Finally, the new LEICA V-LUX 1, an amazingly compact all-in-one 10-megapixel marvel with a 12x zoom that gets out to 14 LEICA ELMARIT-M 28 mm/f2.8 ASPH. 420 mm, is sure to appeal to birdwatchers, nature shooters and travellers New wide-angle lens: the super-compact Elmarit worldwide. Is the message here ‘Leica goes digital’. Emphatically yes, but as a versatile high-performance lens we’re also committed to supporting (or even extend) analog photography while bringing the esteemed Leica virtues of quality, durability, and value 15 LEICATRI-ELMAR-M16–18–21 mm/f4ASPH. into the digital realm. You might say that we’re remaining true to our roots, Super wide-angle: a new lens with three fixed focal but branching out. In any event, this is great news for legions of loyal Leica lengths for super wide-angle applications fans who now have a wider range of enticing choices than ever – all in the Leica tradition of excellence. 16 LEICA DIGILUX 3 Tomorrow’s classic: the Digilux 3 as the foundation Yours faithfully, Ralph Nebe of a free-standing digital camera system LWN 2006-02 E innen 06-09-14 15.09.2006 8:31 Uhr Seite 3 16 LEICA DIGILUX 3 Unique Leica camera system 08 LEICA M8 Leica’s famous camera system 20 LEICA R SYSTEM 28 GLOSSARY Camera, back part, lens: the Leica R system and its Digital technical terms: a guide to new terms superb possibilities from the digital Leica world 22 LEICA V-LUX 1 29 RELAUNCH All-in-One: the V-Lux 1 enriches the Leica product Attractive appearance: Leica with a new product portfolio with a new camera type website and a new advertising campaign 26 LEICA D-LUX 3 30 BIRDWATCHING A camera for all seasons: the D-Lux 3 is a compact Perfect double act: Steve Dudley on is experience camera with the characteristics of a much larger camera with the V-Lux 1 and digiscoping Leica World News 3 LWN 2006-02 E innen 06-09-14 15.09.2006 8:32 Uhr Seite 4 BREAKTHROUGH INTO THE DIGITAL WORLD Their names are M8, Digilux 3, V-Lux 1 and D-Lux 3: Leica Camera is currently bringing no fewer than four new high-performance digital cameras to the market. A well-thought- out range with something to offer for everyone. The question arises: has Leica gone completely digital? Dr. Ralph Nebe and Stefan Daniel give us an insight into the strategy of Leica Camera AG. nologies are available on the world market in Lux class offers manual controls similar to the quality demanded by our customers and those used to in larger cameras, to stimulate we are now in the active process of incor- the creativity of the photographer; but it is porating them into our products. still compact enough to be handy in all cir- In recent years the market for digital cumstances. The V-Lux class offers a great cameras has expanded at breakneck pace, deal of camera in a pure single-lens reflex but many potential Leica offerings in this configuation and is thus ideal for ambitious field are still being considered, or are photography when travelling or whenever eventually released on a conservative there is a need to minimize the amount of timetable. What good reasons are there equipment one is carrying. Finally, the In discussion: Dr. Ralph Nebe (left) and Stefan Daniel for choosing Leica in the digital field? LEICA DIGILUX 3 is the continuation of the Stefan Daniel: It’s well known that Leica’s successful Digilux class, which stands for Dr. Nebe, the LEICA DIGITAL MODULE R trademark is better pictures. Leica lenses, creative photography at the highest level. It is completely ready to ship, the long which stand up to any test in analog photog- is the foundation model for a new exclusive- awaited LEICA M8 will be launched at raphy, can now for the first time show what ly digital camera system, that positively rais- photokina together with a series of inno- they can do in digital applications. At Leica es itself above its competitors in this prod- vative digital cameras in the compact it’s true of all our optics that we make no uct class by virtue of its traditional, range. – Leica appears to have gone com- distinction between lenses ‘suitable for dig- well-proven operating concept and its out- pletely digital: is that fair comment? ital’ and ‘only for analog’. Every Leica lens standing picture quality. Dr. Ralph Nebe: The dominant market trend delivers outstanding results, irrespective of A highlight of this year’s photokina will is certainly towards digital photography. It’s whether or not it is used for taking pictures be the market launch of the long-awaited also a fair comment to say that Leica is fully electronically. Furthermore, in focusing on LEICA M8 – the first digital M camera. committed to advancing digital photogra- better pictures, Leica products address not Why has this designation been chosen? phy, without however neglecting analog