OBSIDIAN CLIFF Other Name/Site Number: 48YE433
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Location of Legal Description
Form No. 1O-306 (Rev. 10-74) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY - NOMINATION FORM FOR FEDERAL PROPERTIES SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS Historic Resources- of Yellows-tone National Park (Partial Inventory; AND/OR OIC^ON^ Obsidian Cliff Kiosk) LOCATION STREETS NUMBER N/A N/ANOTFOR PUBUCATION CITY. TOWN- ojTfl k-yA^YV*XJL JjU^ CONGRESSIONAL DISTRICT N/A iYellows-tonp Naffrynal <p., T4i,_ VICINITY OF At Large STATE CODE COUNTY CODE Wyoming 56 029 CLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE _ DISTRICT Z-PUBLIC —OCCUPIED _ AGRICULTURE. _ MUSEUM X^BUILDING(S) —PRIVATE 2L.UNOCCUPIED _ COMMERCIAL S_PARK —STRUCTURE —BOTH —WORK IN PROGRESS _ EDUCATIONAL —PRIVATE RESIDENCE _ SITE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS —OBJECT N /IN PROCESS —YES: RESTRICTED _ GOVERNMENT _ SCIENTIFIC multiple —BEING CONSIDERED X-YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION X resource —NO _ MILITARY —OTHER: AGENCY REGIONAL HEADQUARTERS: STRIET& NUMBER .655, Parfet Street. P.0. Box 2.5287 CITY. TOWN STATE Denver VICINITY OF Colorado LOCATION OF LEGAL DESCRIPTION COURTHOUSE, , REGISTRY OF DEEDS,ETC. H / A STREET & NUMBER Yellowstone National Park CtTY. TOWN STATE Wyoming N/A 01 REPRESENTATION IN EXISTING SURVEYS TITLE List of Classified Structures Inventory DATE 1976-1977 XFEOEBAL —STATE __COUNTY _LOCAL DEPOSITORY FOR SURVEY RECORDS National Park Service, Rocky Mountain Regional Office CITY. TOWN Denver„ STATEColorado DESCRIPTION CONDITION CHECK ONE CHECK ONE EXCELLENT _DETERIORATED X—UNALTERED _RUINS __ALTERED _ MOVED DATE_ _ FAIR _UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE The Obsidian Cliff Kiosk nomination'is a portion of the multiple resource nomination^ for Yellowstone National Park, The. -
October 30, 2019 Local Announcements Last Reminder - Applications for the Gardiner Resort Area District Tax Funds Are Due Tomorrow, 10/31
October 30, 2019 Local Announcements Last reminder - Applications for the Gardiner Resort Area District tax funds are due tomorrow, 10/31. You MUST have at least one representative available at our November meeting to answer any questions we might have. Funds will be assigned in December. Thank you to everyone who has applied. We will see you 11/12 at 7pm upstairs at the Chamber of Commerce. Public Meeting Notice: The Gardiner Resort Area District will hold its regular monthly meeting on Tuesday, November 12th at 7:00 PM upstairs at the Chamber of Commerce. The public is welcome to attend. For further information go to www.gardinerresorttax.com. The Electric Peak Arts Council presents it’s first visual art event on Thursday, November 14 at 7:00pm at the Gardiner School Multipurpose Room. The artist Robert Stephenson, known on stage as Rohaun, will paint a large scale piece of art in conjunction with a musical performance by Maiah Wynne. Rohaun’s work explores the depths of the human experience to tell stories that often go unheard. Twenty-two year old multi-instrumentalist, indie-folk singer-songwriter Maiah Wynne has the kind of hauntingly beautiful voice that can cause a room full of people to fall still, silently taking in every word and note. Breast Cancer Awareness Raffle at the Town Station Conoco will be ending tomorrow! Last chance tickets! Drawing held on 11/1/19. Thank you to all who donated and good luck! Wade, Paula & the crew. Town Station Conoco remodel project has progressed to the point where we will be unable to sell gas for a few weeks. -
Reflecting on the Moche Past 2000 Years of Mirrors in Andean Art
