DOCSLIB.ORG

Wilson, Jane & Louise

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Wilson, Jane & Louise Jane & Louise Wilson b. 1960, UK Biography 1986-89 Duncan of Jordanstone College of Art, Dundee, BA Fine Art (Louise) Newcastle Polytechnic, BA Fine Art (Jane) 1990-92 Goldsmiths College, London, MA Fine Art (Jane & Louise) 1993 Barclays Young Artist Award 1995 Part time teaching Goldsmith’s college of Art 1996 DAAD Scholarship, Berlin - Hannover, Germany 1997 Part time Professors at the Kunst Academy, Oslo 1999 Nominated for the Turner Prize 2000 IASPIS, International Artist’s Studio Program in Sweden, Stockholm, Residency Fall 2001– 2005 External Assessor For Glasgow M.F.A. 2002 Awarded Doctors of Civil Law, DCL, Northumberland University 2004 Residency at the School of Fine Arts, SOFA Gallery, Christchurch, New Zealand Two Person Exhibitions 2008 Unfolding the Aryan Papers, British Film Institute 303 Gallery, New York 2007-2008 ‘Sealander’, New Art Gallery, Walsall 2006 ‘Jane & Louise Wilson’, Haunch of Venison, Zurich ‘The New Brutalists’ Lisson Gallery, London 2005 ‘Erewhon’, Blaffer Gallery, Houston, Texas “Broken time”, Hatton Gallery, Newcastle Upon Tyne ‘The Knot Garden’, Collaboration on Michael Tippett opera, Royal Opera House 2, London 2004 ‘Jane & Louise Wilson’, Bergen Art Museum, Bergen, Norway ‘Erewhon –Jane & Louise Wilson’, 303 Gallery, New York ‘Jane & Louise Wilson’, Fondazione Davide Halevim ‘Jane & Louise Wilson’, De Appel, Amsterdam ‘A Free & Anonymous Monument’, Pori Art Museum, Pori, Finland ‘Jane & Louise Wilson’, Umea Bildmuseet, Umea, Sweden 2003 Free & Anonymous Monument’, Baltic Centre for Contemporary Art, Gateshead Centro de Fotografia, Salamanca Lisson Gallery, London 2002 Kunst-Werke, Berlin 2000 “Star City”, 303 Gallery, New York Bernier / Eliades, Athens, Greece “Stasi City & Crawl Space”, MIT List Visual Arts Centre, Cambridge, MA 1999/2000 “Turner Prize”, Tate Gallery, London 1999 “Jane and Louise Wilson”, Serpentine Gallery, London “Gamma”, Lisson Gallery, London “Stasi City”, Hamburger Kunsthalle, Hamburg, Germany 1998 “H&R Projects”, Brussels “Stasi City”, 303 Gallery, New York “Film Stills”, Aki-Ex Gallery, Tokyo 1997 “Stasi City”, Kunstverein Hannover (Touring to Kunstraum Munich; Centre d’art Contemporain, Geneva; Kunstwerke, Berlin) “Jane and Louise Wilson”, LEA, London 1996 Galleria S.A.L.E.S., Rome (part of the British Art Festival) (exh cat) 1995 “Normapaths”, Chisenhale Gallery, London (touring to Berwick Gymnasium Gallery, Berwick-upon-Tweed)(exh cat) “Crawl Space”, Milch Gallery, London 1994 Jane and Louise Wilson, British Project II, Galerie Krinzinger, Vienna "Routes 1 & 9 North", AC Project Room, New York Group Exhibitions 2009 “Provisions for the Future”, Sharjah Biennial 9 2008 “Visible Cinema”, Glasgow Film Festival 2007 “Stardust or the last frontier”, Mac/Val, Musee D’art Contemporain du Val-de- Marne, France “Crossing Walls”, CAAM, Las Palmas de Gran Canaria, City Council Galleries of Girona “Prison”, Bloomberg SPACE, London 2006 “Charged Space”, SF MOMA, San Francisco “Out Of Time”, MOMA, New York, curated by Joachim Pissaro and Eva Respini ‘Concrete Thoughts’, Whitworth Art Gallery, Manchester. Curated by Steven Gartside and Sam Gathercole “Tunnel Vision”, FotoMuseum, Antwerp 2005 “Pictures”, Gallery Hyundai, Korea “Pictura Britannica”, Museum of Contemporary Art, Sydney (touring to Art Gallery South Australia, Adelaide; City Gallery, Wellington, New Zealand ‘Artists explore the Language of Architecture’, Centre D’Art Contemporain, ‘Artists Explore the language of Architecture, Kunsthalle Fribourg Dundee Contemporary Arts Centre 2004-5 Art & Architecture Biennale, Genova 2004 ‘Printemps du Septembre, Toulouse “Shhh…” , Victoria and Albert Museum ‘Public/ Private’, 20 March- 