Winter Catalogue 2017
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Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Architecture, Form, Expression. the Helicoidal Skyscrapers'geometry
Bridges 2012: Mathematics, Music, Art, Architecture, Culture Architecture, Form, Expression. The Helicoidal Skyscrapers’Geometry Alessandra CAPANNA Dipartimento di Architettura e Progetto “Sapienza” Università di Roma Via Flaminia 359 - 00196 Roma, ITALY E-mail: [email protected] Mauro FRANCAVIGLIA Marcella G. LORENZI Dipartimento di Matematica, Laboratorio per la Comunicazione Scientifica Università di Torino Università della Calabria Via Carlo Alberto,10 - 10123 Torino, ITALY Cubo 30b, 87036 Arcavacata di Rende CS, E-mail: [email protected] ITALY E-mail: [email protected] Abstract The Expressionist utopia of an Architect imitating the rigorous and -at the same time- extremely bizarre formative principles of Nature, linked with the engineering “must” of a coherent and correct structure are apparent antithesis if only played as the manifestation of an irrational and uncontrolled freedom. We explore the ancient idea of Harmony and Beauty and the historical confidence in the logarithmic spiral as the symbol of perfection in an un- built project for a 565 m (1,854 ft) high skyscraper that was supposed to be built on the tip of Manhattan, NYC. The role of geometry is no more exploited as an instrument for controlling architectural form, but for its liberation: the project for a helicoidal skyscraper consisted of a succession of warped wings developed on the layout of the logarithmic spiral. The helicoidal shape, works better than the others in splitting up the force of the wind in resistance, has a positive influence on the stability of the building and is the result of a strong design theory wondering about the power of invention, the power of geometry, the power of relationships among numbers, and finally the beauty of (deriving from) mathematics (in Architecture). -
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project AMBASSADOR RICHARD M. MILES Interviewed by: Charles Stuart Kennedy Initial interview date: February 2, 2007 Copyright 2015 ADST FOREIGN SERVICE POSTS Oslo, Norway. Vice-Consul 1967-1969 Washington. Serbo-Croatian language training. 1969-1970 Belgrade, Yugoslavia. Consul 1970-1971 Belgrade, Yugoslavia. Second Secretary, Political Section 1971-1973 Washington. Soviet Desk 1973-1975 Garmisch-Partenkirchen, Germany. US Army Russian Institute 1975-1976 Advanced Russian language training Moscow. Second Secretary. Political Section 1976-1979 Washington. Yugoslav Desk Officer 1979-1981 Washington. Politico-Military Bureau. Deputy Director, PM/RSA 1981-1982 Washington. Politico-Military Bureau. Acting Director, PM/RSA 1982-1983 Washington. American Political Science Association Fellowship 1983-1984 Worked for Senator Hollings. D-SC Belgrade. Political Counselor 1984-1987 Harvard University. Fellow at Center for International Affairs 1987-1988 Leningrad. USSR. Consul General 1988-1991 Berlin, Germany. Leader of the Embassy Office 1991-1992 Baku. Azerbaijan. Ambassador 1992-1993 1 Moscow. Deputy Chief of Mission 1993-1996 Belgrade. Chief of Mission 1996-1999 Sofia, Bulgaria. Ambassador 1999-2002 Tbilisi, Georgia. Ambassador 2002-2005 Retired 2005 INTERVIEW Q: Today is February 21, 2007. This is an interview with Richard Miles, M-I-L-E-S. Do you have a middle initial? MILES: It’s “M” for Monroe, but I seldom use it. And I usually go by Dick. Q: You go by Dick. Okay. And this is being done on behalf of the Association of Diplomatic Studies and Training and I am Charles Stuart Kennedy. Well Dick, let’s start at the beginning. -
Lewis Mumford – Sidewalk Critic
SIDEWALK CRITIC SIDEWALK CRITIC LEWIS MUMFORD’S WRITINGS ON NEW YORK EDITED BY Robert Wojtowicz PRINCETON ARCHITECTURAL PRESS • NEW YORK Published by Library of Congress Princeton Architectural Press Cataloging-in-Publication Data 37 East 7th Street Mumford, Lewis, 1895‒1990 New York, New York 10003 Sidewalk critic : Lewis Mumford’s 212.995.9620 writings on New York / Robert Wojtowicz, editor. For a free catalog of books, p. cm. call 1.800.722.6657. A selection of essays from the New Visit our web site at www.papress.com. Yorker, published between 1931 and 1940. ©1998 Princeton Architectural Press Includes bibliographical references All rights reserved and index. Printed and bound in the United States ISBN 1-56898-133-3 (alk. paper) 02 01 00 99 98 5 4 3 2 1 First edition 1. Architecture—New York (State) —New York. 2. Architecture, Modern “The Sky Line” is a trademark of the —20th century—New York (State)— New Yorker. New York. 3. New York (N.Y.)— Buildings, structures, etc. I. Wojtowicz, No part of this book my be used or repro- Robert. II. Title. duced in any manner without written NA735.N5M79 1998 permission from the publisher, except in 720’.9747’1—dc21 98-18843 the context of reviews. CIP Editing and design: Endsheets: Midtown Manhattan, Clare Jacobson 1937‒38. Photo by Alexander Alland. Copy editing and indexing: Frontispiece: Portrait of Lewis Mumford Andrew Rubenfeld by George Platt Lynes. Courtesy Estate of George Platt Lynes. Special thanks to: Eugenia Bell, Jane Photograph of the Museum of Modern Garvie, Caroline Green, Dieter Janssen, Art courtesy of the Museum of Modern Therese Kelly, Mark Lamster, Anne Art, New York. -