Reflecting on the Moche Past 2000 Years of Mirrors in Andean Art Reflecting on the Moche Past Mirror Frame Moche, Loma Negra, Peru, AD 500-800 Gilded copper/bronze H. 9 ¼ in. W 5 in. irrors, useful for seeing one’s own image, or for reflecting light, are a commonplace today. But in ancient M times pooled water was the only readily available reflective surface. Artificial mirrors could be made only by processing rare natural substances or forging new man-made materials. Vanity is a universal human trait, and ancient peoples undoubtedly sought to admire their own faces, coiffures, and bodies. Numerous ceramic vessels portray individuals with elaborate coiffures or using pincers (tweezer-like tools) to pluck facial hair. At least two ceramic vessels portray women holding small black disks – presumably mirrors - up to their faces. After the con- quest, Garcilaso de la Vega wrote about mirrors: "Los espejos en que se miravan Las mugeres de LA sangre real eran de Plata muy brunida y Las comunes en acofar [The mirrors in which the women of royal blood looked were of highly polished silver; commoners used bronze mirrors]" libro II cap xxxviii. But pre-Columbian mirrors were undoubtedly used for purposes far more significant than facilitating personal adornment. Mirrors made by labori- ously mining, shaping, and grinding dark, shiny minerals were exchanged over long distances, incorporated in public and private rituals, and sometimes were buried with the dead. Today’s mirrors are made from glass or plastic sheets coated with silver or an- other reflective material. While glass was never manufactured in the ancient Americas, dark volcanic glass – obsidi- an – was sometimes ground flat and polished to produce a reflective sur- face. -
OPAR CFP Advances in the Studies of Obsidian Sources and Artifacts Of
THE BLACK GOLD THAT CAME FROM THE SEA. ADVANCES IN THE STUDIES OF OBSIDIAN SOURCES & ARTIFACTS OF THE CENTRAL MEDITERRANEAN AREA COORDINATING EDITORS Franco Italiano, Istituto Nazionale di Geofisica e Vulcanologia, Sezione di Palermo, Italy. Franco Foresta Martin, Laboratorio Museo di Scienze della Terra Isola di Ustica, Palermo, Italy; Istituto Nazionale di Geofisica e Vulcanologia, Sezione di Palermo, Italy. Maria Clara Martinelli, Polo Regionale delle Isole Eolie per i siti culturali, Parco Archeologico e Museo Luigi Bernabò Brea, Lipari, Messina, Italy. DESCRIPTION Open Archaeology invites manuscripts for the Special Issue on The Black Gold That Came from the Sea. Advances in the Studies of Obsidian Sources and Artifacts of the Central Mediterranean Area. This Special Issue collects most of the contributions presented at the international workshop on the same subject which took place in Palermo, Italy, on 10-12 June 2019. The topics are: archaeometric studies of obsidian sources and artifacts; new methods of obsidian sources discrimination; genesis of the Central Mediterranean obsidian outcrops exploited during the Prehistory; obsidians as an edutainment tool; a section is dedicated to studies of characterization of ancient glasses. HOW TO SUBMIT The authors are kindly invited to submit their contribution via online submission system Editorial Manager available at http://www.editorialmanager.com/opar/ It is important that authors include a cover letter with their manuscript, making it clear that the manuscript is dedicated to Special Issue on The Black Gold That Came from the Sea. Advances in the Studies of Obsidian Sources and Artifacts of the Central Mediterranean Area. The cover letter should explicitly state that the manuscript (or one with substantially the same content, by any of the authors) has not been previously published in any language anywhere and that it is not under simultaneous consideration or in press by another journal. -
Yellowstone Visitor Guide 2019
Yellowstone Visitor Guide 2019 Are you ready for your Yellowstone adventure? Place to stay Travel time Essentials Inside Hotels and campgrounds fill up Plan plenty of time to get to Top 5 sites to see: 2 Welcome quickly, both inside and around your destination. Yellowstone 1. Old Faithful Geyser 4 Camping the park. Make sure you have is worth pulling over for! 2. The Grand Canyon of the secured lodging before you make Plan a minimum of 40 minutes Yellowstone River 5 Activities other plans. If you do not, you to travel between junctions or 3. Yellowstone Lake 7 Suggested itineraries may have to drive several hours visitor service areas on the Grand 4. Mammoth Hot Springs away from the park to the nearest Loop Road. The speed limit in Terraces 8 Famously hot features available hotel or campsite. Yellowstone is 45 mph (73 kph) 5. Hayden or Lamar valleys 9 Wild lands and wildlife except where posted slower. 