30 May, Auckland Triennial, New Zeland 2003-2004 Remind, KUB, Kunsthaus Bregenz, Austria “Unlimited Edition” Millais Gallery, Southampton 2003 Moving Pictures’, Guggenheim Bilbao, Spain ‘New Acquisitions’, MOMA, New York “25hrs, international video art show” Barcelona, Spain Film and Video Umbrella, Arts Council of England “VideoMix”, Arario Gallery, Korea “Bewitched Bothered and Bewildered”, Migros Foundation, Zurich, Germany 2002 “B. Open”, Baltic, UK, inaugural exhibition “Outer and Inner Space…a video exhibition in 3 parts”, Museum of Fine Art, Richmond, Virginia “The Gap Show, Young critical art from Great Britain”, Museum am Ostwall Dortmund, (cat.) “Wallflowers”, Kunsthaus Zürich, Zürich, Switzerland “B. There, Baltic Centre for contemporary art 2001 “W”, Musée des Beaux-Art, Dole, France “2001 A Space Oddity”, The Colony Room Club, London, UK (exh cat) “EGOFUGAL”, The 7th International Istanbul Biennial, Istanbul “EGOFUGAL: from the 7th International Istanbul Biennial”, Tokyo Opera City Art Gallery (exh cat), Japan “Beau Monde: Toward a Redeemed Cosmopolitanism”, curated by Dave Hickey, Site Santa Fe, New Mexico “Double Vision”, Galerie für Zeitgenössische Kunst, Leipzig “Public Offerings”, MoCA, Los Angeles “Zero Gravity: Art, Technology and New Spaces of Identity”, Palazzo delle Esposizioni “Hypermental”, Hamburger Kunsthalle, Hamburg “The Waste Land, Desert and Ice. Barren Landscapes in Photography”, Atelier Augarten, Wien, Austria, (cat.) “No world without you… Reflections of identity in New British Art”, Herzliya Museum of Art, Israel 2000-01 “Das Gedächtnis der Kunst”, Historisches Museum Frankfurt am Main in collaboration with Schirn Kunsthalle Frankfurt, (exh.cat.) 2000 “Vision and Reality”, Louisiana Museum of Modern Art, Denmark “Conversione di Saulo”, Palazzo Odescalchi, Rome “Vision and Reality”, Lousiana Museum fo Modern Art, Copenhagen, Denmark “Media City Seoul”, Korean Biennial, (exh. cat.) “Annika von Hausswolf, Jane & Louise Wilson and Wegee”, Magasin 3, Konsthall, Stockholm, Sweden “A Shot in the Head”, Lisson Gallery, London “Film/Video Works - Lisson Gallery at 9 Keane Street”, Lisson Gallery MIT List Visual Arts Center, Cambridge “Images Festival”, Toronto “Dream Machines”, curated by Susan Hiller, Dundee Contemporary Arts, Scotland, touring to Mappin Art Gallery, Sheffield and Camden, Arts Centre “Age of influence: reflections in the mirror of American Culture”, MCA Chicago “Point of View - Works from a Private Collection”, Richard Salmon Gallery, London “Art Science & Technology”, New Greenham Enterprise, Newbury 1999 “Trace”, Liverpool Biennial, Tate Gallery Liverpool “This Other World of Ours”, TV Gallery, Moscow Chac Mool Contemporary Fine Art, in collaboration with Lisson Gallery, West Hollywood, CA “Clues”, Monte Video - Netherlands Media Art Institute, Amsterdam “Carnegie International: CI:99” Carnegie Museum, Pittsburgh “Seeing Time: Selections From The Pamela and Richard Kramlich Collection of Media Art”, San Francisco Museum of Modern Art, San Francisco, U.S.A. 1998 “View 1”, Mary Boone, New York “In the meantime”, Galeria Estrany de la Mota, Barcelona “Spectacular Optical” Threadwaxing Space, New York “Earth, Water, Air”, DC Moore, New York “Then and Now”, Lisson Gallery, London “Mise en Scène”, Grazer Kunstverein , Austria (exh cat). “Black Box”, touring exhibition (exh. cat) “Malos Habitos”, Soledad Lorenzo Gallery, Madrid, Spain, (cat.) 1997 “Hyperamnesiac Fabulations”, The Power Plant, Toronto (exh cat) “Remake - Re-model”, Centrum Beeldende Kunst’, Rotterdam (cat) “Ein Stück Vom Himmel”, Kunsthalle Nuremburg “Follow Me, Britische Kunst an der Unterelbe”, billboards between Buxtehude and Cuxhaven “Pictura Britannica”, Museum of Contemporary Art, Sydney (touring to Art Gallery South Australia, Adelaide; City