Mediterranean Distribution Catalogue
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Of Gods and Men
Mongrel Media Presents OF GODS AND MEN A Film by Xavier Beauvois (120 min., France, 2010) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS Eight French Christian monks live in harmony with their Muslim brothers in a monastery perched in the mountains of North Africa in the 1990s. When a crew of foreign workers is massacred by an Islamic fundamentalist group, fear sweeps though the region. The army offers them protection, but the monks refuse. Should they leave? Despite the growing menace in their midst, they slowly realize that they have no choice but to stay… come what may. This film is loosely based on the life of the Cistercian monks of Tibhirine in Algeria, from 1993 until their kidnapping in 1996. PREAMBLE In 1996 the kidnapping and murder of the seven French monks of Tibhirine was one of the culminating points of the violence and atrocities in Algeria resulting from the confrontation between the government and extremist terrorist groups that wanted to overthrow it. The disappearance of the monks – caught in a vice between both sides- had a great and long-lasting effect on the governments, religious communities and international public opinion. The identity of the murderers and the exact circumstances of the monks‟ deaths remain a mystery to this day. -
Gabriel YARED
COMMUNIQUÉ DE PRESSE version du 19 janvier 2018 présente PRESSE FRANÇAISE PRESSE BELGE FESTIVAL 2 VALENCIENNES Claire Vorger Marie-France Dupagne Association Atmosphères 06 20 10 40 56 +32 477 62 67 70 Maison des associations Vanessa Frochën mariefrance@the prfactory.com 84 rue du Faubourg de Paris 06 07 98 52 47 59300 Valenciennes [email protected] Communiqué de Presse du 19 janvier 2018 - Festival 2 Valenciennes 2018 AFFICHE 2018 créée par Laurent LUFROY p. 2 Communiqué de Presse du 19 janvier 2018 - Festival 2 Valenciennes 2018 LE FESTIVAL 2 VALENCIENNES Le Festival 2 Valenciennes se déroule chaque année en mars et propose plus de 40 longs métrages répartis en deux compétitions (Documentaires du 19 au 21 mars & Fictions du 21 au 24 mars), des hommages, des avant-premières, des séances jeune public. C’est aussi l’occasion de rencontrer les grands noms du 7ème art et de mettre à l’honneur les métiers du cinéma. Richard Anconina, Nathalie Baye, François Berléand, Jean-Jacques Beineix, Richard Berry, Michel Bouquet, Claudia Cardinale, Clémetine Célarié, Gérard Darmon, Jean-Pierre Darroussin, André Dussollier, Jean-Pierre Jeunet, Marthe Keller, Chantal Lauby, Patrice Leconte, Michel Legrand, Jean-Pierre Marielle, Jeff Nichols, Agnès Varda et bien d’autres sont venus à Valenciennes par amour du cinéma dans un Festival de proximité reconnu pour sa programmation de qualité et apprécié pour son ambiance conviviale. LES TEMPS FORTS Soirée d’Ouverture Soirée Soirée Hommage Soirée Hommage 2 Soirée d’Ouverture 2 de Clôture Lundi 19 mars 20h Merc. 21 mars 20h Jeudi 22 mars - 20h Ven. 23 mars - 20h Sam. -
A Film by Catherine BREILLAT Jean-François Lepetit Présents
a film by Catherine BREILLAT Jean-François Lepetit présents WORLD SALES: PYRAMIDE INTERNATIONAL FOR FLASH FILMS Asia Argento IN PARIS: PRESSE: AS COMMUNICATION 5, rue du Chevalier de Saint George Alexandra Schamis, Sandra Cornevaux 75008 Paris France www.pyramidefilms.com/pyramideinternational/ IN PARIS: Phone: +33 1 42 96 02 20 11 bis rue Magellan 75008 Paris Fax: +33 1 40 20 05 51 Phone: +33 (1) 47 23 00 02 [email protected] Fax: +33 (1) 47 23 00 01 a film by Catherine BREILLAT IN CANNES: IN CANNES: with Cannes Market Riviera - Booth : N10 Alexandra Schamis: +33 (0)6 07 37 10 30 Fu’ad Aït Aattou Phone: 04.92.99.33.25 Sandra Cornevaux: +33 (0)6 20 41 49 55 Roxane Mesquida Contacts : Valentina Merli - Yoann Ubermulhin [email protected] Claude Sarraute Yolande Moreau Michael Lonsdale 114 minutes French release date: 30th May 2007 Screenplay: Catherine Breillat Adapted