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Where to Study Jazz 2019
STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life. -
Download the Recording Booklet
Say Somethin’ Gabriel Mervine 2 Say Somethin’ “All Jazz music is a telepathic language just like classical and funk. Pick a topic and let’s have a musical conversation where we each spend seven or eight minutes talking about it.” Gabriel Mervine’s Say Somethin’ is exactly that—a musical conver- sation in the language of jazz. Octave Records and Gabe Mervine put together an extraordinary hour of music, beautifully captured as if the quartet were playing in the intimacy of your living room. Turn the lights on low, pour the Cabernet, and press play. Gabriel Mervine - Trumpet Tom Amend - Piano Seth Lewis - Upright Bass Alejandro Castaño - Drums Gabriel Mervine At a time in music where history and originality rarely go hand in hand, trumpeter Gabriel Mervine brings both together as never be- fore. Born in Princeton, New Jer- sey, Gabriel began his professional Gabriel Mervine 3 playing career at the age of thirteen. By the time he graduated high school he was already fast tracking his way to a career playing the trumpet‚ studying privately with jazz masters Bobby Shew, Roger Ingram, and Greg Gisbert. It wasn’t long before Gabriel began performing with the big acts: Natalie Cole, Christian McBride, The Temptations, Terence Blanchard, Lettuce, Karl Denson, John Scofield, Hugh Jackman, Lonnie Smith, Russell Malone, The Who, Maceo Parker, Fred Wesley, Roberta Gambarini, the Motet, and Houston Person. Gabriel has deeply rooted himself in the traditions of Jazz and Classical music while at the same time contributing to the mod- ern music scene, playing everything from Mariachi to Mahler. -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Robert Glasper's In
’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
ELEVATION Songs from Afar
ELEVATION Songs from Afar Transylvanian expat pianist & composer Lucian Ban and ELEVATION celebrate their 2 n d album for Sunnyside records - Songs from Afar . Released in 2016 the album immediately garnered rave reviews and honors – DOWNBEAT BEST ALBUM OF THE YEAR , a 5* review in DB march 2016 issue, ALL ABOUT JAZZ calls it “a triumph of emotional and musical communication” and New York City Jazz Record talks of an “Inspiring and touching journey, that seamlessly blends the traditions of jazz and folk songs”. ”Alluring timelessness . a strong life-force that seems to flow through this music . like many of the great masters, pianist Lucian Ban makes personal art that feels universal” 5* STARS! “Songs From Afar is a triumph of emotional and musical communication, and is not to be missed” Streams of influence from the past and cultural identities sometimes merge with one’s quest for forms of expression. Songs From Afar represents two traditions, two musical worlds, and many musical elements coming together to fashion a unique identity that truly spans continents and styles. "Songs from afar is very personal for me because the album is intimately tied to my Romanian cultural heritage and to the jazz influences that help me find out more about where I come from – and where I’m going. It's not only the ancient Transylvanian folk songs that we approach in this recording, it's also how the other pieces and improvisations reflect the constant search for musical meaning" notes Transylvanian expat pianist and composer Lucian Ban talking about his 2 n d album with Elevation quartet in his 3 r d appearance for Sunnyside. -
Rufus Reid a Top Jazz Bassist and Teacher Takes the Blindfold Test Live
33rd Annual Where to Study Jazz 2011 Rufus Reid A Top Jazz Bassist and Teacher Takes The Blindfold Test Live JEN Artists Roundtable Don Braden, Stefon harris, Gerald Clayton and DJ Trentino Oberlin Conservatory’s serious Commitment to Jazz Education More Than 160 Schools listed! OCTOBER 2010 DOWNBEAT 65 stuDent music guiDe // WheRe to stuDy jazz 2011 Jazz School In Session Wayne State university The colleges and universities included in this comprehen- Features sive educational supplement can help guide you down the 84 Rufus Reid path to becoming a complete jazz musician. Jazz programs Bassist/Educator Takes The range widely in size and focus, and each has its own appeal, Blindfold Test Live at JEN By Frank Alkyer whether you seek a career as a professional player, educator, 98 Experiments & Experience producer or businessperson in the music industry. JEN Artists Roundtable with Great teachers and programs can be found all across the Don Braden, Stefon Harris, Gerald Clayton country and beyond, so it’s important to explore the full range and DJ Trentino of jazz education options out there. We’ve organized our list- By Frank Alkyer ings by region (East, Midwest, South, West and International) 112 Logan’s Legacy Oberlin Conservatory’s to help you find exactly what you’re looking for in your higher Expanded Jazz education. Check them out here, read more about them on- Offerings Testify to One Man’s Life Work line and take the time to visit as many campuses as you can By Aaron COhen before deciding where to apply. With school back in session for the season, DownBeat School LisTings encourages you to get started on your jazz education journey 68 East 100 south now, while there’s still plenty of time to research colleges and 114 Midwest 132 West universities with jazz programs available to you in 2011. -
Bioteepelongversion 2017