Gallery, Wellington, New Zealand) “Broken Home”, Greene Naftali, New York “Hospital”, Galerie Max Hetzler, Berlin “Instant”, Green Room, Manchester 1996 “Co-operators”, Southampton City Art Gallery (touring to Huddersfield Art Gallery) (Exh Cat) “Ace! Arts Council New Purchases”, Hatton Gallery, Newcastle (touring to Harris Museum, Preston; Ikon Gallery, Birmingham; Mappin Gallery, Sheffield; Angel Row, Nottingham; Ormeau Baths, Belfast; Hayward Gallery, London) “NowHere”, Louisiana Museum, Humlebaek, Denmark (exh cat) “Auto reverse 2”, Le Magasin, Grenoble “Young British Artists”, Roslyn Oxley9 Gallery, Paddington, Australia “More Than Real”, Palazzo Reale, Caserta (exh cat) “Trailer”, Ynglingagatan Gallery, Stockholm “Der Umbau Raum”, Künstlerhaus Stuttgart “British Artists”, Rhona Hoffman Gallery, Chicago “Nach Weimar”, Kunstsammlungen zu Weimar (exh cat) “Quatros Duplos”, Fundaçao Calouste Gulbenkian, Lisbon (exh cat) “Files”, Bunker, Berlin “Full House”, Kunstmuseum Wolfsburg (exh cat) “Attitude Adjustment”, 5th New York Video Festival, Lincoln- Centre, New York “Dei Popoli”, Filmfestival, Florence (exh cat) 1995 “The British Art Show 4”, South Bank centre exhibition, Edinburgh, Manchester, Cardiff (exh. cat) “Young British Artists”, Eigen + Art, Independent Art Space, London “Corpus Delicti: London in the 1990’s”, Kunstforeningen, Copenhagen (exh. cat) “Kine Kunst ‘ 95”, Casino Knokke “Speaking of Sofas...”, Soho House, London “Mysterium Alltag”, Kampnagel, Hamburg (with Jane Wilson, Gillian Wearing, Tracey Emin, Tacita Dean), (exh. cat) “General Release”, British Council selection for Venice Biennale, Scuola San Pasquale, Venice (exh cat) “Here and Now”, Serpentine Gallery, London “Fuori Uso”, Stabilimenti Ex-Aurum, Pescara “Wild Walls”, Stedelijk Museum, Amsterdam (exh. cat) “Interno 1”, Galleria Raucci/Santamaria, Naples “Gang Warfare”, Independent Art Space, London “Kunst aus London, Mysterium Alltag”, Hammoniales Festival der Frauen, Hamburg 1994 "Beyond Belief", Lisson Gallery, London "Domestic Violence", Gio Marconi, Milan “Facts
Load more

Recommended publications
  • TURNER PRIZE: Most Prestigious— Yet Also Controversial
    TURNER PRIZE: Most prestigious— yet also controversial Since its inception, the Turner Prize has been synonymous with new British art – and with lively debate. For while the prize has helped to build the careers of a great many young British artists, it has also generated controversy. Yet it has survived endless media attacks, changes of terms and sponsor, and even a year of suspension, to arrive at its current status as one of the most significant contemporary art awards in the world. How has this controversial event shaped the development of British art? What has been its role in transforming the new art being made in Britain into an essential part of the country’s cultural landscape? The Beginning The Turner Prize was set up in 1984 by the Patrons of New Art (PNA), a group of Tate Gallery benefactors committed to raising the profile of contemporary art. 1 The prize was to be awarded each year to “the person who, in the opinion of the jury, has made the greatest contribution to art in Britain in the previous twelve months”. Shortlisted artists would present a selection of their works in an exhibition at the Tate Gallery. The brainchild of Tate Gallery director Alan Bowness, the prize was conceived with the explicit aim of stimulating public interest in contemporary art, and promoting contemporary British artists through broadening the audience base. At that time, few people were interested in contemporary art. It rarely featured in non-specialist publications, let alone in the everyday conversations of ordinary members of the public. The Turner Prize was named after the famous British painter J.