what is technically possible but what makes Isn’t the digital M really a completely new photography. Our over-arching objective is technical sense. product? to offer fascinating, and supremely compe- In addition to the Digital-Modul-R that we Dr. Ralph Nebe: The LEICA M8 is indeed a tent digital products in every s category that have mentioned, and the forthcoming completely new development, but it’s also Leica enters. Leica M8, Leica is also launching the very important to realize that it is an emi- Some critics have said that Leica did not LEICA V-LUX 1, the LEICA DIGILUX 3 and nently logical extension of the long tradition respond to the digital challenge quickly the LEICA D-LUX 3 at photokina. Another of M series Leica cameras which began in or aggressively enough. What has hap- exciting new development is the ultra- 1954. Basically for us the method of record- pened lately to change that perception? compact LEICA C-LUX 1 that has already ing the picture – analog or digital – is of sec- Dr. Ralph Nebe: Leica Camera has in fact been launched. New products, new ondary importance. The primary reality is been through a difficult phase. We have names – is there a system to this new that this camera incorporates the core val- often been accused of being too late in rec- range of cameras? ues of M series photography: the unique and ognizing the trend towards digital photogra- Dr. Ralph Nebe: Certainly. We have set our- superlative rangeviewfinder system, the ex- phy. In fact a small company such as Leica selves the ultimate objective of addressing a quisitely compact dimensions, discreet, qui- does not have sufficicent capacity to devel- wider range of customers than ever before! et operation and cameras constructed of the op all the necessary core technologies The Leica C-Lux class stands for ultra-com- best materials that deliver the very highest itself, in the way that larger companies in pact cameras with intelligent automatic picture quality. To honor that tradition we our sector have done. Now that digital pho- functions, that simply make great pictures – have therefore quite deliberately decided tography is past its infancy, these core tech- an optical notebook in effect. The Leica D- against the designation ‘D’ or ‘digital’. 4 Leica World News LWN 2006-02 E innen 06-09-14 15.09.2006 8:32 Uhr Seite 5 The market for digital cameras moves teur enthusiast photographer a route into era in the range whose focal length extends extraordinarily quickly. To what extent the world of LEICA system cameras. up 420 mm in 35 mm format and which does the digital M incorporate traditional How have the special lenses for the D delivers the same magnification as 8.4-pow- Leica values such as long operating life system been developed? Or to put it er binoculars.
Recommended publications
  • Still Photography
    Still Photography Soumik Mitra, Published by - Jharkhand Rai University Subject: STILL PHOTOGRAPHY Credits: 4 SYLLABUS Introduction to Photography Beginning of Photography; People who shaped up Photography. Camera; Lenses & Accessories - I What a Camera; Types of Camera; TLR; APS & Digital Cameras; Single-Lens Reflex Cameras. Camera; Lenses & Accessories - II Photographic Lenses; Using Different Lenses; Filters. Exposure & Light Understanding Exposure; Exposure in Practical Use. Photogram Introduction; Making Photogram. Darkroom Practice Introduction to Basic Printing; Photographic Papers; Chemicals for Printing. Suggested Readings: 1. Still Photography: the Problematic Model, Lew Thomas, Peter D'Agostino, NFS Press. 2. Images of Information: Still Photography in the Social Sciences, Jon Wagner, 3. Photographic Tools for Teachers: Still Photography, Roy A. Frye. Introduction to Photography STILL PHOTOGRAPHY Course Descriptions The department of Photography at the IFT offers a provocative and experimental curriculum in the setting of a large, diversified university. As one of the pioneers programs of graduate and undergraduate study in photography in the India , we aim at providing the best to our students to help them relate practical studies in art & craft in professional context. The Photography program combines the teaching of craft, history, and contemporary ideas with the critical examination of conventional forms of art making. The curriculum at IFT is designed to give students the technical training and aesthetic awareness to develop a strong individual expression as an artist. The faculty represents a broad range of interests and aesthetics, with course offerings often reflecting their individual passions and concerns. In this fundamental course, students will identify basic photographic tools and their intended purposes, including the proper use of various camera systems, light meters and film selection.