Biography Joris Teepe (updated 2017) Joris Teepe Bassist, Band Leader, Recording Artist, Composer, Producer, Educator Dutch born Joris Teepe graduated in 1991 from the Amsterdam Conservatory in The Netherlands and moved shortly thereafter to New York. He has been traveling between New York and Amsterdam ever since although New York has been his main home. Recently (since 2013) he has an additional residence in Amsterdam. Arriving in New York in 1992 with just his bass and a suitcase, he quickly became a bassist in great demand. He has been working with the "who is who in Jazz" such as Benny Golson, Lee Konitz, Dave Liebman, Randy Brecker & Barry Harris, but is mostly known for his 9 year stint with the Rashied Ali Quintet (2000- 2009). Joris Teepe established himself not only as a sideman but has gained respect as a bandleader (14 CD’s), composer, record producer and educator. Teepe leads his own groups and his own New York Big Band that plays only his original music. Noteworthy is that he composed several large symphonic works (for Jazz Band and full symphony orchestra). Teepe is director of Jazz Studies in Groningen, one of the biggest universities in the Netherlands and he is Bass Professor at Queens College in New York. Website: www.joristeepe.com Facebook: https://www.facebook.com/joris.teepe In 2004 Joris Teepe has been nominated for the Bird Award at the North Sea Jazz Festival in the category “Artist deserving wider recognition”. Bassist Teepe has developed an extensive knowledge of every aspect of jazz performance and never denies his artistic vision and adventurous personality. -
Jamie Breiwick Quartet
Jamie Breiwick Quartet Jamie Breiwick Trumpet Mark Davis Piano John Price Bass Devin Drobka Drums Jamie Breiwick: A life-long native of South-Eastern Wisconsin, Jamie is an active trumpet player, composer, and educator. He has performed with such notable jazz artists as Arturo O’ Farrill, Adonis Rose, Ralph Bowen, Matt Wilson, Dan Nimmer, Joe Sanders, Matt Ulery, Francios Moutin, Pete Zimmer, Adam Larson, Rick Germanson, David Hazeltine, and David Bixler. Jamie has performed with Grammy nominated R & B artist Eric Benet, and was featured live in his recent music videos, “The Hunger” & “You’re the Only One”. He has also performed with the Barcelona-based band Brazzaville led by David Brown (Beck), and comedian Bob Newhart. In 2005, Jamie was the featured artist on the nationally-syndicated NPR show “Says You!”. Jamie’s current projects include Dreamland (The Music of Thelonious Monk), and the Lesser Lakes Trio (with John Christensen and Devin Drobka). In 2003, Jamie recorded his first album as a leader “Song to a Rose”, featuring then 19-year-old bass phenom Joe Sanders. The recording featured several original compositions, as well as Freddie Hubbard’s classic “Gittin’ Down”, Sam Rivers’ “Beatrice, and the beautiful Jule Styne ballad, “I Fall in Love Too Easily”. Finally released in 2006, the recording was chosen by jazzreview.com’s Paul J. Youngman as a top-ten release of 2007. In late 2011, Jamie recorded and released his second studio recording, “Serenity”, a duo with the Boston-based pianist Barry Velleman. The 13-track “standards” release was recorded in one three-hour session. -
GRAMMY© AWARD WINNING TRUMPETER Brian Lynch
GRAMMY© AWARD WINNING TRUMPETER Brian Lynch “You can lose yourself in the pure energy of his playing, but at any moment you can switch your attention to the logic and craftsmanship of his music and find multiple rewards.” NEIL TESSER, Jazziz “Lynch demonstrates that a dedicated, knowledgeable jazzman can play a diversity of styles with telling authenticity, and make the renditions extremely appealing to both musician and neophyte...Lynch is simply first- rate.” ZAN STEWART, Downbeat “When youʼre as dynamic and flexible a trumpeter as Lynch, everyone wants you.” THE NEW YORKER “ … a knife-blade articulation on his horn… his command of rhythm, sharpened by a long apprenticeship with Mr. Palmieri, lent impressive authority to his playing…” NATE CHINEN, The New York Times “Ranks in the top ten of current trumpeters.” SCOTT YANOW, Cadence Magazine “Brilliant… two steps ahead of the ordinary ear.” REUTERS NEWS TRUMPETER COMPOSER ARRANGER EDUCATOR BANDLEADER: “Spheres Of Influence” “Unsung Heroes Project” The Brian Lynch Big Band Brian Lynch "This is a new millennium, and a lot of music has gone down," Brian Lynch said several years ago. "I think that to be a straight-ahead jazz musician now means drawing on a wider variety of things than 30 or 40 years ago. Not to play a little bit of this or a little bit of that, but to blend everything together into something that sounds good. It doesn't sound like pastiche or shifting styles; it's people with a lot of knowledge." Few musicians embody this 21st century credo as profoundly as the 48-year-old trumpet master. -
Program Reeves Quartet 2021
presents The Nat Reeves Quartet Nat Reeves, bass Rick Germanson, piano Eric McPherson, drums Tony Davis, guitar Friday, May 14, 2021 7:30 p.m. We welcome your donations in the basket at the center of the hall or at www.reddoormusic.org/donate. Please give generously to help us continue presenting needed musical refreshment. A suggested donation of $20 would be appreciated. Not on our email reminder list? Sign up today at www.reddoormusic.org/signup. For COVID-19 safety, the following protocols are in place for those attending in person: • Wear a mask over your mouth and nose at all times. Masks are required regardless of vaccine status. We have disposable masks should you need one. • Practice social distancing at all times. Observe signs and the directions of ushers about where to sit. Greet one another from a distance, do not linger in the building after the ushers have dismissed you. • If you might need to get up during the concert, please sit on the right side of the nave. The first-floor restrooms are available should you need them. Please refrain from going into other areas of the building. • Children must stay with their accompanying adult(s). • Entry is through the main red doors only, so park accordingly. • Please do not leave your seat until directed by an usher; exiting will happen row-by-row starting from the rear of the hall. • Exit is through the red doors or the side door into the cloister, as directed by an usher. • There will not be a meet-the-artist reception.