    [Show full text]
  • Anya Gallaccio
    ANYA GALLACCIO Born Paisley, Scotland 1963 Lives London, United Kingdom EDUCATION 1985 Kingston Polytechnic, London, United Kingdom 1988 Goldsmiths' College, University of London, London, United Kingdom SOLO EXHIBITIONS 2019 NOW, The Scottish National Gallery of Modern Art, Edinburgh, Scotland Stroke, Blum and Poe, Los Angeles, CA 2018 dreamed about the flowers that hide from the light, Lindisfarne Castle, Northumberland, United Kingdom All the rest is silence, John Hansard Gallery, Southampton, United Kingdom 2017 Beautiful Minds, Thomas Dane Gallery, London, United Kingdom 2015 Silas Marder Gallery, Bridgehampton, NY Lehmann Maupin, New York, NY Museum of Contemporary Art San Diego, San Diego, CA 2014 Aldeburgh Music, Snape Maltings, Saxmundham, Suffolk, United Kingdom Blum and Poe, Los Angeles, CA 2013 ArtPace, San Antonio, TX 2011 Thomas Dane Gallery, London, United Kingdom Annet Gelink, Amsterdam, The Netherlands 2010 Unknown Exhibition, The Eastshire Museums in Scotland, Kilmarnock, United Kingdom Annet Gelink Gallery, Amsterdam, The Netherlands 2009 So Blue Coat, Liverpool, United Kingdom 2008 Camden Art Centre, London, United Kingdom 2007 Three Sheets to the wind, Thomas Dane Gallery, London, United Kingdom 2006 Galeria Leme, São Paulo, Brazil One art, Sculpture Center, New York, NY 2005 The Look of Things, Palazzo delle Papesse, Siena, Italy Blum and Poe, Los Angeles, CA Silver Seed, Mount Stuart Trust, Isle of Bute, Scotland 2004 Love is Only a Feeling, Lehmann Maupin, New York, NY 2003 Love is only a feeling, Turner Prize Exhibition,
    [Show full text]
  • Contemporary Art Society Annual Report 1993
    THE CONTEMPORARY ART SOCIETY The Annual General Meeting of the Contemporary Art Society will be held on Wednesday 7 September, 1994 at ITN, 200 Gray's Inn Road, London wcix 8xz, at 6.30pm. Agenda 1. To receive and adopt the report of the committee and the accounts for the year ended 31 December 1993, together with the auditors' report. 2. To reappoint Neville Russell as auditors of the Society in accordance with section 384 (1) of the Companies Act 1985 and to authorise the committee to determine their remunera­ tion for the coming year. 3. To elect to the committee Robert Hopper and Jim Moyes who have been duly nominated. The retiring members are Penelope Govett and Christina Smith. In addition Marina Vaizey and Julian Treuherz have tendered their resignation. 4. Any other business. By order of the committee GEORGE YATES-MERCER Company Secretary 15 August 1994 Company Limited by Guarantee, Registered in London N0.255486, Charities Registration No.2081 y8 The Contemporary Art Society Annual Report & Accounts 1993 PATRON I • REPORT OF THE COMMITTEE Her Majesty Queen Elizabeth The Queen Mother PRESIDENT Nancy Balfour OBE The Committee present their report and the financial of activities and the year end financial position were VICE PRESIDENTS statements for the year ended 31 December 1993. satisfactory and the Committee expect that the present The Lord Croft level of activity will be sustained for the foreseeable future. Edward Dawe STATEMENT OF COMMITTEE'S RESPONSIBILITIES Caryl Hubbard CBE Company law requires the committee to prepare financial RESULTS The Lord McAlpine of West Green statements for each financial year which give a true and The results of the Society for the year ended The Lord Sainsbury of Preston Candover KG fair view of the state of affairs of the company and of the 31 December 1993 are set out in the financial statements on Pauline Vogelpoel MBE profit or loss of the company for that period.