10 Area guides 15 Translations Area guides....pgs 10–14 Reservations.......pg 2 Road map.......pg 16 16 Yellowstone roads map Emergency Dial 911 Information line 307-344-7381 TTY 307-344-2386 Park entrance radio 1610 AM = Medical services Yellowstone is on 911 emergency service, including ambulances. Medical services are available year round at Mammoth Clinic (307- 344-7965), except some holidays. Services are also offered at Lake Clinic (307-242-7241) and at Old Faithful Clinic (307-545-7325) during the summer visitor season. Welcome to Yellowstone National Park Yellowstone is a special place, and very different from your home. -
Welcome to Christ Church Cathedral's 'How Did They Do That?' Family Trail
Welcome to Christ Church Cathedral’s ‘How Did They Do That?’ Family Trail Christ Church has teamed up with local makers to create a fascinating self-guided trail which explores the huge amount of work and the many materials and methods that were used to create the Cathedral building and its priceless collection of artefacts. Ever wondered how to make stone look like fur, how to carve wood or the secret to making coloured glass? Here’s your chance to find out, with help from the ex- perts. You can follow this trail in any order you like around the Cathedral. Directions to each object can be found at the start of each section. Where to find Chapel of St things... Laud North Quire South Transept Transept Crypt Entrance Carved pulpit Strongbow’s Entrance Tomb Baptistery Welcome Desk Stained Glass Windows These can be found all over the Cathedral — just look up! Stained glass windows tell stories. They were originally used to teach people who couldn’t read about the Bible. With sunlight shining through them, casting bright colours around the Cathedral, they provided quite a show. Almost like an early form of cinema, before films were even thought of… What is glass and how is it made? Glass is basically molten sand (silica). As obsidian it occurs naturally in volcanos. About 7,000 years ago people discovered that by adding soda ash or potash and lime to sand they could melt it themselves at a much lower temperature. How can you make different coloured glass? Coloured glass is produced by adding min- erals or metal oxides to the glass mix. -
Rock and Mineral Eggs
Rock and Mineral Eggs Pisolithic limestone is a sedimentary rock made of pisoids, which are concretionary grains usually made of calcium carbonate. They generally resemble ooids but are larger than 2 mm in diameter and can reach up to 10 mm in diameter. The grains are approximately spherical and have concentric layers. Obsidian is a naturally occurring volcanic glass formed as an extrusive igneous rock. It is produced when felsic lava from a volcano cools so rapidly that there is minimal crystal growth. The obsidian samples in the display are regular obsidian, snowflake obsidian, and brecciated obsidian. Some varieties of obsidian have inclusions of small, white, radially clustered crystals of cristobalite in the black glass, called snowflake obsidian. Brecciated obsidian is partially broken down and recrystallized pieces of obsidian in angular patterns. 3+ Epidote (Ca2Al2(Fe ;Al)(SiO4)(Si2O7)O(OH)) is easily identified by its characteristic yellowish green or pistachio colour. It is an important constituent of low- and medium-grade metamorphic rocks and occurs in large amounts in contact-metamorphosed limestones. Azurite (Cu3(CO3)2(OH)2) is a dark to light blue mineral that commonly occurs with malachite (Cu2CO3(OH)2). It forms when carbonated waters and copper minerals undergo a chemical reaction and can be identified by its effervescence with cold dilute HCl. Malachite is a mineral that can be distinguished by its green colour and typical banding. It effervesces in HCl and is a widespread secondary copper mineral. It occurs in the upper oxidized zones of copper deposits where limestone is present. Fluorite (CaF2) is a vitreous and transparent mineral that can vary in colour from clear to yellow, purple, blue, and even green. -
Jackson's Auction