from the eponymous novel by Jules Barbey d’Aurevilly Download photos & press kit on www.studiocanal-distribution.com Produced by Jean-François Lepetit The storyline This future wedding is on everyone’s lips. The young and dissolute Ryno de Marigny is betrothed to marry Hermangarde, an extremely virtuous gem of the French aristocracy. But some, who wish to prevent the union, despite the young couples’ mutual love, whisper that the young man will never break off his passionate love affair with Vellini, which has been going on for years. In a whirlpool of confidences, betrayals and secrets, facing conventions and destiny, feelings will prove their strength is invincible... Interview with Catherine Breillat Film Director Photo: Guillaume LAVIT d’HAUTEFORT © Flach Film d’HAUTEFORT Guillaume LAVIT Photo: The idea “When I first met producer Jean-François Lepetit, the idea the Marquise de Flers, I am absolutely “18th century”. -
MIKAEL CROSS Presenterar
MIKAEL CROSS presenterar En film av Tobias Leo Nordquist i samproduktion med Film i Dalarna, Ljud & Bildmedia AB, Nordic United AB & Index Equity Sweden AB VITT SKRÄP är en spännande actionthriller som utspelas på 80-talet med en nick till några av de mest minnesvärda spänningsfilmerna med oförglömliga karaktärer, och en blandning av komedi och action där alla kämpar för att få kontroll över sina öden – och för en del av bytet. Den unika regin och ljuddesignen i VITT SKRÄP för publikens tankar till gangsterfilmklassikerna ”Lock, Stock and Two Smoking Barrels” och Tarantinos legendariska ”Pulp Fiction”. En nyskapande film med action i ursinnigt, pulshöjande och oförutsägbart tempo. Ola Rapace Ida Engvoll Handlingen i korthet I sökandet efter försoning med sitt förflutna hamnar Sami (Ola Rapace) i ett litet samhälle där han träffar Kim (Ida Engvoll). De båda möter den lokale gangstern Gubben (Donald Högberg) som driver ett till synes sofistikerat metamfetaminimperium tillsammans med sina två söner Conny (Peter Viitanen) och Kenneth (Erik Bolin). Till en början är allt frid och fröjd men när droger börjar cirkulera på bygden utan Gubbens tillåtelse riktas uppmärksamheten mot nykomlingen Sami som inser att han är i en farlig situation. För att komma undan med livet i behåll måste han snabbt göra upp en plan. Donald Högberg Erik Bolin Peter Viitanen Dakota Trancher Williams Tobias Leo Nordquist – regi Efter en fil kand i Theater Arts från universitetet i San Diego 2006 började Tobias arbeta som filmfotograf och klippare, men insåg snart att det var det var som regissör och producent han ville verka. Bara två år senare grundade han sitt eget produktionsbolag Carnivale Pictures och har sedan dess regisserat och producerat prisbelönade kortfilmer, dokumentärer, TV-serier och musikvideor. -
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Bassam El Baroni: Good Morning. Today We Have Raed Yassin with Us, Who’S Showing His Video the New Film at Photocairo4: the Long Shortcut
Bassam El Baroni: Good morning. Today we have Raed Yassin with us, who’s showing his video The New Film at PhotoCairo4: The Long Shortcut. His video is part of an ongoing exploration of the aesthetics and political background of Egyptian cinema. But first we thought to start with an introduction, while another of his videos is being projected in the background. This is a video called Tonight that you created in 2007. In this video you use an image, or rather a seven-second sequence from a feature film. The film is called – ? Raed Yassin: The Amulet. Baroni: When I first saw this video I felt that it has strong connections to a painterly tradition, to 17th century portraiture like Velazquez. Could you elaborate on this? Yassin: This is a very simple piece, and even though it’s only one image, it needed a very long period of research to get to this result. I started researching the idea of watching someone who’s watching you. And then I had an introduction to Velazquez through Michel