Manufactured Proletariat: Constructivism and the Stalinist Company Town
86'rH ACSA ANNUAL MEETING AND TECHNOLOGY CONFERENCE 655 Manufactured Proletariat: Constructivism and the Stalinist Company Town GREG CASTILLO University of California, Berkeley A procession of clashing architectural styles documents the "From the Constructivists to the World."' El Lissitzky, who USSR's attempt to devise the environment for a socialist helped found Switzerland's Constructivist architectural asso- "new man." Of these, Constructivism is conventionally seen ciation (but declined to join its Soviet equivalent), declared as an emblem of the Great Utopia, a vision of this project the factory "the crucible of socialization for the urban popu- predating its totalitarian metamorphosis. But, for areputation lation" and "the university for the new Socialist man."J as the antithesis of "Stalinist" architecture, Constructivism's Constructivists venerated machine environments for their timing is problematic, to say the least. Constructivism came ordained capacity to transform human nature. Aleksandr into its own during the First Five-Year Plan (1928-32), an era Vesnin praisedengineering's invention of "objects of genius" that witnessed the rise of Stalin's "cult of personality" and his and called for artists to create devices equal in the "potential campaigns to collectivize agriculture and industrialize at energy of their psycho-physiological influence on the con- breakneck speed. This period, marked by the emergence of sciousness of the indi~idual."~The factory was considered the Stalinist state, corresponds to the building of the most potent specimen of the "social condenser" - building Constructivism's canonic monuments.' types that, while fulfilling basic social needs, instilled social- In servicing the First Five-Year Plan, Constructivist archi- ist modes of behavior and thought. -
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Advances in Social Science, Education and Humanities Research, volume 324 International Conference on Architecture: Heritage, Traditions and Innovations (AHTI 2019) Architects of Russian Emigration in Rome Between Two Wars: Questions of Integration and Ways of Adaptation* Anna Vyazemtseva Scientific Research Institute of the Theory and History of Architecture and Urban Planning Branch of the Central Scientific-Research and Project Institute of the Construction Ministry of Russia Moscow, Russia E-mail: [email protected] Abstract—At the beginning of the 20th century, lots of further outstanding career1 in Moscow, was isolated. At the young and promising Russian architects travelled to Italy, beginning of the 1920s in Rome, like other cities of Europe interpreting gained experience in projects and buildings (V.F. and the world, there was a strong presence of Russian Shuko, I.A. Fomin), and some of them even had building immigrants, represented above all by high and cultured practices there (A. Schusev). After the October Revolution of social classes: aristocracy, bourgeoisie and intelligentsia. 1917 many actors of creative professions leaved Russia, but the While emigrated architects were rather few, most of the architects were in the minority among immigrants and only a professionals remained in patria, trying to adapt their work to few of them settled (A.Y. Beloborodov, L.M. Brailovsky) or the new conditions. constantly worked (G.K. Lukomsky) in Italy. The paper tries to analyze the careers of the mentioned and other architects, to In early 1920s the trips to Italy sometime turned in describe the particular circumstances of their work in the emigration. In 1923 Ivan Zholtovsky, at the moment the conditions of emigration, to determine their place in the Italian director of the work on the new Moscow master plan and and international professional culture of that time. -
Summer Catalogue 2018