    [Show full text]
  • Artist of the Day 2016 F: +44 (0)20 7439 7733
    PRESS RELEASE T: +44 (0)20 7439 7766 ARTIST OF THE DAY 2016 F: +44 (0)20 7439 7733 21 Cork Street 20 June - 2 July 2016 London W1S 3LZ Monday - Friday 11am - 7pm [email protected] Saturday - 11am - 6pm www.flowersgallery.com Flowers Gallery is pleased to announce the 23rd edition of Artist of the Day, a valuable platform for emerging artists since 1983. The two-week exhibition showcases the work of ten artists, nominated by prominent figures in contemporary art. The criteria for selection is talent, originality, promise and the ability to benefit from a one-day solo exhibition of their work at Flowers Gallery, Cork Street. “Every year we look forward to encountering the unknown and unpredictable. The constraint of time to install and promote an exhibition for one day only ensures there is a tangible energy in the gallery, with each day’s show incomparable to the other days. Artist of the Day has given a platform and context to artists who may not have exhibited much before, accompanied by the support and dedication of their selectors. The relationship between the selector and the artist adds an intimate power to the installations, and as a gallery we have gone on to work with many of the selected artists long term.” – Matthew Flowers Past selectors have included Patrick Caulfield, Helen Chadwick, Jake & Dinos Chapman, Tracey Emin, Gilbert & George, Maggi Hambling, Albert Irvin, Cornelia Parker, Bridget Riley and Gavin Turk; while Billy Childish, Adam Dant, Dexter Dalwood, Nicola Hicks, Claerwen James and Seba Kurtis, Untitled, 2015, Lambda C-Type print Lynette Yiadom-Boakye have featured as chosen artists.
    [Show full text]
  • Turner Prize Winner Lubaina Himid to Exhibit Unique Instructional Version of Vernet’S Studio in South Africa
    NOT A SINGLE STORY –Turner Prize winner Lubaina Himid to exhibit unique instructional version of Vernet’s Studio in South Africa. Hosted from 12 May – 29 July at the NIROX Sculpture Park in the Cradle of Humankind, NOT A SINGLE STORY is a collaboration between the NIROX Foundation, South Africa and Wanås Konst, The Wanås Foundation, Sweden. NOT A SINGLE STORY is the NIROX Winter sculpture exhibition 2018. The exhibition and its educational program are made possible with the support of The Swedish Postcode Foundation, The Swedish Institute and the Swedish Embassy. NIROX Foundation: Facebook | Twitter| Instagram Wanås Konst, The Wanås Foundation: Facebook | Instagram On Saturday 12 May, the NIROX Sculpture Park opens the exhibition NOT A SINGLE STORY. The title references “The Danger of a Single Story,” a TED Talk presented by acclaimed novelist and feminist writer, Chimamanda Ngozi Adichie, which posits that our differences strengthen rather than divides us. Curated by Elisabeth Millqvist and Mattias Givell, co-directors of the Wanås Foundation, the exhibition is a celebration of diversity and includes works made of wishes, space blankets and large scale sound pieces by established and emerging artists from the continent and abroad. Notable is the participation of 2017 Turner Prize winner Lubaina Himid (ZNZ/UK) who will exhibit eight figures from the 26-piece installation Vernet’s Studio uniquely produced under instruction by studio artists at NIROX. This installation comprises of female artists from art history featuring the likes of Frida Kahlo, Rosemary Trocke, Maud Sulter and Georgia O’Keefe. This work is exemplary of Himid’s practise, which is embedded in foregrounding stories and narratives.
