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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Digital Dialectics: the Paradox of Cinema in a Studio Without Walls', Historical Journal of Film, Radio and Television , Vol
Scott McQuire, ‘Digital dialectics: the paradox of cinema in a studio without walls', Historical Journal of Film, Radio and Television , vol. 19, no. 3 (1999), pp. 379 – 397. This is an electronic, pre-publication version of an article published in Historical Journal of Film, Radio and Television. Historical Journal of Film, Radio and Television is available online at http://www.informaworld.com/smpp/title~content=g713423963~db=all. Digital dialectics: the paradox of cinema in a studio without walls Scott McQuire There’s a scene in Forrest Gump (Robert Zemeckis, Paramount Pictures; USA, 1994) which encapsulates the novel potential of the digital threshold. The scene itself is nothing spectacular. It involves neither exploding spaceships, marauding dinosaurs, nor even the apocalyptic destruction of a postmodern cityscape. Rather, it depends entirely on what has been made invisible within the image. The scene, in which actor Gary Sinise is shown in hospital after having his legs blown off in battle, is noteworthy partly because of the way that director Robert Zemeckis handles it. Sinise has been clearly established as a full-bodied character in earlier scenes. When we first see him in hospital, he is seated on a bed with the stumps of his legs resting at its edge. The assumption made by most spectators, whether consciously or unconsciously, is that the shot is tricked up; that Sinise’s legs are hidden beneath the bed, concealed by a hole cut through the mattress. This would follow a long line of film practice in faking amputations, inaugurated by the famous stop-motion beheading in the Edison Company’s Death of Mary Queen of Scots (aka The Execution of Mary Stuart, Thomas A. -
Suggestions for Top 100 Family Films
SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT.. -
Marty Kline Storyboards
http://oac.cdlib.org/findaid/ark:/13030/c88k7d82 No online items Marty Kline storyboards Special Collections Margaret Herrick Library© 2014 Marty Kline storyboards 535 1 Descriptive Summary Title: Marty Kline storyboards Date (inclusive): 1989-1993 Collection number: 535 Creator: Kline, Marty Extent: 1.3 linear feet of papers. Repository: Margaret Herrick Library. Academy of Motion Picture Arts and Sciences. Languages: English Access Available by appointment only. Publication rights Property rights to the physical object belong to the Margaret Herrick Library. Researchers are responsible for obtaining all necessary rights, licenses, or permissions from the appropriate companies or individuals before quoting from or publishing materials obtained from the library. Preferred Citation Marty Kline storyboards, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences. Biography Martin A. Kline is an American storyboard artist, production and concept illustrator, and visual effects art director active in film since the 1980s. He served as a storyboard artist on several films directed by Robert Zemeckis. Collection Scope and Content Summary The Marty Kline storyboards span the years 1989-1993 and encompass 1.3 linear feet. There are photocopies of storyboards for three films directed by Robert Zemeckis, BACK TO THE FUTURE PART II (1989), DEATH BECOMES HER (1992), and FORREST GUMP (1993); and one directed by Steven Spielberg, JURASSIC PARK (1993). While the drawings are primarily by Kline, some are drawn by other storyboard artists. Arrangement Arranged in the following series: 1. Production files. Indexing Terms Kline, Marty--Archives. storyboard artists Marty Kline storyboards 535 2. -
Table of Contents
Table of Contents PART I. Introduction 5 A. Overview 5 B. Historical Background 6 PART II. The Study 16 A. Background 16 B. Independence 18 C. The Scope of the Monitoring 19 D. Methodology 23 1. Rationale and Definitions of Violence 23 2. The Monitoring Process 25 3. The Weekly Meetings 26 4. Criteria 27 E. Operating Premises and Stipulations 32 PART III. Findings in Broadcast Network Television 39 A. Prime Time Series 40 1. Programs with Frequent Issues 41 2. Programs with Occasional Issues 49 3. Interesting Violence Issues in Prime Time Series 54 4. Programs that Deal with Violence Well 58 B. Made for Television Movies and Mini-Series 61 1. Leading Examples of MOWs and Mini-Series that Raised Concerns 62 2. Other Titles Raising Concerns about Violence 67 3. Issues Raised by Made-for-Television Movies and Mini-Series 68 C. Theatrical Motion Pictures on Broadcast Network Television 71 1. Theatrical Films that Raise Concerns 74 2. Additional Theatrical Films that Raise Concerns 80 3. Issues Arising out of Theatrical Films on Television 81 D. On-Air Promotions, Previews, Recaps, Teasers and Advertisements 84 E. Children’s Television on the Broadcast Networks 94 PART IV. Findings in Other Television Media 102 A. Local Independent Television Programming and Syndication 104 B. Public Television 111 C. Cable Television 114 1. Home Box Office (HBO) 116 2. Showtime 119 3. The Disney Channel 123 4. Nickelodeon 124 5. Music Television (MTV) 125 6. TBS (The Atlanta Superstation) 126 7. The USA Network 129 8. Turner Network Television (TNT) 130 D. -
The Hobbit the Desolation of Smaug the Quest for Erbor / the Forest River / the Hunters / Beyond the Forest
The Hobbit The Desolation Of Smaug The Quest For Erbor / The Forest River / The Hunters / Beyond The Forest Brass Band Arr.: Jirka Kadlec Adapt.: Bertrand Moren Howard Shore EMR 9842 st + 1 Full Score 2 1 B Trombone nd + 1 E Cornet 2 2 B Trombone + 5 Solo B Cornet 1 B Bass Trombone 1 Repiano Cornet 2 Euphonium nd 3 2 B Cornet 3 E Bass rd 3 3 B Cornet 3 B Bass 1 B Flugelhorn 1 Timpani st 2 Solo E Horn 1 1 Percussion (Tubular Bells / Glockenspiel) st nd 2 1 E Horn 1 2 Percussion (Suspended Cymbal) nd rd 2 2 E Horn 1 3 Percussion (Triangle / Drum Set) st 2 1 B Baritone nd 2 2 B Baritone Print & Listen Drucken & Anhören Imprimer & Ecouter ! www.reift.ch Route du Golf 150 ! CH-3963 Crans-Montana (Switzerland) Tel. +41 (0) 27 483 12 00 ! Fax +41 (0) 27 483 42 43 ! E-Mail : [email protected] ! www.reift.ch DISCOGRAPHY Cinemagic 47 Track Titel / Title Time N° EMR N° EMR N° (Komponist / Composer) Blasorchester Brass Band Concert Band 1 The Incredibles (Giacchino) 6’00 EMR 12185 EMR 9667 2 Concerto De L’Adieu (Delerue) 9’57 EMR 12277 EMR 9837 3 Tombstone (Broughton) 7’37 EMR 12245 EMR 9838 4 Jaws: The Revenge (Small) 3’48 EMR 12191 EMR 9839 5 The Croods (Silvestri) 4’38 EMR 12258 EMR 9840 6 Rise Of The Guardians (Desplat) 7’40 EMR 12234 EMR 9763 7 The Karate Kid (Horner) 9’00 EMR 12238 EMR 9841 8 The Hobbit (The Desolation Of Smaug) (Shore) 4’17 EMR 12261 EMR 9842 Zu bestellen bei • A commander chez • To be ordered from: Editions Marc Reift • Route du Golf 150 • CH-3963 Crans-Montana (Switzerland) • Tel. -
Incidents in the Life of a Slave Girl Philemon Isaiah Amos
ENGL 4384: Senior Seminar Student Anthology Fall 2012 Dr. Rebecca Harrison, Professor Department of English & Philosophy Printed on campus by UWG Publications and Printing. A Culture of Captivity: Subversive Femininity and Literary Landscapes Introduction 5 Dr. Rebecca L. Harrison I. Captive Women/Colonizing Texts “Heathenish, Indelicate and Indecent”: Male Authorship, 13 Narration, and the Transculturated, Mutable Female in James T. DeShields Cynthia Ann Parker, James Seaver’s A Narrative of the Life of Mrs. Mary Jemison, and Royal B. Stratton’s Captivity of the Oatman Girls Mary Catherine Lyons American Colonization and the Death of the Female 34 Captive Hannah Barnes Mitchell The Comfortable Captive: Applying Double-Voice 49 Discourse to Cotton Mather’s and John Greenleaf Whittier’s Depictions of Hannah Dustan’s Captivity to