Jackson's Auction Collector's Choice: Antiques & Collectibles Wednesday - September 19, 2012 Collector's Choice: Antiques & Collectibles 675: REED & BARTON STERLING SILVER FLATWARE, 148 PIECES USD 4,000 - 6,000 A LARGE 148 PIECE SET OF REED AND BARTON FRANCIS 1ST STERLING SILVER FLATWARE, MID 20TH CENTURY. Comprising 24 table knives, 24 table forks, 24 salad forks, 35 teaspoons, 13 cream soup spoons, 5 tablespoons, 12 individual butter knives and 11 various serving pieces. Contained in two fitted chests, not matching. Total weight approximately 194 troy oz. 676: DUTCH SILVER EPERGNE, 1853 USD 1,000 - 1,500 A VERY FINE DUTCH SILVER AND CUT CRYSTAL CENTERPIECE EPERGNE, 1853. Stamp hallmarks including "Z&B" probably for Pieter Zollner and William Beijoer (1849-1871) comprising a silver entwining stem with extending foliage supporting two scallop cut crystal trays below a tulip blossom finial raised on a scalloped floral repousse and chased bell form base. Additionally stamped "Pde Meyer te'Hage." Silver weight approximately 34.76 troy oz. Height 22.5 inches (57cm). 677: WALLACE ROSE POINT STERLING SILVER FLATWARE, 63 PIECES USD 1,200 - 1,800 A VERY FINE SET OF WALLACE ROSE POINT STERLING SILVER FLATWARE, MID 20TH CENTURY. 63 pieces comprising 10 each place knives, place forks and salad forks, 20 teaspoons, 10 individual butters, a gravy ladle, sugar shell and pastry server. All contained in a fitted mahogany chest with drawer. Weight approximately 60 troy oz. 678: A FINE CONTINENTAL SILVER BACCHANALIAN FOOTED BOWL USD 200 - 400 A FINE CONTINENTAL SILVER BACCHANALIAN FOOTED BOWL, 20TH CENTURY. With embossed and chased facial mask within hammered scalloped lobes and grape vine rim in deep relief. -
Gems and Minerals in the Mcferrin Fabergé Collection
GEMS AND MINERALS IN THE MCFERRIN FABERGÉ COLLECTION: A STUDY Presented by Christel McCanless,Annemiek Wintraecken, and Tim Adams Fabergé International Symposium Houston, Texas January 31, 2013 Organic Materials from Trees and the Oceans Gems and Minerals Mined from the Earth Rock Stars Demonstration Team, Houston Museum of Natural Science Tours – Cullen Hall of Gems & Minerals and the Smith Gem Vault, Docents All illustrations are courtesy of the Artie and Dorothy McFerrin Collection, unless otherwise noted. Fabergé Sorting Loose Stones ca. 1915 • 1908 Lapidary workshop at 44 Angliskii Prospekt, St. Petersburg, employing 30 craftsmen by 1912. • Hardstone animals and Russian folkloristic figures are not always marked Fabergé, unless they have added gold or silver decorations. • Study goals: Gem and mineral identification and discovery of historical details. Brown Agate, 18 ct. gold, diamondeyes, Zarnitza Sailor H.W. Henrik Wigström (1862-1923) (Virginia Museum of FineArts) (The Hodges Family Collection) Research Clues: London Sales Ledgers, October 14, 1913 Milky White Agate, Onyx or Chalcedony? I. Organic Materials from Trees and the Oceans Karelian Birch – Hard wood with bulbous growth, caused by a genetic defect of a tree growing in a sub-arctic climate Silver Birch Insights on the Appliques: (Wikipedia) Possibly a present from a woman closely connected to the man on the photo, perhaps a soldier going back to the battlefield after a vacation in July 1915 … Presented by Lyusya Messalineta, possibly a diminutive version of name Messalina, -
Obsidian Butterfly
Obsidian Butterfly by Laurell K. Hamilton Book 9 of the Anita Blake Vampire Hunter Series Chapter 1 I WAS COVERED in blood, but it wasn't mine, so it was okay. Not only was it not my blood, but it was all animal blood. If the worst casualties of the night were six chickens and a goat, I could live with it, and so could everyone else. I'd raised seven corpses in one night. It was a record even for me. I pulled into my driveway at a quarter 'til dawn with the sky still dark and star-filled. I left the Jeep in the driveway, too tired to mess with the garage. It was May, but it felt like April. Spring in St. Louis was usually a two-day event between the end of winter and the beginning of summer. One day you were freezing your ass off and the next day it'd be eighty plus. But this year it had been spring, a wet gentle spring. Except for the high number of zombies I'd raised, it had been a typical night. Everything from raising a civil war soldier for a local historical society to question, a will that needed a final signature, to a son's last confrontation with his abusive mother. I'd been neck deep in lawyers and therapists most of the night. If I heard, "How does that make you feel, Jonathan (or Cathy, or whoever)?" one more time tonight, I'd scream. I did not want to watch one more person "go with his or her feelings" ever. -