    [Show full text]
  • Bloomberg New Contemporaries 2013
    Bloomberg New Contemporaries 2013 Bloomberg New Contemporaries 2013 www.ica.org.uk/learning Bloomberg New Contemporaries 2013 www.ica.org.uk/learning 27 November 2013 - 26 January 2014 27 November 2013 - 26 January 2014 CONTENTS Introduction to the Exhibition and Aims of the Pack 4 - 5 About the ICA 6 History of New Contemporaries 7 - 8 Lower Gallery 9 Upper Gallery 10 Bloomberg New Contemporaries 2013 Discussion & Activities 11 - 12 27 Nov - 26 Jan 2014 TEACHERS PACK Art Rules 13 About ICA Learning and BNC Selectors 14 Forthcoming Events 15 2 3 Bloomberg New Contemporaries 2013 www.ica.org.uk/learning Bloomberg New Contemporaries 2013 www.ica.org.uk/learning 27 November 2013 - 26 January 2014 27 November 2013 - 26 January 2014 INTRODUCTION TO THE EXHIBTION AND AIMS OF THE PACK The pre-visit activities have been designed to ensure that students gain a deep understanding of Bloomberg New Contemporaries 2013 from their visit. Suggested pre-visit activities allow students to engage more fully with the works on display and encourage a stronger understanding of the themes of the exhibition. Bloomberg New Contemporaries 2013 2013 Artists Upper & Lower Galleries Aisha Abid Hussain, Rebecca Ackroyd, Thomas Aitchison, Lewis Betts, Jason Brown, Fatma Bucak, Agnes Calf, Lauren Cohen, Patrick Cole, Menna Cominetti, Calum Crawford, Mark Essen, Adham Fara- For the fourth year running we welcome Bloomberg New Contemporaries with 46 participants to the mawy, Ophelia Finke, Grant Foster, Archie Franks, Joe Frazer, Kate Hawkins, Adam Hogarth, Catherine ICA. This year’s selectors Ryan Gander, Chantal Joffe and Nathaniel Mellors have chosen outstanding Hughes, Antoine L’Heureux, Roman Liška, Lana Locke, Alex McNamee, Steven Morgana, Laura O’Neill, works by the most promising artists coming out of UK art schools from a range of over 1,500 Hardeep Pandhal, Julia Parkinson, Joanna Piotrowska, Hannah Regel, Dante Rendle Traynor, Daniela submissions.
    [Show full text]
  • Antagonism and Relational Aesthetics Author(S): Claire Bishop Source: October, Vol
    Antagonism and Relational Aesthetics Author(s): Claire Bishop Source: October, Vol. 110 (Autumn, 2004), pp. 51-79 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/3397557 Accessed: 19/10/2010 19:54 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=mitpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to October. http://www.jstor.org Antagonism and Relational Aesthetics CLAIRE BISHOP The Palais de Tokyo On the occasion of its opening in 2002, the Palais de Tokyo immediately struck the visitor as different from other contemporary art venues that had recently opened in Europe.
    [Show full text]
  • Anselm Kiefer Bibliography
    G A G O S I A N Anselm Kiefer Bibliography Selected Books and Catalogues: 2020 Dermutz, Klaus. Anselm Kiefer: Superstrings, Runes, The Norns, Gordian Knot. London: White Cube. 2019 Adriani, Götz. Baselitz, Richter, Polke, Kiefer: The Early Years of the Old Masters. Dresden: Michel Sandstein. Cohn, Daniele. Anselm Kiefer: Studios. Paris: Flammarion. Trepesch, Christof. Anselm Kiefer aus der Sammlung Walter (Augsburg, Germany: Kunstmuseum Walter. Dermutz, Klaus. Anselm Kiefer in Conversation with Klaus Dermutz. London: Seagull Books. Granero, Natalia, Götz Adriani, Jean-Max Colard, Anselm Kiefer, Gunnar B. Kvaran and Rainer Michael Mason. Anselm Kiefer - Livres et xylographies. Montricher: Fondation Jan Michalski pour l’écriture et la littérature, Oslo: Astrup Fearnley Museet. Chauveau, Marc and Anselm Kiefer. Anselm Kiefer à La Tourette. Paris: Bernard Chauveau Édition; New York: Gagosian, English edition, 2020. Baume, Nicholas, Richard Calvocoressi and Anselm Kiefer. Uraeus. New York: Gagosian. 2018 Amadasi, Giovanna, Matthew Biro, Massimo Cacciari, Gabriele Guercio. Anselm Kiefer: The Seven Heavenly Palaces. Milano: Pirelli HangarBiccoca and Mousse Publishing. Bastian, Heiner. Anselm Kiefer: Bilder / Paintings. Munich: Schirmer/Mosel. Kiefer, Anselm. Anselm Kiefer: Für Andrea Emo. Pantin/Paris: Galerie Thaddaeus Ropac. 2017 Chevillot, Chaterine, Sophie Blass-Fabiani, Véronique Mattiussi, Sylvie Patry, and Hélène Marraud. Kiefer-Rodin. Paris: Editions Gallimard. Knausgaard, Karl Ove, James Lawrence and Louisa Buck. Anselm Kiefer: Transition from Cool to Warm. New York: Rizzoli & Gagosian. Czeczot, Ivan, Klaus Dermutz, Dimitri Ozerkov, Mikhail Piotrovsky, Peter Sloterdijk. Anselm Kiefer: For Velimir Khlebnikov, Fates of Nations. St. Petersburg: The State Hermitage Museum. Stonard, Jean-Paul. Anselm Kiefer: Walhalla. London: White Cube. Clearwater, Bonnie, Norman Rosenthal and Joseph Thompson.