    [Show full text]
  • Nature and Photography in Texas
    101_naturephotography.qxp:Layout 1 9/22/09 10:33 AM Page 1 Resources Principles of Ethical ® Life’s better outside. BOOKS: Field Practices Addison­Wesley Publishing Company. 1991. By the editors of Eastman Kodak Company. The Joy of Photography. ENVIRONMENTAL: KNOWLEDGE OF SUBJECT TDO Bauer, Erwin and Peggy Bauer. 1985. Photographing wild Texas. OU O AND PLACE R University of Texas Press, Austin. 112 pp. Learn patterns of animal behavior. Know when not to Hill, Martha and Art Wolfe. 1993. The art of photographing interfere with animals’ life cycles. nature. Crown Publishers, NY. 184 pp. Nature Kiefer, John. 2006. Mastering Nature Photography: Respect the routine needs of animals. Remember that Shooting and Selling in the Digital Age (paperback). others will attempt to photograph them, too. Allworth Press, 288 pp. Use appropriate lenses to photograph wild animals. Lepp, George. 1997. Beyond the Basic II: More Innovative Photography If an animal shows stress, move back and use a Techniques for Outdoor/Nature Photography (paperback). longer lens. Lepp and Associates, 162 pp. IN TEXAS Miotke, Jim. The BetterPhoto Guide to Digital Nature Acquaint yourself with the fragility of the ecosystem. Photography (paperback). Amphoto Books, 224 pp. Stay on trails that are intended to lessen impact. Morris, Arthur. 2003. Art of Bird Photography: The Complete Guide to Professional Field Techniques (paperback). Amphoto SOCIAL: KNOWLEDGE OF RULES AND LAWS Books, 160 pp. When appropriate, inform managers or other National Geographic Photography Field Guide Series. 2002. authorities of your presence and purpose. Help Landscapes and People and Portraits. National Geographic minimize cumulative impacts, and maintain safety.
    [Show full text]
  • The Perceived Credibility of Professional Photojournalism Compared to User-Generated Content Among American News Media Audiences
    Syracuse University SURFACE Dissertations - ALL SURFACE August 2020 THE PERCEIVED CREDIBILITY OF PROFESSIONAL PHOTOJOURNALISM COMPARED TO USER-GENERATED CONTENT AMONG AMERICAN NEWS MEDIA AUDIENCES Gina Gayle Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Gayle, Gina, "THE PERCEIVED CREDIBILITY OF PROFESSIONAL PHOTOJOURNALISM COMPARED TO USER-GENERATED CONTENT AMONG AMERICAN NEWS MEDIA AUDIENCES" (2020). Dissertations - ALL. 1212. https://surface.syr.edu/etd/1212 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. ABSTRACT This study examines the perceived credibility of professional photojournalism in context to the usage of User-Generated Content (UGC) when compared across digital news and social media platforms, by individual news consumers in the United States employing a Q methodology experiment. The literature review studies source credibility as the theoretical framework through which to begin; however, using an inductive design, the data may indicate additional patterns and themes. Credibility as a news concept has been studied in terms of print media, broadcast and cable television, social media, and inline news, both individually and between genres. Very few studies involve audience perceptions of credibility, and even fewer are concerned with visual images. Using online Q methodology software, this experiment was given to 100 random participants who sorted a total of 40 images labeled with photographer and platform information. The data revealed that audiences do discern the source of the image, in both the platform and the photographer, but also take into consideration the category of news image in their perception of the credibility of an image.
