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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
{Download PDF} Goodbye 20Th Century: a Biography of Sonic
GOODBYE 20TH CENTURY: A BIOGRAPHY OF SONIC YOUTH PDF, EPUB, EBOOK David Browne | 464 pages | 02 Jun 2009 | The Perseus Books Group | 9780306816031 | English | Cambridge, MA, United States SYR4: Goodbye 20th Century - Wikipedia He was also in the alternative rock band Sonic Youth from until their breakup, mainly on bass but occasionally playing guitar. It was the band's first album following the departure of multi-instrumentalist Jim O'Rourke, who had joined as a fifth member in It also completed Sonic Youth's contract with Geffen, which released the band's previous eight records. The discography of American rock band Sonic Youth comprises 15 studio albums, seven extended plays, three compilation albums, seven video releases, 21 singles, 46 music videos, nine releases in the Sonic Youth Recordings series, eight official bootlegs, and contributions to 16 soundtracks and other compilations. It was released in on DGC. The song was dedicated to the band's friend Joe Cole, who was killed by a gunman in The lyrics were written by Thurston Moore. It featured songs from the album Sister. It was released on vinyl in , with a CD release in Apparently, the actual tape of the live recording was sped up to fit vinyl, but was not slowed down again for the CD release. It was the eighth release in the SYR series. It was released on July 28, The album was recorded on July 1, at the Roskilde Festival. The album title is in Danish and means "Other sides of Sonic Youth". For this album, the band sought to expand upon its trademark alternating guitar arrangements and the layered sound of their previous album Daydream Nation The band's songwriting on Goo is more topical than past works, exploring themes of female empowerment and pop culture. -
03 Periphery Viewing World.Pdf
ΠΕΡΙΟΔΙΚΟ ΠΑΡΟΥΣΙΑ Σειρά αυτοτελών δημοσιευμάτων αριθμ. 60 Parousia Publications in English Studies 60 © 2004, Christina Dokou, Efterpi Mitsi, Bessie Mitsikopoulou The Periphery Viewing the World Parousia no. 60 Faculty of English Studies School of Philosophy The National and Kapodistrian University of Athens Panepistimioupoli Zografou, 157 84, Athens, GREECE. 1. Linguistics 2. Literature 3. Cultural Studies 4. Media Studies. 5. Cultural Politics ISBN 960-8424-23-2 ΠΑΡΟΥΣΙΑ ISSN 1105-0454 Παραρτήματα ISSN 1109-9143 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in anyform or by any means, without prior permission in writing from the editors. Cover design by Seta Zakian ([email protected]). THE PERIPHERY VIEWING THE WORLD Selected Papers from the Fourth International Conference of the Hellenic Association for the Study of English Edited by Christina Dokou Efterpi Mitsi Bessie Mitsikopoulou Parousia Publications 60 Athens 2004 Table of Contents OPENING ADDRESS OF THE CHAIR OF THE FACULTY OF ENGLISH STUDIES Sophia Marmaridou………………………………………………………...…i AN INTRODUCTION……………………………………………………….iii I. T(A)INTED VISIONS Viewing from the Periphery: Richard Rorty and the Politics of Viewing Ann R. Cacoullos…………………………………………………………..…1 Proximity and Involvement in Television: On the September 11th Live Footage Lilie Chouliaraki………………………………………………………….…15 II. CONSTRUCTING PLACES AND IDENTITIES Globalization and Its Apparatuses: Reducing the World to a Globe Assimina Karavanta………………………………………………………....35 -
Russie. Adele, U2, Madonna, Yoko Ono, Radiohead, Patti Smith, Bruce
AMNESTY INTERNATIONAL Lettre ouverte Index AI : EUR 46/031/2013 AILRC-FR 22 juillet 2013 Adele, U2, Madonna, Yoko Ono, Radiohead, Patti Smith, Bruce Springsteen, Ke$ha, Paul McCartney et Sting se joignent à plus de 100 musiciens pour réclamer la libération des Pussy Riot Chères Macha et Nadia, À l’approche du premier anniversaire de votre procès, nous tenions à vous écrire pour vous assurer que, partout dans le monde, des gens continuent de penser à vous et d’œuvrer à votre libération. Si vous étiez les contestataires les plus visibles, nous savons que beaucoup d’autres jeunes ont souffert durant les manifestations, et nous restons très préoccupés à leur sujet. Toutefois, à bien des égards, à travers votre incarcération, vous incarnez désormais cette jeunesse. De nombreux artistes ont exprimé leur inquiétude lorsque ces accusations ont été portées contre vous ; nous espérions vraiment que les autorités, dans cette affaire, feraient preuve d’un certain degré de compréhension, du sens des proportions, et même du sens de l’humour russe si caractéristique, mais force est de constater qu’il n’en fut rien. Votre procès terriblement inique et votre incarcération ont eu un très grand retentissement, particulièrement au sein de la communauté des artistes, des musiciens et des citoyens dans le monde entier, et notamment auprès des parents qui ressentent votre angoisse d’être séparées de vos enfants. Tout en comprenant qu’une action de contestation menée dans un lieu de culte puisse choquer, nous demandons aux autorités russes de revoir les sentences très lourdes prononcées, afin que vous puissiez retrouver vos enfants, vos familles et vos vies. -