    [Show full text]
  • Conrad Shawcross
    CONRAD SHAWCROSS Born 1977 in London, UK Lives and works in London, UK Education 2001 MFA, Slade School of Art, University College, London, UK 1999 BA (Hons), Fine Art, Ruskin School of Art, Oxford, UK 1996 Foundation, Chelsea School of Art, London, UK Permanent Commissions 2022 Manifold 5:4, Crossrail Art Programme, Liverpool Street station, Elizabeth line, London, UK ​ ​ 2020 Schism Pavilion, Château la Coste, Le Puy-Sainte-Réparade, France ​ ​ ​ ​ ​ ​ ​ ​ Pioneering Places, Ramsgate Royal Harbour, Ramsgate, UK ​ ​ 2019 Bicameral, Chelsea Barracks, curated by Futurecity, London, UK ​ 2018 Exploded Paradigm, Comcast Technology Centre, Philadelphia, USA ​ 2017 Beijing Canopy, Guo Rui Square, Beijing, China ​ 2016 The Optic Cloak, The Energy Centre Greenwich Peninsula, curated by Futurecity, London, UK ​ Paradigm, Francis Crick Institute, curated by Artwise, London, UK ​ 2015 Three Perpetual Chords, Dulwich Park, curated and managed by the Contemporary Art Society for ​ Southwark Council, London, UK 2012 Canopy Study, 123 Victoria Street, London, UK ​ 2010 Fraction (9:8), Sadler Building, Oxford Science Park, curated and managed by Modus Operandi, Oxford, ​ UK 2009 Axiom (Tower), Ministry of Justice, London, UK ​ 2007 Space Trumpet, Unilever House, London, UK ​ Solo Exhibitions 2020 Conrad Shawcross, an extended reality (XR) exhibition on Vortic Collect, Victoria Miro, London, UK ​ ​ Escalations, Château la Coste, Le Puy-Sainte-Réparade, France ​ ​ ​ ​ ​ ​ ​ ​ Celebrating 800 years of Spirit and Endeavour, Salisbury Cathedral, Salisbury,
    [Show full text]
  • Sturm Und Drang : JONAS BURGERT at BLAIN SOUTHERN GALLERY DAFYDD JONES : JONAS BURGERT at JONAS BURGERT I BERLIN
    FREE 16 HOT & COOL ART : JONAS BURGERT AT BLAIN SOUTHERN GALLERY : JONAS BURGERT AT Sturm und Drang DAFYDD JONES JONAS BURGERT I BERLIN STATE 11 www.state-media.com 1 THE ARCHERS OF LIGHT 8 JAN - 12 FEB 2015 ALBERTO BIASI | WALDEMAR CORDEIRO | CARLOS CRUZ-DÍEZ | ALMIR MAVIGNIER FRANÇOIS MORELLET | TURI SIMETI | LUIS TOMASELLO | NANDA VIGO Luis Tomasello (b. 1915 La Plata, Argentina - d. 2014 Paris, France) Atmosphère chromoplastique N.1016, 2012, Acrylic on wood, 50 x 50 x 7 cm, 19 5/8 x 19 5/8 x 2 3/4 inches THE MAYOR GALLERY FORTHCOMING: 21 CORK STREET, FIRST FLOOR, LONDON W1S 3LZ CAREL VISSER, 18 FEB - 10 APR 2015 TEL: +44 (0) 20 7734 3558 FAX: +44 (0) 20 7494 1377 [email protected] www.mayorgallery.com JAN_AD(STATE).indd 1 03/12/2014 10:44 WiderbergAd.State3.awk.indd 1 09/12/2014 13:19 rosenfeld porcini 6th febraury - 21st march 2015 Ali BAnisAdr 11 February – 21 March 2015 4 Hanover Square London, W1S 1BP Monday – Friday: 10.00 – 18.00 Saturday: 10.00 – 17.0 0 www.blainsouthern.com +44 (0)207 493 4492 >> DIARY NOTES COVER IMAGE ALL THE FUN OF THE FAIR IT IS A FACT that the creeping stereotyped by the Wall Street hedge-fund supremo or Dafydd Jones dominance of the art fair in media tycoon, is time-poor and no scholar of art history Jonas Burgert, 2014 the business of trading art and outside of auction records. The art fair is essentially a Photographed at Blain|Southern artists is becoming a hot issue.