    [Show full text]
  • LEICA SUMMARON-M 1:5,6/28Mm Anleitung
    LEICA SUMMARON-M 1:5,6/28mm Anleitung Instructions Notice d’utilisation Gebruiksaanwijzing Istruzioni Instrucciones Leica Camera AG I Am Leitz-Park 5 35578 WETZLAR I DEUTSCHLAND 取扱説明書 Telefon +49 (0) 6441-2080-0 I Telefax +49 (0) 6441-2080-333 543 VII/16/LW/D 3 www.leica-camera.com 9 f 5.6 [%] 100 f 5.6 [%] 100 sagittale Strukturen 80 sagittal structures 80 structures sagittales 60 sagittale structuren strutture sagittali 60 estructuras sagitales 40 放射線方向 40 tangentiale Strukturen 20 tangential structures 20 structures tangentielles 0 tangentiale structuren 0 3 6 9 12 15 18 21 strutture tangenziali 0 0 3 6 9 12 15 18Y'[mm]21 estructuras tangenciales 同心円方向 Y'[mm] f 8.0 [%] 100 f 8.0 [%] 100 80 80 60 60 40 40 20 20 0 0 3 6 9 12 15 18 21 0 0 3 6 9 12 15 18Y'[mm]21 Y'[mm] 1 1a 2a 2b 3 5a 5b 4 6 5d 5 5b 4a 4b 5c 1 Bezeichnung der Teile Désignation des pièces 1. Gegenlichtblende mit 1. Parasoleil avec a. Klemmschraube a. vis de serrage 2. Frontfassung mit 2. Monture frontale avec a. Filter-Innengewinde a. filtre de filetage intérieur b. Index für Blendeneinstellung b. repère du réglage du diaphragme 3. Blenden-Einstellring 3. Bague de réglage du diaphragme 4. Entfernungs-Einstellring mit 4. Bague de mise au point avec a. Verstellhebel a. levier de réglage b. Verriegelungsknopf b. bouton de verrouillage 5. Schärfentiefe-Skala mit 5. Échelle de profondeur de champ avec a. Index für Entfernungseinstellung a. index de mise au point b.
    [Show full text]
  • Wildlife Photography Over Nature Photography
    International Journal of Humanities and Social Science Invention (IJHSSI) ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org ||Volume 9 Issue 9 Ser. II || September 2020 || PP 49-52 Wildlife Photography over Nature Photography D. Randula Podduwage1, R.M.Patrick Ratnayake2 1, 2 – Drama & Theatre and Image Arts Unit, Department of Fine Arts, University of Kelaniya, Sri Lanka. ABSTRACT Wildlife photography is one of the most popular genres in photography. Although the history of wildlife photography goes back more than 100 years, until recently there was no internationally accepted definition for it. Since 2015, a number of leading photography organizations around the world have filled this gap, establishing the wildlife photography genre as a more consistent subject area, subject to a common international definition. The main purpose of this article is to identify the exact shape of the wildlife photography genre by considering the specific newly introduced definition with referring to existing sources. ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 10-09-2020 Date of Acceptance: 25-09-2020 ----------------------------------------------------------------------------------------------------------------------------- ---------- I. INTRODUCTION Capturing nature and wildlife images is an exclusive subject area of photography. It consists with the collaboration knowledge of few subjects like Photography, Art, Technology,
    [Show full text]
  • LEICA SUPER ELMAR-M 21Mm F/3.4 ASPH. LEICA APO-SUMMICRON
    LEICA APO-SUMMICRON-MSUPER ELMAR-M 21mm 50 mm f/3.4 f/2 ASPH. ASPH. 1 More than 30 years after the launch of Summicron-M 1:2/50 mm, which is still available, the Leica APO Summicron-M 1:2/50 mm ASPH. represents a totally new development. With its compact body - only marginally longer and slightly heavier than the Summicron-M 1:2/50 mm, and with an almost identical diameter, it provides visibly higher image quality. On the Leica APO Summicron-M 1:2/50 mm ASPH. the exceptional correction enables all aberrations to be reduced to a minimum level that is negli- gible in digital photography. Its key features include excellent contrast rendition, all the way to the corners of the image, even with a fully open aperture. The use of a „floating element“ ensures that this is retained, even for close-up shots. Vignetting is limited to a maximum - i.e. in the corners of the image - of just 2 stops at full aperture in 35 mm format, or around 1 on the Leica M8 mo- dels. Stopping down to 2.8 visibly reduces this light deterioration towards the edge of the image, with practically only the natural vignetting remaining. Distortion is very low at a maximum of just 0.4 % (pin cushoin), which is practically imperceptible. A total of eight lens elements are used to achieve this exceptional performance. To realize the apochromatic correction (resulting in a com- mon focusing plane for three light wavelengths), three are made of glass types with high anomalous partial color dispersion, while two of the others have a high refractive index.
