Studies in Scottish Literature Volume 28 | Issue 1 Article 6 1993 "A Double Word": Writing and Justice in The Master of Ballantrae Alexander B. Clunas Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Clunas, Alexander B. (1993) ""A Double Word": Writing and Justice in The asM ter of Ballantrae," Studies in Scottish Literature: Vol. 28: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol28/iss1/6 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact
[email protected]. Alexander B. Clunas "A Double Word": Writing and Justice in The Master of Ballantrae The Master oj Ballantrae (1889) is Robert Louis Stevenson's most re markable attempt to ally the genre of adventure fiction with a deft unravel ling and retwining of the" most secret and heartfelt inclinations" 1 of the self. As a precise ordering, seriatim, of heterogeneous documents, voices, and fictional kinds, Master is a notably unstable text. It confounds generic unity, 2 placing some of the definitive elements of Stevenson's earlier, "naive" adventure stories within the main, by and large non-adventurous, narrative of Ephraim Mackellar. It requires readers to read across conven tional boundaries between exotic romantic adventure and domestic drama, between desire and "reality," between I and he. I hope to show this in the following discussion. These instabilities of genre and voice have made the novel somewhat of a puzzle for critics.