    [Show full text]
  • Introducing the 10 Shortlisted Ghetto Film School Fellows for the Inaugural Deutsche Bank Frieze Los Angeles Film Award 2020
    Frieze Los Angeles Press Release December 19, 2019 Introducing the 10 Shortlisted Ghetto Film School Fellows for the Inaugural Deutsche Bank Frieze Los Angeles Film Award 2020 Today Frieze and Deutsche Bank announce the ten shortlisted fellows that will headline the inaugural Deutsche Bank Frieze Los Angeles Film Award. Presented in partnership with award-winning, non-profit film academy Ghetto Film School (GFS), the initiative offers a platform and development program for ten emerging, Los Angeles-based filmmakers aged 20-34 years old. Frieze Los Angeles takes place February 14 – 16, 2020 at Paramount Pictures Studios in Hollywood. Launched in 2019, Frieze Los Angeles brings together more than 70 galleries from around the world and is supported by global lead partner Deutsche Bank for the second consecutive year. The ten shortlisted fellows are as follows: Danielle Boyd, Mya Dodson, Michelle Jihyon Kim, Nabeer Khan, Silvia Lara, Alima Lee, Timothy Offor, Toryn Seabrooks, Noah Sellman and Nicole L. Thompson. The recipient of the award, selected by a jury of leading art and entertainment figures including Doug Aitken, Shari Frilot, Jeremy Kagan, Sam Taylor Johnson and Hamza Walker will be announced at a ceremony on February 13 at Paramount Pictures Theatre and receive a $10,000 prize. Selected from an open call throughout Los Angeles, the ten shortlisted fellows completed an intensive three-month program at GFS each producing a short film in response to Los Angeles’ vibrant art, culture and social landscape. The resulting 10 short films will be screened at the Paramount Pictures Theatre throughout the fair, February 14-16, 2020.
    [Show full text]
  • Damien Hirst E Il Mercato Dell'arte Contemporanea: La Carriera Di Un Young British Artist
    Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Economia e Gestione delle Arti e delle attività culturali Tesi di Laurea DAMIEN HIRST E IL MERCATO DELL'ARTE CONTEMPORANEA: LA CARRIERA DI UN YOUNG BRITISH ARTIST Relatore Prof. Stefania Portinari Laureanda Martina Pellizzer Matricola 816581 Anno Accademico 2012 / 2013 1 INDICE INTRODUZIONE p. 3 CAPITOLO 1 ALCUNE RIFLESSIONI SUL MERCATO DELL'ARTE CONTEMPORANEA: ISTITUZIONI E STRUTTURE DI PROMOZIONE E VENDITA 1 L'Evoluzione del sistema delle gallerie e della figura del gallerista p. 3 2. Il ruolo dei musei p. 19 3 Il ruolo dei collezionisti p. 28 4 Le case d'asta p. 36 CAPITOLO 2 DAMIEN HIRST: DA A THOUSAND YEARS (1990) A FOR THE LOVE OF GOD (2007) 1 Il sistema dell'arte inglese negli anni Novanta: gli Young British Artist …........p. 41 2 Damien Hirst una carriera in ascesa, da “Frezze” alla retrospettiva presso la Tate Modern p. 47 3 I galleristi di Damien Hirst p. 67 CAPITOLO 3 IL RUOLO DEL MERCATO DELL'ARTE NELLA CARRIERA DI DAMIEN HIRST 1 L'asta di Sotheby's: “Beautiful inside my head forever” p. 78 2 Rapporto tra esposizione e valore delle opere dal 2009 al 2012..............................p. 97 CONCLUSIONI p. 117 APPENDICE p. 120 BIBLIOGRAFIA p. 137 2 INTRODUZIONE Questa tesi di laurea magistrale si pone come obiettivo di analizzare la carriera dell'artista inglese Damien Hirst mettendo in evidenza il ruolo che il mercato dell'arte ha avuto nella sua carriera. Il primo capitolo, dal titolo “Alcuni riflessioni sul mercato dell'arte contemporanea”, propone una breve disanima sul funzionamento del mercato dell'arte contemporanea, analizzando in particolar modo il ruolo di collezionisti, galleristi, istituzioni museali e case d'asta, tutti soggetti in grado di influenzare notevolmente la carriera di un artista, anche se in maniera differente.
    [Show full text]