The Golden Age of Non-Idiomatic Improvisation
The Golden Age of Non-Idiomatic Improvisation FYS 129 David Keffer, Professor Dept. of Materials Science & Engineering The University of Tennessee Knoxville, TN 37996-2100 [email protected] http: //cl ausi us.engr.u tk.e du / Various Quotes These slides contain a collection of some of the quotes largely from the musicians that are studied during the course. The idea is to present “musicians in their own words”. Thurston Moore American guitarist and vocalist (July 25, 1958—) Background on Sonic Youth Thurston Moore was a guitarist and vocalist for Sonic Youth. Sonic Youth was an American alternative rock band from New York City, formed in 1981. Their lineup largely consisted of Thurston Moore (guitar and vocals), Kim Gordon (bass guitar, vocals, and guitar), Lee Ranaldo (guitar and vocals), Steve Shelley (drums). In their early career, Sonic Youth was associated with the no wave art and music scene in New York City. Part of the first wave of American noise rock groups, the band carried out their interpretation of the hardcore punk ethos throughout the evolving American underground that focused more on the DIY ethic of the genre rather than its specific sound. As a result, some consider Sonic Youth as pivotal in the rise of the alternative rock and indie rock movementThbdts. The band exper ience d success an ditild critical acc lithhtlaim throughout their existence, continuing into the new millennium, including signing to major label DGC in 1990, and headlining the 1995 Lollapalooza festival. http://en.wikipedia.org/wiki/Sonic_youth Moore Quotes Q: What led Sonic Youth to do a project like Goodbye 20th Century? Moore: It was definitely a universe or world that we were aware of. -
Post-Cinematic Affect: on Grace Jones, Boarding Gate and Southland Tales
Film-Philosophy 14.1 2010 Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales Steven Shaviro Wayne State University Introduction In this text, I look at three recent media productions – two films and a music video – that reflect, in particularly radical and cogent ways, upon the world we live in today. Olivier Assayas’ Boarding Gate (starring Asia Argento) and Richard Kelly’s Southland Tales (with Justin Timberlake, Dwayne Johnson, Seann William Scott, and Sarah Michelle Gellar) were both released in 2007. Nick Hooker’s music video for Grace Jones’s song ‘Corporate Cannibal’ was released (as was the song itself) in 2008. These works are quite different from one another, in form as well as content. ‘Corporate Cannibal’ is a digital production that has little in common with traditional film. Boarding Gate, on the other hand, is not a digital work; it is thoroughly cinematic, in terms both of technology, and of narrative development and character presentation. Southland Tales lies somewhat in between the other two. It is grounded in the formal techniques of television, video, and digital media, rather than those of film; but its grand ambitions are very much those of a big-screen movie. Nonetheless, despite their evident differences, all three of these works express, and exemplify, the ‘structure of feeling’ that I would like to call (for want of a better phrase) post-cinematic affect. Film-Philosophy | ISSN: 1466-4615 1 Film-Philosophy 14.1 2010 Why ‘post-cinematic’? Film gave way to television as a ‘cultural dominant’ a long time ago, in the mid-twentieth century; and television in turn has given way in recent years to computer- and network-based, and digitally generated, ‘new media.’ Film itself has not disappeared, of course; but filmmaking has been transformed, over the past two decades, from an analogue process to a heavily digitised one. -
List of Attendees
Second Stavros Niarchos Foundation International Conference on Philanthropy The Role of Philanthropy within a Social Welfare Society June 27-28, 2013 Divani Apollon Palace & Spa, Athens, Greece List of Attendees Name Organization Title Afroditi Veloudaki Prolepsis Program Director Aggeliki Hatzi Aggeliki Papadopoulou KIKPE Secretary Aggeliki Sandi Network for Children's Rights Aggelos Delivorrias Benaki Museum Director Aglaia Vasilopoulou Agni Dimopoulou - Greek Childrens Village in Filyro Secretary of the Board Datsiou Agoritsa KEPEP Karditsas Director Chantzopoulou Aimilia Geroulanou Benaki Museum Alessandra Pani IFAD/BFS Focal Point for Communication, Visibility and Fundraising Alex Theodoridis Boroume Co-Founder Alexandra Chaini Real News Alexandra Choli Metavallon Founder / Executive Director Alexandra Sarlis Alexandros Lighthouse for the Blind of Greece Head of Development and Despotopoulos International Relations Alexandros Athens Information Technology Communications Director Kambouroglou Alexandros Moraitakis Name Organization Title Alexandros Taxildaris Association for People with President Mobility Problems and Friends Perpato Alexia Divani Alexia Kotsopoulou AWOG Representative Alexia Raphael Stavros Niarchos Foundation Intern Aliki Martinou Mazigia to Paidi Aliki Mitsakou Aliki Tserketzoglou Galilee Palliative Care Unit Amalia Delicari Stavros Niarchos Foundation Associate Program Officer Amalia Zeppou Municipality of Athens Amvrosios Holy Metropolis of Kalavryta and Metropolitan Bishop Aegialia Anastasia Andritsou British -
Spain and Kazantzakis' Travel Writing
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of Birmingham Research Archive, E-theses Repository SPAIN AND KAZANTZAKIS’ TRAVEL WRITING by ELEFTHERIA TELEIONI A thesis submitted to The University of Birmingham for the degree of MASTER OF PHILOSOPHY (B) Modern Greek Studies Institute of Archaeology and Antiquity The University of Birmingham October 2009 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis will provide a close, critical and comparative reading of Nikos Kazantzakis‟ writings on Spain as a whole, namely both the ones included in the book Σαμηδεύνληαο-Ηζπαλία and those published in the newspapers Eleftheros Typos and I Kathimerini. The focus will not be on their literary value, but on the extent to which these texts function as cultural, historical, political and ideological documents relating to one man's view of a country and an era. In the first chapter of my thesis I will refer to Kazantzakis‟ successive journeys to Spain and examine the transformation of his newspaper articles into a book. In the second chapter I will present the themes that recur in Kazantzakis‟ writings on Spain and the author‟s reflections on them. -
The Pennsylvania State University the Graduate School
The Pennsylvania State University The Graduate School College of Arts and Architecture PLANTAE, ANIMALIA, FUNGI: TRANSFORMATIONS OF NATURAL HISTORY IN CONTEMPORARY AMERICAN ART A Dissertation in Art History by Alissa Walls Mazow © 2009 Alissa Walls Mazow Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2009 The Dissertation of Alissa Walls Mazow was reviewed and approved* by the following: Sarah K. Rich Associate Professor of Art History Dissertation Adviser Chair of Committee Brian A. Curran Associate Professor of Art History Richard M. Doyle Professor of English, Science, Technology and Society, and Information Science and Technology Nancy Locke Associate Professor of Art History Craig Zabel Associate Professor of Art History Head of the Department of Art History *Signatures are on file in the Graduate School. ii Abstract This dissertation examines the ways that five contemporary artists—Mark Dion (b. 1961), Fred Tomaselli (b. 1956), Walton Ford (b. 1960), Roxy Paine (b. 1966) and Cy Twombly (b. 1928)—have adopted the visual traditions and theoretical formulations of historical natural history to explore longstanding relationships between “nature” and “culture” and begin new dialogues about emerging paradigms, wherein plants, animals and fungi engage in ecologically-conscious dialogues. Using motifs such as curiosity cabinets and systems of taxonomy, these artists demonstrate a growing interest in the paradigms of natural history. For these practitioners natural history operates within the realm of history, memory and mythology, inspiring them to make works that examine a scientific paradigm long thought to be obsolete. This study, which itself takes on the form of a curiosity cabinet, identifies three points of consonance among these artists. -
Speakers' Bios
Sandra Ghandi Al Azzeh, Education for Employment alumnus Sandra Ghandi Al Azzeh is an alumnus of Education for Employment (EFE). She graduated from Bethlehem University in 2012 with a degree in Hotel Management. Despite the challenging job market in Palestine she was able to find a receptionist position in the hostel of a local Lutheran Church. After three years there, she realized that there was no opportunity for advancement and felt that she was being exploited as a young worker. Looking to advance her career, in 2013 she applied for the hospitality training program at Palestine Education for Employment (PEFE). PEFE had partnered with Ararat Hotel, a luxury hotel and the second largest in Bethlehem, to help the hotel source entry-level employees with strong time management, customer service and communications skills needed for positions in the hospitality agency. After the month- long training course, Sandra was placed into a job at Ararat and has quickly moved up in the ranks, becoming a front office supervisor. She aims to become the general manager of a hotel, and wants to focus specifically on recruiting young, entry-level employees. Orestis Andreadakis, Artistic Director, Athens International Film Festival Orestis Andreadakis was born in Herakleion in Crete, studied cinema in Athens and Paris, lived and worked in Geneva and southern France. He has provided articles and reviews on film to the newspapers Eleftheros Typos, Avgi and Ethnos, and to various monthly and weekly magazines. These last few years, he has been the director of CINEMA magazine, the Artistic Director of the Athens International Film Festival and the Athens Open Air Film Festival, and film journalist for MEGA TV. -
Sean Landers Cv 2021 0223
SEAN LANDERS Born 1962, Palmer, MA Lives and works in New York, NY EDUCATION 1986 MFA, Yale University School of Art, New Haven, CT 1984 BFA, Philadelphia College of Art, Philadelphia, PA SOLO EXHIBITIONS 2020 Petzel Gallery, New York, NY, 2020 Vision, April 26–ongoing (online presentation) Greengrassi, London, UK, Northeaster, June 16–July 31 Consortium Museum, Dijon, France, March 13– October 18, curated by Eric Troncy 2019 Ben Brown Fine Arts, Hong Kong, China, November 12–January 9, 2020 Galerie Rodolphe Janssen, Brussels, Belgium, November 9–December 20 (catalogue) Petzel Bookstore, New York, NY, Curated by . Featuring Sean Landers, November 7– December 14 Freehouse, London, UK, Sean Landers: Studio Films 90/95, curated by Daren Flook, January 13–February 24 2018 Petzel Gallery, New York, NY, March 1–April 21 (catalogue) 2016 Capitain Petzel, Berlin, Germany, Sean Landers: Small Brass Raffle Drum, September 16– October 29 2015 Taka Ishii Gallery, Tokyo, Japan, December 5–January 16, 2016 Galerie Rodolphe Janssen, Brussels, Belgium, October 29–December 19 (catalogue) China Art Objects, Los Angeles, CA, February 21–April 11 2014 Petzel Gallery, New York, NY, Sean Landers: North American Mammals, November 13– December 20 (catalogue) 2012 Galerie Rodolphe Janssen, Brussels, Belgium, November 8–December 21(catalogue) Sorry We’re Closed, Brussels, Belgium, Longmore, November 8–December 21 greengrassi, London, UK, April 26–June 16 1 2011 Friedrich Petzel Gallery, New York, NY, Sean Landers: Around the World Alone, May 6–June 25 Marianne Boesky Gallery, New York, NY, Sean Landers: A Midnight Modern Conversation, April 21–June 18 (catalogue) 2010 Contemporary Art Museum St. -
We Are an Image from the Future the Greek Revolt of December 2008
WE ARE AN IMAGE FROM THE FUTURE The Greek Revolt of December 2008 WE ARE AN IMAGE FROM THE FUTURE The Greek Revolt of December 2008 Edited by A.G. Schwarz, Tasos Sagris, and Void Network We are an Image from the Future: The Greek Revolt of December 2008 2010 A.G. Schwarz, Tasos Sagris, and Void Network This edition © 2010 AK Press (Oakland, Edinburgh, Baltimore) ISBN-13: 978-1-84935-019-8 Library of Congress Control Number: 2010921020 AK Press AK Press 674-A 23rd Street PO Box 12766 Oakland, CA 94612 Edinburgh, EH8 9YE USA Scotland www.akpress.org www.akuk.com [email protected] [email protected] The above addresses would be delighted to provide you with the latest AK Press distribution catalog, which features the several thousand books, pamphlets, zines, audio and video products, and stylish apparel published and/or distributed by AK Press. Alternatively, visit our web site for the complete catalog, latest news, and secure ordering. Visit us at www.akpress.org and www.revolutionbythebook.akpress.org. Follow Void Network [Theory, Utopia, Empathy, Ephemeral Arts] at: www.voidnetwork.blogspot.com | [email protected] Please contact A.G. Schwarz at: [email protected] Printed in Canada on acid-free paper with union labor. Cover design by Kate Khatib Front cover photo © by Elen Grigoriadou. Back cover photo © by Kostas Tsironis TABLE OF CONTENTS The Street Has Its Own History—Tasos Sagris ................................1 with five hundred ........................................................................... 108 Solidarity is a Flame—A.G. Schwarz ................................................2 Anna: That’s how big this thing was .............................................. 110 Yiannis: In Patras one thousand people were coming out to the 1.