    [Show full text]
  • Second Hand - Schnäppchenliste Schnäppchen- Artikel- Aktueller Preis Hersteller /Artikelbezeichnung Bemerkung Rabatt Preis Inkl
    Second Hand - Schnäppchenliste Schnäppchen- Artikel- aktueller Preis Hersteller /Artikelbezeichnung Bemerkung Rabatt preis inkl. nummer inkl. Mwst Mwst. AGFA Ambi Silette, 35/50/90mm 10GELA39798 99,00 50% 49,50 BRAUN Paxette Super III,135/3,5, 50/2,8, 200/4,5, DEKOSTÜCK 10GELA50901 749,00 50% 374,50 BRONICA Tele-Converter 2x ETR 10GELA34958 69,00 40% 41,40 BRONICA Zenzanon 250/5,6 MC für ETR 10GELA48661 149,00 40% 89,40 BRONICA 105mm/3.5 10GELA35986 189,00 50% 94,50 BRONICA 150mm/3.5 10GELA35987 159,00 50% 79,50 BRONICA 180/4.5 Zenzanon Deckelx2 10GELA38037 99,00 50% 49,50 BRONICA Zenzanon 75/2.8 10GELA41754 99,00 40% 59,40 BRONICA Balgen ETR 10GELA48647 99,00 40% 59,40 CANON A1 Gehäuse 10GELA34274 29,00 50% 14,50 CANON A1 10GELA44981 99,00 50% 49,50 CANON A-1 + Griff 10GELA47660 99,00 40% 59,40 CANON A-1 10GELA48242 99,00 50% 49,50 CANON AE-1 10GELA50313 89,00 50% 44,50 CANON M3, 18-55,22, Adapter EF,LG, 2 Akkus Sucher EVF-DC1 10GELA51403 579,00 20% 463,20 CANON 70-210mm 4,0 FD 10GELA28125 49,00 50% 24,50 CANON 70-210/4 FD 10GELA29319 49,00 40% 29,40 CANON 70-210mm 4,0 FD 10GELA29472 39,00 50% 19,50 CANON FD 300/5,6 10GELA31221 59,00 50% 29,50 CANON FD 70-210/4 10GELA34143 49,00 50% 24,50 CANON 100/4 FD 10GELA35570 99,00 50% 49,50 CANON FD 200/4 10GELA35852 49,00 40% 29,40 CANON FD 200/4 10GELA36668 39,00 40% 23,40 CANON FD 70-210/4 10GELA36939 49,00 50% 24,50 CANON EF 135/2,8 Soft 10GELA39028 249,00 40% 149,40 CANON 135/3,5 FD 10GELA39744 29,00 50% 14,50 CANON 28-135mm IS USM 10GELA40514 199,00 50% 99,50 CANON Reflex 500mm/8 10GELA42120 249,00 25% 186,75 CANON FD 70-210mm/4 10GELA42122 49,00 40% 29,40 12 Monate Gewährleistung Zwischenverkauf und Irrtümer vorbehalten 1 / 16 Stand 12.12.2019 Second Hand - Schnäppchenliste Schnäppchen- Artikel- aktueller Preis Hersteller /Artikelbezeichnung Bemerkung Rabatt preis inkl.
    [Show full text]
  • FALL SEMESTER Photography 2- Advanced Photography
    FALL SEMESTER Photography 2- Advanced Photography Quarter 1 Week 1/2– Let’s get clicking • Pre-assessment and Benchmark-Basic Camera Parts- Hands on learning, group work, basic camera parts qui • Review Course Syllabus, Classroom policy, loan agreement • Elements of Art and Principles of Design Advanced incorporation • Set up emails or set up 365 docs • Student Camera Inventory/Probability to secure 35mmSLRs • Rules and Room protocol • Styles of Photography Powerpoint followed by exercise and group presentation • Kodak Video -Youtube “6 Guidelines to Photographic Composition” with follow up written assignment • Without knowing…Smart phone photo search demonstrating use of six guidelines • Holding your camera. Safety, protection, and care. • Vertical, horizontal and when to use each orientation • Manual and semi automatic Cameras (AV, TV, M) • Camera Adjustments, proper exposure and focusing • Shutter Speed Variations • Aperture/F-stop Depth of Field • Light meter- Hand held- vs TTL • Exposure Combinations-Understanding your choices Communication Film Assignment, 36 exposure* DUE: One word 30 ways. Choose one word and digitally capture it 30 different. DUE: *Must Use Photo Logs for all film work Week 3/4 Review of key components: Lenses Contrast and Value • Lenses- Normal, Fixed, Macro • In School Scavenger Hunt Assignment- Groups and Rotation/Find it with your phone Assignment *Collage App- Using Albums • Photo Log/Journals • Chapter III Focus on Photography- Vocabulary and Summary • Value and Contrast • Proof Test Print- Show Value • 18% Gray card • High Key • Low Key Photos • Paper and Film- Types, Process, and Care • ISO/ASA and Emulsion • Everything Film - Loading film - 35mm Film Roll vs Bulk - Care and storage - Bulk rolling into canisters - Rolling Film and loading into canisters for Developing - Dry materials for Developing Film - Chemicals for Developing Film - Processing your negatives step by step • Everything Chemicals - Chemicals care and storage - Dry Materials for developing film - Stock vs.
    [Show full text]
  • Press Information
    Press Information photokina 2018: Visitors to the Leica Camera stand in Hall 2.2 can look forward to a discovering a comprehensive portfolio of products and services Wetzlar, 6 September 2018. The focus of Leica’s appearance at photokina 2018 in Cologne is not only set on the extremely diverse product portfolio of the traditional manufacturer from Wetzlar, but also on the Leitz Park itself. At Leica, everything has always revolved around the picture, the school of visualisation, the history of photography, the vibrancy of photographic culture and the people behind the cameras – in other words, DAS WESENTLICHE. Since the opening of the Leitz Park complex on 15 June 2018, all this is now a visible and tangible experience. In the open-plan, newly conceived Leica stand in Hall 2.2, visitors can find information and comprehensive advice about the broad spectrum of Leica products and services for all photographic applications and scenarios. The demonstration area has now been split into thematic areas to provide easier orientation for professionals, amateurs and other visitors interested in particular Leica products or services. While the ‘Professional’ area concentrates on the Leica S and its lenses and products from Sinar Photography, the ‘Systems’ area focuses on the Leica SL, the Leica M and the APS-C cameras of the Leica CL and Leica TL systems – and, of course, the full range of corresponding Leica precision lenses. The ‘Compact’ area is dedicated to the Leica Q, Leica D-Lux, Leica V-Lux, Leica X-U and Leica C-Lux cameras and the Leica Sofort instant picture camera.
    [Show full text]
  • Leica Cl Quick Start Guide
    LEICA CL QUICK START GUIDE The comprehensive instructions are available at: https://en.leica-camera.com/Service-Support/Support/Downloads If you wish to receive a printed copy of the comprehensive instructions, please register at: www.order-instructions.leica-camera.com 6 7 3 1 13 14 12 5 10 9 11 8 1 4 2 20 19 21 18 25 17 16 15 22 23 24 26a 26 27 30 28 29 1 Strap lugs 10/13 Setting wheels – in the menu: 10 scrolls within the menu lists – in review mode: 10 enlarges/reduces the recording and 13 browses – in recording mode: see table 2 Lens release button 11/14 Setting wheel buttons – in recording mode: 3 Self-timer LED / AF assist lamp 11 calls up the right setting wheel’s secondary function or the FN menu and 4 Leica L-Bayonet 14 calls up the exposure mode – in review mode: 11 enlarges/reduces a recording and B 14 marks a recording B 12 Top display A Indicates the exposure mode, aperture, A shutter speed, in certain cases the set ISO and exposure compensation values 5 Contact strip 15 Speaker 6 Microphones Sound is recorded in stereo 16 MENU Button 7 Accessory shoe 17 FN Button Recommended fl ash units: Direct access to menu funktions Leica system fl ash units SF 40, SF 64, and – in recording mode: SF 58 Direct access to assignable menu item list 8 Main switch – in recording and playback modes: Turning the camera on and off Direct delete function 9 Shutter button 18 PLAY Button Pressing to the fi rst pressure point acti- Switching between picture and review mode vates: – autofocusing 19 Viewfi nder – exposure metering and control Resolution: 1024 x 768 pixels (2.36 MP) Pressing all the way down: takes a picture/ Magnifi cation 0.74x starts/stops video recording In standby mode: 20 Eye sensor The camera is reactivated Automatic switching between viewfi nder and monitor 21 Dioptre setting wheel Setting range from -4 to +4 dioptr.