Foucault’s book, where he wrote about Las Meniñas, which is a painting in which you see people who are really watching you, and he talks about their looks, and how they are. And this is where I make a parallel to Velazquez’ work, but my main interest is Egyptian cinema, and especially Egyptian cinema in the 80s. Baroni: Why the 80s? Yassin: The first question I was interested in was why does the cinema of the 80s look so different from that of the 60s, 70s, and then later the 90s, and why is it that even the very serious films look so trashy? For me, the 80s was a period when all the big ideas about the Arab world that our fathers and ourselves had been living, growing and believing in – ideas of nationalism and socialism – became an illusion. -
Jessica Forde Unit Still Photographer
JESSICA FORDE UNIT STILL PHOTOGRAPHER www.jessicaforde.com - [email protected] +33 (0)6 12 96 39 66 Biography in english: I am a member and a previous International Vice-President of the SMPSP (Society of Motion Picture Still Photographers) and the actual president of PFA (Photographes de Films Associés). I was born in England and am, for now, based between Paris, France and London, UK. (British and French nationalities. Bilingual.) At the age of 16, I started playing along with photography, a family tradition. I have since lived many lives as an actress, a director, a photographer. During more than twelve years, I have happily established myself as an experienced unit still photographer. I have been working on various french cinema d’auteur projects, big budget movies, as well as more recently, on major international productions such as Lucy and Malavita aka The Family, directed by Luc Besson, Equals directed by Drake Doremus, Bastille Day directed by James Watkins…). Adding up to my knowledge of cinema, photography, lighting and grading, I have an unique relationship with actors and actresses having been there. I have good skills in talent management and poster photoshoots. Biographie en français: Je suis membre et anciennement International Vice-President de la SMPSP (Society of Motion Picture Still Photographers) et l’actuelle Presidente des Photographes de Films Associés (PFA). Je suis est née en Angleterre et je suis basée entre Paris, France et Londres, Angleterre (Nationalités Française et Anglaise. Bilingue). À l’âge de 16 ans, je commence à jouer avec la photographie, une tradition familiale. -
Arabic Films
Arabic Films Call # HQ1170 .A12 2007 DVD Catalog record http://library.ohio-state.edu/record=b6528747~S7 TITLE 3 times divorced / a film by Ibtisam Sahl Mara'ana a Women Make Movies release First Hand Films produced for The Second Authority for Television & Radio the New Israeli Foundation for Cinema & Film Gon Productions Ltd Synopsis Khitam, a Gaza-born Palestinian woman, was married off in an arranged match to an Israeli Palestinian, followed him to Israel and bore him six children. When her husband divorced her in absentia in the Sharia Muslim court and gained custody of the children, Khitam was left with nothing. She cannot contact her children, has no property and no citizenship. Although married to an Israeli, a draconian law passed in 2002 barring any Palestinian from gaining Israeli citizenship has made her an illegal resident there. Now she is out on a dual battle, the most crucial of her life: against the court which always rules in favor of the husband, and against the state in a last-ditch effort to gain citizenship and reunite with her children Format DVD format Call # DS119.76 .A18 2008 DVD Catalog record http://library.ohio-state.edu/record=b6514808~S7 TITLE 9 star hotel / Eden Productions Synopsis A look at some of the many Palestinians who illegally cross the border into Israel, and how they share their food, belongings, and stories, as well as a fear of the soldiers and police Format DVD format Call # PN1997 .A127 2000z DVD Catalog record http://library.ohio-state.edu/record=b6482369~S7 TITLE 24 sāʻat ḥubb = 24 hours of love / Aflām al-Miṣrī tuqaddimu qiṣṣah wa-sīnāryū wa-ḥiwār, Fārūq Saʻīd افﻻم المرصي تقدم ؛ قصة وسيناريوا وحوار, فاروق سعيد ؛ / hours of love ساعة حب = ikhrāj, Aḥmad Fuʼād; 24 24 اخراج, احمد فؤاد Synopsis In this comedy three navy officers on a 24 hour pass go home to their wives, but since their wives doubt their loyalty instead of being welcomed they are ignored. -