Ultimately Reveal Potential Female Agency Michelle Guinn II. Captive Others: Cutting through Sentimental Scripts “Lors, Chile! What’s You Crying ’Bout?”: Sympathy & Tears 62 in Harriet Jacobs’ Incidents in the Life of a Slave Girl Philemon Isaiah Amos The Absolutely Real Ramifications of a Full-Time Genocide: 79 Exploring Mary Rowlandson’s Role in Alexie’s “Captivity” and True Diary Gina Riccobono III. Generic Adaptations & Dislodging the Narrative Tradition Transgressing the “bloody old hag”: Gender in Nathaniel 93 Hawthorne’s “The Duston Family” Michele Drane Creating the Autonomous Early American Woman: Angela 112 Carter and Caroline Gordon (Re) Employ the Female Captivity Narrative Genre Wayne Bell Death Becomes Her: The American Female Victim-Hero 125 Legacy Wes Shelton IV. Crossing the Borders of Captivity Capturing Dorinda Oakley 143 Dorinda Purser Unknowable and Thereby Unconquerable: Examining Ada 157 McGrath’s Resistance in The Piano Brett Hill ‘Bonds of Land and Blood’: Communal Captivity and 171 Subversive Femininity in Woodrell’s Winter’s Bone Jason Cole Contributors 190 A Culture of Captivity: Subversive Femininity and Literary Landscapes Dr. -
Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
Two Page Summary Venture Capital Pitch 2020 Brent J
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Oscar®-Nominated Production Designer Jim Bissell to Receive Lifetime Achievement Award at 19Th Annual Art Directors Guild Awards on January 31, 2015
FOR IMMEDIATE RELEASE OSCAR®-NOMINATED PRODUCTION DESIGNER JIM BISSELL TO RECEIVE LIFETIME ACHIEVEMENT AWARD AT 19TH ANNUAL ART DIRECTORS GUILD AWARDS ON JANUARY 31, 2015 LOS ANGELES, July 15, 2014 — Emmy®-winning and Oscar®-nominated Production Designer Jim Bissell will receive the Art Directors Guild’s Lifetime Achievement Award at the 19th Annual Excellence in Production Design Awards on January 31, 2015 at a black- tie ceremony at the Beverly Hilton Hotel. The announcement was made today by John Shaffner, ADG Council Chairman, and ADG Award Producers Dave Blass and James Pearse Connelly. “Jim Bissell’s work as a Production Designer is legendary and we are proud to rank him among the best in the history of our profession. He is an extraordinary artist and accomplished leader in the industry and it is our pleasure to name him as this year’s Lifetime Achievement Award recipient,” said Shaffner. A veteran leader of the ADG, Bissell was a past Vice President and a Board member for more than 15 years. He also chaired the Guild’s Awards Committee for the first three years of its existence. Bissell’s distinguished work can be seen on such notable films as E.T. the Extra- Terrestrial (1982), which took home four Oscars® with an additional five Oscar® nominations in 1983; The Rocketeer (1991), Jumanji (1995), 300 (2006), Mission: Impossible – Ghost Protocol (2011) and most recently The Monuments Men (2014), directed by and starring George Clooney. Monuments Men is Jim’s fourth collaboration with Clooney, which began with Confessions of a Dangerous Mind (2002), followed with Oscar®-nominated Good Night, and Good Luck (2005) and continuing with Leatherheads (2007). -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
Holy Fools, Secular Saints, and Illiterate Saviors in American Literature and Popular Culture
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 5 (2003) Issue 3 Article 4 Holy Fools, Secular Saints, and Illiterate Saviors in American Literature and Popular Culture Dana Heller Old Dominion University Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the Critical and Cultural Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Heller, Dana. "Holy Fools, Secular Saints, and Illiterate Saviors in American Literature and Popular Culture." CLCWeb: Comparative Literature and Culture 5.3 (2003): <https://doi.org/10.7771/1481-4374.1193> This text has been double-blind peer reviewed by 2+1 experts in the field.