Lithic Material Use in Late Prehistoric San Diego County
TECHNOLOGY ANO ECOLOGY IN PREHISTORIC CALIFORNJ.4 57 LITHIC MATERIAL USE IN LATE PREHISTORIC SAN DIEGO COUNTY JOHN DIETLER Previous research has suggested that lithic material preference in San Diego County was directly related to resource availability throughout all periods of prehistory. The Late Prehistoric period witnessed a dramatic increase in the use of materials not a.vailable 10calJy, such as obsidian and cryptocrystalline silicates. This study examines the frequency of lithic materials at Late Prehistoric sites throughout San Diego County. The county is divided into ten zones defined by geography and cultural affiliation. Up to ten previously tested sites are selected to represent each zone, and the percentage ofseven broad material classes present at each is quantified. It is shown that in all parts of the county, the closest usable material at hand dominates asite's assemblage. Small percentages ofmore deSirable, non-local materials were imported through direct procurement or trade. Linguistic boundaries appear to have been impediments to the movement ofsome materials, especially Piedre de Lumbre chert. ost studies in lithic technology in San Diego foothills. Ten tested sites, or as many as were County to date have looked at the available, were selected to represent each zone, and M assemblage at one or two sites, or the the percentage of seven broad material classes present distribution of one type of material over a defined at each is quantified. area. In this paper, I attempt to examine the "big picture" in San Diego County. The goal of this study In order to have as uniform a data set as possible, was to characterize lithic material distribution in the all the sites chosen for this study are Late Prehistoric Late Prehistoric period and the factors that shaped it. -
Obsidian Source Use in the Greater Yellowstone Area, Wyoming Basin, and Central Rocky Mountains
AQ76(2)Scheiber_Layout 1 5/17/11 11:42 AM Page 372 OBSIDIAN SOURCE USE IN THE GREATER YELLOWSTONE AREA, WYOMING BASIN, AND CENTRAL ROCKY MOUNTAINS Laura L. Scheiber and Judson Byrd Finley Using x-ray fluorescence (XRF) analysis from nearly 2,300 sourced obsidian artifacts in western Wyoming, southwestern Montana, and eastern Idaho, we demonstrate regional diachronic changes in access to and preference for particular obsid - ian sources throughout the West. We focus on both (1) long-term patterns of obsidian use that may inform us about the tim - ing of precontact migrations of Numic (Shoshone) speakers into the Rocky Mountains and (2) the extent to which later contact among Native inhabitants and European immigrants was a mechanism for reducing elements of precontact mobil - ity and exchange in the postcontact era. We view indigenous responses to contact in the study area as an active, strategic process with measurable material consequences. Despite a well-documented increase in mobility among local Native groups as a result of the introduction of the horse, our study demonstrates a restriction and reduction in Historic period source use in western Wyoming. We propose that changes in obsidian source use are a reflection of ethnogenesis and development of ethnographic bands as a response to culture contact among indigenous inhabitants and with Europeans. A través de un análisis de la radiografía (XRF) de casi 2.300 artefactos de obsidiana recuperados al oeste de Wyoming, el suroeste de Montana y el este de Idaho, demostramos cambios diacrónicos regionales en el acceso y la preferencia de ciertas fuentes de obsidiana para el oeste de los Estados Unidos.