www.bookvica.com SUMMER CATALOGUE 2018 1 F O R E W O R D Dear friends and collegues, Bookvica team is excited to present to you the summer catalogue of 2018! The catalogue include some of our usual sections along with new experimental ones. Interesting that many books from our selection explore experiments in different fields like art and science themselves. For example our usual sections of art exhibition catalogues and science include such names as Goncharova and Mendeleev - both were great exepimenters. Theatre section keeps exploring experiments on and off stage of the 1920s under striking constrictivist wrappers. We continue to explore early Soviet period with an important section on art for the masses where we gathered editions which shed light on how Soviets used all available matters to create a new citizen on shatters of the past and how to make him a loyal tool of propaganda. Photography and art of that period is gathered in a separate section with such names like Zdanevich and Telingater among the artists. Books on architecture include Chernikhov fantasies, Stepanova’s design of metro book, study of Soviet workers’ clubs and the most spectacular item is account of the work made by architecture studios in early 1930s led by most famous Russian architects. Probably the jewel of our selection is a rare collection of sheet music from 1920s-30s or more precisely cover designs. We have been gathering them for a year and are happy to finally share our discoveries on this subject with you. Don’t miss too small but very interesting sections of Ukrainian books and items on Women. -
The Past and Present of Soviet Constructivism The
BOLSHEVISM IN BRICK AND CONCRETE: THE PAST AND PRESENT OF SOVIET CONSTRUCTIVISM DOI 10.15826/qr.2016.3.173 УДК 72/036(063)+72/038/11+72.035.93+725.1(470-25) THE 4TH CIAM CONGRESS IN MOSCOW. PREPARATION AND FAILURE (1928–1933)* ** 2 Thomas Flierl Independent Researcher, Berlin, Germany At the first meeting in Zurich I said right away that I could not imagine a Congress without the participation of the Russians. Letter by Sigfried Giedion to El Lissitzky. 21 May 1928. GTA archive. Zurich The paper deals with the dramatic story of the preparation for (and subsequent failure of) the 4th Congrès internationaux d’architecture moderne (CIAM) conference in Moscow. The offer to host the congress in Moscow was made in 1929, with the planned topic ‘Urban Organisation, Urban Construction, and Regional Planning’. Had it taken place in 1930 or 1931, the planned congress would have had an enormous impact. It probably would have been able to counteract the split of the modern urban construction movement into two factions, with those in favour of reconstructing existing cities on the one hand and proponents of building brand new cities on the other. It is widely believed that the congress was moved from Moscow to Athens due to CIAM’s protest against the results of the competition for the Palace of Soviets. Indeed, the controversy over this contest certainly delayed the congress. However, the study of the archival sources shows that the postponement was a result of a drastic change in the USSR’s domestic policies, which took place before CIAM challenged the results of the competition. -
Modern Architecture & Ideology: Modernism As a Political Tool in Sweden and the Soviet Union
Momentum Volume 5 Issue 1 Article 6 2018 Modern Architecture & Ideology: Modernism as a Political Tool in Sweden and the Soviet Union Robert Levine University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/momentum Recommended Citation Levine, Robert (2018) "Modern Architecture & Ideology: Modernism as a Political Tool in Sweden and the Soviet Union," Momentum: Vol. 5 : Iss. 1 , Article 6. Available at: https://repository.upenn.edu/momentum/vol5/iss1/6 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/momentum/vol5/iss1/6 For more information, please contact [email protected]. Modern Architecture & Ideology: Modernism as a Political Tool in Sweden and the Soviet Union Abstract This paper examines the role of architecture in the promotion of political ideologies through the study of modern architecture in the 20th century. First, it historicizes the development of modern architecture and establishes the style as a tool to convey progressive thought; following this perspective, the paper examines Swedish Functionalism and Constructivism in the Soviet Union as two case studies exploring how politicians react to modern architecture and the ideas that it promotes. In Sweden, Modernism’s ideals of moving past “tradition,” embracing modernity, and striving to improve life were in lock step with the folkhemmet, unleashing the nation from its past and ushering it into the future. In the Soviet Union, on the other hand, these ideals represented an ideological threat to Stalin’s totalitarian state. This thesis or dissertation is available in Momentum: https://repository.upenn.edu/momentum/vol5/iss1/6 Levine: Modern Architecture & Ideology Modern Architecture & Ideology Modernism as a Political Tool in Sweden and the Soviet Union Robert Levine, University of Pennsylvania C'17 Abstract This paper examines the role of architecture in the promotion of political ideologies through the study of modern architecture in the 20th century. -
Halperin David M Traub Valeri
GAY SHAME DAVID M. HALPERIN & VALERIE TRAUB I he University of Chicago Press C H I C A G 0 A N D L 0 N D 0 N david m. h alperin is theW. H. Auden Collegiate Professor of the History and Theory of Sexuality at the University of Michigan. He is the author of several books, including Saint Foucault: Towards a Gay Hagiography (Oxford University Press, 1995) and, most re cently, What Do Gay Men Want? An Essay on Sex, Risk, and Subjectivity (University of Michi gan Press, 2007). valerie traub is professor ofEnglish andwomen's studies at the Uni versity of Michigan, where she chairs the Women's Studies Department. She is the author of Desire and Anxiety: Circulations of Sexuality in Shakesptanan Drama (Routledge, 1992) and The Renaissance of Ltsbianism in Early Modem England (Cambridge University Press, 2002). The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2009 by The University of Chicago Al rights reserved. Published 2009 Printed in the United States of America 17 16 15 14 13 12 ii 10 09 1 2 3 4 5 ISBN-13: 978-0-226-31437-2 (cloth) ISBN-13: 978-0-226-31438-9 (paper) ISBN-10: 0-226-31437-5 (cloth) ISBN-10: 0-226-31438-3 (paper) Library of Congress Cataloging-in-Publication Data Gay shame / [edited by] David M. Halperin and Valerie Traub. p.cm. Includes bibliographical references and index. ISBN-13: 978-0-226-31437-2 (cloth: alk. paper) isbn-10: 0-226-31437-5 (cloth: alk. -
Boym 1. Model for the Monument to the Third International, November
LIST OF ILLUSTRATIONS boym 1. Model for The Monument to the Third International, November 1920 62 2. Vladimir Tatlin, trying Letatlin (Moscow, 1932) 67 3. Sketch for the set decoration of Chalice of Joy (1949–50) 68 4. Vladimir Tatlin, White Jar and Potato (1948–51) 69 5. Vladimir Tatlin, A Skull on the Open Book (1948–53) 69 6. Model of Tatlin’s Tower 70 7. Constantin Boym, Palace of the Soviets and Tatlin’s Tower (1996) 71 8. Leonid Sokov, Moscow Yard 72 9. Leonid Sokov, Watchtower: Self-portrait as a Soldier 74 10. Leonid Sokov, Ur-Neo-Geo Tower 74 11. Yuri Avvakumov, Perestroika Tower (1990) 76 12. Ilya Kabakov, sketch for The Palace of the Projects (1999) 77 13. Ilya Kabakov, sketch for The Palace of the Projects (1999) 78 14. Svetlana Boym, ‘‘Return Home,’’ from Nostalgic Technologies 80 15. Tatlin’s Letatlin and Nabokov’s Butterfly from Hybrid Utopias (2003–6) 81 16. Tatlin’s Letatlin and Nabokov’s Butterfly from Hybrid Utopias (2003–6) 82 17. Tatlin’s Letatlin and Nabokov’s Butterfly from Hybrid Utopias (2003–6) 82 eshel 1. Deserted, cemented-up houses in Haifa’s Arab quarter 138 2. Igal Shtayim, Untitled 139 3. Nava Semel, ‘‘Le’vad’’ (Alone) 140 4. Facsimile of first page of Kluge, ‘‘Der Luftangri√ auf Halberstadt am 8. April 1945’’ 145 hell 1. Gustave Doré, The New Zealander 173 2. Adolf Hitler with the Italian king in Rome 184 3. The Mosaic Room in Albert Speer’s Chancellery, Berlin 187 beasley-murray 1. Vilcashuamán 218 2. -
UC Berkeley UC Berkeley Previously Published Works
UC Berkeley UC Berkeley Previously Published Works Title To the New Shore: Soviet Architecture's Journey from Classicism to Standardization Permalink https://escholarship.org/uc/item/3k42j0g2 Author Zubovich, Katherine Publication Date 2013-07-01 eScholarship.org Powered by the California Digital Library University of California To the New Shore: Soviet Architecture’s Journey from Classicism to Standardization Katherine Zubovich-Eady Summer 2013 Katherine Zubovich-Eady is a PhD Candidate in the Department of History at the University of California, Berkeley. Acknowledgements I would like to thank Professor Yuri Slezkine and the participants in his Fall 2011 Soviet History research paper class for their comments on earlier versions of this essay. I would also like to thank Professor Andrew Shanken, whose generous comments on my essay graphic design in Arkhitektura SSSR have made their way into this paper. Figure 1: “K novomu beregu,” Arkhitektura SSSR, November 1955. To the New Shore: Soviet Architecture’s Journey from Classicism to Standardization In November 1955, the leading Soviet architects’ journal, Arkhitektura SSSR, featured a “friendly cartoon” (druzheskii sharzh) satirizing the uncertain state of the architectural profession (Fig. 1). Titled “To the New Shore,” this image showed the greats of Soviet architecture as they prepared to embark on a journey away from the errors of their past work. “After a lengthy and expensive stay on the island of excesses,” the cartoonists explained in their narrative printed alongside the image, “the architectural flotilla is preparing itself, at last, to depart for the long- awaited shore of standardization and industrialization in construction.”1 At the lower right of the cartoon, three of the architects of Moscow’s vysotnye zdaniia say goodbye “from the bottom of their hearts to their excesses (izlishestva),”2 which they have been prohibited from taking on board.