    [Show full text]
  • Hugostudio List of Available Camera Covers
    Exakta VX 1000 W/ P4 Finder Hugostudio List of Exakta VX 500 W/ H3.3 Finder Available Camera Covers Exakta VX IIa V1-V4 W/ P2.2 Finder Exakta VX IIa V5-V7-V8 _P3.3 Finder (1960) Exakta VX IIa V6 W/ H3 SLR Exakta VX IIb W/ P3 Asahiflex IIb Exakta VX IIb W/ P4 Finder Canon A-1 Exakta Varex VX V1 - V2 Canon AE-1 Exakta-Varex VX IIa V1-V4 Canon AE-1 Program Exakta Varex VX V4 V5 Canon AV-1 Exakta Varex VX W/ Finder P1 Canon EF Fujica AX-3 Canon EX Auto Fujica AZ-1 Canon F-1 Pic Req* Fujica ST 601 Canon F-1n (New) pic Req* Fujica ST 701 Canon FT QL Fujica ST 801 Canon FTb QL Fujica ST 901 Canon FTb n QL Kodak Reflex III Canon Power Winder A Kodak Reflex IV Canon TL-QL Kodak REflex S Canon TX Konica FT-1 Canonflex Konica Autoreflex T3 Chinon Memotron Konica Autoreflex T4 Contax 137 MA Konica Autoreflex TC Contax 137 MD Leica R3 Contax 139 Quartz Leica R4 Contax Motor Drive W6 Leica Motor Winder R4 Contax RTS Leicaflex SL Contax RTS II Mamiya ZE-2 Quartz Contax139 Quartz Winder Minolta Auto Winder D Edixa Reflex D Minolta Auto Winder G Exa 500 Minolta Motor Drive 1 Exa I, Ia, Ib Minolta SR 7 Exa II Minolta SRT 100 Exa IIa Minolta SRT 101 Exa Type 6 Minolta SRT 202 Exa VX 200 Minolta X370 Exa Version 2 to 5 Minolta X370s Exa Version 6 Minolta X570 Exa Version I Minolta X700 Exakta 500 Minolta XD 11, XD 5, XD 7, XD Exakta Finder H3 Minolta XE-7 XE-5 Exakta Finder: prism P2 Minolta XG-1 Exakta Finder: prism P3 Minolta XG 9 Exakta Finder: prism P4 Minolta XG-M Exakta Kine Minolta XG7, XG-E Exakta Meter Finder Minolta XM Exakta RTL1000 Miranda AII
    [Show full text]
  • Lens/Port Combinations SUBAL LEICA M 2017/07 Lens FOCUS Rings PORT Combinations Effective: July 2017
    Lens/Port Combinations SUBAL LEICA M 2017/07 FOCUS PORT LENS RINGS COMBINatioNS Leica lenses BJAD2>3/LM30* + FE3 dome port (optional SWB) + +4 close up lens 77mm Leica Super-Elmar-M 18mm 1:3,8 ASPH FGLM18 BJAD2>3/LM30 + FE3 dome port + +4 close up lens 77mm BJAD2>3/LM30 + FP45-3 Flatport Leica Super-Elmar-M 21mm 1: 3,4 ASPH FGLM21 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm BJAD2>3/LM30 + EXR20/3 + FE3 dome port (optional SWB) + +4 close up lens Leica Summilux-M 21mm 1: 1,4 ASPH FGLM21X (we do not recomend this lens because this is close up lens which we can not find on the market) Leica Elmar-M 24mm 1: 3,8 ASPH FGLM24 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm BJAD2>3/LM30 + EXR20/3 + FE3 dome port (optional SWB) + +4 close up lens Leica Summilux-M 24mm 1: 1,4 ASPH FGLM24X (we do not recomend this lens because this is close up lens which we can not find on the market) Leica Elmarit-M 28mm 1: 2,5 ASPH FGLM28 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 39mm Leica Summicron-M 28mm 1:2 ASPH FGLM28N BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm Leica Summilux-M 28mm 1:1,4 ASPH FGLM28X BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 49mm Leica Summicron-M 35mm 1:2 ASPH FGLM35N BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 39mm Leica Summarit-M 35mm 1:2,4 ASPH FGLM35T BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm Leica Summilux-M 35mm 1:1,4 ASPH FGLM35X BJAD2>3/LM30 + FE3 dome port (optional SWB) +
    [Show full text]