Minutes 2017
MINUTES Kandimari 61 rue Danton june 2017 – MINUTES 92300 Levallois-Perret th > 30 France th +33 (0)9 52 10 56 08 #6 – 28 [email protected] www.serieseries.fr SEASON 6 28th > 30th JUNE 2017 TABLE OF CONTENTS 2 Introduction 68 THE DISCUSSIONS 3 Editorial 70 SACD debate: public decision 4 Opening ceremony makers, public broadcasters 6 The changing world of series: 74 Long-running series: a story of in search of meaning and reality both passion and devotion 77 Masterclass: 8 THE SERIES Federico Llano, RTVE 10 All Wrong 80 Masterclass: 12 Five2Twelve Domingo Corral, Movistar+ 15 Guerrilla 82 Masterclass: Lele Marchitelli 18 Hassel 84 Café séries: “ feminine “ series 20 Match 88 One Vision: Ruth Caleb 22 Our Time is Now 89 One Vision: Barbara Emile 25 The Same Sky 92 One Vision: Thierry Keller 28 Shadow of the Ferns 94 One Vision: Olivier Broche 30 Tabula Rasa 96 One Vision: Sydney Gallonde 32 The Simple Heist 34 The Swell 98 Series Stories 37 IN THE PIPELINE 99 The serial experience 37 Aux Animaux la guerre 102 Masterclass: Ruth Caleb 38 Back to Corsica 106 Broadcasters’ Conclave 40 Champion 107 Concert 42 Clash of Futures – 18 44 Home Ground 46 Fenix 47 Banking district 50 Sirene 52 Stella Blómkvist 53 WHAT’S NEXT? 53 Life in the Box & Genesis 56 Hamilton 58 Once the Dust Settles 60 The Lynching 62 West of Liberty 63 SPOTLIGHT ON TRAILERS 67 CHILDREN’S SESSIONS SÉRIE SERIES… EDITORIAL A unique event, created with sincerity and passion; a The 6th season of Série Series took place from 28th to 30th This 6th season was also an opportunity to reaffirm the rendezvous that brings together all those whose dedication June 2017 and brought together more than 650 European identity of Série Series. -
Swedish Film Magazine #2 2010
Swedish Film #2 2010 • A magazine from the Swedish Film Institute P UMP UP THE NOISE Johannes Stjärne Nilsson and Ola Simonsson want the Sound of Noise to ring all over Cannes Bill Skarsgård Another shining son BATHING MICKY In Competition in Cannes A SILENT CHILD In Directors’ Fortnight ... BUT FILM IS MY MISTRESS Bergman revisited www.sfi.se “Brighton Rock” © 2010 Optimum Releasing “Centurion” © 2010 Celador Films / Pathe Productions “Antichrist” © 2009 Zentropa “Dear Alice” © 2009 One Tired Brother “Eden Lake” © 2008 Rollercoaster Films “The Descent: Part 2” © 2009 Celador Films / Pathe Productions “Arn - The Kingdom at Road’s End” © 2008 AB Svensk Filmindustri “Mammoth” © 2009 Memfis Film “The Cottage” © 2008 Steel Mill Yorkshire / UKFC “Hush” © 2009 Warp X / Fear Factory (Hush) SWEDEN’S BEST KEPT SECRET In less than four years Filmgate have supplied high end cost effective visual effects and DI solutions for over 30 feature films in 9 countries. Since the introduction of our 2k grading and conform services we have graded three feature films and several short films as well as TV commercials. In 2009, with the aid of regional funding, we have expanded our services into co-production. Looking forward to 2010 not only do we have exciting and challenging visual effects projects ahead, such as the eagerly anticipated UK features “Centurion” and “Brighton Rock”, we are also involved with a slate of US, UK and French projects as co-producers. www.filmivast.se www.filmgate.se CEO’S LETTER Director, International Department Pia Lundberg Phone +46 70 692 79 80 Unforgettable surprises [email protected] SOME THINGS JUST refuse to go away, no autumn, and Andreas Öhman with Simple matter how hard you try to shake them off. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything.